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              <text>Carruthers, Mary (J.)</text>
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                <text>Our 'crafty science' : Institutional Support and Humanist Discipline</text>
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                <text>Encourages medievalists to recognize the realities of academic institutions and to participate in administrative processes.</text>
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              <text>Willocks, Stephanie.</text>
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              <text>English Journal 85:7 (1996): 122-24.</text>
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              <text>Canterbury Tales--General.</text>
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                <text>Advocates imitative role-playing as a way to teach Chaucer.  Students select pictures from newspapers and magazines, create characters from the pictures, and develop stories for the characters to tell.  Stories are told during an imaginary journey, actually a partial tour of campus.</text>
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              <text>Turco, Lewis.</text>
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                <text>Our Friend, Dan Chaucer</text>
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                <text>A personal memoir recording a childhood experience of reading about "Dan" Chaucer in "The Book of Knowledge," leading to an early understanding of the unchanging drives and characteristics of human nature. A childhood neighbor was like the Wife of Bath.</text>
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              <text>Elliott, Ralph W. V.</text>
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              <text>Review of English Literature 7.2 (1966): 63-71.</text>
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                <text>Our Host's "Triacle": Some Observations on Chaucer's "Pardoner's Tale."</text>
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                <text>Questions some of critics' claims about the Pardoner (particularly rejecting the claim that he is drunk), and argues that the Pardoner's character and his performance cohere and exhibit his "craft and talent" as well as his efforts "to entertain and impress the pilgrims and to work towards the practical joke against the Host."</text>
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              <text>Boyd, Beverly.</text>
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              <text>Florilegium 9 (1990, for 1987): 147-54.</text>
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              <text>jules SAC 13 (251)</text>
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                <text>Almost all Chaucer's poetry specifically addressed to Mary includes translation, adaptation, or quotations from disparate sources brought together via "collage" technique. This layered effect has precedent in church liturgy and macaronic lyric.</text>
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              <text>Leicester, H. Marshall,Jr.</text>
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              <text>Laurie A. Finke and Martin B. Shichtman, eds.  Medieval Texts and Contemporary Readers (Ithaca, N.Y.: Cornell University Press, 1987), pp. 15-26.</text>
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                <text>Invoking "Derridean models," Leicester examines the problem of evolution of medieval manuscripts.  With its possibility of "univocal meaning," "logocentric" oral literary culture flattens out the difference between composer and audience; the scribal and editorial processes involved in the manuscript tradition complicate the mediation between medieval author and reader.  Draws examples from TC, PF, LGW, CT, Th, and Mel.</text>
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              <text>Reed, Gwendolyn, ed.&#13;
Margules, Gabriele, illus.</text>
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                <text>Focuses on the "outcast" lyrics of the Findern manuscript (Cambridge University Library, MS Ff.1.6), i.e., those ""overlooked" poems as they appear among works by Chaucer and others. Analyzes how the lyrics "respond" to the works they accompany (particularlyPity and Richar d Roos's English version of "La Belle Dame sans Mercy"), and what they thereby reveal about late medieval and early modern reading practices.</text>
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                <text>The relation of Lydgate and Henryson to Chaucer is anxious and competitive; their retellings of TC help canonize Chaucer but also subvert "his authority by criticizing or outdoing him."  Lydgate associates Chaucer with Criseyde's falsity and "stands with Guido against Chaucer."  Henryson acknowledges that Chaucer is one among many who have fictionalized the story, especially the character of Criseyde.</text>
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                <text>Studies the depiction and reception of historical and literary outlaws in England from the eleventh to the sixteenth century, focusing on how borders of various sorts--legal, ethnic, political, social, and religious--define the outlaw identity. Jones comments on Palamon and Arcite as outlaws in KnT and on use of the term "outlawe" in ManT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kane, George.</text>
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        <element elementId="98">
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              <text>Acta (Binghamton, N.Y.) 4 (1977): 1-17.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2723082">
              <text>1977</text>
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            <elementText elementTextId="2723084">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2723085">
              <text>Manuscripts and Textual Studies.</text>
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        <element elementId="100">
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              <text>Acta 04 (1977)</text>
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        <element elementId="109">
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              <text>jules SAC 05 (77)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Outstanding Problems of Middle English Scholarship</text>
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            <description>An account of the resource</description>
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                <text>Chaucer scholarship provides an example of the need for the correction and reassessment of texts, authorship, chronology, and influences on Middle English literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2821862">
              <text>Garver, Marjorie</text>
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              <text>Critical Inquiry 42 (2016): 731-59.</text>
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          <elementTextContainer>
            <elementText elementTextId="2821864">
              <text>Critical Inquiry 42 (2016)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2821865">
              <text>Chaucer's Influence and Later Allusion</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2821867">
              <text>2016</text>
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              <elementText elementTextId="2821860">
                <text>Over the Influence.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2821861">
                <text>Reviews canon, allusion, and literary influence in English literature. Refers to Chaucer as the head of the English canon, discusses Matthew Arnold's thoughts on Chaucer, and reveals limited attention to Chaucer in the 1909 "Harvard Classics" publication. </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765508">
              <text>Reed, Teresa P.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765509">
              <text>Exemplaria 15  : 245-61, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765510">
              <text>2003</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2765512">
              <text>Recordings and Films.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2765513">
              <text>Exemplaria 15 (2003)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765514">
              <text>vxl SAC 25:12</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2765507">
                <text>Overcoming Performance Anxiety: Chaucer Studio Products Reviewed</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2765511">
                <text>Argues that spoken recordings of Chaucer's works (and other Middle English writings) are useful in the classroom. Surveys critical attitudes toward such recordings and comments on the products produced by the Chaucer Studio.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="268308" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763908">
              <text>Clarke, Catherine A. M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763909">
              <text>Reading Medieval Studies 29: 19-30,   2003.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763910">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2763912">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2763913">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2763914">
              <text>Book of the Duchess.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763915">
              <text>Reading Medieval Studies 29 (2003)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763916">
              <text>vxl SAC 27: 98</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763907">
                <text>Overhearing Complaint and the Dialectic of Consolation in Chaucer's Verse</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763911">
                <text>Clarke discusses the motif of eavesdropping in TC, KnT, and BD. Overhearing (both deliberate and accidental) places speaker and listener in a dialectic relationship.</text>
              </elementText>
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          </element>
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  <item itemId="270056" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781877">
              <text>Thaisen, Jacob.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781878">
              <text>Journal of the Early Book Society 11 (2008): 121-43.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781879">
              <text>2009</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781881">
              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2781882">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781883">
              <text>Journal of the Early Book Society 11 (2008).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781884">
              <text>vxl sac 33:19</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2781876">
                <text>Overlooked Variants in the Orthography of British Library, Additional MS 35286</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2781880">
                <text>Thaisen illustrates how a distribution of orthographical variants can be an "internal standard of reference," using as an example the Ad3 manuscript of CT. He comments on the order of tales in the manuscript and on various features of the manuscript's ordinatio, stemmatic relations, planning, and transmission. Tabulating orthographical variants and aligning them with available dialectical information, Thaisen maintains that the manuscript was "copied consecutively" from GP to ParsT, "based on a single exemplar."</text>
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  <item itemId="274433" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826098">
              <text>Hoffman, Richard Lester.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826099">
              <text>Dissertation Abstracts International 25.03 (1965): 5280A.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826100">
              <text>Dissertation Abstracts International 25 (1965)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826101">
              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826102">
              <text>mea; 6/7/2019</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826103">
              <text>1965</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826096">
                <text>Ovid and "The Canterbury Tales."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826097">
                <text>Examines the "nature and extent" of Ovid's influence on CT, identifying wide-ranging allusions to various Ovidian works and providing parallel passages, assessing Chaucer's emulation of Ovidian techniques and considering Chaucer's uses of "Metamorphoses" as a handbook of mythology, Chaucer's respect for Ovid as an "ethical philosopher," and the influence of moralized commentaries on Chaucer's understanding of the Roman poet.</text>
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  </item>
  <item itemId="271083" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792711">
              <text>Fyler, John M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792712">
              <text>William S. Anderson, ed. Ovid: The Classical Heritage (New York: Garland, 1995), pp. 143-65.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792713">
              <text>1995</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792714">
              <text>Ovid: The Classical Heritage.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792715">
              <text>Anderson, William S., ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>mea 7/24/2013 No SAC</text>
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                <text>Ovid and Chaucer</text>
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              <elementText elementTextId="2792716">
                <text>Describes Ovid's response to Virgil, and gauges Ovid's influence on Chaucer, focusing on the latter's acquaintance with "Ars Amatoria," "Remedia Amoris," and "Amores," and on the "self-conscious, obtrusive narrator." Like Ovid, and unlike Virgil, Chaucer is more the "poeta" than the "vates"--"self-consciously trapped" by human limitations.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hoffman, Richard L.</text>
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              <text>English Language Notes 2.4 (1965): 252-57.</text>
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            <elementText elementTextId="2823976">
              <text>English Language Notes 02 (1965)</text>
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            <elementText elementTextId="2823977">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2823978">
              <text>mea; 1/15/2019</text>
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              <text>1965</text>
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          <element elementId="50">
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              <elementText elementTextId="2823972">
                <text>Ovid and Chaucer's Myth of Theseus and Piritheüs.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823973">
                <text>Identifies Ovid as the ultimate source of Chaucer's references to the friendship of Theseus and Piritheus in KnT, perhaps mediated by the "Roman de la Rose 8148-54 or moralizations of Ovid's works. </text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Hoffman, Richard L.</text>
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            <elementText elementTextId="2823983">
              <text>American Notes and Queries 3.7 (1965): 101.</text>
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            <elementText elementTextId="2823984">
              <text>American Notes and Queries 03 (1965)</text>
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            <elementText elementTextId="2823985">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 1/15/2019</text>
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        <element elementId="114">
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            <elementText elementTextId="2823987">
              <text>1965</text>
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          <element elementId="50">
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                <text>Ovid and the "Marital Dilemma" in "The Wife of Bath's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Identifies Ovid's "Amores" 3.4.41-42 as a possible source for the "incompatibility of beauty and marital fidelity" that underlies the choice offered by the loathly lady to the knight in WBT 3.1219-27.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2819990">
              <text>Hoffman, Richard L.</text>
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        <element elementId="98">
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            <elementText elementTextId="2819991">
              <text>[Philadelphia]: [University of Pennsylvania Press,] 1966.&#13;
</text>
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              <text>xii, 217 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2819994">
              <text>mea; 9/18/2018</text>
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        <element elementId="114">
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            <elementText elementTextId="2819995">
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          <element elementId="50">
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              <elementText elementTextId="2819988">
                <text>Ovid and the Canterbury Tales.</text>
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                <text>Argues that Ovid inspired the structure, narrative complexities, and thematic focus of CT--its tales-within-a-tale structure, its multiple narrators characterized by their tales, and its concern with two kinds of love, higher and lower--and shows that a large number of specific echoes of "Amores," "Ars Amatoria," "Fasti," "Heroides," and, especially "Metamorphoses" are manifest in GP, KnT, MilT, MLPT, WBPT, SumT, MerT, SqT, FranT, PhyT, Mel, MkT (Hercules), and ManT, demonstrating these specific influences by providing parallel passages from Chaucer's texts, Ovid's texts, and medieval analogues and commentaries.</text>
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              <text>Hoffman, Richard L.</text>
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              <text>Notes and Queries 210 (1965): 406-9.</text>
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              <text>Notes and Queries 210 (1965)</text>
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              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2823994">
              <text>mea; 1/15/2019</text>
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                <text>Ovid and the Monk's Tale of Hercules.</text>
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                <text>Suggests that although Chaucer generally follows Boethius's "Consolation of Philosophy" in his account of the labors of Hercules, one discrepancy may have been influenced by a scholists' gloss to Ovid's "Ibis" 401-2.</text>
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              <text>Hoffman, Richard L.</text>
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              <text>Notes and Queries 211 (1966): 48-50.</text>
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              <text>Notes and Queries 211 (1966)</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Ovid and the Wife of Bath's Tale of Midas.</text>
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                <text>Compares the Wife of Bath's version of the Midas exemplum with Ovid's original in "Metamorphoses," suggesting that the divergences exemplify the Wife's penchant for misquoting and/or misunderstanding authorities and align with her deafness, a figurative version of "wearing the ass's ears of Midas."</text>
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