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              <text>Rogers, Phillip.</text>
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              <text>Queens Quarterly 94 (1987): 72-79.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 11 (139)</text>
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                <text>Reading and Re-Reading the 'Canterbury Tales'</text>
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                <text>Review article.</text>
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              <text>Zieman, Katherine Grace.</text>
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              <text>Miller and His Tale.</text>
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              <text>jules SAC 22 - 165.</text>
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                <text>Reading and Singing: Liturgy, Literacy, and Literature in Late Medieval England</text>
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                <text>Late-medieval liturgical activities--especially benefactions and the education that lay behind them--resulted from a variety of conditions and motives and produced a volatile environment that influenced the rise of vernacular literacy. </text>
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                <text>  Langland's Piers Plowman, Gower's Vox Clamantis, and HF and MilT reflect this volatility in various ways, with Chaucer claiming authority for the vernacular.</text>
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              <text>Findlay, L. M.</text>
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              <text>Florilegium 16: 61-75,   1999.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Florilegium 16 (1999)</text>
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              <text>jules SAC 23 (250)</text>
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                <text>Reading and Teaching Troilus Otherwise: St. Maure, Chaucer, Henryson</text>
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                <text>Teaching in the humanities should entail continual reconstituting of relevance. Detailed analysis of the portraits of Briseis/Criseyde in the "Roman de Troie," TC, and the "Testament of Cresseid"--even apart from the long works in which they appear--allows exploration of important concerns such as gender politics and cultural imperialism.</text>
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              <text>Crick, Julia, and Daniel Wakelin.</text>
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              <text>Orietta Da Rold and Elaine Treharne, eds. The Cambridge Companion to Medieval British Manuscripts (Cambridge: Cambridge University Press, 2020), pp. 49-75.</text>
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              <text>Wakelin, Daniel.</text>
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              <text>Cambridge Companion to Medieval British Manuscripts</text>
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              <text>Manuscripts and Textual Studies&#13;
Parliament of Fowls</text>
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                <text>Reading and Understanding Scripts.</text>
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                <text>Surveys late medieval insular scripts, and discusses evident efforts to imitate anglicana formata in a stanza inserted into the roundel of PF in Cambridge University Library, MS Gg.4.27--added by a scribe who seems to have been "more accustomed to secretary script."</text>
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              <text>Reid, Lindsay Ann.</text>
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              <text>Comparative Drama 55 (2021): 211-33.</text>
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                <text>Reading at the Seams in "Titus Andronicus": Shakespeare's "House of Fame" and Its Virgilian-Ovidian-Chaucerian Resonances.</text>
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                <text>Focuses on depictions of Dido in HF and in Shakespeare's "Titus," arguing that "Shakespeare found in Chaucer's "House of Fame" a medieval vernacular model for . . . [the] Virgilian-Ovidian hybridity" of the character, and showing that the two works share "thematic strands," including reputation, rumor, imperial authority, and the "weight of textual authority."</text>
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              <text>Prendergast, Thomas A.</text>
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              <text>In Thomas A. Prendergast and Jessica Rosenfeld, eds. Chaucer and the Subversion of Form (Cambridge: Cambridge University Press, 2018), pp. 149-64.</text>
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              <text>Chaucer and the Subversion of Form.</text>
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              <text>mea; SAC 42:159</text>
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                <text>Shows how PhyT both frustrates formal classification and foregrounds problems of reading and interpretation. Virginia is a text who is "misread" and rewritten by Apius, Virginius, Harry Bailly, and even Virginia herself.</text>
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              <text>Sheila Delany, ed. Chaucer and the Jews: Sources, Contexts, Meanings (New York and London: Routledge, 2002), pp. 109-32.</text>
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              <text>2002</text>
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              <text>Chaucer and the Jews: Sources, Contexts, Meanings.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Tale of Melibee.</text>
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        <element elementId="109">
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              <text>vxl</text>
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                <text>Reading Biblical Outlaws: The 'Rise of David' Story in the Fourteenth Century</text>
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                <text>Surveys various allusions to and summaries of the story of David in English medieval tradition (including allusions in MLT, MerT, and Mel), arguing that treatments of the story reveal simultaneous desires: to embrace Hebrew Scripture as authentic and authoritative and to rewrite it as more useful to a Christian audience.</text>
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              <text>Mead, Jenna.</text>
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              <text>Medieval Encounters 5: 350-57,   1999.</text>
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        <element elementId="114">
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            <elementText elementTextId="2750438">
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              <text>jules SAC 23 (223)</text>
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                <text>Reading by Said's Lantern : Orientalism and Chaucer's Treatise on the Astrolabe</text>
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                <text>Although Astr can be read as "unmarked," or neutral in relation to issues of cultural otherness, its source in Messahala's Arabic treatise and its enfigurement of the astrolabe as feminine indicate that we can and should treat it (with other seemingly unmarked texts) within the discourse of orientalism.</text>
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              <text>Travis, Peter W.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>James J. Paxson, Lawrence M. Clopper, and Sylvia Tomasch, eds. The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens (Cambridge: D. S. Brewer, 1998), pp. 161-81.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2749652">
              <text>1998</text>
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            <elementText elementTextId="2749653">
              <text>The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens.</text>
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            <elementText elementTextId="2749655">
              <text>Nun's Priest and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 22 - 274.</text>
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                <text>Reading Chaucer 'Ab Ovo': Mock-'Exemplum' in the 'Nun's Priest's Tale'</text>
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                <text>In the opening of NPT, Chaucer investigates the exemplary form, both honoring the aesthetic persuasion of Geoffrey of Vinsauf and of Horace and-through parody-undercutting prescriptive notions that narrative must have a predominant sense and readers' expectations that it will.</text>
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              <text>Rogerson, Margaret.</text>
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              <text>Jan Shaw, Philippa Kelly, and L. E. Semler, eds. Storytelling: Critical and Creative Approaches (New York: Palgrave Macmillan, 2013), pp. 167–80.</text>
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              <text>Shaw, Jan, ed.&#13;
Kelly, Philippa, ed.&#13;
Semler, L. E., ed.</text>
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              <text>Storytelling: Critical and Creative Approaches</text>
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              <text>Knight and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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              <elementText elementTextId="2830347">
                <text>Reading Chaucer "in Parts": "The Knight's Tale" and "The Two Noble Kinsmen."</text>
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              <elementText elementTextId="2830459">
                <text>Observes how KnT signals transitions, scene changes, gestures, and even costuming, perhaps inspiring Shakespeare and Fletcher to create "The Two Noble Kinsmen" by dividing the Chaucer poem into written "parts" for actors before assembling their entire play.</text>
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              <text>McClellan, William.</text>
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        <element elementId="98">
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              <text>New York: Palgrave Macmillan, 2016.</text>
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              <text>ix, 123 pp. </text>
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Clerk and His Tale&#13;
Prioress and Her Tale,</text>
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              <text>mea; SAC 42:138</text>
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        <element elementId="114">
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            <elementText elementTextId="2832873">
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                <text>Reading Chaucer after Auschwitz: Sovereign Power and Bare Life. </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832867">
                <text>Applies a "New Paradigm for Reading" to MLT based on the "new ethics" of Giorgio Agamben's analysis of Levi Primo's testimony of Auschwitz, combined with Walter Benjamin's concept of "constellations" of images that fuse past and present. Focuses on relations between sovereign power and the subjectification and "desubjectification" of subjects, particularly how the multiple sovereigns of MLT impose power on Custance and abandon her, conveying "various permutations" of the "painful experience of exile" and the intrinsic culpability of the sovereign. Presents MLT as Chaucer's most negative view of sovereignty, and examines parallel concerns in PrT and ClT.</text>
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        <element elementId="110">
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            <elementText elementTextId="2772555">
              <text>Fuller, David.</text>
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              <text>Corinne Saunders, ed. A Concise Companion to Chaucer (Malden, Mass.; Oxford; and Victoria: Blackwell, 2006), pp. 263-84.</text>
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        <element elementId="114">
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            <elementText elementTextId="2772557">
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            <elementText elementTextId="2772558">
              <text>A Concise Companion to Chaucer.</text>
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              <text>Style and Versification.</text>
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              <text>vxl sac 30:77</text>
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                <text>Fuller insists that sound is "intrinsic to meaning" in reading Chaucer, commenting on the importance of metrical patterns and syntactic structures, appropriate intonation and pace, and pronunciation of final -e. Although it is difficult to approximate historical pronunciation of Chaucer's verse, reconstructive approaches and modern pronunciation are not mutually exclusive. The essay includes a list of audio and video recordings and evaluates a number of them.</text>
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              <text>Knox, Philip, Mark Griffith, and William Poole.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations&#13;
Language and Word Studies</text>
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              <elementText elementTextId="2821942">
                <text>Reading Chaucer in New College, Oxford, in the 1630s: The Commendatory Verses to Francis Kynaston's "morum Troili et Creseidae."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821943">
                <text>Proposes that prefatory verses published in Kynaston's Latin translation of TC demonstrate a high degree of academic interest in Chaucer in seventeenth-century Oxford. Several verses praise Kynaston by criticizing Chaucer's "rudeness," but others echo or imitate Chaucer's texts, including PF. One verse echoes Chaucer's ribaldry though complex puns. Poet Francis James, apparently influenced by Spenser, wrote at least two poems that praise Kynaston and imitate Chaucer's Middle English. </text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816676">
              <text>Ensley, Mimi.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2816677">
              <text>Journal of the Early Book Society 18 (2015): 136–57.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2816678">
              <text>Journal of the Early Book Society 18 (2015)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2816679">
              <text>Facsimiles, Editions, and Translations&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2816680">
              <text>SAC 39:15&#13;
mea; 2/18/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816681">
              <text>2015</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825235">
                <text>Establishes that John Harington owned a copy of William Thynne's 1542 edition of Chaucer's complete works and may have annotated it when he was imprisoned in the Tower of London. Comments on Harington's annotations and speculates on communal reading practices and Chaucer's connections to Boethius.</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2826009">
                <text>Reading Chaucer in the Tower: The Person behind the Pen in an Early-Modern Copy of Chaucer's "Works."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840249">
              <text>Gaston, Kara.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840250">
              <text>Oxford: Oxford University Press, 2020.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840251">
              <text>xi, 202 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840252">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840253">
              <text>mea; SAC 44:46</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2840254">
              <text>2020</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2840247">
                <text>Reading Chaucer in Time: Literary Formation in England and Italy.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2840248">
                <text>Considers Chaucer's writings and their Italian influences, arguing for a view of Chaucer's poetry and its form over time, tracing "form as an object of discovery, rather than of recovery, and reading as a way of actively participating in the history of a poem, rather than describing it as if from the outside."</text>
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  <item itemId="267764" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758465">
              <text>Rose, Christine M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758466">
              <text>Elizabeth Robertson and Christine M. Rose, eds. Representing Rape in Medieval and Early Modern Literature (New York and Basingstoke: Palgrave, 2001), pp. 21-60.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758467">
              <text>2001</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758468">
              <text>Representing Rape in Medieval and Early Modern Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758470">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758471">
              <text>jules SAC 25 (132)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758464">
                <text>Reading Chaucer Reading Rape</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758469">
                <text>Rose surveys instances of rape or threatened rape in Chaucer's works, arguing that, though Chaucer presents rape as a trope that enfigures reader response or male competition, we must recognize and confront its literal value, accepting it both in game and in earnest. Rape in Chaucer is "astonishingly prevalent and varied."</text>
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          </element>
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  </item>
  <item itemId="269117" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772206">
              <text>Collette, Carolyn P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772207">
              <text>Christoph Huber and Henrike Lähnemann, eds. Courtly Literature and Clerical Culture / Höfische Literatur und Klerikerkultur / Littérature courtoise et culture cléricale. Selected Papers from the Tenth Triennial Congress of the International Courtly Literature Society, Universitat Tübingen, Deutschland, 28 Juli-3 August 2001 (Tübingen: Attempto, 2002), pp. 177-94.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772208">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772209">
              <text>Courtly Literature and Clerical Culture / Höfische Literatur und Klerikerkultur / Littérature courtoise et culture cléricale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772210">
              <text>Huber, Christoph, ed.</text>
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            <elementText elementTextId="2772211">
              <text>Lähnemann, Henrike, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772213">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2772214">
              <text>Second Nun and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2772215">
              <text>Canon's Yeoman and His Tale.</text>
            </elementText>
            <elementText elementTextId="2772216">
              <text>Manciple and His Tale.</text>
            </elementText>
            <elementText elementTextId="2772217">
              <text>Parson and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2772218">
              <text>vxl sac 30:44</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2772205">
                <text>Reading Chaucer Through Philippe de Mézières: Alchemy, the Individual, and the Good Society</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2772212">
                <text>Collette reads the end of CT against Philippe de Mézières' "Songe du vieil pelerin," indicating Chaucer's connections with contemporary Anglo-French literature and exploring the relations between politics and morality in four Tales: alchemy as a trope in SNT and CYT; speech in ManT; and critique of aristocratic excess in ParsT.</text>
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  <item itemId="267184" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752343">
              <text>Ishiharada, Masahiro.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752344">
              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 19-39 (in Japanese)</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752345">
              <text>1999</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752346">
              <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752348">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2752349">
              <text>Facsimiles, Editions, and Translations.</text>
            </elementText>
            <elementText elementTextId="2752350">
              <text>General Prologue to the Canterbury Tales.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752351">
              <text>jules SAC 23 (28)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752342">
                <text>Reading Chaucer: A Comparative Study on Manuscripts and Printed Editions of the General Prologue</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2752347">
                <text>Collates variants between manuscripts and modern printed editions of GP, based on the catalog of variants in Manly and Rickert and the Variorum GP.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="271294" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794995">
              <text>Benson, Larry D., trans.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794996">
              <text>New York: Norton, 2006.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794997">
              <text>2006</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794998">
              <text>iii, 173 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795000">
              <text>Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795001">
              <text>mea; 11/8/2013 No SAC</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2794994">
                <text>Reading Chaucer: An Interlinear Translation of Selections in "The Norton Anthology of English Literature"</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2794999">
                <text>Interlinear translation in modern English of the selections from Chaucer in the 8th edition of the "Norton Anthology of English Literature" (2006), edited by Alfred David and James Simpson. Includes GP, MilPT, MLE, WBPT, PardPT, NPT, ParsP, Ret, "Troilus's Song" (from TC 1.400-420), Truth, Adam, and Purse, with an introduction by David and Simpson.</text>
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Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <elementText elementTextId="2822239">
                <text>Includes previously published essays on English medieval writers, including Chaucer, Thomas Hoccleve, and Ranulph Higden. Contains one unpublished essay, "Towards a Bohemian Reading of Troilus and Criseyde." Topics are divided into subsections: "Borderlands," "Interiors," and "After-Images." Essays use "contextual materials" to develop understanding of Chaucer. </text>
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                <text>Reading Chaucer: What's Allowed in 'Aloud'?</text>
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                <text>Riches of tone and ambiguities encourage us to read Chaucer's poetry silently.  Oral performances can illuminate and entertain, but they limit perception of range and depth of meaning.  Gaylord examines unpunctuated portions of the Prioress's sketch, Chauntecleer's praise of Pertelote, and Pandarus at Criseyde's bedside after the consumation scene.</text>
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        <element elementId="98">
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              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 173-85.</text>
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              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
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                <text>Reading Chaucer's 'Manly Man': The Trouble with Masculinity in the 'Monk's Prologue' and 'Tale'</text>
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                <text>MkT critiques secular masculinity, represented by the Host and the Knight; their comments about the Tale disclose more about themselves than about the Tale or its teller. Against these two figures, the "Monk remains a figure of resistance."</text>
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          <elementTextContainer>
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              <text>Finlayson, John.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771112">
              <text>English Studies 86 (2005): 493-510.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771113">
              <text>2005</text>
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              <text>English Studies 86 (2005).</text>
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          <description/>
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                <text>Reading Chaucer's 'Nun's Priest's Tale': Mixed Genres and Multi-Layered Worlds of Illusion</text>
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                <text>NPT can best be approached by focusing on form and style rather than on theme and narrator. Attempting to define a central theme or message is frustrated by the Tale's allusive richness and multiplicity of perspectives, and the narrator is largely generated by the Tale. An example of Chaucer's "virtuoso comic art at its height," NPT leaves central matters of interpretation to the reader.</text>
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