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              <text>Kelen, Sarah A.</text>
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              <text>Paul C. Gutjahr and Megan L. Benton, eds. Illuminating Letters: Typography and Literary Interpretation. Studies in Print Culture and the History of the Book. (Amherst: University of Massachusetts Press), pp. 47-67,   2001.</text>
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              <text>Gutjar, Paul C.,</text>
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              <text>ed.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>jules SAC 25 (14)</text>
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                <text>Peirs Plouhman [sic] and the 'Formidable Array of Blackletter' in the Early Nineteenth Century</text>
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            <description>An account of the resource</description>
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                <text>Assesses factors in Thomas Dunham Whitaker's decision to print Piers Plowman in 1813 in blackletter type, even though Chaucer had been printed in roman type nearly one hundred years earlier (by Urry) and anthologists of medieval poetry such as Joseph Ritson used roman type.</text>
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              <text>Laird, Edgar, and Robert Fischer, trans.</text>
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              <text>Binghamton, N.Y. : Medieval &amp; Renaissance Texts &amp; Studies, 1995.</text>
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              <text>Treatise on the Astrolabe.</text>
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              <text>jules SAC 23 (222)</text>
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                <text>Pèlerin de Prusse on the Astrolabe : Text and Translation of His Practique de astrolabe</text>
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                <text>Facing-page (French-English) translation of the earliest French treatise on the astrolabe (1362), a work that shares the same source as Astr. The introduction assesses the relations among Pélerin's "Practique," Astr, and their source text, John of Seville's twelfth-century "Compositio et operatio astrolabii," a version of the lost text of the eighth-century Arabic writer Massahalla.</text>
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              <text>Waldman, Peter.</text>
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              <text>Ph.D. dissertation (Florida State University, 2023), Dissertation Abstracts International A85.03(E). Fully accessible at https://repository.lib.fsu.edu/islandora/object/fsu:927778 (accessed February 2, 2025).</text>
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              <text>viii, 137 pp. </text>
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              <text>Dissertation Abstracts International 85 (E)</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Friar and His Tale&#13;
Pardoner and His Tale&#13;
Parson and His Tale&#13;
Chaucer's Retraction</text>
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              <text>SAC 47:104</text>
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        <element elementId="114">
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              <text>2023</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2853326">
                <text>Explores confession and intention ("entente") in selected works of Chaucer: TC, LGWP, FrT, PardT, ParsT, and Ret, reading them as a "progression" that "resembles the evolution of penitential concepts across the whole of the medieval period." Assesses several confessional works in Middle English that precede Chaucer, and considers the presence of pagan figures in his "confessional" works.</text>
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              <elementText elementTextId="2854108">
                <text>Penance and Penitential Intent within Religious Themed Works of Chaucer."</text>
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          <elementTextContainer>
            <elementText elementTextId="2730761">
              <text>Delasanta, Rodney [K.]</text>
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        <element elementId="98">
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              <text>PMLA 93 (1978): 240-47.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Parson and His Tale.</text>
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              <text>PMLA 093 (1978)</text>
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              <text>jules SAC 02 (216)</text>
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                <text>Penance and Poetry in the 'Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>"Pace" Allen's and Sayce's ironies, dramatic and symbolic propriety for ParsT require penance, and predict, by the figure of the supper and the Host's unwitting use of Pauline imagery, an eschatological end.</text>
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              <text>Wall, John.</text>
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          <elementTextContainer>
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              <text>Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature (Cambridge: D. S. Brewer, 1986), pp. 179-91.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1986</text>
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          <elementTextContainer>
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              <text>Medieval English Religious and Ethical Literature.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Parson and His Tale.</text>
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              <text>Chaucer's Retraction.</text>
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              <text>jules SAC 10 (124)</text>
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                <text>Penance as Poetry in the Late Fourteenth Century</text>
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            <description>An account of the resource</description>
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                <text>Examines penance in poems of the "Pearl" MS, "Piers Plowman," and CT.  Neither a collection of disparate stories nor an illustration of one theme, CT reflects the "quarternity or reality" in which penance, though not the chief theme, is yet a "dynamic element."  GP, ParsT, and Ret are pivotal.</text>
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  <item itemId="264256" public="1" featured="0">
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          <elementTextContainer>
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              <text>Knapp, Robert S.</text>
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        <element elementId="98">
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              <text>Assays 2 (1983): 45-67.</text>
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          <elementTextContainer>
            <elementText elementTextId="2722501">
              <text>1983</text>
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              <text>Chaucer's Retraction.</text>
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              <text>Assays 02 (1983)</text>
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              <text>jules SAC 06 (149)</text>
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                <text>Penance, Irony, and Chaucer's Retraction</text>
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                <text>Ret, an "authorial form of self-elimination," is formally like irony; it is also a penance, which, also like irony, protects the author from adverse judgment.  Thus CT irony can be neatly exchanged for Ret penance.  Penance, however, a sacrament and thus a sign, "partakes of semiotics," and semiotic analysis reveals that, whereas irony is "metaphoric substitution," penance is "metonymic association."</text>
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              <text>Gould, Cynthia Marie.</text>
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              <text>Legend of Good Women.</text>
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                <text>Penitential Fictions, the Trial of Courtly Love, and the Emancipation of Story in the 'Legend of Good Women' and the 'Confessio Amantis'</text>
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                <text>Penitential fictions in Chaucer's LGW and Gower's "Confessio Amantis" critique the amorous code in courtly literature.</text>
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                <text>  In LGW, Chaucer uses Christian martyrdom to depict his heroine's amorous self-sacrifice as futile.</text>
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              <text>Allen, Mark.</text>
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                <text>Penitential Sermons, the Manciple, and the End of 'The Canterbury Tales'</text>
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                <text>Wrongly used speech and counsels to silence in ManT should be read in terms of fourteenth-century Lenten sermons indicating the necessity of speech for the sacrament of penance.  Like SNT and CYT, ManT with its emphasis on transformation prepares readers for the spiritual change of ParsT and Ret.</text>
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              <text>Kelly, Henry Ansgar.</text>
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              <text>Abigail Firey, ed. A New History of Penance. Brill's Companions to the Christian Tradition, no. 14 (Leiden and Boston: Brill, 2008), pp. 239-317.</text>
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        <element elementId="114">
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              <text>A New History of Penance.</text>
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              <text>Firey, Abigail, ed.</text>
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              <text>Parson and His Tale.</text>
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              <text>vxl sac 34:268</text>
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                <text>Penitential Theology and Law at the Turn of the Fifteenth Century</text>
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                <text>Describes two late medieval penitential treatises--John Burough's "Pupilla oculi" (late fourteenth century) and William Lyndwood's "Provinciale "(early fifteenth century)--discussing their influence on Chaucer's understanding of the sacrament in ParsT and other works. Includes detailed summary/outlines of the two treatises (pp. 267-317). Reprinted in Kelly's Law and Religion in Chaucer's England (Burlington, Vt.: Ashgate, 2010).</text>
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              <text>Ph. D. Dissertation. University of North Carolina at Greensboro, 2019. v, 211 pp. Dissertation Abstracts International A80.01 (2019): n.p. Fully accessible via https://www.digitalgreensboro.org/record/15926?ln=en&amp;p=%28+%28subject%3A%28Geoffrey+%2B+Chaucer%29%29%29&amp;v=pdf (accessed April 11, 2026).</text>
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              <text>Dissertation Abstracts International 80 (2019)</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Penitentials to Poetry: The Literary Critique of Avarice in Fourteenth-Century England.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841144">
                <text>Addresses the "challenge posed to Christian ethics due to the proliferation of urban markets and increased personal wealth in medieval England," examining various aspects of avarice in "Piers Plowman"; John Gower's "Confessio Amantis"; and CT, especially GP, WBP, PardP, and CYP.</text>
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              <text>Giot, P.-R.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Bulletin de la Societe Archeologique du Finistere 90 (1973): 117-19.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2819684">
              <text>Bulletin de la Societe Archeologique du Finistere 90 (1973)</text>
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              <text>Franklin and His Tale</text>
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              <text>mea; 9/15/2018</text>
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          <elementTextContainer>
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                <text>Penmarc'h et Geoffrey Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Addresses the toponymical references to Penmark and Kayrrud in FranT (5.801 and 807), locating them specifically in Brittany, commenting on the local rockiness and military value, and noting an association with the story of Tristan and Iseult.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764703">
              <text>Horobin, S. C. P.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764704">
              <text>English Studies 84: 426-30,   2003.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764705">
              <text>2003</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2764707">
              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2764708">
              <text>Romaunt of the Rose.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2764709">
              <text>English Studies 84 (2003)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>vxl SAC 27:73</text>
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              <elementText elementTextId="2764702">
                <text>Pennies, Pence, and Pans: Some Chaucerian Misreadings</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2764706">
                <text>In RvT 3944 and FrT 1614, "panne" can be read as the plural of penny instead of pan or dish. In early fourteenth-century Type II London dialect, "panne" is a common variant of "peni." In this light, Chaucer's authorship of fragments B and C of Rom ought to be reconsidered.</text>
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              <text>xi, 205 pp.</text>
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                <text>Fourteen essays by various writers and a bibliography of works published by Erik Kooper, presented to Kooper on the occasion of his sixty-fifth birthday. Topics range widely in English and French medieval traditions, with recurrent focus on romance. For two essays that pertain to Chaucer, search for People and Texts under Alternative Title.</text>
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              <text>Blandeau, Agnès.</text>
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              <text>Sandra Gorgievski and Xavier Leroux, eds. Le Moyen Âge mis en scène: Perspectives contemporaines. Babel, no. 15. [Toulon]: Université du Sud Toulon-Var, Faculté des Lettres et Sciences Humaines, 2007, pp. 17-31.</text>
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                <text>Blandeau explores how three films capture the spirit if not the letter of CT.</text>
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              <text>Chaucer Review 51.4 (2016): 436-52.</text>
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              <text>Crocker, Holly A.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>vxl SAC 27: 216</text>
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              <elementText elementTextId="2763813">
                <text>The comedy in MerT is produced by May herself, whose "conduct demonstrates that the feminine passivity upon which the masculine performance of agency depends is of course an act." May exposes the ridiculous nature of all claims to masculine authority, and hence Chaucer demonstrates the collaboration of men and women to make fictions of gender convincing.</text>
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              <text>Beidler, Peter G.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 149-68.</text>
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        <element elementId="114">
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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                <text>Demonstration and performance, accepted aspects of classroom practice, can make academic conference presentations more memorable. Examples of performative practice include an enacted battle in KnT, created costumes illustrating the Wife of Bath's dress in GP and Grisilda's dress in ClT, two models of the shot-window in MilT (photographs included), and a debate on the anatomical location of Absolon's kiss.</text>
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          <elementTextContainer>
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              <text>Sanok, Catherine.</text>
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          <elementTextContainer>
            <elementText elementTextId="2762179">
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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          <elementTextContainer>
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                <text>Sanok assesses the urban performances of virgin martyr and Marian plays and the "exemplarity" of female saints' legends, examining how authorities sought to contain or appropriate the subversive potential of female piety. Considers SNT and how the Nun reenacts Cecilia's performance of female preaching; SNP and SNT comment "on the status of women within late medieval religious practice."</text>
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            <elementText elementTextId="2847827">
              <text>Keller, William R.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2847828">
              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 135-53.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2847829">
              <text>Enlistment: Lists in Medieval and Early Modern Literature </text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847830">
              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847831">
              <text>SAC 46:299</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847832">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847825">
                <text>Performing Generic Exhaustion: Implosive Households in Gavin Douglas's "Palice of Honour."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850709">
                <text>Examines the role of lists, themes of order and disorder, epistemology and poetics, and tensions between household economy and monetized mercantile accretion (chremastistics) in Douglas's "Palice of Honour" as a response to similar concerns in Chaucer's HF and his other dream poems. Argues that, especially in Venus's mirror, Douglas exceeds Chaucer's concern with excessiveness and destabilizes the "genre of faculty allegory."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806511">
              <text>Nolan, Maura.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806512">
              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 97-114.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806513">
              <text>2013</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806514">
              <text>Interpretation and Performance: Essays for Alan Gaylord.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806516">
              <text>Style and Versification</text>
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            <elementText elementTextId="2806517">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806518">
              <text>mea SAC 37:43</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2806510">
                <text>Performing Lydgate's Broken-Backed Meter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2806515">
                <text>Lydgate's meter differs from Chaucer's for several reasons, but their differences have been exaggerated by editorial practices. When performed, the "Lydgate" or "broken-backed" line emerges as an aesthetic choice. The broken-backed line characterizes Lydgate's Host as an authoritative figure in the Prologue to the "Siege of Thebes." The "Siege" is a literary experiment in imitation of Chaucer.</text>
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  <item itemId="275047" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832000">
              <text>Kempf, Elisabeth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2832001">
              <text>Boston, Mass.: De Gruyter, 2017.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832002">
              <text>x, 208 pp.; illus. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832003">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832004">
              <text>mea; SAC 42:45</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832005">
              <text>2017</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831998">
                <text>Performing Manuscript Culture: Poetry, Materiality, and Authorship in Thomas Hoccleve's "Regement of Princes." </text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831999">
                <text>Examines questions of autobiography, authorship, legacy, and the "Fürstenspiegel" genre in Thomas Hoccleve's "Regiment of Princes," with attention to its manuscript presentations and to its images of Chaucer and of Hoccleve himself, discussing the "minor differences" in the versions of the Chaucer portraits and their "major consequences for the text-image relation." Includes comments on the putative accuracy of Hoccleve's portrait of Chaucer, other portraits of him, and a "clear reference" to the Wife of Bath in Hoccleve's poem. Based on the author's 2014 dissertation, Freie Universität.</text>
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  <item itemId="269469" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775806">
              <text>Collette, Carolyn P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2775807">
              <text>Turnhout, Belgium : Brepols, 2006.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775808">
              <text>2006</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775809">
              <text>218 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775811">
              <text>Clerk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2775812">
              <text>Prioress and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2775813">
              <text>Second Nun and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775814">
              <text>Medieval Women: Texts and Contexts, no. 15.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2775815">
              <text>vxl SAC 31:93</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2775805">
                <text>Performing Polity: Women and Agency in the Anglo-French Tradition, 1385-1620</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825916">
                <text>Collette surveys literary and historical evidence that women in the Anglo-French tradition played the role of mediator, i.e., someone who "negotiates, bridges, and unites differences"--evidence of the "ideology and practice of women's agency" in the late Middle Ages and early modern period. Discusses works by Christine de Pizan, Philippe de Mézières, Nicolas Oresme, Lydgate, and Chaucer, plus several cycle plays, Griselda narratives, treatises on the Virgin, and accounts of Henry VIII's attempts to divorce Catherine of Aragon.</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="275681" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837578">
              <text>Taylor, Candace Hull.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837579">
              <text>Mark Cruse, ed. Performance and Theatricality in the Middle Ages and the Renaissance ([Turnhout]: Brepols, 2018), pp. 17-34.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837580">
              <text>Cruse, Mark ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837581">
              <text> Performance and Theatricality in the Middle Ages and the Renaissance.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837582">
              <text>Tale of Melibee</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837583">
              <text>SAC 43:210</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837584">
              <text>2018</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837576">
                <text>Performing Prudence in "Sawles Warde" and Chaucer's "Tale of Melibee."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851122">
                <text>Considers the performative aspects of Prudence as an allegorical figure in "Sawles Warde," where she functions as a dramatic "expositor," and in Mel, where she offers "commentary . . . on reading, misreading, and the limits of wisdom when it is severed from the divine," dimly understood by Melibee as audience. Comments on Prudence as one of the traditional four cardinal virtues and on the Host's response to Mel.</text>
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          </element>
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  </item>
  <item itemId="266878" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749175">
              <text>Pigg, Daniel F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749176">
              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 53-61.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749177">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749178">
              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749180">
              <text>Reeve and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749181">
              <text>jules SAC 22 - 206.</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2749174">
                <text>Performing the Perverse: The Abuse of Masculine Power in the Reeve's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749179">
                <text>Connects the violence implicit in the performance of the Tale with physical violence and argues that RvT portrays the perversion of masculine power.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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