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              <text>Johnson, Hannah.</text>
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              <text>Exemplaria 32.3 (2020): 187-205</text>
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              <text>Exemplaria 32.(2020)</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 45:132</text>
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                <text>Combines neighbor theory with Pauline notions of debt, payment, and the "dual commandment" to love God and neighbor, exploring usury, neighborly obligation, Christian-Jewish proximity, and market economy in "The Childe of Bristowe" and PrT--found together in London, British Library, MS Harley 2382. Emphasizes how in PrT, unlike in "Childe," "usury operates as a foundational imaginary" foreclosing any possibility of the Christian community conceiving of the Jews as neighbors or individuals.</text>
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                <text>"The Childe of Bristowe," "The Prioress's Tale," and the Possibility of Neighbor Love.</text>
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              <text>Graver, Bruce.</text>
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              <text>Wordsworth Circle 52 (2020): 92-103.</text>
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              <text>Wordsworth Circle 52 (2020): 92-103.</text>
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              <text>Prioress and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
Style and Versification</text>
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              <text>2020</text>
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            <description>An account of the resource</description>
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                <text>Argues that Wordsworth chose to publish his translation of PrT "for a very simple reason: he wanted to give an example of close translation of Chaucer, and it was the only one ready and unobjectionable." However, various critics found the translation objectionable for its antisemitism, "promulgation of Roman Catholic superstition," and insensitivity to Chaucer's irony.</text>
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                <text>Why Chaucer's Prioress's Tale?</text>
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              <text>Blurton, Heather.</text>
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              <text>Chaucer Review 56.4 (2021): 397-412.</text>
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              <text>Chaucer Review 56 (2021)</text>
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              <text>Prioress and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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            <description>An account of the resource</description>
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                <text>Considers PrT and its depiction of premodern antisemitism and relation to premodern race. Ties PrT's construction of Jews as a cursed monolith to the workings of structural racism. Discusses Agbabi's "Sharps an Flats," which demonstrates "how Chaucer's tale can usefully function as a parable for thinking about racism."</text>
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                <text>Retelling the "Prioress's Tale": Antisemitism, Racism, and Patience Agbabi's "Telling Tales."</text>
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              <text>Bale, Anthony.</text>
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        <element elementId="98">
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 1.1 (2020): 6-17.</text>
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            <elementText elementTextId="2844918">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 01 (2020)</text>
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            <elementText elementTextId="2844919">
              <text>Background and General Criticism&#13;
Prioress and Her Tale</text>
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              <text>SAC 45:129</text>
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            <elementText elementTextId="2844921">
              <text>2020</text>
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              <elementText elementTextId="2844914">
                <text>Reflections on Chaucer, Pedagogy, and the Profession of Medieval Studies</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Recounts personal experiences of studying PrT and its reception as a prelude to examining the role and status of medieval studies in twenty-first-century British educational culture, particularly its inequalities, colonialisms, and appropriations, and efforts to combat them.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Odobo, Ugwoke Oloto.</text>
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        <element elementId="98">
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              <text>[Nigeria]: Zion Printing Press, 2018.</text>
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              <text>vii, 116 pp.</text>
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              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2844912">
              <text>SAC 45:128</text>
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            <elementText elementTextId="2844913">
              <text>2018</text>
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            <description>An account of the resource</description>
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                <text>Item not seen. Citation derives from WorldCat record.</text>
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            <name>Title</name>
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                <text>Death Hunters: An Adaptation of Geoffrey Chaucer's "The Pardoner's Tale."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Douib, Mohamed Karim.</text>
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              <text>International Journal of Language and Literary Studies 3.4 (2021): 154-66.</text>
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              <text>International Journal of Language and Literary Studies 3 (2021):</text>
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              <text>Pardoner and His Tale</text>
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              <text>SAC 45:127</text>
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              <text>2021</text>
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                <text>Claims that the "Pardoner's atypical sexuality is subversive of the medieval gender matrix and that his challenge to heteronormativity is ultimately encompassed and disarmed." The descriptions of the Pardoner in GP and PardPT disrupt "the medieval normative order," but his "containment and silencing" by the Host and Knight reinforce the status quo."</text>
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                <text>De/Stabilizing Heterosexuality in the Pardoner's Tale.</text>
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              <text>Maguire, Laurie.</text>
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              <text>Rory Loughnane and Andrew J. Power, eds. Early Shakespeare 1588–1594 (New York: Cambridge University Press, 2020), pp. 121-46.</text>
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              <text>Loughnane, Rory, ed.&#13;
Power, Andrew J., ed.</text>
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              <text>Early Shakespeare 1588–1594</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844895">
              <text>Franklin and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844896">
              <text>SAC 45:126</text>
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          </elementTextContainer>
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        <element elementId="114">
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              <text>2020</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850735">
                <text>Explores relations between Franklin--the tale-telling character of "Arden of Faversham"--and Chaucer's Franklin as narrator of FranT, concentrating on scenes in the play attributed to Shakespeare, and focusing on the "subject matter and literary artfulness" as well as the unreliability of the two fictional tale-tellers. Also considers Chaucer's more general "association with domestic tragedy" in early modern reception.</text>
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              <elementText elementTextId="2850928">
                <text>Early Shakespeare, Chaucer, and Narrative Theory: "Arden of Faversham" and (the) Franklin's Tale.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edmondson, George.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844884">
              <text>Chaucer Review 56.3 (2021): 225-57.</text>
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              <text>Chaucer Review 56 (2021)</text>
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              <text>Franklin and His Tale</text>
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        <element elementId="109">
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              <text>SAC 45:125</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844888">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844881">
                <text>Pulling Back from Politics: Second Nature and Oikonomia in the "Franklin's Tale."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2844882">
                <text>Contextualizes FranT using Hannah Arendt's "The Human Condition," and argues that the tale represents another moment in CT where journeys end abruptly before the destination is reached. Considers how the tale functions as "a parable of how household management, oikonomia, merged with and supplanted politics." Ends with a discussion of Dorigen and how she views the rocky Breton coast.</text>
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  <item itemId="276578" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844875">
              <text>Walsh, Lora.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2844876">
              <text>Studies in the Age of Chaucer 43 (2021): 75–109.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2844877">
              <text>Studies in the Age of Chaucer 43 (2021)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2844878">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 45:124</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844880">
              <text>2021</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844873">
                <text>The Clerk as Secular Cleric and Griselda as Ecclesiological Type.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850930">
                <text>Interprets Griselda of ClT "as the late medieval English Church wedded to a secular power [Walter] that would radically dominate and divest her in the name of reform." Resists "domineering exegetical acts," using "literary and feminist biblical-analytical methods" instead, and situating the tale historically. Considers source material to address the tale's combination of emotional intensity and allegorical valence, and reads the Clerk as a "secular cleric" who "is not worldly enough to profit from the very arrangement he upholds between serviceable clerics and royal power."</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="276577" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844867">
              <text>Vélez Sainz, Julio.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844868">
              <text>Dicenda: Estudios de lengua y literatura españolas 37 (2019): 363-76.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2844869">
              <text>Dicenda: Estudios de lengua y literatura españolas 37 (2019)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2844870">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844871">
              <text>SAC 45:123</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844872">
              <text>2019</text>
            </elementText>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844865">
                <text>Las jornadas de Griselda: "Imitatio y cornice" de Boccaccio a Timoneda.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844866">
                <text>Compares versions of the Griselda story: Boccaccio's original; Petrarch's translation; and other rewritings by Bernat Metge, Christine de Pizan, and Chaucer (ClT), as well as the Spanish story in "Castigos y doctrinas que un sabio daba a sus hijas" and in Joan de Timoneda's "Patrañuelo." Studies the narrative frame (or cornice) to reveal how the narrative, once viewed as a "universal paragon of behavior," is modified for early "housewife manuals" and eventually ends up functioning as reading entertainment in the early modern period.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="276576" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844859">
              <text>Perry, R. D.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844860">
              <text>Poetics Today 41.1 (2020): 37-57.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844861">
              <text>Poetics Today 41.1 (2020): 37-57.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844862">
              <text>Summoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844863">
              <text>SAC 45:119</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844864">
              <text>2020</text>
            </elementText>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844858">
                <text>Argues that Chaucer uses philosophical language in describing the fart joke of SumT in order to burlesque the "logical thinking" of scholastic thinkers, particularly the Merton Calculators, showing how literature can "more effectively" work out problems than can logic.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850931">
                <text>Chaucer's "Summoner's Tale" and the Logic of Literature.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276575" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844851">
              <text>Turner, Marion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844852">
              <text>Times Literary Supplement November 19, 2021, pp. 14-15.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844853">
              <text>Times Literary Supplement November 19, 2021</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844854">
              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844855">
              <text>SAC 45:118</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844856">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844849">
                <text>Telling Tales: Zadie Smith's New Incarnation of a Six-Hundred-Year-Old Heroine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850932">
                <text>Reviews a production of Zadie Smith's stage play "The Wife of Willesden" (Kiln Theatre), along with the edition of the play (London: Penguin, 2021), describing its relations with WBPT and mentioning other recent adaptations.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276574" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844843">
              <text>Smith, Zadie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844844">
              <text>London: Penguin, 2021. &#13;
Augmented edition, 2023.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844845">
              <text>xx, 110 pp.&#13;
xx, 189 pp.&#13;
</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844846">
              <text>Wife of Bath and Her Tale&#13;
Chaucer's Retraction&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844847">
              <text>SAC 45:117</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844848">
              <text>2021&#13;
2023</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850933">
              <text>The Wife of Willesden: Incorporating The Wife of Willesden's Tale Which Tale is Preceded by The General Lock-In and The Wife of Willesden's Prologue and Followed by A Retraction. Told in Verse Couplets Translated from the Chaucerian into North Weezian.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844842">
                <text>Verse-drama adaptation/translation of WBPT and Ret in decasyllabic rhyming couplets and north London dialect, with Jamaican patois, and multiple actors. WBP is set in a contemporary London pub; WBT, in eighteenth-century Maroon Town, Jamaica, under the rule of Queen Nanny. Reprinted 2023 (xx, 187 pp.), accompanied by text and glosses of WBPT and Ret (Riverside edition) and an extension to the title: "Told in Verse Couplets Translated from the Chaucerian into North Weezian."</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2850934">
                <text>The Wife of Willesden: Incorporating The Wife of Willesden's Tale Which Tale is Preceded by The General Lock-In and The Wife of Willesden's Prologue and Followed by A Retraction. </text>
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              <text>Neufeld, Christine M.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844836">
              <text>Avid Ears: Medieval Gossips, Sound, and the Art of Listening (New York: Routledge, 2019), pp. 148-79.</text>
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            <elementText elementTextId="2844837">
              <text>Avid Ears: Medieval Gossips, Sound, and the Art of Listening</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844838">
              <text>Wife of Bath and Her Tale&#13;
Clerk and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844839">
              <text>SAC 45:115</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2844833">
                <text>Following Echo.</text>
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              <elementText elementTextId="2844834">
                <text>Theorizes the classical figure of Echo as a figure to "think with" in exploring "female vocality" and the topos of the "Philosopher and the Shrew" in WBPT and ClT (especially the Envoy), focusing on issues of deafness, gendered gossip, listening, and response.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2844827">
              <text>Hanna, Ralph.</text>
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            <elementText elementTextId="2844828">
              <text>Journal of the Early Book Society 23 (2020): 141-73.</text>
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            <elementText elementTextId="2844829">
              <text>Journal of the Early Book Society 23 (2020)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844830">
              <text>Wife of Bath and Her Tale&#13;
Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2844831">
              <text>SAC 45:114</text>
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        <element elementId="114">
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            <elementText elementTextId="2844832">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850937">
                <text>The Wife of Bath's Jankyn: Some Manuscript Evidence.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851734">
                <text>Investigates the "material conditions" that underlie the fictional book of "wikked wyves" described in WBP, 669-73, analyzing extant manuscripts that "most closely resemble Jankyn's volume" and have other Chaucerian and Oxonian associations. Explores "\"the ways in which this material history might inflect the Wife's account of the 'book' and her relation to it" and her relationship with Jankyn. Focuses on London, British Library, MS Burney 360; Cambridge University Library, MS Ff.6.12; Oxford, Bodleian Library, MS Douce 147; Cambridge, St. John's College, MS E.12 (115); and Bodleian Library, MS Digby 147</text>
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              <name>Title</name>
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              <text>Cawsey, Kathy.</text>
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            <elementText elementTextId="2844819">
              <text>Ada S. Jaarsma and Kit Dobson, eds. Dissonant Methods: Undoing Discipline in the Humanities Classroom (Edmonton: University of Alberta, 2020), pp. 33-49.</text>
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              <text>Jaarsma, Ada S, ed.&#13;
Dobson, Kit, es.</text>
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            <elementText elementTextId="2844821">
              <text>Dissonant Methods: Undoing Discipline in the Humanities Classroom</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844822">
              <text>Wife of Bath and Her Tale&#13;
Baackground and General Criticism</text>
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            <elementText elementTextId="2844823">
              <text>SAC 45:113</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2844824">
              <text>2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844816">
                <text>When the "Event" Happens.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851923">
                <text>Exemplifies the theory and practice of "evental pedagogy," describing the classroom experience of teaching WBPT in the context of a "scandal" and "media uproar" at Dalhousie University (Halifax) in 2015. Comments on rape, "restorative justice"" and the disappearance of the maiden in WBT, and reports student and personal responses to discussion of these concerns in relation to campus events.</text>
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  <item itemId="276570" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2844810">
              <text>Classen, Albrecht.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2844811">
              <text>Critical Literary Studies 2.2 (2020): 27-46.</text>
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            <elementText elementTextId="2844812">
              <text>Critical Literary Studies 02(2020)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844813">
              <text>Man of Law and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844814">
              <text>SAC 45:111</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844815">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844808">
                <text>Sea Voyages in Medieval Romances: Symbolic Trails through Existential Experiences and Female Suffering on the Water.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844809">
                <text>Suggests that in medieval literature generally the "motif of crossing a body of water was regularly perceived as an epistemological operation of a physical and a spiritual kind," and explores the notion in several narratives, including MLT, examining how sea travel tests and affirms protagonists' firmness of character and devotion.</text>
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  <item itemId="276569" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Morrison, Susan Signe.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844803">
              <text>Notes and Queries 266.1 (2021): 45-49.</text>
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            <elementText elementTextId="2844804">
              <text>Notes and Queries 266 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Reeve and His Tale&#13;
Language and Word Studies</text>
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              <text>SAC 45:110</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2844807">
              <text>2021</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2844801">
                <text>Contemplates the word "lemman" in Malyne's dawn song of RvT: its connotations elsewhere in Chaucer's corpus indicate that it names her experience the night before as sexual assault.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851922">
                <text>Consent and "Lemman" in Geoffrey Chaucer's "The Reeve's Tale."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2844794">
              <text>Rodrigues, Leandro Dias Carneiro.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2844795">
              <text>REVELL: Revista de Estudos Literários da UEMS, special issue (2019): 147-58.</text>
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            <elementText elementTextId="2844796">
              <text>REVELL: Revista de Estudos Literários da UEMS, special issue (2019)&#13;
Revista de Estudos Literários da UEMS, special issue (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844797">
              <text>Miller and His Tale&#13;
Style and Versification</text>
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        <element elementId="109">
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              <text>SAC 45:109</text>
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        <element elementId="114">
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            <elementText elementTextId="2844799">
              <text>2019</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844793">
                <text>Analyzes the aesthetic features--the linguistic, prosodic, and structural form and the aesthetic tradition of  MilT--and the vulgar and humorous content of the Tale to emphasize its importance in the canon of popular poetry.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851921">
                <text>A fronteira entre o cânone e a margem em "The Miller's Tale" ("O conto do moleiro")--em "Contos da Cantuária" ("The Canterbury Tales"), de Geoffrey Chaucer (c. 1340-1400)."&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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Chaucer's Influence and Later Allusion&#13;
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                <text>Item not seen. Production trailer from the Edinburgh Fringe Festival, 2012, available at YouTube.</text>
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                <text>The Mille''s Tale: Wahala Dey O! A Nigerian Play Adaptation of Chaucer's Canterbury Tale.</text>
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Language and Word Studies&#13;
Chaucer's Influenxe and Later Allusion</text>
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                <text>Uses a "political theology of the refugee as neighbor" to explore contiguities between "Refugee Tales" (2016) and CT. Explicates nuances of "tendre/"tender" in the works and examines the absent presence of Theban refugees in KnT. The Knight "edits out the nasty bits of warfare" and chivalry--evident by contrast with Boccaccio's "Teseida"--and reveals "repressive tendencies that betrays anxiety over the residue of bare life."</text>
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Lorido, Rodrigo Pérez, ed.</text>
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                <text>"In hethenesse": Chaucer's Knight and Sultan Muhammad V of Granada.</text>
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                <text>Reconstructs a career for the Knight, based on the GP description and details from KnT, MkT, and historical sources. Maintains that Chaucer had met the Knight, perhaps in France, and that the Knight was some fifteen years younger than usually thought, having served under Sultan Muhammad V of Granada at Algeciras in 1369, not in the Christian conquest of the port in 1344.</text>
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                <text>The Economics of Waste in the "Knight's Tale" and Late Medieval England.</text>
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                <text>Reads aspects of Theseus's stadium, tournament, and funeral arrangements in KnT as "performance of power" in response to the procession of his "regional rivals": Arcite and Palamon of Thebes, Emetreus of India, and Lygurge of Thrace. George Bataille's "economics of waste" is a lens through which Chaucer's depictions of "extravagant display and extravagant destruction" can be seen to reflect the poet's social and political landscape.</text>
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              <text>Vial, Claire.</text>
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Lanone, Catherine, ed..</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
</text>
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              <text>Jean-Pierre Naugrette and Catherine Lanone, eds. Le temp qu'il fait dans la littérature et les artes du monde anglophone / What's the Weather Like in Anglophone Literature and Art (Paris: Honoré Champion, 2020), pp. 57-70.</text>
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              <text>Le temp qu'il fait dans la littérature et les artes du monde anglophone&#13;
What's the Weather Like in Anglophone Literature and Art</text>
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                <text>Having a Heatwave? Of Chaucer's Invention of Spring, the Inconveniences of Falling Asleep in the Sun, and Why a Warm Bed's Best for the Winter.</text>
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                <text>Examines "inner and outer landscapes in relation with the seasons" in three works of medieval literature, including articulation of the aesthetic pleasure evoked at the beginning of GP, effected through Chaucer's thematic range and use of "every single known rhetorical convention of his time regarding spring and the opening of a narrative." Other topics include summer in "Sir Launfal" and winter in "Sir Gawain and the Green Knight." Includes an abstract in French.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Focuses on the Yeoman of GP, suggesting that the figure may have been based on Richard II's archers of the crown. Examines the life of Thomas Forster of Drybek, one of these archers, catalogues biographical information about him, and suggests he is a possible exemplar for the Yeoman.</text>
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