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              <text>Shoaf, R. Allen.</text>
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              <text>Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 193-208.</text>
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              <text>Fleshly Things and Spiritual Matters.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:326</text>
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              <text>2011</text>
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                <text>"A Pregnant Argument": Bodies and Literacies in Dante's "Comedy," Chaucer's "Troilus," and Henryson's "Testament." </text>
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            <description>An account of the resource</description>
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                <text>Explores verbal play with walls and words in Dante's allusion to Pyramus and Thisbe in his "Commedia"; Chaucer's uses of enclosure and openness in TC in light of his own allusion to the love pair (TC 5.1247-48); and Henryson's closing off of Cresseid's legacy in his "Testament," anagrammatized in the first letters of his reference to Chaucer ("FICTIO," at "Testament" 58-63). Includes concern with gender, literacy, and the need to consider a broader idea of gendered "literacies."</text>
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              <text>Rowland, Beryl.</text>
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              <text>Notes and Queries 208 (1963): 9.</text>
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              <text>Notes and Queries 208 (1963)</text>
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              <text>Book of the Duchess</text>
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              <text>mea; 4/27/2020</text>
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              <text>1963</text>
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                <text>"A Round Tour of Yvoyre" ("The Book of the Duchess", 946).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Suggests that the description of Blanche's throat as a round ivory tower may "carry on the idea" of the Duchess being referred to as a "fers," a chess piece, found elsewhere in the poem.</text>
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              <text>Adamson, Christopher.</text>
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              <text>Ph. D. Dissertation. Emory University, 2020.&#13;
Dissertation Abstracts International A82.06.</text>
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              <text>Dissertation Abstracts International A82.06.</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:316</text>
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                <text>"A Sacramental Moment": Liturgy and Time in the Victorian Reception of the Past.</text>
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            <description>An account of the resource</description>
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                <text>Examines "the importance of ritual in the Victorian reception of the medieval past," including discussion of TC.</text>
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              <text>Rowland, Beryl.</text>
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              <text>English Language Notes 6 (1968): 84-87.</text>
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              <text>English Language Notes 06 (1968)</text>
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              <text>Nun's Priest's Tale&#13;
Language and Word Studies</text>
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              <text>mea; 11/27/2017</text>
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              <text>1968</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2816445">
                <text>"A sheep that highte Malle" (NPT, VII, 2831).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2816446">
                <text>Explores the implications of the name "Malle" that is given to the widow's sheep in NPT 7.2831: the sheep is a ewe and suggests the widow's "simplicity, her poverty, and one of the ways in which" she is a dairy woman. </text>
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              <text>McCutchan, J. Wilson.</text>
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        <element elementId="98">
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              <text>PMLA 74 (1959): 313-17.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>mea; 10/28/2023</text>
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                <text>"A Solempne and a Greet Fraternitee."</text>
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            <description>An account of the resource</description>
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                <text>Aligns details of GP 1.361-78 with historical evidence to argue that the five tradesmen or "Burgesses" described by Chaucer belonged to a "craft fraternity [rather than a parish fraternity] and that the Drapers' Fraternity (or Brotherhood of St. Mary of Bethlehem) provides a clear-cut example of the kind of organization he had in mind."</text>
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              <text>Taylor, Jamie K.</text>
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              <text>Studies in the Age of 39 (2017): 249-74.</text>
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              <text>Studies in the Age of 39 (2017)</text>
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              <text>Treatise on the Astrolabe&#13;
Man of Law and His Tale&#13;
Squire and His Tale&#13;
Physician and His Tale&#13;
Tale of Melibee</text>
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              <text>SAC 41:269</text>
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                <text>"A suffisant Astrolabie": Childish Desire, Fatherly Affection, and English Devotion in "The Treatise on the Astrolabe."</text>
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                <text>Explores the "ideological work" of children in Chaucer's literature, commenting on Sophie in Mel, Virginia in PhyT, Maurice in MLT, and Lewis in Astr. Treats the latter as a metonym for vernacular readers and for the potential of technological learning (also found in the brass steed of SqT) through which Chaucer projects an image of "Englishness" that "coalesces around paternal love and technological learning" and depends in part upon the sufficiency of Oxford to emulate or replace Rome in a national imaginary.</text>
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              <text>Birney, Earle.</text>
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              <text>Mediaeval Studies 21 (1959): 17-35.</text>
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              <text>Mediaeval Studies 21 (1959)</text>
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              <text>Friar and His Tale&#13;
Style and Versification</text>
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                <text>"After His Ymage": The Central Ironies of the "Friar's Tale."</text>
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                <text>Reads FrT as "one of Chaucer's more carefully worked and closely unified poems, and, . . . one of his most dramatic." Focuses on the poem's "Faustian situation," its '"unusual withholding of the denouement," and "its moral implication," exploring characterization and stylistic irony, particularly dramatic irony, and a "pervasive duality of phrasing" and imagery.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification&#13;
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                <text>"Al for some conclusioun": Trinitarian Structure and the Final Stanza of Chaucer's "Troilus"</text>
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                <text>Examines the last stanza of TC, the first three lines of which are translated almost verbatim from Dante''s "Paradiso" (14.28-30), and argues that the ending not only affirms Chaucer's debt to Dante, but is crucial for an understanding of the poem. Contends that TC, while a cohesive whole, "is divided into thirds, even as it is divided in half," which has "important implications for interpretive cruxes surrounding the poem."</text>
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              <text>Dragu, Jacqueline.</text>
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              <text>viii, 131 pp. </text>
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              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Prioress and Her Tale</text>
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        <element elementId="114">
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                <text>"All Is Alike Good": Melancholia and Desire in Medieval Literature.</text>
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                <text>Discusses psychoanalytic aspects of melancholy and subjectivity in several medieval texts, including BD and PrT. The "logic of identification" in BD signals that "melancholia might be seen as more open-ended than a pathology constantly teetering on the edge of sinfulness," while PrT "paranoiacally [sic] attributes its repressed aggression towards [the clergeon] onto the Jews rather than ever identifying that aggression as an aspect of its own desire."</text>
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              <text>Syme, Alison.</text>
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              <text>Nancy Rose Marshall, ed. Victorian Science and Imagery: Representation in Nineteenth-Century Visual Culture (Pittsburgh: University of Pittsburgh Press, 2021), pp. 56-78.</text>
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            <elementText elementTextId="2847317">
              <text>Victorian Science and Imagery: Representation in Nineteenth-Century Visual Culture.</text>
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              <text>Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2847319">
              <text>SAC 46:31</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2847320">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847312">
                <text>"All that Is Solid Melts into Air": Burne-Jones, Glaciation, and the Matter of History.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847313">
                <text>Focuses on Edward Burne-Jones's illustration of HF in the Kelmscott Chaucer (1896) to show "that Burne-Jones was attuned to the scientific discourse of his time," arguing that the book "provided the context and impetus to visualize, in distilled form, some of the complex relationships between natural change and human activity that his contemporaries were beginning to consider."</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Lochrie, Karma.</text>
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              <text>Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Squire and His Tale</text>
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        <element elementId="114">
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              <text>2022</text>
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          <description/>
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              <text>Karma Lochrie and Usha Vishnuvajjala, eds. Women's Friendship in Medieval Literature (Columbus: Ohio State University Press, 2022), pp. 177-96. </text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850816">
              <text>Women's Friendship in Medieval Literature</text>
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                <text>"All These Relationships between Women": Chaucer and the Bechdel Test for Female Friendship.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848519">
                <text>Identifies three ways to illuminate female friendship in CT, disclosing "identity of feeling" among women (Custance, the Sultaness, and Hermengild in MLT), "enclaves . . . afforded by misogynistic discourses" (the Wife, her gossip, and female community in WBPT), and "surprises and resistances . . . possible in the mise-en-scène of female empathy" (Canacee and the falcon in SqT). Considers criteria of female friendship posed by Virginia Woolf and film-critic Alison Bechdel</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2816255">
              <text>Knight, S. T.</text>
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        <element elementId="98">
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              <text>Neophilologus 52 (1968): 178-80.</text>
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        <element elementId="100">
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            <elementText elementTextId="2816257">
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        <element elementId="102">
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            <elementText elementTextId="2816258">
              <text>Prioress and Her Tale&#13;
Language and Word Studies</text>
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            <elementText elementTextId="2816260">
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              <elementText elementTextId="2816253">
                <text>"almoost a spanne brood."</text>
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              <elementText elementTextId="2816254">
                <text>Glosses "almoost a spanne broode" in the GP description of the Prioress (CT 1.155) as "almost four inches high," exploring its ironic implications.</text>
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  <item itemId="274643" public="1" featured="0">
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              <text>Boldrini, Lucia.</text>
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              <text>Gerald Gillespie and Haun Saussey, eds. Intersections, Interferences, Interdisciplines: Literature with Other Arts (Brussels: P. I. E. Peter Lang, 2014), pp. 35–46.</text>
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              <text>Gillespie, Gerald, ed.&#13;
Saussey, Haun, ed.</text>
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Treatise on the Astrolabe</text>
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          <elementTextContainer>
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        <element elementId="114">
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                <text>Describes the "Night Lesson" chapter of James Joyce's "Finnegans Wake" and argues that it shares a number of features with Astr.</text>
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                <text>"Among Schoolchildren": Joyce's "Night Lesson" and Chaucer's "Treatise on the Astrolabe."</text>
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              <text>Haresnape, Geoffrey.</text>
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            <elementText elementTextId="2842135">
              <text>English Academy Review 32.2 (2015): 152-59.</text>
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              <text>English Academy Review 32 (2015)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2842137">
              <text>ABC&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2842138">
              <text>mea; 1/20/2023</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2842139">
              <text>2015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2842132">
                <text>"An ABC" by Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842133">
                <text>Translates ABC into modern English verse, retaining Chaucer's original meter, stanza form, and rhyme scheme. Includes brief introductory description of the poem and a biographical eulogy for Professor John van der Westhuizen, to whom the translation is dedicated.</text>
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  </item>
  <item itemId="275352" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2834853">
              <text>Steadman, John M.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2834854">
              <text>Notes and Queries 207 (1962): 6.</text>
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            <elementText elementTextId="2834855">
              <text>Notes and Queries 207 (1962)</text>
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          <name>Chaucer Subject</name>
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              <text>Miller and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2834857">
              <text>mea; 5/1/7/2021</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2834858">
              <text>1962</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2834851">
                <text>"An Honest Miller"? "Canterbury Tales", 555.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834852">
                <text>Suggests that the Miller's tuft of hairs in GP 1.555 may associate him with a folklore tradition about honesty and might be read "he was honest, as millers go."</text>
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          </element>
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  <item itemId="275161" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Cels, Marc B.</text>
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        <element elementId="98">
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            <elementText elementTextId="2832945">
              <text>Chaucer Review 53.3 (2018): 308-35.</text>
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          <elementTextContainer>
            <elementText elementTextId="2832946">
              <text>Chaucer Review 53 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832947">
              <text>Summoner and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2832948">
              <text>mea; SAC 42:148</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832949">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832942">
                <text>"An irous man": Anger and Authority in the "Summoner's Tale." </text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832943">
                <text>Argues that the right use of anger in proper, hierarchical social relationships in SumT affirms aristocratic authority while undermining the pretenses of Friar John and Jankyn the clerk.</text>
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          </element>
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  <item itemId="274030" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821797">
              <text>Beidler, Peter G.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2821798">
              <text>Chaucer Review 51.4 (2016): 518-19.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2821799">
              <text>Chaucer Review 51 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2821800">
              <text>Chaucer's Influence and Later Allusion</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821801">
              <text>SAC 40: 82</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821802">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821795">
                <text>"An Old-Fashioned Form of the Zulu Tongue": A Nineteenth-Century Chaucer Allusion.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2821796">
                <text>Notes that H. Rider Haggard mentions Chaucer in "King Solomon's Mines."</text>
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  <item itemId="273564" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
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            <elementText elementTextId="2818011">
              <text>Kikuchi, Akio.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818012">
              <text>Tohoku Romantic Studies 2 (2015): 1–14.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818013">
              <text>Tohoku Romantic Studies 02 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2818014">
              <text>Squire and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2818015">
              <text>SAC 39:165&#13;
mea; 2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818016">
              <text>2015</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825146">
                <text>Considers why the tale of the Mongol Empire is allocated to the young Squire. Points out the Squire's idealistic representation of the royal family of the Empire and discusses Chaucer's possible attitude toward SqT, taking fourteenth-century political affairs into account. In Japanese.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825264">
                <text>"Ancestral voices prophesying war": The Representation of the Mongol Empire in Chaucer's "Squire's Tale."</text>
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  <item itemId="276622" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2845233">
              <text>Ruszkiewicz, Dominika.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845234">
              <text>Barbara Marczuk and Iwona Piechnik, eds. Discours religieux: Langages, textes, traductions (Kraków: Biblioteka Jagiellonska, 2020), pp. 305-17.</text>
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              <text>Marczuk, Barbara, ed.&#13;
Piechnik, Iwona, ed.</text>
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          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2845236">
              <text>Discours religieux: Langages, textes, traductions</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845237">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2845238">
              <text>SAC 45:173</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2845239">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845231">
                <text>"And biddeth ek for hem that ben despeired": Chaucer's Bidding Prayer for Lovers as an Example of (Mock)religious Discourse.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845232">
                <text>Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent concern with religious, cosmic love that is higher than and preferable to courtly or worldly love.</text>
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  <item itemId="274638" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827781">
              <text>Sobecki, Sebastian.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827782">
              <text>Critical Survey 29.3 (2017): 7-14.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827783">
              <text>Critical Survey 29 (2017)</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Envoy to Bukton&#13;
Envoy to Scogan&#13;
Truth</text>
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                <text>"And gret wel Chaucer whan ye mete": Chaucer's Earliest Readers, Addressees and Audiences.</text>
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Sources, Analogues, and Literary Relations</text>
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mea; 2/20/2018</text>
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                <text>"And kis the steppes where as thow seest pace": Reconstructing the Spectral Canon in Statius and Chaucer.</text>
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                <text>Reviews the presence of Statius's "Thebaid" in TC, exploring in detail the juxtaposition of Statian and Ovidian material in Cassandra's explanations of Troilus's dream of the boar, explaining Chaucer's elision of Boccaccio from his poem as Chaucer's imitation of Statius's "poetics of disavowal," and commenting on Chaucer's complex use of the list-of-poets topos in TC, 5.1782.</text>
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              <text>Purdon, Liam O.</text>
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              <text>Chaucer Review 52.2 (2017): 202-16.</text>
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              <text>Cook and His Tale</text>
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                <text>Proposes that the Cook is suffering from illness, which challenges the traditional interpretation of the Cook as a drunkard.</text>
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                <text>"And of that drynke the Cook was wonder fayn": A Reconsideration of Hogge of Ware's Drunkenness."</text>
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              <text>Stone, Charles Russell.</text>
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              <text>Troilus and Criseyde</text>
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                <text>"And sodeynly he wax therwith astoned": Virgilian Emotion and Images of Troy in Chaucer's "Troilus."</text>
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                <text>Considers Chaucer's attention to the city of Troy in TC, focusing on the Palladium festival in Book 1 and Troilus's ride through the city in Book 5, arguing that the scenes reflect the influence of Virgil's "Aeneid" and associate the fall of Troy with Troilus's initial viewing of Criseyde and the inevitable demise of their relationship.</text>
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              <text>Dunai, Amber.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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mea; 3/1/2018</text>
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            <description>An account of the resource</description>
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                <text>Examines the parallels between Cresseid and the narrator showing Cresseid's eventual transformation while the narrator fails to understand the moral point. Includes comments on Chaucer's narrator in TC.</text>
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              <text>Star, Sarah.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Language and Word Studies&#13;
Man of Law and His Tale&#13;
Second Nun and Her Tale</text>
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                <text>"Anima carnis in sanguine est": Blood, Life, and "The King of Tars."</text>
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                <text>Connects the shapeless mass of flesh, which Christian baptism miraculously reforms into a baby in the Middle English romance "The King of Tars," with a bloodless mass described by Chaucer's contemporary Henry Daniel as an "elvysch cake." Claims that "elvysch" can be interpreted as strange, transformational, and excessive, in a "Chaucerian sense," and the concept may be echoed in the rumor of a "fiendish" birth in MLT and of Saracen "bloodlessness" in SNT.</text>
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