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              <text>Manzalaoui, M. A.</text>
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              <text>Notes and Queries 207 (1962): 369-70.</text>
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              <text>Notes and Queries 207 (1962)</text>
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              <text>Language and Word Studies&#13;
Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>mea; 5/17/2021</text>
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              <text>1962</text>
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                <text>"Derring-do."</text>
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                <text>Assesses the syntax and meanings of "derring-do" or "dorynge-do" in John Lydgate's "Troy Book," which follows in the first instance Chaucer's uses of the phrase to describe Troilus in TC 5.837-40.</text>
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              <text>Cassidy, Frederic G.</text>
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              <text>Journal of English and Germanic Philology 57 (1958): 739-42.</text>
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              <text>Journal of English and Germanic Philology 57 (1958)</text>
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              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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              <text>mera; 5/17/2024</text>
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                <text>"Don Thyn Hood" in Chaucer's "Troilus."</text>
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                <text>Suggests that "don thyn hood" in TC 3.954 may have the literal meaning of "put on your nightcap" or, more likely, the figurative meaning of "restrain yourself," the latter drawn from the practice of hooding a hawk.</text>
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              <text>Tasioulas, Jacqueline.</text>
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              <text>Critical Survey 30.2 (2018): 6-19.</text>
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              <text>Anelida and Arcite&#13;
Sources, Analogues, and LIterary Relations</text>
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              <text>mea; SAC 42:177</text>
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                <text>"Double Sorrow": The Complexity of Complaint in Chaucer's "Anelida and Arcite" and Henryson's "Testament of Cresseid."</text>
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            <description>An account of the resource</description>
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                <text>Argues that not just TC but also Anel has an important function in Henryson's "Testament." Echoes of this poem affect judgment of Cresseid and Troilus, and the question of what constitutes "truth," for lover, narrator, or reader. The notion of "doubleness" in Chaucer's treatment of the loves of Anelida and Arcite mirrors the amatory and textual doubleness basic to the "Testament."</text>
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              <text>Sanders, Barry Roy.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 28.03 (1967): 1058A.</text>
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              <text>Style and Versification&#13;
Canterbury Tales--General</text>
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              <text>mea; 7/3/2018</text>
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              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2819555">
                <text>"Double-Entendres" in "The Canterbury Tales."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2819556">
                <text>Surveys scholarship concerning Chaucer's word-play, describes the place of "double-entendre" in rhetorical tradition, and explicates 204 of Chaucer's word-plays in CT, concluding that there is some correlation between punning and the bawdy tales.</text>
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              <text>Tasioulas, Jacqueline.</text>
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              <text>Medium Aevum 82.2 (2013): 213-35.</text>
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              <text>Medium Aevum 82 (2013)</text>
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              <text>Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2830345">
                <text>"Dying of Imagination" in the First Fragment of the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Explores "the role of the imagination" in KnT, with attention also to MilT and RvT, focusing on the "cerebral process" in the "amorous desire" of the characters, especially Arcite, whose lovers' malady results from his "lack of imaginative control." Summarizes medieval notions of psychology and imagination, discusses adaptations of Boccaccio and Boethius in KnT, and analyzes the recurrent concern with seeing, imagining, desiring, and willing in the first three narratives of CT.</text>
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              <text>McKinley, Kathryn.</text>
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              <text>Nino Zchomelidse and Giovanni Freni, eds. Meaning in Motion: The Semantics of Movement in Medieval Art (Princeton, N.J.: Department of Art and Archeology, Princeton University, 2011), pp. 215-32.</text>
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              <text>Nino Zchomelidse, ed.&#13;
Giovanni Freni, ed.</text>
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              <text>Meaning in Motion: The Semantics of Movement in Medieval Art.</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:290</text>
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              <text>2011</text>
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            <description>A name given to the resource</description>
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                <text>"Ekphrasis" as Aesthetic Pilgrimage in Chaucer's "House of Fame."</text>
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            <description>An account of the resource</description>
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                <text>Reads the description of the temple of Venus in HF in light of its literary sources and late medieval church ambulation, investigating how ideas of physical, aesthetic, and spiritual motion underlie the narrator's moving gaze. Includes five b&amp;w illustrations. </text>
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              <text>Carruthers, Mary.</text>
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              <text>Ardis Butterfield, Ian Johnson, and Andrew Kraebel, eds. Literary Theory and Criticism in the Later Middle Ages: Interpretation, Invention, Imagination (Cambridge: Cambridge University Press, 2023), pp. 206-19.</text>
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            <elementText elementTextId="2852933">
              <text>Background and General Criticism&#13;
Squire and His Tale</text>
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              <text>SAC 47:152</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2023</text>
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                <text>"Encountering Vision": Dislocation, Disquiet, Perplexity.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852929">
                <text>Explores the roles of distress, dislocation, and thoughtfulness in medieval academic discourse, theology, and literary invention. Includes comments on the scene of encountering marvels in SqT (81ff., esp. 189–95)--among the "many [examples] to choose from" in medieval romance--which produces "wonder and speculation" rather than "fear or terror," correlating it with parallels in "Piers Plowman," Dante's "Divine Comedy," and "Pearl."</text>
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              <text>Franke, William.</text>
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              <text>William Franke. Secular Scriptures: Modern Theological Poetics in the Wake of Dante (Columbus: Ohio State University Press, 2016), pp. 43–69.</text>
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            <elementText elementTextId="2827640">
              <text>Secular Scriptures: Modern Theological Poetics in the Wake of Dante.</text>
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            <elementText elementTextId="2827641">
              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Canterbury Tales--General</text>
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              <text>SAC 41:39</text>
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        <element elementId="114">
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            <elementText elementTextId="2827643">
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              <elementText elementTextId="2827636">
                <text>"Enditynges of worldly vanitees": Truth and Poetry in Chaucer as Compared with Dante.</text>
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              <elementText elementTextId="2830727">
                <text>Addresses the "bifurcation of philosophy and theology intervening between Dante and Chaucer," arguing that Chaucer "never demonstrated any confidence that poetry could in any way represent the reality of the divine." Assesses the "empiricism" of LGW, HF, TC, and CT and maintains that, for Chaucer, "the one and only positive, yet critical purpose" of poetry is "the disillusioning function."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Godlove, Shannon.</text>
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        <element elementId="98">
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              <text>Chaucer Review 51.3 (2016): 269-94.</text>
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            <elementText elementTextId="2823100">
              <text>Chaucer Review 51 (2016):</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2823101">
              <text>Franklin and His Tale</text>
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        <element elementId="109">
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              <text>SAC 40:248</text>
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        <element elementId="114">
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            <elementText elementTextId="2823103">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2823096">
                <text>"Engelond" and "Armorik Briteyne": Reading Brittany in Chaucer's "Franklin's Tale." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823097">
                <text>Connects the complicated relationship among FranT's three main characters and the political relationship of England, France, and Brittany. Asserts that each character symbolizes one of these places and shows how the dynamics of love and sex merge with those of politics and place.</text>
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  <item itemId="274017" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2821691">
              <text>Hastings, Justin A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2821692">
              <text>Dissertation Abstracts International A78.07 (2016): n.p.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2821693">
              <text>Dissertation Abstracts International 78 (2016)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821694">
              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
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              <text>SAC 40:73</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821696">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821689">
                <text>"Englishing" Horace: The Influence of the Horatian Tradition on Old and Middle English Poetry.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821690">
                <text>Examines Horatian influence on works ranging from the Exeter Book to Langland, Gower, and Fragments VIII and IX of CT.</text>
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          </element>
        </elementContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2816063">
              <text>Passon, Richard H.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2816064">
              <text>Chaucer Review 2.3 (1968): 166-71.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2816065">
              <text>Chaucer Review 02 (1968).</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2816066">
              <text>Friar and His Tale&#13;
Language and Word Studies</text>
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          </elementTextContainer>
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            <elementText elementTextId="2816067">
              <text>mea;11/03/2017</text>
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            <elementText elementTextId="2816068">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2816061">
                <text>"Entente" in Chaucer's "Friar's Tale."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2816062">
                <text>Argues that the repetition of the word "entente" in FrT affects the Tale's "characterization, plotting, and pervasive irony," and indicates "one of the fundamental theological dimensions of the piece"--disguised evil. </text>
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            </elementTextContainer>
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  <item itemId="274759" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Kowalik, Barbara.</text>
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        <element elementId="98">
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            <elementText elementTextId="2828780">
              <text>Text Matters: A Journal of Literature, Theory and Culture 3 (2013): 27-41.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828781">
              <text>Text Matters: A Journal of Literature, Theory and Culture 03 (2013)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2828782">
              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2828783">
              <text>SAC 41:174</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2828784">
              <text>2013</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2829975">
                <text>"Eros" and Pilgrimage in Chaucer's and Shakespeare's Poetry.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830651">
                <text>Discusses "erotic desire and the motif of going on pilgrimage" in the opening of GP and in Shakespeare's Sonnets, reading Chaucer's lines 1–18 closely as a kind of sonnet and observing numerological patterns that reinforce a transition from erotic desire to religious devotion. Shakespeare, in contrast, uses religious pilgrimage to evoke motion toward his beloved.</text>
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  <item itemId="276201" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Flannery, Mary C.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2841816">
              <text>Studies in the Age of Chaucer 42 (2020): 1-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841817">
              <text>Studies in the Age of Chaucer 42 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841818">
              <text>Manciple and His Tale&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 44:284</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2841820">
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            <name>Title</name>
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              <elementText elementTextId="2841813">
                <text>"Et cetera": Obscenity and Textual Play in the Hengwrt Manuscript.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841814">
                <text>Challenges scribal and editorial choices to use "swyve" at ManT, 256, where the Hengwrt and Ellesmere manuscripts (and two others) have some form of "et cetera," arguing that the latter is "likely an example of authorial play." Gauges the meanings, contexts, and degrees of obscenity in the variants, focusing on usage in Hengwrt and a marginal comment in Ellesmere; shows that the theme of proper speech in ManT functions as a "set-up for the joke," and discourages the emendation.</text>
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              <text>Ruszkiewicz, D.</text>
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              <text>A noble tale / Among us shall awake.</text>
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              <text>Franklin and His Tale&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
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2/27/2018</text>
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              <text>Claire Vial, ed. "A noble tale / Among us shall awake": Approches croisees des "Middle English Breton Lays" et du "Franklin's Tale" (Paris: Presses Universitaires de Paris Ouest, 2015), pp. 35-44.</text>
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                <text>Studies shifting perspectives on love, marriage, and honor in FranT and WBT.</text>
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              <elementText elementTextId="2825988">
                <text>"Fair is foul and foul is fair": Appearance vs. Reality in "The Franklin's Tale" and "The Wife of Bath's Tale."</text>
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              <text>Sidhu, Nicole.</text>
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        <element elementId="98">
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              <text>Chaucer Review 54.3 (2019): 292-314.</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2837004">
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          <element elementId="50">
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              <elementText elementTextId="2836997">
                <text>"Famulier foo": Wives, Male Subordinates, and Political Theory in the "Merchant's Tale."</text>
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          <element elementId="41">
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                <text>Concentrates on Damian in MerT to show how the tale links critique of hierarchical marriage to critique of medieval estates theory. Contends that the tale counters &#13;
 problems with vertical governance through horizontal governance.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Peksen, Azime.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>Mehmet Ali Celikel and Baysar Taniyan, eds. English Studies: New Perspectives (Newcastle upon Tyne: Cambridge Scholars, 2015), pp. 36-45.</text>
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        </element>
        <element elementId="112">
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              <text>Celikel, Mehmet Ali, ed. &#13;
Taniyan, Baysar, ed.</text>
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              <text>English Studies: New Perspectives</text>
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          <elementTextContainer>
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              <text>Merchant and His Tale&#13;
Shipman and His Tale</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 41:241</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829296">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830323">
                <text>"Fantasye and curious bisynesse": "The Merchant's Tale" and "The Shipman's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830420">
                <text>Analyzes how May in MerT and the wife in ShT "evade the oppressions" of marriage and "subvert their subjugation through negotiating and challenging the mercantile narration." Each female protagonist "generates her own meanings and pleasure."</text>
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            </elementTextContainer>
          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Johnstone, Boyda.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837972">
              <text>Studies in the Age of Chaucer 41 (2019): 301-24.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837973">
              <text>Studies in the Age of Chaucer 41 (2019)</text>
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          </elementTextContainer>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837974">
              <text>Chaucerian Apocrypha</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837976">
              <text>2019</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837969">
                <text>"Far semed her hart from obeysaunce": Strategies of Resistance in "The Isle of Ladies."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837970">
                <text>Reads "The Isle of Ladies" for its "covert feminine resistance," arguing that such resistance is evident through the "divided, ambivalent lens" of the half-asleep dream vision of a city of ladies--perhaps influenced by Christine de Pizan's "Le livre de la Cité des Dames." The English poem discloses "networks and desires sustained by women" that are "lesbian-like," and its narrator participates in these networks, including literary production, and leads readers to "desire to reenter the isle of women."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837783">
              <text>Rudd, Gillian.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837784">
              <text>Postmedieval 9 (2018): 410-19.</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837785">
              <text>Postmedieval 09 (2018)</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837786">
              <text>Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837787">
              <text>SAC 43:241</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837788">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2837781">
                <text>"Farewel my bok": Paying Attention to Flowers in Chaucer's Prologues to "The Legend of Good Women."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837782">
                <text>Notes that Chaucer's treatment of the daisy in LGW differs from his typical use of flower imagery. Recognizes parallels between the daisy in LGW and its narrator Geffrey, notes differences between the narrator(s) of the F prologue and the G prologue, and considers the relationship between Alceste and the daisy.</text>
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  <item itemId="277587" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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          <description/>
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              <text>Jagot, Shazia.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854292">
              <text>Ph.D. Dissertation. University of Leicester, 2014. Dissertation Abstracts International C74.06. Fully available via https://figshare.le.ac.uk/articles/thesis/Fin_amors_Arabic_learning_and_the_Islamic_world_in_the work of Geoffrey Chaucer/10158581?file=18307655 (accessed March 11, 2026).</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2854293">
              <text>294 pp.</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854294">
              <text>Dissertation Abstracts International 74.06.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854295">
              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Canon's Yeoman and His Tale&#13;
Treatise on the Astrolabe</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 3/12/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854297">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854289">
                <text>"Fin' amors," Arabic learning, and the Islamic World in the Work of Geoffrey Chaucer.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854290">
                <text>Demonstrates that "Chaucer's portrayal of fin' amors is informed by Arabic learning in the related fields of medicine, natural philosophy, astrology and alchemy, disseminated through Latin translations from the Iberian Peninsula in particular." Considers Chaucer's presentations of Islam and Arabic learning in his works, assessing courtly, alchemical, and astrological aspects of TC, KnT, CYT, and Astr, with attention to "Chaucer's dichotomous attitude toward Arabic learning and Islam as a religion."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817190">
              <text>Warren, Nancy Bradley.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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mea; 2/21/2018</text>
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                <text>"Flying from the Depravities of Europe, to the American Strand": Chaucer and the Chaucer Tradition in Early America.</text>
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                <text>Focuses on how Chaucer influenced the writings of Cotton Mather, Anne Bradstreet, and Nathaniel Ward in seventeenth- and early eighteenth-century New England.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bryan, Jennifer E.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 73-109.</text>
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              <text>Studies in the Age of Chaucer 42 (2020)</text>
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              <text>Clerk and His Tale&#13;
Boece&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>"Following Echo": Speech and Common Profit in Chaucer's "Clerk's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841471">
                <text>Extends discussions of ClT as a "political fable," focusing on the theme of common profit and on the Clerk as a philosopher, assessing both in light of Bo as an "account of the philosopher's duty to the common profit." Rejects the "Griseldean values of abject obedience and self-abnegation," arguing that ClT and its comic envoy affirm the need to speak reasonably against political absolutism and to resist "bad Boethianism" and nostalgic Petrarchan eloquence.</text>
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              <text>Shonk, Timothy A.</text>
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              <text>Nancy van Deusen, ed. Cicero Refused to Die: Ciceronian Influence through the Centuries (Boston: Brill, 2013), pp. 85-121.</text>
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              <text>Cicero Refused to Die</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
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                <text>"For I hadde red of Affrycan byforn": Cicero's "Somnium Scipionis" and Chaucer's Early Dream Visions.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that Cicero's "Somnium Scipionis" "had a much greater impact" on BD, PF, and especially HF than is usually acknowledged, showing that Cicero's themes and imagery permeate Chaucer's works and dominate his literary imagination for "some ten years." Also comments on the relative chronology of the three Chaucerian works.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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              <text>Harris, Carissa.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 54.3 (2019): 253-69</text>
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            <elementText elementTextId="2837009">
              <text>Chaucer Review 54.3 (2019)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837010">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2837005">
                <text>"For Rage": Rape Survival, Women's Anger, and Sisterhood in Chaucer's "Legend of Philomela."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837006">
                <text>Maps out the way in which anger and community are depicted in different versions of Philomela's rape, displaying the power that is represented in this anger and community, before linking this history of female anger to contemporary artists, such as MissMe.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848289">
              <text>Chace, Jessica Ann.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Ph.D. Dissertation. New York University, 2020,&#13;
Dissertation Abstracts International A82.01 (E). Full-text available from ProQuest Dissertations and Theses; accessed December 18, 2024</text>
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          <elementTextContainer>
            <elementText elementTextId="2848291">
              <text>Dissertation Abstracts International A82.01 (E)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2848292">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Second Nun and Her Tale&#13;
Chaucerian Apocrypha</text>
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        <element elementId="109">
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          <description/>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848294">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848287">
                <text>"For semyvif he semed": Affective Responses to the Half-Alive Human in Middle English Literature, ca. 1350-1450.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2848288">
                <text>Uses the concept of "semyvif " (half-alive) to examine "Piers Plowman," the "Tale of Beryn," TC, SNT, and "Morte Darthur" for ways that they broaden "our historical understanding of disability and its conceptual range."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Montgomery, Marion.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Boston University Studies in English 3 (1957): 177-78.</text>
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        <element elementId="100">
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          <description/>
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            <elementText elementTextId="2846204">
              <text>Boston University Studies in English 03 (1957)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846205">
              <text>Language and Word Studies&#13;
Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2846207">
              <text>1957</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2846200">
                <text>"For the Nones" Once More.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846201">
                <text>Suggests that "for the nones" in LGWP (F 292-96 and G 194-98), rather than meaning "for the occasion," refers to the canonical hour of Nones, i.e., for the ritual of the "celebration of Nones."</text>
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