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                  <text>Chaucer Bibliography Online</text>
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              <text>Sprunger, David A.</text>
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              <text>Nona C. Flores, ed.  Animals in the Middle Ages: A Book of Essays (New York: Garland, 1996), pp. 67-81.</text>
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              <text>Animals in the Middle Ages: A Book of Essays.</text>
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              <text>Physician and His Tale.</text>
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              <text>jules SAC 20 (1998), 210</text>
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                <text>Parodic Animal Physicians from the Margins of Medieval Manuscripts</text>
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                <text>Discusses manuscript drolleries that represent physicians, commenting on the conventional clothing of Chaucer's Physician and the flask or jordan the Physician holds in the Ellesmere illumination.</text>
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              <text>Sola Buil, Ricardo J.</text>
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              <text>Margarita Gimenez Bon and Vickie Olsen, eds. Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature (Vitoria-Gasteiz: Dpto. Filologia Inglesa, 1997), pp. 338-45.</text>
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              <text>Proceedings of the 9th International Conference of the Spanish Society for Medieval Language and Literature.</text>
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              <text>Proceedings of the Ninth International Conference of the Spanish Society for Medieval Language and Literature.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 21 - 176</text>
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                <text>Parodic Elements and the Perception of Self in 'The Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>Explores Chaucer's use of parody and manipulation of narrative tradition to develop realistic characters or "subjectivities" in CT.</text>
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          <elementTextContainer>
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              <text>Macdonald, Dwight, ed.</text>
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              <text>New York: Random House, 1960; London: Faber and Faber, 1961.</text>
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        <element elementId="99">
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          <elementTextContainer>
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              <text>xxii, 574 pp.</text>
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              <text>Tale of Sir Thopas&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 3/30/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1960</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838556">
                <text>Parodies: An Anthology from Chaucer to Beerbohm--and After.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2838557">
                <text>A chronological and thematic anthology of literary parodies that opens with Pr-ThL, Th, and a section of Th-MelL in Middle English as examples of parody of romance, followed by an "Imitation of Chaucer" by Alexander Pope and "A Clerk Ther Was of Cauntebrigge Also" by W. W. Skeat.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2701833">
              <text>Dane, Joseph A.</text>
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              <text>Norman and London : University of Oklahoma Press, 1988.</text>
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              <text>1988</text>
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              <text>vii, 261 pp.</text>
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              <text>Squire and His Tale.</text>
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              <text>Tale of Sir Thopas.</text>
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        <element elementId="109">
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              <text>jules SAC 14 (226)</text>
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              <elementText elementTextId="2701832">
                <text>Parody : Critical Concepts Versus Literary Practices, Arstophanes to Sterne</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2701837">
                <text>Proposing to assess "how our language of parody...acts to manipulate the literature it is intended to describe," Dane explores the relation of genre to politics.  Part 4, "The Classification of Medieval Parody," contains a chapter, "The Eighteenth-Century Creation of Chaucerian Burlesque," that traces critical reception and influence of eighteenth-century notions on "modern critical discussions of Chaucerian parody," focusing on Th and SqT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2787658">
              <text>Bashuna, I. G. [И. Г. Башuна].</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>M. L. Remneva, ed. Aktual'nye Problemy Iazykoznaniia i Literaturovedeniia (Moscow: Moskovskii Ggosudarsvennyi Universitet imeni M.V. Lomonosova, 1994), pp. 138-46.</text>
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        <element elementId="114">
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            <elementText elementTextId="2787660">
              <text>1994</text>
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              <text>Aktual'nye Problemy Iazykoznaniia i Literaturovedeniia.</text>
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              <text>Remneva, M. L., ed.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea 4/18/2013 No SAC</text>
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                <text>Parody in Chaucer's Troilus and Criseyde [ Пародия в Поэме Д.Чосера 'Троил и Крессида ]</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stanley, E. G.</text>
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              <text>Poetica (Tokyo) 27 (1988): 1-69</text>
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          <description/>
          <elementTextContainer>
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              <text>1988</text>
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              <text>Tale of Sir Thopas</text>
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              <text>Parliament of Fowls.</text>
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              <text>Miller and His Tale.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 27 (1988)</text>
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              <text>vxl sac 29:145</text>
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                <text>Parody in Early English Literature</text>
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                <text>Surveys parody and parodic devices in Middle English literature, arguing that, though there is much that is coarse in this literature, there is little actual parody outside of liturgical texts. Th is Chaucer's only true parody, although elsewhere (e.g., in portions of PF, MilT, NPT) he approaches parody while lampooning or satirizing.</text>
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              <text>Calderwood, James L.</text>
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              <text>English Studies 45 (1964): 302-09.</text>
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                <text>Parody in the Pardoner's Tale.</text>
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                <text>Argues that in PardPT the Pardoner "is parodying himself--deliberately magnifying his character and conduct in order to portray himself as a monster of evil" exaggerating so that the other pilgrims will interpret him comically, as a "charming rogue," while he obliquely confronts them with their own perfidy, much as the Old Man confronts the rioters.</text>
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                <text>Not mere humorous touches, Chaucer's complex parodies of the mystery plays of Noah and Herod cover "biblical figures and events, the contemporary religious drama,...and exegesis, which lay behind the widespread use of typology."  MilT explodes in "contradictory allusions:  Fall and Flood, Satan and Herod, God and Lucifer, Noah and Joseph, Uxor and Mary"-- a "conflation of typological references."</text>
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              <text>Colette Stévanovitch and Henry Daniels, eds. L'Affect et le jugement: Mélanges offerts à Michel Morel à l'occasion de son départ à la retraite, 2 vols.  (Paris: AMAES, 2005), 2: pp. 563-71.</text>
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          <elementTextContainer>
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                <text>Includes two essays that pertain to Chaucer; search for Paroles et Silences under Alternative Title.</text>
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              <text>Monti, Alessandro.</text>
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                <text>Paronomasia e Mito : La Nuclearit Genealogica come Discorso di Origine</text>
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                <text>Argues that Rudyard Kipling's story "The Wish House" was influenced by WBP. Key words in Chaucer's text ("daunger," "chep") and connotations of the word "ash" (part of the surname of Kipling's leading character, Ashcroft) reveal that Chaucer's work constantly and consciously underlies "The Wish House."</text>
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Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Adam Scriveyn&#13;
Manuscripts and Textual Studies</text>
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                <text>Draws on modern media studies to clarify practices of "participatory reading" in late medieval England, exploring how vernacular authors, texts, and manuscripts elicit and/or limit the agency of their readers who engage with texts in making meaning, often in embodied ways. Attends recurrently to Chaucer's works, including analysis of his request that Gower and Strode "correcte" TC (V.1858) as a "closed access" invitation to limited participation (similarly found in Adam). Also treats "non-reading" in TC and WBP, and assesses the placement of John Lydgate's "The Siege of Thebes" in CT in relation to KnT as evidence that Lydgate "grants . . . license to nonlinear readings" of the works.</text>
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              <text>Robert R. Edwards, ed. Art and Context in Late Medieval English Narrative: Essays in Honor of Robert Worth Frank, Jr. (Cambridge: D. S. Brewer, 1994), pp. 107-25.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2735372">
                <text>Partitioned Fictions: The Meaning and Importance of Walls in Chaucer's Poetry</text>
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          <element elementId="41">
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              <elementText elementTextId="2735377">
                <text>From the dream visions through CT, Chaucer never abandoned his fascination with walls and "enclosed fictions."  On the one hand, walls function metaphorically, representing such forces as the rise and fall of civilization.  On the other, they create enclosed spaces corresponding to the enclosed fictions, or tales within tales, that define the structure and meaning of Chaucer's later works.  Lynch examines KnT, ManT, LGW, and TC.</text>
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  <item itemId="266319" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2743204">
              <text>Schwartz, Barth David.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2743205">
              <text>New York : Pantheon, 1992.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743206">
              <text>1992</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743207">
              <text>x, 785 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743209">
              <text>Recordings and Films.</text>
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            <elementText elementTextId="2743210">
              <text>Miller and His Tale.</text>
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              <text>Franklin and His Tale.</text>
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              <text>Merchant and His Tale.</text>
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              <text>Cook and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2743215">
              <text>Reeve and His Tale.</text>
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              <text>Summoner and His Tale.</text>
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        </element>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743217">
              <text>jules SAC 21 - 7</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2743203">
                <text>Pasolini Requiem</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2743208">
                <text>Includes an account of the making and reception of Pier Paolo Pasolini's films "The Decameron" (1971) and "Canterbury Tales" (1972).  In the latter, Pasolini plays Chaucer and includes seven "Tales":  Merchant's,Franklin's, Cook's, Miller's "Wife of Bath's, Reeve's and Summoner's.</text>
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  <item itemId="269083" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771849">
              <text>Blandeau, Agnès.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771850">
              <text>Jefferson, N.C. : McFarland,   2006.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771851">
              <text>2006</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771852">
              <text>viii, 210 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771854">
              <text>Recordings and Films.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771855">
              <text>vxl SAC 30:8</text>
            </elementText>
          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771848">
                <text>Pasolini, Chaucer and Boccaccio : Two Medieval Texts and Their Translation to Film</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771853">
                <text>Blandeau studies Pasolini's cinematic trilogy of medieval tales: The Decameron, CT, and One Thousand and One Nights, focusing on the first two. Argues that Pasolini "puts two semiotic systems in translation with each other, not so much to transmit Boccaccio's and Chaucer's texts to a 20th-century audience as to offer the latter a refraction of the masterpieces, altered by the filter of his own fantasy." Parallels Pasolini's innovations with Chaucer's and offers a three-column comparison of Chaucer's tales, Pasolini's projected order of tales, and the order of elements in the completed film.</text>
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  <item itemId="271802" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800266">
              <text>Murray, Kylie.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800267">
              <text>Mark P. Bruce and Katherine H. Terrell, eds. The Anglo-Scottish Border and the Shaping of Identity, 1300-1600 (New York: Palgrave Macmillan, 2012), pp. 121-39.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800268">
              <text>2012</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800269">
              <text>The Anglo-Scottish Border and the Shaping of Identity, 1300-1600.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800271">
              <text>Manuscripts and Textual Studies</text>
            </elementText>
            <elementText elementTextId="2800272">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
            <elementText elementTextId="2800273">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2800274">
              <text>Parliament of Fowls</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800275">
              <text>mea SAC 36:36</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800265">
                <text>Passing the Book: The Scottish Shaping of Chaucer's Dream States in Bodleian Library, MS Arch. Selden B.24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800270">
                <text>Considers the Scottish reception of TC and PF by close study of the annotations in Bodleian Library, MS Arch. Selden B.24. Sketches a network of Scottish aristocratic readers of Chaucer's work and argues that political and ethical concerns were their main preoccupations.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="262523" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705849">
              <text>Kruger, Steven F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705850">
              <text>Chaucer Review 23 (1989): 219-35.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705851">
              <text>1989</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2705853">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2705854">
              <text>Chaucer Review 23 (1989)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705855">
              <text>jules SAC 13 (213)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705848">
                <text>Passion and Order in Chaucer's 'Legend of Good Women'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705852">
                <text>LGWP promises something that the poem itself does not deliver--stories of faithful women and faithless men.  LGW is about how stories break out of prescribed patterns, how characters defy stereotypes, and how emotions and impulses escape the forms imposed on them.  LGW can be read as an examination of the complicated relationship between form and formlessness.</text>
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          </element>
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  <item itemId="273520" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817651">
              <text>Schmidt, A. V. C. </text>
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          </elementTextContainer>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817652">
              <text>Newcastle upon Tyne: Cambridge Scholars Publishing, 2015.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817653">
              <text>x, 460 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817654">
              <text>Background and General Criticism&#13;
Boece&#13;
Former Age&#13;
Knight and His Tale&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817655">
              <text>SAC 39:119&#13;
mea/ 2/25/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817656">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2817649">
                <text>Passion and Precision: Collected Essays on English Poetry from Geoffrey Chaucer to Geoffrey Hill.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825687">
                <text>Collection of published and previously unpublished studies of Chaucer and other writers, including the "Pearl"-poet, Hopkins, Yeats, Eliot, Jones, and Auden. Part 1, "Medieval: Chaucer and the Gawain-Poet," includes essays on Bo, Form Age, KnT, and TC.</text>
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  <item itemId="271112" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793031">
              <text>Garrido Anes, Edurne.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793032">
              <text>Alicia Rodríquez Álvarez, and Francisco Alanso Almeida, eds. Voices on the Past: Studies in Old and Middle English Language and Literature ([Spain]: Netbiblo, 2004), pp. 185-91.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793033">
              <text>2004</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793034">
              <text>Voices on the Past: Studies in Old and Middle English Language and Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793036">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793037">
              <text>mea 7/31/2013 No SAC</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2793030">
                <text>Passions, Signs, Thoughts and Facts: (Mis)Understanding the Mind in 'Troilus and Criseyde/Cressida'</text>
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            </elementTextContainer>
          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2793035">
                <text>Considers Troilus' lovesickness as a physical disorder and a cause of distorted perception in TC and Shakespeare's "Troilus and Cressida." His condition is due to the "often ambiguous correspondence" of "passions, signs, thoughts and facts."</text>
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  <item itemId="268953" public="1" featured="0">
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              <text>Stock, Lorraine Kochanske.</text>
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              <text>Carmina Philosophiae 2 (1994): 1-37.</text>
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              <text>Former Age.</text>
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              <text>Carmina Philosophiae 02 (1994).</text>
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                <text>Past and Present in Chaucer's The Former Age : Boethian Translation or Late Medieval Primitivism?</text>
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                <text>Explores the late medieval traditions of the Wild Man and idealized primitivism, arguing that they are useful in understanding and interpreting Chaucer's additions to the Boethian materials in Form Age.</text>
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              <text>Nolan, Maura Bridget.</text>
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            <elementText elementTextId="2749245">
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              <text>Man of Law and His Tale.</text>
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              <text>jules SAC 22 - 213</text>
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                <text>Past Imagined, Future Retold: English Poetry, 1350-1450</text>
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                <text>The poetry of the age demonstrates the construction and manipulation of history, while popular culture reflects the changing relations of ruler and laws. Thus "Wynnere and Wasture" treats the 1352 Statute of Treasons. Chaucer's MLT,a poetic revision of history, showed his successors (especially Lydgate) the means of assimilating ever-changing political situations.</text>
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              <text>Scott, Kathleen L.</text>
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        <element elementId="98">
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              <text>Carol M. Meale and Derek Pearsall, eds. Makers and Users of Medieval Books: Essays in Honour of A. S. G. Edwards (Cambridge:  D. S. Brewer, 2014), pp. 150-77.</text>
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              <text>Makers and Users of Medieval Books: Essays in Honour of A. S. G. Edwards</text>
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          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations</text>
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              <text>mea; 2/15/2017 SAC 38:24</text>
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                <text>Past Ownership: Evidence of Book Ownership by English Merchants in the Later Middle Ages</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2812970">
                <text>Examines records of medieval book ownership by focusing on inscriptions in manuscripts and early printed books, wills, and other inventories of collections from fifteenth-century merchants and craftsmen. Features two listings of merchants with book collections that include works  by Chaucer.</text>
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            <elementText elementTextId="2773337">
              <text>Utz, Richard J.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>North American Review 291.6 (2006): 50.</text>
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          <elementTextContainer>
            <elementText elementTextId="2773339">
              <text>2006</text>
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
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              <text>North American Review 291 (2006)</text>
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              <text>vxl sac 30:151</text>
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              <elementText elementTextId="2773336">
                <text>Past Perfect: Will It Do To Say Anything More About Chaucer?</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2773340">
                <text>Comments on James Russell Lowell's essay "Chaucer," published in North American Review 111 (1870): 155-99.</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785586">
              <text>Meier, Hans H.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Caroline Macafee and Iseabail Macleod, eds. The Nuttis Schell: Essays on Scots Language Presented to A. J. Aitken (Aberdeen, Aberdeen University Press, 1987), pp. 116-23.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2785588">
              <text>1987</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785589">
              <text>Nuttis Schell: Essays on Scots Language Presented to A. J. Aitken.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Macafee, Caroline, ed.</text>
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              <text>Macleod, Iseabail, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Language and Word Studies</text>
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            <elementText elementTextId="2785594">
              <text>Reeve and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2785595">
              <text>mea 1/18/2013 SAC 16:99</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2785585">
                <text>Past Presences of Old Scots Abroad</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Describes several literary representations of Older Scots language; includes RvT because Older Scots and Northern English "are not generally considered as distinct" in the late medieval period. Commends Chaucer for his comprehensive "imitation of regional speech, i.e. phonological, morphological, grammatical and lexical features, such as was not again to be achieved in comic representations of Scots abroad."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2778262">
              <text>Dell, Helen.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778263">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778264">
              <text>2008</text>
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          <name>Chaucer Subject</name>
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              <text>Parergon 25 (2008).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2833779">
              <text>vxl SAC 32:05.</text>
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              <elementText elementTextId="2778261">
                <text>Past, Present, Future Perfect: Paradigms of History in Medievalism Studies</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2778265">
                <text>Dell contends that Brian Helgeland's film A Knight's Tale offers an alternative to capitalistic perpetual accomplishment, the model of desire that critics associate with the film. This alternative is courtly love, a paradigm drawn from the Lancelot of Chrétien de Troyes.</text>
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