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              <text>Burchfield, Robert.</text>
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              <text>Essays and Studies 35 (1982): 1-13.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 08 (18)</text>
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                <text>Realms and Approximations: Sources of Chaucer's Power</text>
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                <text>Chaucer's power lies particularly in the way he adapted and altered his sources and mirrored the world around him.</text>
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              <text>Giaccherini, Enrico.</text>
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              <text>Fausto Ciompi, ed. One of Us: Studi Inglesi e Conradiani Offerti a Mario Curreli (Pisa, Italy: ETS, 2009), pp. 155-66.</text>
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              <text>One of Us: Studi Inglesi e Conradiani Offerti a Mario Curreli.</text>
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              <text>Ciompi, Fausto, ed.</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 9/25/2013 No SAC</text>
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                <text>Reappraising 'The Prioress's Tale': Anti-Judaism, Sentimentality, and High Pathos</text>
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                <text>Distinguishes between "anti-Judaism" and "anti-Semitism," and reads the former as a motif that combines with other devices to produce the excessive pathos of PrT, a form of late-medieval emotional intensity.</text>
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              <text>Holley, Linda Tarte.</text>
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              <text>xvi, 184 pp.</text>
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              <text>mea sac 35:61.</text>
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                <text>Reason and Imagination in Chaucer, the "Perle"-Poet, and the "Cloud"-Author: Seeing from the Center</text>
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                <text>Building on recent studies related to space and epistemology, this study argues that Chaucer, as well as the "Pearl"-poet and author of "The Cloud of Unknowing," take a pedagogical stance in their writing and "proffer a space from which or by means of which the audience may see and understand." Knowledge through imagination, or analogy, works alongside knowledge via reason, or metaphor; in either case, understanding is predicated on measurement or motion. Focuses on NPT, HF, BD, and Astr.</text>
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              <text>Milosh, Joseph E.,Jr.</text>
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              <text>Millicent Lenz and Ramona M. Mahood, eds.  Young Adult Literature: Background and Criticism (Chicago: American Library Association, 1980), pp. 433-40.</text>
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            <elementText elementTextId="2725491">
              <text>Young Adult Literature: Background and Criticism.</text>
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              <text>Lenz, Millicent,</text>
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              <text>ed.</text>
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              <text>Miller and His Tale.</text>
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              <text>jules SAC 04 (68)</text>
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                <text>Reason and Mysticism in Fantasy and Science Fiction</text>
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                <text>John the cuckolded carpenter in MilT, delights in a simple faith which makes star-gazing unnecessary.  The NPT revolves around the problem of translating intuitive knowledge into action.  In both modern and medieval images of the universe,searching is essentially the same.  Using historical backgrounds to give young readers perspective, teachers can nourish this quest.</text>
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              <text>Rosenberg, Bruce Allen.</text>
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              <text>Dissertation Abstracts International 26.03 (1965): 1654A.</text>
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              <text>Dissertation Abstracts International 26 (1965)</text>
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              <text>Canon's Yeoman and His Tale&#13;
Second Nun and Her Tale</text>
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                <text>Interprets the Canon of CYP as "one of the men of Antichrist," and examines the sustained opposition of CYPT and SNPT, emphasizing their contrasting depictions of reason and revelation as ways of knowing.</text>
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              <text>Fleming, John (V.)</text>
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              <text>jules SAC 08 (64)</text>
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                <text>Argues the moral supremacy of the Reason in Jean de Meun's "Roman de la Rose."</text>
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              <text>Robert R. Edwards and Stephen Spector, eds.  The Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World (Albany: State University of New York Press, 1991), pp. 201-10, 287-89 (notes).</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>Examines "the paradigm of consoler-consolation-consolee" in The Consolation of Philosophy, Roman de la Rose, Remede de Fortune, and TC.  The Consolation is "sub-text or perhaps super-text."  The other texts mediate in Chaucer's adaptation of Boethius.  Wimsatt cites a passage on marital friendship in FranT as a case in which the Remede "acts as intermediary between the Roman and a work of Chaucer."</text>
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Dissertation Abstracts International A82.11(E). Open access at https://dukespace.lib.duke.edu/items/d005dd73-6232-43ef-94ce-537d1d9a7767 (accessed December 19, 2024).</text>
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Knight and His Tale</text>
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                <text>Reasoning Rebellion and Reformation: Natural Law and the Ethics of Power and Resistance in Late Medieval English Literature.</text>
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                <text>Clarifies the "centrality and complexities" of political and ethical law discourse in late medieval England, showing how it is used in works by Thomas Usk and how in TC and KnT Chaucer "questions the view that the natural law is an unshakeable foundation for effective resistance."</text>
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              <text>Smyth, Karen Elaine.</text>
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              <text>Fifteenth-Century Studies 32 (2007): 150-63.</text>
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                <text>Reassessing Chaucer's Cosmological Discourse at the End of Troilus and Criseyde (c.1385)</text>
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                <text>Troilus ultimately travels to the ninth--not the eighth--sphere at the end of TC, a place ripe with "symbolic valence," reinforcing Chaucer's narrative focus on constant change and the ambiguity that comes with it.</text>
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              <text>Warren, Nancy Bradley.</text>
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Wife of Bath and Her Tale</text>
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2024</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 101-14.</text>
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                <text>Rebellious Women: Aphra Behn's Widow Ranter and Geoffrey Chaucer's Wife of Bath.</text>
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                <text>Argues that the widow Ranter of Aphra Behn's "The Widow Ranter; or, The History of Bacon in Virginia" is "a 'reincarnation' of Chaucer's Wife of Bath in the New [W]orld." Behn's play "translates the wife . . . to colonial Virginia to negotiate both gender and class dynamics in the construction of potentially rebellious colonial identities vis-à-vis England."</text>
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              <text>xxiv, 269 pp.</text>
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                <text>Rebels and Rivals: The Contestive Spirit in The Canterbury Tales</text>
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                <text>This collection of essays by various authors addresses the rivalry and tension among characters, themes, styles, and genres in CT.&#13;
For individual essays that pertain to Chaucer, search for Rebels and Rivals under Alternative Title.</text>
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              <text>Boyd, David Lorenzo.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2692716">
              <text>Dissertation Abstracts International 52 (1991): 909A.</text>
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        <element elementId="102">
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              <text>Manuscripts and Textual Studies.</text>
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          <elementTextContainer>
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                <text>On the basis of insights provided by manuscripts (especially Harvard MS English 530), certain works by Hoccleve and Lydgate reveal unifying themes.  To fifteenth-century readers, Chaucer's PF treated the relationship of common profit and individual will.</text>
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        <element elementId="98">
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              <text>Papers on Language and Literature 25 (1989): 242-63.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705238">
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          <elementTextContainer>
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              <text>jules SAC 13 (146)</text>
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                <text>Receding Images of Initiators and Recipients--Yet Another Reflection of 'The Merchant's Tale'</text>
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                <text>The divergence of critical opinion about MerT attests to Chaucer's success in prompting multiple responses to his text and in allowing no definitive reading.  In the tale, "the narrator/narratee relationships are reflected in a multiplicity of increasingly imperfect and blurring images which destabilize the author/text/audience relationship."</text>
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              <text>Baker, Donald C.</text>
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              <text>University of Mississippi Studies in English 1 (1960): 97-104.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Recent Interpretations of Chaucer's "House of Fame" and a New Suggestion.</text>
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                <text>Argues that "the role of the artist as purveyor of Fame" is the fundamental unifying theme of HF and suggests that Chaucer may have intended to resolve tensions between Dantean and Boethian views of the poet (as teacher and misleader, respectively) at the completion of the poem, perhaps having the man of great authority offer perspective on "the responsibility of a poet in society."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712035">
              <text>Wallace, Martin.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Ithaca, N.Y.: Cornell University Press, 1986.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2712037">
              <text>1986</text>
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            <elementText elementTextId="2712039">
              <text>Summoner and His Tale.</text>
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              <text>jules SAC 10 (89)</text>
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              <elementText elementTextId="2712034">
                <text>Recent Theories of Narrative</text>
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            <description>An account of the resource</description>
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                <text>Contains a section on the folk motif of "the lover's gift regained."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2775857">
              <text>Fisiak, Jacek, and Hye-Kyung Kang, eds.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2775858">
              <text>Seoul, South Korea: Thaehaksa, 2005.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2775859">
              <text>2005</text>
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          <elementTextContainer>
            <elementText elementTextId="2775860">
              <text>viii, 480 pp.</text>
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              <text>Kang, Hye-Kyung, ed.</text>
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            <elementText elementTextId="2775863">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2775864">
              <text>vxl SAC 31:98</text>
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              <elementText elementTextId="2775856">
                <text>Recent Trends in Medieval English Language and Literature in Honour of Young-Bae Park. Volume 1</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775862">
                <text>Twenty essays by various authors on topics in theoretical linguistics and in Old and Middle English linguistics and literature. For three essays that pertain to Chaucer, search for Recent Trends in Medieval English Language and Literature under Alternative Title.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742698">
              <text>Jankowski, Eileen S.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742699">
              <text>Chaucer Review 30 (1996): 306-18.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742700">
              <text>1996</text>
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        <element elementId="102">
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            <elementText elementTextId="2742702">
              <text>Second Nun and her Tale.</text>
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            <elementText elementTextId="2742703">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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            <elementText elementTextId="2742704">
              <text>Chaucer Review 30 (1996)</text>
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        <element elementId="109">
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            <elementText elementTextId="2742705">
              <text>jules SAC 20 (1998), 236</text>
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          <element elementId="50">
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              <elementText elementTextId="2742697">
                <text>Reception of Chaucer's 'Second Nun's Tale': Osbern Bokenham's 'Lif of S. Cycyle'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742701">
                <text>Lexical similarities and broad organizational strategies in Bokenham's legend suggest that his sources were SNT, the "Legenda," and the "Passio."  Bokenham reveals an early fifteenth-century appreciation of Chaucer's skill as author and translator.</text>
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              <text>Boffey, Julia.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2852802">
              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 457-69.</text>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2852806">
              <text>2023</text>
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            <name>Title</name>
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                <text>Reception of the Middle English Poetic Tradition.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852800">
                <text>Examines the legacy and survival of fourteenth-century poetry and poetic innovations in the fifteenth century, emphasizing the influence of Chaucer and Gower, especially with regard to their shaping of the role of the poet.</text>
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  <item itemId="269344" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2774519">
              <text>Zissos, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774520">
              <text>International Journal of the Classical Tradition 13.2 (2006): 165-85.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774521">
              <text>2006</text>
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          <elementTextContainer>
            <elementText elementTextId="2774523">
              <text>Legend of Good Women.</text>
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          <elementTextContainer>
            <elementText elementTextId="2774524">
              <text>International Journal of the Classical Tradition 13 (2006)</text>
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            <elementText elementTextId="2774525">
              <text>vxl sac 30:270</text>
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              <elementText elementTextId="2774518">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2774522">
                <text>Zissos surveys the reception of Valerius Flaccus's "Argonautica," briefly discussing Chaucer's references to the author and the work in LGW, identified by E. F. Shannon in 1929. Chaucer was the first to refer to the poem after the postclassical period, although the poem was much more frequently cited after it was printed in 1474.</text>
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  <item itemId="272466" public="1" featured="0">
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              <name>Title</name>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807225">
              <text>Schildgen, Brenda Deen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2807226">
              <text>Comparative Literature 65.1 (2013): 85-100.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807227">
              <text>2013</text>
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        <element elementId="102">
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            <elementText elementTextId="2807229">
              <text>Knight and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2807231">
              <text>Comparative Literature 65 (2013)</text>
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              <text>mea sac 37:99</text>
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                <text>Reception, Elegy, and Eco-Awareness: Trees in Statius, Boccaccio, and Chaucer</text>
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                <text>Focuses on the episode of "wood-stripping" that occurs in Statius' :Thebaid" (6.84-117), Boccaccio's "Teseida" (11), and KnT (4.2919-62).  While Statius' account is the major model for the others, all versions imply social-political criticism, express nostalgia for a localized landscape, and evoke an emotional response to natural phenomena.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lerer, Seth.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 83-95.</text>
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              <text>2010</text>
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              <text>Chaucer: Contemporary Approaches.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Truth</text>
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              <text>Knight and His Tale</text>
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              <text>vxl sac 34:74</text>
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                <text>Receptions: Medieval, Tudor, Modern</text>
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                <text>Lerer comments on the recent study of Chaucer reception and exemplifies the "status of Chaucer's authority" in a letter of Alice Paston to her son, a version of Truth in Tottel's "Miscellany," and an allusion to KnT in "The Two Noble Kinsmen." Each context "modernizes" Chaucer's authority to suit an immediate purpose. Lerer includes a text of the two "Chaucerian" poems in Tottel's "Miscellany."</text>
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              <text>Doyle, Laura.</text>
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              <text>Literature Compass 15.6 (2018): n.p.</text>
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              <text>Literature Compass 15 (2018)</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 43:100</text>
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              <text>Chaucer's Global Compaignye.</text>
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                <text>Rechanneling Chaucer, Decentering Circulation.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2836493">
                <text>Places the cluster of Chaucer essays in this special issue of "Literature Compass"--entitled "Chaucer's Global Compaignye"--in the context of the journal's "Global Circulation Project," and comments on each of the included essays. For individual essays included in the cluster, search for Literature Compass 15 (2018) under Journal by Volume Number.</text>
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              <text>Colley, Dawn Fleurette.</text>
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          <name>Published</name>
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          <elementTextContainer>
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              <text>DAI A74.01 (2013): n.p. Fully accessible at https://scholar.colorado.edu/engl_gradetds/22.</text>
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              <text>Treatise on the Astrolabe</text>
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              <text>Boece</text>
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              <text>Tale of Melibee</text>
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              <text>Parson and His Tale</text>
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              <text>Chaucer's Retraction</text>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 74 (2013)</text>
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          </elementTextContainer>
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              <text>mea sac 37:86</text>
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                <text>Reclaiming Reason: Chaucer's Prose and the Path to Autonomy</text>
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                <text>Examines how Astr, Bo, Mel, ParsT, and Ret can encourage readers to develop their own interpretive strategies and move towards autonomy.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Minnis, Alastair.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>JMEMSt 33: 311-34,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765193">
              <text>2003</text>
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              <text>Pardoner and His Tale.</text>
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          <elementTextContainer>
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              <text>Journal of Medieval and Early Modern Studies 33 (2003)</text>
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          <description/>
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              <text>vxl SAC 27:236</text>
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                <text>Reclaiming the Pardoners</text>
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                <text>Noting the heritage of critical commentary about the Pardoner's sexuality, Minnis calls for refocusing attention on the central issue: the Pardoner's immorality. The Pardoner, probably a lay person, is placed within the context of medieval indulgence theory and practice to show his egocentric manipulation of complexities and confusions within the system.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Keller, Kimberly Anne.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746987">
              <text>Dissertation Abstracts International 60 (1999): 122A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746988">
              <text>1999</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucerian Apocrypha.</text>
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        <element elementId="100">
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              <text>Dissertation Abstracts International 60 (1999)</text>
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              <text>jules SAC 22 -319</text>
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                <text>Recognition and Regression in Chaucerian Love Poetry</text>
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            <description>An account of the resource</description>
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                <text>A psychoanalytic, Lacanian study of the lover's complaint reveals the fragmented lover as seeking at once wholeness through recognition of his "trouthe" by the lady and union with her.  Treats lovers' fantasies and failures in TC, Lydgate, Hoccleve, and Chaucerian apocrypha.</text>
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