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                  <text>Chaucer Bibliography Online</text>
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              <text>Broadbent, J. B.</text>
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              <text>London: Chatto &amp; Windus, 1964.</text>
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              <text>[x]. 310 pp.</text>
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              <text>Knight and His Tale&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale</text>
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              <text>mea; 10/30/2019</text>
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              <text>1964</text>
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                <text>Poetic Love.</text>
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                <text>Studies the Christian and Platonic underpinnings of romantic love in Renaissance drama and poetry, exploring its roots in courtly traditions, and distinguishing it from love depicted by Augustan, Romantic, and modern writers. A section on Chaucer (pp. 42-56) maintains that Chaucer's depiction of courtly sentiment advances "Petrarchan 'technique'" by testing courtly conventions and human nature "against each other." KnT demonstrates the success of religious love over "realist" love, while Troilus's idealism in TC is counterpointed by the practical outlooks of Pandarus, Diomede, and Criseyde. The Marriage Group of CT explores "more complex and mature loves in order to "comment on life": WBT "symbolizes" the teller's "deepest need for a man with enough erotic force to love her into beauty"; the envoy of ClT provides "therapeutic irony" to redeem the ludicrous impracticality of the Tale; and in FranT Dorigen and Arveragus "preserve in marriage the freedom and regard of romantic love" while also preserving "marriage itself against romantic dangers."</text>
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              <text>Marks, Herbert.</text>
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              <text>Massachusetts Studies in English 08 (1982): 50-55.</text>
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              <text>1982</text>
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              <text>Massachusetts Studies in English 08 (1982)</text>
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              <text>jules SAC 06 (1982)</text>
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                <text>Poetic Purpose in the 'Tale of Melibee'</text>
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                <text>The poetic purpose of Mel is critical rather than aesthetic.  Chaucer's use of prose is itself a trope for the Christian humility espoused in the tale.</text>
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              <text>Benson, C. David.</text>
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              <text>C. David Benson and Elizabeth Robertson, eds.  Chaucer's Religious Tales (Cambridge:  D. S. Brewer, 1990), pp. 137-44.</text>
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              <text>1990</text>
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              <text>Chaucer's Religious Tales.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>jules SAC 14 (129)</text>
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                <text>Poetic Variety in the 'Man of Law's' and the 'Clerk's Tales'</text>
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                <text>Not all of Chaucer's religious tales are alike.  In MLT and ClT, Chaucer "transforms the same basic material into two radically different, though equally valid, varieties of religious poetry."  A religious romance, MLT "employs great rhetorical flourish," presents its heroine sympathetically, and celebrates an omnipotent God.  The more austere ClT "frustrates ... interpretation," keeps emotion "under tight control," and distances God.</text>
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              <text>Horsley, Katharine Frances.</text>
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              <text>Dissertation Absracts International 65 (2005): 3796A.</text>
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              <text>Legend of Good Women.</text>
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              <text>Dissertation Abstracts International 65 (2005).</text>
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              <text>vxl SAC 29:292</text>
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                <text>Poetic Visions of London Civic Ceremony, 1360-1440</text>
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                <text>As part of a larger consideration of dream poems and medieval ritual, Horsley argues that Chaucer intended liturgical elements of LGWP to evoke saints' day ceremonies recorded in the Sarum Missal.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Prendergast, Thomas A.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2015.</text>
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              <text>xii, 235 pp. </text>
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              <text>Chaucer's Life&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:27</text>
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              <text>2015</text>
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                <text>Poetical Dust: Poets' Corner and the Making of Britain.</text>
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                <text>Studies the significance of "Poets' Corner" in Westminster Abbey as both a physical and a metaphorical literary space. Presents the history of Chaucer's importance as the "founding corpse of Poets' Corner" in discussion of how "political, moral, and gendered concerns" determined who would be buried in the Corner. </text>
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              <text>Parkes, Malcolm, and Richard Beadle, intro.</text>
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        <element elementId="98">
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              <text>Norman, Okla.: Pilgrim Books; Suffolk: Boydell and Brewer,   1981.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1980</text>
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              <text>3 vols. 1034 pp.; color plates.</text>
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              <text>Beadle, Richard, intro.</text>
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              <text>Variorum Chaucer Facsimile Series.</text>
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              <text>mea SAC 05 (08).</text>
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                <text>Poetical Works: A Facsimile of Cambridge Library MS GG.4.27</text>
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                <text>Among the earliest of the Chaucer manuscripts, Cambridge Library Gg.4.27, once lavishly illustrated but now mutilated, is nevertheless the most nearly complete and one of the most reliable of Chaucer manuscripts.</text>
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                <text>Vol. 1 contains the minor poems, TC, and a large part of CT;vol. 2. the remainder of CT; and vol. 3, LGW, PF, Lydgate's "Temple of Glas," color plates, and studies by Parkes and Beadle on the manuscript and illuminations.</text>
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            <elementText elementTextId="2699467">
              <text>Deligiorgis, Stavros.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>George D. Economou, ed.  Geoffrey Chaucer: A Collection of Original Articles (New York: McGraw Hill, 1976), pp. 129-41.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699469">
              <text>1976</text>
            </elementText>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699470">
              <text>Geoffrey Chaucer: A Collection of Original Articles.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699472">
              <text>Canterbury Tales--General.</text>
            </elementText>
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        </element>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699473">
              <text>jules - 23/9/94 SAC 1 (90)</text>
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                <text>Poetics of Anagogy for Chaucer: 'The Canterbury Tales'</text>
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              <elementText elementTextId="2699471">
                <text>Chaucer used elements from linguistic to cosmological in raising CT to the anagogic level of symbolism (cf Frye's "Anatomy of Criticism").  Various tales illustrate this progression to anagogy.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Urban, Malte.</text>
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            <elementText elementTextId="2854479">
              <text>Ph.D. Dissertation. University of Wales Aberystwyth, 2005. Fully accessible via https://research.aber.ac.uk/en/studentTheses/poetics-of-the-past-politics-of-the-present/ (accessed April 6, 2026).</text>
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          <elementTextContainer>
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              <text>iii, 242 pp.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854481">
              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Tale of Melibee&#13;
Nun's Priest and His Tale</text>
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              <text>mea; 4/6/2025</text>
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          <name>Date</name>
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                <text>Poetics of the Past, Politics of the Present: Chaucer, Gower, and Old Books.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854477">
                <text>"This thesis examines the poetics and politics of ‘olde bokes’ (Legend of Good Women, G, 25) in selected works by Chaucer and Gower, paying particular attention to the way in which both writers appropriate their sources and the theories of history and political ideas informing these appropriations. It argues that Chaucer eschews metanarratives in his appropriations of the past and its writings, emphasising the multiplicity of voices that are contained in written discourse across time." Focuses on HF, PF, TC, Mel, and NPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2842102">
              <text>Nelson, Ingrid.</text>
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              <text>New Literary History 50 (2019): 65-89.</text>
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            <elementText elementTextId="2842104">
              <text>New Literary History 50 (2019)</text>
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              <text>Lyrics and Short Poems&#13;
Fortune&#13;
Truth&#13;
Gentilesse&#13;
Lak of Stedfastnesse</text>
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        </element>
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              <text>mea; SAC 44:323</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2842100">
                <text>Poetics of the Rule: Form, Biopolitics, Lyric.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842101">
                <text>Rethinks "formalism with respect to biopolitics" as articulated by Giorgio Agamben and describes "premodern and modern concepts of form, life, and rule," arguing that Chaucer's Truth, Gent, Sted, and especially For explore "the intersections between form and life by way of the concept of the rule" and "model . . . how poetry can articulate and indeed practice ethics." Asserts that "these poems demonstrate that Chaucer construes both his Boethianism and his lyricism as biopolitical practices."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boitani, Piero, and Anna Torti, eds.</text>
            </elementText>
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          <elementTextContainer>
            <elementText elementTextId="2693419">
              <text>Bury St. Edmunds, Suffolk: D. S. Brewer, 1991.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693420">
              <text>1991</text>
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693421">
              <text>viii, 207 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Torti, Anna, ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2693425">
              <text>Background and General Criticism.</text>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2693417">
                <text>Poetics: Theory and Practice in Medieval English Literature</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693423">
                <text>Examines theory and practice of poetics in medieval English literature, including author-centered, text-centered, and modern theoretical approaches.&#13;
For individual essays that pertain to Chaucer, search for Poetics: Theory and Practice in Medieval Literature under Alternative Title.</text>
              </elementText>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2845250">
              <text>Robinson, Peter.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845251">
              <text>Liverpool: Liverpool University Press, 2020.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845252">
              <text>ix, 272 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845253">
              <text>Complaint of Chaucer to His Purse</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845254">
              <text>SAC 45:175</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845255">
              <text>2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845248">
                <text>Poetry &amp; Money: A Speculation.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845249">
                <text>Explores the "metaphors, paradoxes, contradictions, and mysteries which link" poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry "in which money is the theme and its absence the concern."</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Dalzell, Susan.</text>
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              <text>New York: Adams Media, 2018.</text>
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              <text>256 pp.; 17 color illus.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 43:97</text>
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          <elementTextContainer>
            <elementText elementTextId="2836491">
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              <elementText elementTextId="2836484">
                <text>Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse; Everything You Need to Know about Poetry.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836485">
                <text>An introduction to poetry in English, its history, and its forms, arranged by author and topic. Includes a brief introduction to Chaucer that emphasizes his social mobility, CT, and his use of English.</text>
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              <text>Oerlemans, Onno.</text>
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              <text>New York: Columbia University Press, 2018.</text>
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              <text>xii, 238 pp.</text>
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        <element elementId="102">
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              <text>Nun's Priest and His Tale&#13;
Background and General Criticism</text>
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        <element elementId="109">
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            <elementText elementTextId="2833081">
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                <text>Poetry and Animals: Blurring the Boundaries with the Human.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833075">
                <text>Explores the connection between animals and poetry, arguing for an emphasis on poetry that describes animals. Maintains that poetry's openness to experimentation with language mirrors its depiction of a blurred boundary between the human and the animal. Moves from medieval to postmedieval poetry, connecting poetic depictions of animals from Chaucer to contemporary poets. In particular, focuses on animals in NPT to show what these allegorical depictions can convey about literal animals. Argues that NPT troubles this boundary between human and animal through the desire of Chanticleer.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2837595">
              <text>Oerlemans, Onno.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>New York: Columbia University Press, 2018.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837597">
              <text>xii, 238 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837598">
              <text>Nun's Priest and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 43:212</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837600">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837593">
                <text>Poetry and Animals: Blurring the Boundaries with the Human.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837594">
                <text>Explores the range of representations of animals in English poetry for the ways poems can generate knowledge of animal life and sympathy for it, analyzing animal fables, poems that treat animals generally, species poems, poems about individual animals, and transformations and hybridities. Includes discussion of NPT as perhaps "the most complex animal fable poem in English," focusing on the "moments in the poem where the normal human and animal hierarchy is inverted or the categories blended so that we see humans as animals too."</text>
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  <item itemId="276638" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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            <elementText elementTextId="2845364">
              <text>Nisters, David.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845365">
              <text>New York: Peter Lang, 2018.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845366">
              <text>184 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845367">
              <text>Münsteraner Monographien zur englischen Literatur / Münster Monographs on English Literature, no. 39.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845368">
              <text>Nun's Priest and His Tale&#13;
Manciple and His Tale&#13;
Chaucer's Influence and Later Allen</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845369">
              <text>mea; 2/19/2024</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845370">
              <text>2018</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845362">
                <text>Poetry and Authority:  Chaucer, Vernacular Fable and the Role of Readers in Fifteenth-Century England.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845363">
                <text>Item not seen. From publisher's website: "This study argues that the vernacular fable constituted a productive site for negotiating scholastic poetics in late medieval England. On the basis of a close reading" of NPT and ManT, "the book analyses how the concept of textual authority came to be both challenged and vindicated in the face of the growing importance of an empowered vernacular readership. Thus, the fables of John Lydgate and the presentation of Chaucer's texts in some of the earliest printed editions" of CT "indicate the development of a Chaucerian poetics that was grounded in Chaucer's own critical reflection on the scholastic account of poetic fiction. University of Leipzig dissertation, 2018.</text>
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  <item itemId="272144" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803837">
              <text>Muscatine, Charles.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803838">
              <text>Notre Dame, Ind.: University of Notre Dame Press, 1972.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803839">
              <text>1972</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803840">
              <text>vii, 168 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803842">
              <text>Background and General Criticism</text>
            </elementText>
            <elementText elementTextId="2803843">
              <text>Style and Versification</text>
            </elementText>
            <elementText elementTextId="2803844">
              <text>Chaucer's Life</text>
            </elementText>
            <elementText elementTextId="2803845">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803846">
              <text>University of Notre Dame Ward-Phillips Lectures in English Language and Literature, no. 4.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803847">
              <text>mea 7/6/2015 No SAC</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2803836">
                <text>Poetry and Crisis in the Age of Chaucer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2803841">
                <text>Characterizes late fourteenth-century England as an age of "crisis" and pursues a "style-and-culture" assessment of the poetry of the "Pearl"-poet, William Langland, and Chaucer, summarizing what is known (and not known) of each writer and reading their major poems for the ways they express stylistically the tensions of their age in 1) the interplay of formal ordering and variation ("Pearl"-poet); 2) the Gothic juxtaposition of various genres and irruptions and the paradoxical coherence of incoherence ("Piers Plowman"); and 3) the tolerant perception of human imperfection in Chaucer's deployment of various modes: irony (his characteristic mode), epic heroism, romance, courtliness, pathos, realism, etc.</text>
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  </item>
  <item itemId="270864" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790384">
              <text>Pangilinan, Maria Cristina Santos.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790385">
              <text>DAI A70.10 (2010): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790386">
              <text>2010</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790388">
              <text>Canon's Yeoman and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790389">
              <text>Dissertation Abstracts International 70 (2010).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790390">
              <text>vxl sac 34:264</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790383">
                <text>Poetry and London Learning: Chaucer, Gower, Usk, Langland and Hoccleve</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790387">
                <text>Various Middle English authors succeeded in making London an urban, laicized intellectual center that balanced the clerical legacies of Cambridge and Oxford. These authors explored various academic disciplines (e.g., alchemy for Chaucer) in a manner accessible to the London audience.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="269045" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771480">
              <text>Haines, Simon.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771481">
              <text>New York : Palgrave Macmillan, 2005.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771482">
              <text>2005</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771483">
              <text>xiii, 214 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771485">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2771486">
              <text>Clerk and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771487">
              <text>vxl sac 29:201</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771479">
                <text>Poetry and Philosophy from Homer to Rousseau : Romantic Souls, Realist Lives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771484">
                <text>Haines surveys interactions between realist and romantic thought in Western literary and philosophical discourse, commenting on a range of writers but focusing on Homer, Sophocles, Plato and Aristotle, Augustine, Aquinas, Dante, Shakespeare, and Descartes. In "Chaucer: The Wife and the Clerk" (pp. 84-89), he discusses Chaucer's GP and the Wife of Bath as manifestations of "appetitiveness" and the poet's essential realism, cast into relief by the Clerk.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="272809" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810783">
              <text>Eldredge, Laurence.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810784">
              <text>Revue de l'Université de Ottawa 40 (1970): 441-59.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810785">
              <text>1970</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810787">
              <text>Parliament of Fowls</text>
            </elementText>
            <elementText elementTextId="2810788">
              <text>Book of the Duchess</text>
            </elementText>
            <elementText elementTextId="2810789">
              <text>House of Fame</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810790">
              <text>Revue de l'Université de Ottawa 40 (1970)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810791">
              <text>mea; 08/26/2016 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810782">
                <text>Poetry and Philosophy in 'The Parlement of Foules'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810786">
                <text>Describes three positions on the topic of universals versus individuals (ultra-realism, moderate realism, nominalism), and argues that the depictions of nature, love, common profit, and fortune in PF align approximately with moderate realism, and represent a step beyond BD and HF in the development in Chaucer's poetic philosophy.</text>
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  <item itemId="268492" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <elementTextContainer>
            <elementText elementTextId="2765767">
              <text>Raybin, David.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765768">
              <text>Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), pp. 213-26.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765769">
              <text>2003</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765770">
              <text>Drama, Narrative and Poetry in The Canterbury Tales.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765772">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2765773">
              <text>Pardoner and His Tale.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl 27:253</text>
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              <elementText elementTextId="2765766">
                <text>Poetry and Play in the Nun's Priest's and the Pardoner's Tales</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2765771">
                <text>Raybin interrogates challenges to the dramatic approach to CT, concentrating on the personalities of the narrators of NPT and PardT. The Pardoner and Chauntecleer share a number of characteristics and artfully mix sentence and solace. Their voices articulate an aspect of Chaucer and convey a coherent message about the purposes of pilgrimage.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2841954">
              <text>Chaudhuri, Aparna.</text>
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            <elementText elementTextId="2841955">
              <text>ELH 87, no. 4 (2020): 881-909.</text>
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            <elementText elementTextId="2841956">
              <text>ELH 87 (2020</text>
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            <elementText elementTextId="2841957">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; SAC 44:302</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841959">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2841952">
                <text>Poetry and Power in Ovid's "Tristia" and Chaucer's "The Legend of Good Women."</text>
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          <element elementId="41">
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              <elementText elementTextId="2841953">
                <text>Studies Ovid's "Tristia" and LGW and argues that "Ovid's literary autobiography" revealed in the "Tristia" is "assimilated and elaborated" by Chaucer in LGWP. This connection not only allows Chaucer "to convey . . . a sense of his own Ricardian, political reality" but recognizes that poetry "is always written within networks of power, simultaneously enabling and restraining, and therefore has a significant stake in the varieties of subjection that its cultural moment makes possible."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849618">
              <text>Kordecki, Lesley.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2849619">
              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022): 570-82.</text>
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            <elementText elementTextId="2849620">
              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849621">
              <text>House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849622">
              <text>SAC 46:301</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849623">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849616">
                <text>Poetry and the Bird in Chaucer's "House of Fame."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849617">
                <text>Argues that the eagle in HF "represents poetry," manifest in its "uncanny perception," its ability to "uplift" the narrator, and its concern with sound and transformative power.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791193">
              <text>Terry, Richard.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2791194">
              <text>Oxford: Oxford University Press, 2001.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791195">
              <text>2001</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791196">
              <text>vii, 354 pp.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2791198">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791199">
              <text>mea 5/9/2013 No SAC</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2791192">
                <text>Poetry and the Making of the English Literary Past, 1660-1781</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2791197">
                <text>A history of the idea of English literature and the development of an English literary canon, focusing on the long eighteenth century, but hearkening back to the early modern period. Recurrent attention to the role of Chaucer and his works, including commentary on Poets' Corner, the myths of origins, Chaucer's inclusion in anthologies and dictionaries of English literature, and his place in the discussions of critics such as Michael Drayton, John Dryden, Alexander Pope, and others. The volume includes an index.</text>
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  </item>
  <item itemId="268671" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2767633">
              <text>Knopp, Sherron [E.]</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767634">
              <text>Chaucer Review 38 (2004): 337-54.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767635">
              <text>2004</text>
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          </elementTextContainer>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2767637">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2767638">
              <text>Chaucer Review 38 (2004)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767639">
              <text>vxl sac 28:145</text>
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                <text>Poetry as Conjuring Act: 'The Franklin's Tale' and the 'Tempest'</text>
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                <text>FranT and the "Tempest" share not only similarities in plot, character, and theme but also an engagement with the "status of poetry as allusion and conjuring act." The sense of "fiction dissolving into real life, and the voice of the narrator becoming the voice of the poet, may itself be the crowning illusion of fiction." Shakespeare "paid tribute" to Chaucer.</text>
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  <item itemId="267767" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758494">
              <text>Rhodes, Jim.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758495">
              <text>Notre Dame, Ind. : University of Notre Dame Press, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2758496">
              <text>2001</text>
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            <elementText elementTextId="2758497">
              <text>xii, 324 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2758499">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2758500">
              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2758501">
              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2758502">
              <text>Reeve and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>jules SAC 25 (129)</text>
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          <element elementId="50">
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              <elementText elementTextId="2758493">
                <text>Poetry Does Theology : Chaucer, Grosseteste, and the Pearl-Poet</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2758498">
                <text>Surveys the relationships between theology and poetry in late-medieval writing, assessing how Robert Grosseteste, the Pearl poet, and Chaucer communicate a proto-humanistic perspective, "characterized by a semi-Pelagian, anthropocentric theology" that is "roughly Ockhamist" and "incarnational." This theology "affirms human dignity and the sanctity of the human body." The most secular of the writers considered, Chaucer shows "how theological discourse has been absorbed or internalized" in his narrators. NPT shows that "meaning is in the story and not in the moral tacked onto the text." PrT and SNT reflect differing views on "caritas," chastity, and their interrelations. RvT seeks to redefine "caritas," while PardT challenges the power of theological discourse.</text>
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