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              <text>St. John, Michael.</text>
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              <text>Michael St. John, ed. Romancing Decay: Ideas of Decadence in European Culture (Aldershot, Hants; and Brookfield, Vt.: Ashgate, 1999), pp. 17-26.</text>
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              <text>1999</text>
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              <text>Romancing Decay: Ideas of Decadence in European Culture. Studies in European Culture, no. 3.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Studies in European Culture, no. 3.</text>
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              <text>jules SAC 24 (371)</text>
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                <text>Nature, Venus, and Royal Decadence : Political Theory and Political Practice in Chaucer's Parliament of Fowls</text>
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                <text>Political theory from Alain de Lille and Aristotle underlies PF, and events of the Good Parliament (1376) are reflected in it. Chaucer's Priapus and Venus allude to Edward III and Alice Perrers, while Nature's parliament is Chaucer's political ideal and his depiction of proper aristocratic behavior.</text>
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              <text>Havely, Nick.</text>
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              <text>Seeta Chaganti, ed. Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya (New York: Fordham University Press, 2012), pp. 109-23.</text>
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              <text>Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea SAC 36:208</text>
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                <text>Nature's 'Yerde' and 'Warde': Authority and Choice in 'Chaucer's Parliament of Fowls'</text>
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                <text>Reads the relationship between the formel and Nature in PF in light of late medieval practices of wardship, informed by attention to "yerde" as an emblem of authority. Comments on the formel's decision not to marry and on parallels between the formel and Criseyde in Book II of TC.</text>
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              <text>Oruch, Jack B.</text>
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              <text>Chaucer Review 18 (1983): 23-37.</text>
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              <text>1983</text>
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              <text>Chaucer Review 18 (1983)</text>
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              <text>jules SAC 07 (226)</text>
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                <text>Nature's Limitations and the 'Demande d'Amour of Chaucer's 'Parlement'</text>
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                <text>Birds as the participants in the "demande d'amour" game are comic, as is Nature the judge:  her ineptness is both risible and serious, as traditionally she is limited by the Fall.</text>
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              <text>Shearer, Joanna R.</text>
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              <text>DAI A71.09 (2011): n.p.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Legend of Good Women</text>
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              <text>Man of Law and His Tale</text>
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              <text>Dissertation Abstracts International 71 (2011).</text>
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            <elementText elementTextId="2797518">
              <text>mea sac 35:109.</text>
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                <text>Naughty by Nature: Chaucer and the (Re)Invention of Female Goodness in Late Medieval Literature</text>
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                <text>Assesses Chaucer's presentation of women in TC, LGW, and CT (especially MLT) for the various ways that he invigorates them as characters to give them voice and dimension.</text>
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  <item itemId="262653" public="1" featured="0">
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              <text>Prose, Francine.</text>
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        <element elementId="98">
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              <text>New York Times Book Review, Feb. 14, 1988, p. 26.</text>
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        <element elementId="114">
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              <text>1988</text>
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              <text>Background and General Criticism.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 12 (102)</text>
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                <text>Naughty, Bawdy, and Wise--A Valentine for Chaucer</text>
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            <description>An account of the resource</description>
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                <text>A short popular article in appreciation of Chaucer.</text>
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              <text>Pan Sánchez, María Rosa.</text>
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        <element elementId="98">
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              <text>Notas y estudios filológicos 10 (1995): 111-24.</text>
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              <text>1995</text>
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              <text>Chaucer's Life</text>
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              <text>Notas y estudios filológicos 10 (1995)</text>
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              <text>vxl sac 33:7</text>
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                <text>Navarra y la literatura inglesa: El juglar taillefer y la presencia en Navarra de John Chandos y de Geoffrey Chaucer</text>
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                <text>Gauges the influence of Navarre on English literature at two crucial junctures: the Norman Conquest and during the march of Edward, the Black Prince, when both Chaucer and John Chandos were involved. Reproduces several archival documents and includes an abstract in English.</text>
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              <text>Tracy, Kisha G.</text>
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                <text>Navigating Strategies for Teaching Medieval Literature with Google Maps.</text>
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                <text>Exemplifies the utilities of Google Maps in creating instructor-generated and student-generated maps for teaching aspects of undergraduate coursework in medieval literature, with five sample maps and an assignment designed for a course in English studies abroad. Includes discussion of using the program in teaching CT.</text>
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              <text>Reed, Thomas L.,Jr.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>jules SAC 12 (200)</text>
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                <text>Nebuchadnezzar and Chauntecleer: Chaucer's Fortunate Fowl</text>
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                <text>The fall of Nebuchadnezzar is the only history in MkT that ends favorably for its protagonist; in its tragicomic structure and its transformation of the hero to a birdlike beast, this episode anticipates some main features of NPT.</text>
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Nun's Priest and His Tale</text>
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              <text>mea; SAC 42:172</text>
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              <text>2014</text>
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                <text>Nebuchadnezzar and the Moral of the "Nun's Priest's Tale."</text>
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                <text>Reads NPT in light of the Nebuchadnezzer account in MkT--the only one of the Monk's tragedies with a "happy ending," the result of a lesson learned. Contrasts MkT as an early work of Chaucer's with NPT as one of his maturity, focusing on the "rival arguments" of free will and determinism, the rhetoric of exempla, and Chaucer's uses of tone.</text>
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              <name>Title</name>
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              <text>Doob, Penelope B. R.</text>
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              <text>New Haven and London: Yale University Press, 1974.</text>
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              <text>vii, 247 pp.</text>
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              <text>Monk and Hisd Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Nebuchadnezzer's Children: Conventions of Madness in Middle English Literature.</text>
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                <text>This study of madness in Middle English literature generally mentions Chaucer only in passing, but includes a brief discussion of a "pedestrian and highly traditional account of Nebuchadnezzer" in MkT. Clearly based on the Book of Daniel, the account is marked "by several factual errors" and "clear echoes" of the commentary tradition; it's "dullness and conservatism are pardonable only if they are seen as an attempt to fit tale to teller."</text>
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              <name>Title</name>
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              <text>Iyeiri, Yoko.</text>
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        <element elementId="98">
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              <text>English Studies 91 (2010): 826-37.</text>
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              <text>Boece</text>
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            <elementText elementTextId="2788057">
              <text>English Studies 91 (2010).</text>
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              <text>vxl sac 34:37</text>
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          <element elementId="50">
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                <text>Negation in Different Versions of Chaucer's Boece: Syntactic Variants and Editing the Text</text>
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                <text>Iyeiri investigates negative constructions in five versions of Bo, discussing the relative chronology of the witnesses to the text and, more generally, the editing of Middle English texts.</text>
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        <element elementId="98">
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            <elementText elementTextId="2790906">
              <text>Merja Kytö, John Scahill, and Harumi Tanabe, eds. Language Change and Variation from Old English to Late Modern English: A Festschrift for Minoji Akimoto (New York: Peter Lang, 2010), pp. 79-101.</text>
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              <text>Language Change and Variation from Old English to Late Modern English: A Festschrift for Minoji Akimoto.</text>
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              <text>Kytö, Merja, ed.</text>
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              <text>Scahill, John, ed.</text>
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              <text>Tanabe, Harumi, ed.</text>
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              <text>Romaunt of the Rose.</text>
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              <text>vxl sac 34:296</text>
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                <text>Negation in Fragments A, B, and C of the Hunter Manuscript of 'The Romaunt of the Rose'</text>
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            <description>An account of the resource</description>
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                <text>Iyeiri analyzes the "various forms of negation" in the fragments of Rom, commenting on their implications for attribution. Fragment C is more like B than like the Chaucerian A in many of its forms of negation; hence, it is unlikely to be by Chaucer.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Ingham, Richard.</text>
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        <element elementId="98">
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              <text>Studia Anglica Posnaniensia 42 (2006): 77-97.</text>
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              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2775561">
              <text>Studia Anglica Posnaniensia 42 (2006)</text>
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        <element elementId="109">
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              <text>vxl SAC 31:70</text>
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            <name>Title</name>
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              <elementText elementTextId="2775555">
                <text>Negative Concord and the Loss of the Negative Particle ne in Late Middle English</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Includes several examples from Chaucer's prose writings.</text>
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  <item itemId="269163" public="1" featured="0">
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              <text>Nevalainen, Terttu.</text>
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              <text>Journal of English Linguistics 34 (2006): 257-78.</text>
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          <elementTextContainer>
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              <text>Language and Word Studies.</text>
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              <text>Boece</text>
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              <text>Journal of English Linguistics 34 (2006)</text>
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              <text>vxl sac 30:90</text>
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                <text>Negative Concord as an English 'Vernacular Universal': Social History and Linguistic Typology</text>
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                <text>Addresses historical sociolinguistic trends between 1400 and 1800, tracing the disappearance of multiple negative (negative concord) usage to the latter half of the eighteenth century. However, data also suggest that Late Middle English initiated the shift from negative concord to negative forms in conjunction with nonassertives (e.g., "not . . . anything"). Nevalainen draws data from Bo.</text>
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              <text>Jimura, Akiyuki.</text>
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              <text>Bulletin of the Faculty of the School of Education (Hiroshima Unviersity) 17 (1995): 1-9.</text>
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              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2739379">
              <text>Bulletin of the Faculty of the School of Education (Hiroshima University) 17 (1995)</text>
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              <text>jules SAC 19 (1997) - 217</text>
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            <description>An account of the resource</description>
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                <text>An investigation of the relationship between negatives and negative expressions, content, and characterization in ClT.</text>
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                <text>Includes frequency tables for ClT and other works by Chaucer.</text>
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              <text>Johnson, Valerie B. and Kara L. McShane, eds.</text>
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              <text>Boston: De Gruyter; Kalamazoo: Medieval Institute, 2022.</text>
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              <text>vii, 365 pp.; illus.</text>
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              <text>McShane, Kara L., ed.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 46:148</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2847554">
                <text>Negotiating Boundaries in Medieval Literature and Culture: Essays on Marginality, Difference, and Reading Practices in Honor of Thomas Hahn.</text>
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          <element elementId="41">
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              <elementText elementTextId="2850871">
                <text>Includes fifteen essays on early English, Irish, Scottish, and Robin Hood studies, with an Introduction by the editors, an appreciation of Thomas Hahn's career by Theresa Coletti, and a comprehensive Index. For five essays that pertain to Chaucer, search for Negotiating Boundaries in Medieval Literature and Culture under Alternative Title.</text>
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            <elementText elementTextId="2749104">
              <text>Blum, Martin.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2749105">
              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 37-52.</text>
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        <element elementId="114">
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            <elementText elementTextId="2749106">
              <text>1998</text>
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          <elementTextContainer>
            <elementText elementTextId="2749107">
              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
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              <text>Miller and His Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 198.</text>
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              <elementText elementTextId="2749103">
                <text>Negotiating Masculinities: Erotic Triangles in the Miller's Tale</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2749108">
                <text>John, Nicholas, and Absolon are, each in his own way, feminized in MilT, while Alison is masculinized and thereby escapes punishment.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Reis, Huriye.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Interactions: Ege University Journal of British and American Studies 12.1-2 (2012): 69-78.</text>
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              <text>Interactions: Ege University Journal of British and American Studies 12 (2012)</text>
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              <text>Legend of Good Women</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2823382">
              <text>2012</text>
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              <elementText elementTextId="2823375">
                <text>Negotiating Power: Authority and the Author in Chaucer's Prologue to the "Legend of Good Women."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2823376">
                <text>Uses Michel Foucault's notions of power, subversion, and discourse to argue that LGWP "illustrates the medieval writer's relationship to hegemonic power" and "presents the potential ways authors are involved in the production and subversion of discourses." Includes an abstract in Turkish.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738283">
              <text>Utz, Richard J.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738284">
              <text>Richard Utz, ed.  Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm (Lewiston, N.Y.; Queenston, Ont.; Lampeter, Wales: Edwin Mellen, 1995), pp.1-30.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738285">
              <text>1995</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738286">
              <text>Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2738289">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2738290">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="109">
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              <text>jules SAC 19 (1997) - 129</text>
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              <elementText elementTextId="2738282">
                <text>Negotiating the Paradigm: Literary Nominalism and the Theory and Practice of Rereading Late Medieval Texts</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738287">
                <text>Surveys the critical application of nominalism to medieval literary texts, suggesting three main approaches:  nominalist text as source, as coeval philosophical substratum, and as historical corroboration of modern perceptions.</text>
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              <elementText elementTextId="2738288">
                <text>Postulates Chaucer's knowledge of nominalism via Ralph Strode and public "disputationes" and reads the epilogue of TC as a problem-solving device similar to nominalist leaps of faith.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2709698">
              <text>Patterson, Lee.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Madison and London: University of Wisconsin Press, 1987.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709700">
              <text>1987</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2709702">
              <text>Background and General Criticism.</text>
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              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2709704">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
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              <text>jules SAC 11 (109)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2709697">
                <text>Negotiating the Past: The Historical Understanding of Medieval Literature</text>
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              <elementText elementTextId="2709701">
                <text>Considers "political agendas" that governed the development of Chaucer scholarship and textual criticism and analyzes medieval studies in terms of current theories about historicism.  CT bears "a privileged relation" to the historic moment.  Chapters on "Piers Plowman," TC, "Roman d'Eneas," "Erec et Enide," and the alliterative "Mort Arthure."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schutz, Andrea.</text>
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              <text>Jean E. Godsall-Myers, ed. Speaking in the Medieval World (Boston: Brill, 2003), 105-24.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2765299">
              <text>Speaking in the Medieval World.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
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              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2765302">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>vxl SAC 27: 224</text>
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              <elementText elementTextId="2765295">
                <text>Negotiating the Present: Language and Trouthe in the Franklin's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2765300">
                <text>Language itself is important in FranT, but so is the intention of the speaker. Moreover, authorial intention in CT as a whole affects how we use language for our own ends, because we learn from everything we read. Authors must consider consequences of the words they write.</text>
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  <item itemId="277216" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Elmes, Melissa Ridley.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Ph.D. Dissertation. The University of North Carolina at Greensboro, 2016. Dissertation Abstracts International A77.11(E). Fully accessible via ProQuest Dissertations &amp; Theses and at https://libres.uncg.edu/ir/listing.aspx?id=19566.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850130">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucerian Apocrypha</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850131">
              <text>mea; 3/31/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850132">
              <text>2016</text>
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          <elementTextContainer>
            <elementText elementTextId="2850133">
              <text>Dissertation Abstracts International A77.11(E). </text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
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            <elementText elementTextId="2850134">
              <text> viii, 330 pp.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850126">
                <text>Negotiating Violence at the Feast in Medieval British Texts.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850774">
                <text>From Elmes's abstract: "Making use of theoretical underpinnings from anthropology and history that characterize the feast as a culturally essential event and medieval violence as a rational and strategically-employed tool of constraint, coercion, and manipulation, I convert the essentially historical question of the cultural importance of feasts into a literary one by close reading feasting scenes and their aftermath in order to consider how the writers in medieval England used the motif of violence at or following the feast to illuminate, critique, and offer correction to social, political, and religious issues tied to the specific concerns of justice, loyalty, and treason within a community. Looking at texts ranging from the Anglo-Saxon epic 'Beowulf,' the Welsh 'Mabinogion,' and Latin 'Historia Regum Britanniae' to chronicle-based works by Geoffrey Chaucer and John Gower, the Middle English Arthurian romances 'Sir Gawain and the Green Knight' and Sir Thomas Malory's 'Le Morte Darthur,' the Old Norse 'Clari's Saga,' and outlaw tales of Robin Hood, Gamelyn, and Hereward the Wake, I demonstrate through a comparative approach centered on interpretation and analysis supported with contextual historical evidence that violence associated with the feast is typically presented according to genre expectations and mirrors cultural anxieties that are specific to the community in which and for which a given text was produced." Includes analysis of the "Man of Law's Tale" and its analogues, and comments on the apocryphal "Tale of Gamelyn."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740157">
              <text>Milliken, Roberta.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740158">
              <text>Women's Studies 24 (1995): 191-204.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740159">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740162">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2740163">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740164">
              <text>Women's Studies 24 (1995)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740165">
              <text>jules SAC 19 (1997) - 308</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740156">
                <text>Neither 'Clere Laude' Nor 'Sklaundre': Chaucer's Translation of Criseyde</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740160">
                <text>In TC, Chaucer amplified traits in Criseyde that Boccaccio emphasized less in "Filostrato."</text>
              </elementText>
              <elementText elementTextId="2740161">
                <text>  Criseyede's social isolation, fearfulness, awareness of her social rank, and vulnerability both make her a more fully realized character than Boccaccio's Criseida and maker her betrayal of Troilus more understandable.</text>
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  <item itemId="266304" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743041">
              <text>Milliken, Roberta Lee.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743042">
              <text>Dissertation Abstracts International 56 (1996): 2672A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743043">
              <text>1996</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743045">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2743046">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743047">
              <text>Dissertation Abstracts International 56 (1996)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743048">
              <text>jules SAC 20 (1998), 271</text>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743040">
                <text>Neither 'Clere Laude' nor 'Sklaundre': Chaucer's Translation of Criseyde, and Sensual and Holy Locks: A Study of Hair in Women's Hagiography</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743044">
                <text>Comparison of Criseyde with Boccaccio's Criseida shows that Chaucer sets forth her characterization in Books 1-3:  She is fearful, alone, aware of her position, and easily manipulated.  These traits, which foreshadow her future, are less evident in Boccaccio's treatment.</text>
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  <item itemId="265202" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731645">
              <text>Chapman, Don.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731646">
              <text>Ian Lancashire, ed.  Computer-Based Chaucer Studies (Toronto: Centre for Computing in the Humanities, University of Toronto, 1993), pp. 87-98.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731647">
              <text>1993</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731648">
              <text>Computer-Based Chaucer Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731650">
              <text>Language and Word Studies.</text>
            </elementText>
            <elementText elementTextId="2731651">
              <text>Boece.</text>
            </elementText>
            <elementText elementTextId="2731652">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731653">
              <text>jules SAC 17 (63)</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731644">
                <text>Neologisms in Chaucer's 'Boece'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731649">
                <text>Computer-assisted analysis of the 276 neologisms in Bo produces statistical descriptions of their source languages,their distribution in Bo, and their occurrences in other works by Chaucer.  The analysis underpins surmises about the range and nature of Boethius's influence on Chaucer.</text>
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          </element>
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