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              <text>Galloway, Andrew.</text>
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              <text>In John F. Miller and Carole E. Newlands, eds. A Handbook to the Reception of Ovid (Chichester: Wiley, 2014), pp. 187-201. </text>
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              <text>MIller, John F., ed&#13;
Newlands, Carole E, ed.</text>
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              <text>A Handbook to the Reception of Ovid.</text>
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              <text>mea; SAC 42:26</text>
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                <text>Ovid in Chaucer and Gower.</text>
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                <text>Surveys texts by and about Ovid that Chaucer and Gower "might have used," arguing that the influence of Ovid was pervasive, complex, and crucial to the "careers and poetic self-fashioning" of both medieval poets, a model of poetic authority for them. Shows where and how, throughout his career, "Chaucer shapes his poetic identity and persona in a wry distortion of Ovid as 'praeceptor' or 'magister amoris'."</text>
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              <text>Fumo, Jamie C.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press), pp. 219-37.</text>
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              <text>Oxford Handbook of Chaucer</text>
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              <text>mea; SAC 44:45</text>
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                <text>Ovid: Artistic Identity and Intertextuality.</text>
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                <text>Traces connections between Ovid and Chaucer and asserts that "Chaucer emerges not simply as a conveyor of or apprentice to Ovid, but as a 'collaborator' in an Ovidian poetic, one who necessarily and wilfully transforms Ovid's 'book' into his own." In the sections that follow an introduction of Chaucerian and Ovidian resonances, makes a case for viewing Chaucer as Ovid's "dynamic partner and active contributor to Ovidian intertextuality."</text>
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              <text>Hoffman, Richard L.</text>
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              <text>Notes and Queries 210 (1965): 213-16.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Merchant and His Tale</text>
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              <text>mea; 1/15/2019</text>
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                <text>Ovid's Argus and Chaucer.</text>
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                <text>Argues that Chaucer's allusions to Argus in WBP, MerT, and TC derive ultimately from Ovid's "Ars Amatoria" and "Amores" and capitalize on the "conventional moral significations" of the moralized commentary tradition, lending resonances to the allusions</text>
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              <text>Desmond, Marilynn.</text>
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              <text>Ithaca, N.Y.: Cornell University Press, 2006.</text>
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        <element elementId="114">
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              <text>2006</text>
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              <text>xiii, 206 pp.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl sac 30:199</text>
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                <text>Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence</text>
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                <text>Desmond studies the discourse of erotic violence in medieval literature and iconography, surveying depictions of the "mounted Aristotle" and focusing on the adaptations of material from Ovid's "Ars Amatoria" found in the letters of Héoïse and Abélard, the "Roman de la Rose," WBP, and Christine de Pizan's contributions to the Querelle de la Rose. The letters of Héoïse and Pizan "offer alternative perspectives" to the "canonical reworkings" of Ovid, while the Roman and WBP reflect the "erotic potential of intimate violence" that has connections with sadomasochism, as well as being rooted in the homoerotics of love in Ovid's imperial Rome. The popularity of the Wife of Bath today indicates that the "strategic relations" of love and violence in WBP continue to shape our contemporary attitudes.</text>
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              <text>Dean, Nancy.</text>
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              <text>Hunter College Studies 3 (1966): 75-90.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Ovid's Elegies from Exile and Chaucer's House of Fame.</text>
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                <text>Argues that Ovid's "Tristia" and "Ex Ponto" influenced the ideas of Fame, Fortune, and Rumor in HF, along with several details in the poem.</text>
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              <text>Andretta, Helen R[uth].</text>
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              <text>Edward Wesley, ed. Christianity &amp; Literature (Brooklyn, N.Y.: St. Francis, 2003), pp. 16-27.</text>
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              <text>Wesley, Edward, ed.</text>
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                <text>Ovid's Influence on Chaucer's 'Book of the Duchess'</text>
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                <text>Essay not located; reported in the MLA International Bibliography, with the following note: "Proceedings of the Northeast Region Conference: Voices Far and Near: Myth, Legend, Folktale, Fantasy, Held Friday, October 25 and Saturday, October 26, 2002."</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Ovid's Priapus in the Merchant's Tale.</text>
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                <text>Explains the sexual resonances latent in the reference to Priapus in MerT 4.2034-37, citing tales in Ovid, the commentary tradition, and PF. January's statue of Priapus "constitutes a kind of devotion to the obscene god who was the true patron saint of old age."</text>
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          <elementTextContainer>
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                <text>Ovid's Shadow: Character and Characterization in Early Modern Literature</text>
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                <text>Ovid's "Metamorphoses" is crucial to the development of characterization in western European literature. Ovid complicates the conventional "divided  consciousness" of earlier characterizations through relativism, rationalization, rhetoric ,reduction,and legalism. Andreas Capellanus, Chrétien de Troyes, and Chaucer (examples drawn from TC) carry these techniques into the Renaissance and anticipate development of the novel.</text>
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              <text>Hardaway, Reid.</text>
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              <text>Dissertation Abstracts International A79.03 (2017): n.p.</text>
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              <text>SAC 41:42</text>
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            <elementText elementTextId="2827668">
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                <text>Ovid's Wand: The Brush of History and the Mirror of Ekphrasis.</text>
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                <text>Addresses Chaucer's works as part of a larger examination of the influence of Ovid's "Metamorphoses," particularly his employment of ekphrasis--the use of poetry to&#13;
portray other types of art.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2790570">
              <text>Bidard, Josselin.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790571">
              <text>Danielle Buschinger, ed. Médiévales, 11-12: L'antiquité dans la littérature et les beaux-arts (Amiens: Presses du Centre d'Études Médiévales, Université de Picardie-Jules Verne, 2010), pp. 302-8.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790572">
              <text>2010</text>
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          <elementTextContainer>
            <elementText elementTextId="2790573">
              <text>Médiévales, 11-12: L'antiquité dans la littérature et les beaux-arts.</text>
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              <text>Buschinger, Danielle, ed.</text>
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            <elementText elementTextId="2790576">
              <text>Legend of Good Women.</text>
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              <text>vxl sac 34:285</text>
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              <elementText elementTextId="2790569">
                <text>Ovide, Chaucer, et Gower</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790575">
                <text>Focuses on Chaucer's uses of Ovid, specifically his use of the legend of Pyramus and Thisbe in LGW.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695622">
              <text>McKinley, Kathryn Lillian.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695623">
              <text>Dissertation Abstracts International 53 (1992): 1155A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1992</text>
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              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2695628">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2695629">
              <text>Wife of Bath and Her Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695630">
              <text>Dissertation Abstracts International 53 (1992)</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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          <element elementId="50">
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                <text>Ovidian Narrative Technique in Jean de Meun and Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Though Ovid's influence on Jean de Meun and Chaucer has long been recognized as far as mythology and irony are concerned,Ovid's "neoteric" narrative techniques also provided models for the two writers; cf. Chaucer's BD, TC, and WBT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852873">
              <text>Cooper, Helen, and Robert R. Edwards, eds.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Oxford: Oxford University Press, 2023.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852875">
              <text>546 pp.</text>
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          <elementTextContainer>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852878">
              <text>2023</text>
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          <element elementId="50">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852872">
                <text>Twenty-nine essays devoted to the examination of poetry from the end of Old English verse through the Ricardian poets, including an introduction by the editors. For nine essays that pertain to Chaucer, search for Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748146">
              <text>Dougill, John.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748147">
              <text>Ann Arbor: University of Michigan Press, 1998.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748148">
              <text>1998</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748149">
              <text>xii, 363 pp.</text>
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        <element elementId="102">
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            <elementText elementTextId="2748152">
              <text>Background and General Criticism.</text>
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              <text>Miller and His Tale.</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748154">
              <text>jules SAC 22 - 111</text>
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              <text>Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Describes late medieval literary production in the city of Oxford, characterizing it as a "crossroads for intellectual work of all kinds," summarizing its library holdings, and surveying affiliated literature. Comments on Oxfordian influences on Chaucer and on his setting MilT in Oxford.</text>
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                <text>Pace in Chaucer. The proverbe seith: He hasteth wel that wisely kan abyde (Melibee, 1054)</text>
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                <text>Windeatt compares several of Chaucer's works and their sources to show that through variations in narrative pace and increased attention to pinpointing time, Chaucer makes something quite new. Considers PF, MLT, TC, KnT, and several of the tales in LGW.</text>
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              <text>New York: Palgrave Macmillan, 2007.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2780136">
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              <text>vii, 299 pp.</text>
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              <elementText elementTextId="2780138">
                <text>White  explores the role of literature in "peace studies," traces pacifist theory through the ages, and surveys pacifism in English literature from the Middle Ages to modern prose, poetry, and film. The chapter on the Middle Ages comments on Old English  tradition, Anglo-Norman tradition, and works by Gower, Lydgate, Hoccleve, and Chaucer (especially Mel and KnT).</text>
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              <text>Noguchi, Shunichi.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Hiroe Futamura, Kenichi Akishino, and Hisato Ebi, eds.  A Pilgrimage Through Medieval Literature (Tokyo: Nan' Un-Do Press, 1993), pp. 95-102.</text>
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        <element elementId="114">
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            <elementText elementTextId="2732597">
              <text>1993</text>
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              <text>A Pilgrimage Through Medieval Literature.</text>
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              <text>Chusei Eibungaku-eno Junrei-ni Michi.</text>
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                <text>Pagan Consolation in 'The Knight's Tale'</text>
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                <text>KnT suggests the transitory nature of human life and offers as consolation the prospect of a heroic and noble death in the figure of Arcite.</text>
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          <elementTextContainer>
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              <text>Frankis, John.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Mary Salu, ed.  Essays on Troilus and Criseyde  (Cambridge: Brewer, 1979), pp. 57-72.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2726093">
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                <text>The pagan references in TC perform two obvious functions:  they provide local color and they help to delineate character (as in Pandarus' scorn of Troilus--who has just uttered a prayer to several pagan deities--calling him a "mouses hert," III, 736). </text>
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                <text>But, more important, the failure of the love affair and the ultimate failure of the pagan gods to protect the lovers reveals the triviality and transcience of various aspects of human experience, while at the same time leaving the reader with an impression of the lasting value of these things.</text>
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Sources, Analogues, and Literary Relations</text>
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mea; 2/25/2018</text>
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                <text>Examines the influence of paganism on Christian writers from the fifth century to the eighteenth century. Includes a chapter on entitled "Langland and Chaucer: The Continuity of the Problem of Paganism" (pp. 214–34).</text>
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              <text>Schildgen, Brenda Deen.</text>
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              <text>Gainesville : University Press of Florida, 2001.</text>
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              <text>2001</text>
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              <text>[xiv], 184 pp.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Knight and His Tale.</text>
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              <text>Squire and His Tale.</text>
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            <elementText elementTextId="2758642">
              <text>Man of Law and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Monk and His Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Franklin and His Tale.</text>
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              <text>jules SAC 25 (165)</text>
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                <text>Pagans, Tartars, Moslems, and Jews in Chaucer's Canterbury Tales</text>
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              <elementText elementTextId="2758638">
                <text>Applying Habermas's notion of discourse ethics, Schildgen focuses on stories in CT that are "set outside a Christian-dominated world." Individual chapters include discussions of KnT and SqT, MLT, WBT and FranT, PrT and MkT, and SNT. Chaucer's inclusion of these stories demonstrates his "expansive narrative interest in the intellectual and cultural worlds outside Christianity" (2). They are crucial to presenting not a single, totalizing worldview but rather an "environment" for the exchange and ultimately unresolved debate of alternative views and value systems (125).</text>
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          <elementTextContainer>
            <elementText elementTextId="2698134">
              <text>Salda, Michael Norman.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Chaucer Review 27 (1992): 111-25.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1992</text>
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        <element elementId="102">
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              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2698139">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 27 (1992).</text>
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                <text>Pages from History: The Medieval Palace at Westminster as a Source for the Dreamer's Chamber in the 'Book of the Duchess'</text>
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                <text>The inspiration for the text of the painted chamber with its "text and gloss" in BD was St. Stephen's chapel with its lavishly painted walls.  Previous efforts to correlate Chaucer's text with particular illuminated manuscripts have been futile.</text>
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              <text>Liendo, Elizabeth.</text>
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              <text>Ph.D. dissertation (Pennsylvania State University, 2019). Item not seen. Abstract available at https://etda.libraries.psu.edu/catalog/16973eah27 (accessed December 1, 2021).</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 44:51</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2840269">
              <text>2019</text>
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            <description>A name given to the resource</description>
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                <text>Pain and Pleasure: Fictions of Erotic Violence from Ovid to Spenser.</text>
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                <text>Argues that Ovidian influence on "the literary fantasy of erotic and poetic mastery" draws on a "model established in Ovid's 'Amores'," tracing "a "shared heritage" ranging from Andreas Capellanus, Chrétien de Troyes, Petrarch, Chaucer, and Ronsard to Spenser.</text>
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              <text>Vaccaro, Christopher, ed.</text>
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        <element elementId="98">
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              <text>Manchester: Manchester University Press, 2022.</text>
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              <text>xii, 388 pp.; illus.</text>
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          <elementTextContainer>
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              <text>Manchester Medieval Literature and Culture, no. 43.</text>
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              <text>Background and General Criticism</text>
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                <text>Painful Pleasures: Sadomasochism in Medieval Cultures.</text>
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          <element elementId="41">
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              <elementText elementTextId="2853286">
                <text>Twelve essays by various authors, covering religious, courtly, and secular texts and contexts, with an introduction by the editor and a comprehensive index. For two essays that pertain to Chaucer, search for Painful Pleasures: Sadomasochism in Medieval Cultures under Alternative Title.</text>
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              <text>Passmore, S. Elizabeth</text>
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              <text>Medieval Feminist Forum 36: 36-40,   2003.</text>
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          <name>Date</name>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl SAC 27: 205</text>
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                <text>Passmore discusses three examples of "written women," whose stories are "filtered through the impressions and words of a male writer." The Wife of Bath's question about who painted the lion (WBP 3.692) indicates that women's writings, if unmediated by men, would be "more accurate in their self-depictions."</text>
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                <text>Passmore discusses three examples of "written women," whose stories are "filtered through the impressions and words of a male writer." The Wife of Bath's question about who painted the lion (WBP 3.692) indicates that women's writings, if unmediated by men, would be "more accurate in their self-depictions."</text>
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