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              <text>Raybin, David.</text>
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              <text>Franklin and His Tale.</text>
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                <text>'Wommen, of Kynde, Desiren Libertee': Rereading Dorigen, Rereading Marriage</text>
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                <text>Of the characters in FranT, Dorigen is "most fre" in the senses of independence and generosity.  She chooses her own fate (life instead of the suicide characteristic of the scorned woman) and her own lover (her husband instead of the lusty, would-be suitor).  Her nobility of spirit elevates the men around her.</text>
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              <text>Dilorenzo, Raymond D.</text>
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              <text>University of Toronto Quarterly 52 (1982), 20-39.</text>
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              <text>jules SAC 06 (155)</text>
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                <text>'Wonder and Words': Paganism, Christianity, and Consolation in Chaucer's 'Book of the Duchess'</text>
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                <text>BD deals with a universal concern, response to the death of a loved person.  In a Christian world the knight, mourning his lady, finds consolation by expressing her beauty and goodness in words; he returns to the present world with a suggestion of heaven to come.</text>
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                <text>Lacanian psychoanalysis of how words used to describe the objects of desire in FranT do not accord with the work of desire actually performed.</text>
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              <text>Andreas, James R.</text>
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              <text>Chaucer Review 29 (1994): 45-64.</text>
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              <text>jules SAC 18 (1996) - 133</text>
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                <text>Drawing from Geoffrey of Vinsauf and Mikhail Bakhtin on the "rhetoric of the utterance," Andreas stresses the importance of Chaucer's links between tales in the development of characters, authors, audience, and still more stories.  The links exist in temporal time and demonstrate the characters making their own choices.</text>
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              <text>Stokes, Myra.</text>
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              <text>English Studies 64 (1983): 18-29.</text>
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              <text>jules SAC 07 (239)</text>
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                <text>Language is used to reveal or conceal.  Warping his own beliefs, Pandarus in his speech redefines or avoids moral issues; duplicitous Diomede thinks like Pandarus, speaks like Troilus; Troilus's speech is forthright, literal; Criseyde is capable of jokes, mock seriousness, ambiguity, deliberate pretense.</text>
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                <text>Although the Catholic Church in the twelfth century had developed "extraordinarily rigorous" prohibitions against intermarriage by persons related by blood, by the thirteenth century these standards had to be relaxed. Archibald discusses various Middle English texts, including MLT, PrT, ParsT, and LGW.</text>
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              <text>Theresa M. Krier, ed. Refiguring Chaucer in the Renaissance (Gainesville: University Press of Florida, 1998), pp. 21-39.</text>
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              <text>Refiguring Chaucer in the Renaissance.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 22 - 79</text>
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                <text>'Wrastling for This World': Wyatt and the Tudor Canonization of Chaucer</text>
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                <text>Examines allusions to Chaucer's poetry in works by Thomas Wyatt.  Thynne's edition of Chaucer shows how he was appropriated for the crown's political agenda, while the Devonshire manuscript reflects subversive appropriation.  Wyatt capitalizes on this fragmentation of Chaucer's "cultural authority" to express his own poetic and political struggles.</text>
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            <elementText elementTextId="2780271">
              <text>Cole, Meghan R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2780272">
              <text>Sigma Tau Delta Review 5 (2008): 17-25.</text>
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        <element elementId="114">
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            <elementText elementTextId="2780273">
              <text>2008</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Sigma Tau Delta Review 05 (2008).</text>
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            <elementText elementTextId="2833609">
              <text>vxl SAC 32:207.</text>
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                <text>'Wynne . . . for al is for to selle': Sexual Economics and Female Authority in Chaucer's Wife of Bath's Prologue</text>
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                <text>Cole examines the "intricate relationship between sex, money, and power" in WBP, particularly as reflected in the sequence in which the Wife recalls her husbands.</text>
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  <item itemId="264579" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2725636">
              <text>Hassan-Yusuff, Z. Dolly.</text>
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            <elementText elementTextId="2725637">
              <text>Chaucer Newsletter 1.2 (1979): 15-18.</text>
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              <text>1979</text>
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              <text>Friar and his Tale.</text>
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              <text>Chaucer Newsletter 01 (1979)</text>
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              <text>jules SAC 04 (83)</text>
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              <elementText elementTextId="2725635">
                <text>'Wynne thy cost': Commercial and Feudal Imagery in the 'Friar's Tale'</text>
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                <text>By using the language of feudal economics Chaucer equates the summoner with the devil.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2801607">
              <text>McDonie, R. Jacob.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2801608">
              <text>Exemplaria 24 (2012): 313-41.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2801609">
              <text>2012</text>
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            <elementText elementTextId="2801611">
              <text>Merchant and His Tale</text>
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            <elementText elementTextId="2801612">
              <text>Exemplaria 24 (2012)</text>
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            <elementText elementTextId="2801613">
              <text>mea SAC 36:164</text>
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              <elementText elementTextId="2801606">
                <text>'Ye get namoore of me': Narrative, Textual, and Linguistic Desires in Chaucer's 'Merchant's Tale'</text>
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              <elementText elementTextId="2801610">
                <text>Argues that genre and the discourses of desire in MerT prove too strong for the narrator, who is constantly conflicted about his presentation not only of linguistic and narrative desires but also of the psychoanalytic displacements of these desires.</text>
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  <item itemId="264758" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727364">
              <text>Johnson, Judith A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2727365">
              <text>Michigan Academician 10 (1977): 71-76.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2727366">
              <text>1977</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2727368">
              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2727369">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2727370">
              <text>Michigan Academician 10 (1977)</text>
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        <element elementId="109">
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            <elementText elementTextId="2727371">
              <text>jules SAC 03 (35)</text>
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            <name>Title</name>
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              <elementText elementTextId="2727363">
                <text>'Ye' and 'Thou' among the Canterbury Pilgrims</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2727367">
                <text>The pilgrims' decisions to address each other formally, as "you," or intimately, as "thou," reveal their attitudes about each other and their own social self-conceptions.  Harry Bailly's central role, in terms both of the poem's structure and of fourteenth-century social structure, lends his decisions particular relevance.</text>
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  <item itemId="264730" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2727092">
              <text>Burrow, J. A.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2727093">
              <text>Review of English Studies 30 (1979): 385-96.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2727094">
              <text>1979</text>
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            <elementText elementTextId="2727096">
              <text>Background and General Criticism</text>
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              <text>Knight and His Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Squire and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2727100">
              <text>Review of English Studies 30 (1979)</text>
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        <element elementId="109">
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            <elementText elementTextId="2727101">
              <text>jules SAC 03 (23)</text>
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            <name>Title</name>
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              <elementText elementTextId="2727091">
                <text>'Young Saint, Old Devil': Reflections on a Medieval Proverb</text>
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                <text>Implicit in the proverb are two distinct views of the order of human development:  the order is either a 'high norm to be achieved" or a "low norm to be transcended."  Although Chaucer never directly cites the proverb, evidence found in KnT and PrT, combined with the contrasts between the Knight and Squire and their respective tales, suggests he ascribed to the less orthodox view--the "nature ideal."</text>
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  <item itemId="269787" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2779119">
              <text>Rozenski, Steven Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2779120">
              <text>Parergon 25.2 (2008): 1-16.</text>
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        <element elementId="114">
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              <text>2008</text>
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              <text>Language and Word Studies</text>
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              <text>Parergon 25 (2008).</text>
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        <element elementId="109">
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            <elementText elementTextId="2833710">
              <text>vxl SAC 32:89.</text>
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              <elementText elementTextId="2779118">
                <text>'Your ensaumple and your mirour': Hoccleve's Amplification of the Imagery and Intimacy of Henry Suso's 'Ars moriendi'</text>
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              <elementText elementTextId="2779122">
                <text>Addresses word choice in Thomas Hoccleve's English translation of Henry Suso's "Ars moriendi," a Latin text. Chaucer's use of the word "similitude" shows that it had entered the English language;  however, Hoccleve translates both imago" and "similitudo" as "image."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ferster, Judith.</text>
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          <elementTextContainer>
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              <text>Prioress and Her Tale.</text>
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              <text>Exemplaria 02 (1990).</text>
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              <text>jules SAC 14 (224)</text>
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                <text>'Your Praise is Performed by Men and Children' : Language and Gender in the 'Prioress's Prologue' and 'Tale'</text>
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                <text>Chaucer's PrT allows competing psychoanalytic readings from both feminine and masculine points of view, a conflict that mirrors the competition for predominance between male and female figures embedded within the text.  These readings may be "theorized" by avoiding essentialist interpretations based on Chaucer's identity and gender.  Perhaps Chaucer's ambivalence was a response to the debate concerning women's roles as religious speakers and celebrants in fourteenth-century England.</text>
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              <text>Iyeiri, Yoko.</text>
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          <description/>
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                <text>'Ys the Lorde amonge us or not'? : Some Observations on or noon, or no, and or not in English Bibles and Their Historical Development</text>
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                <text>Several citations of Chaucer.</text>
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              <text>Scala, Elizabeth.</text>
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        <element elementId="98">
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              <text>Claire Vial, ed.  'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays (2014): n.p. (web publication).</text>
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        <element elementId="114">
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              <text>2014</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2813674">
              <text>'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Franklin and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 2/20/2017 SAC 38:165</text>
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              <elementText elementTextId="2813670">
                <text>'Ysworn . . . withoute gilt': Lais of Illusion. Making Language in the Canterbury Tales</text>
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          <element elementId="41">
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              <elementText elementTextId="2813675">
                <text>Argues that Chaucer's interest in Breton lays rests on the genre's association with magic and language. WBT has features of a Breton lay, but is not marked as such; FranT, even though it has its sources in the Italian novelle, is marked as a Breton lay.</text>
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              <text>Hamaguchi, Keiko.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Studies in Medieval Language and Literature 37 (2022): 27-45.</text>
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            <elementText elementTextId="2849773">
              <text>Studies in Medieval Language and Literature 37 (2022)</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2849776">
              <text>2022</text>
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                <text>". . . Criseyda, / In widewes habit blak" (I.169–70): Fourteenth-Century English Widows and the Victimization of Criseyde.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849770">
                <text>Investigates TC's portrayal of Criseyde as a representation of English widows facing threats and deceit. Utilizing legal records of the time, considers how Poliphete's false suit mirrors real cases of widows unjustly targeted for their property and manipulated by men. In Japanese, with English abstract</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2831976">
              <text>Espie, Jeff.</text>
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          <elementTextContainer>
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              <text>Spenser Studies 31-32 (2017): 243-71. </text>
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            <elementText elementTextId="2831978">
              <text>Spenser Studies 31-32 (2017)</text>
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        <element elementId="102">
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            <elementText elementTextId="2831979">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <elementText elementTextId="2831974">
                <text>"(Un)couth: Chaucer, The Shepheardes Calender, and the Forms of Mediation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831975">
                <text>Explores how Tudor editions of Chaucer and works by John Gower and John Lydgate "mediate" the presentation of Chaucer and his "authorial identity" in Edmund Spenser's "Shepheardes Calender," arguing that Spenser depicts Chaucer not only as the preeminent gifted English poet, but also as the translator, interpreter, and mediator of the traditions that went before him--a "go-between" who is a "partner of Pandarus."</text>
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              <text>Morrison, Susan Signe.</text>
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              <text>Humanities 9, no. 4 (2020): 117 [11 pp.]</text>
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            <elementText elementTextId="2847953">
              <text>Humanities 09 (2020)</text>
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            <elementText elementTextId="2847954">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2847949">
                <text>"[A]n Exterior Air of Pilgrimage": The Resilience of Pilgrimage Ecopoetics and Slow Travel from Chaucer's "The Canterbury Tales" to Jack Kerouac's "On the Road."</text>
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              <elementText elementTextId="2847950">
                <text>Assesses the "ecocritical insights" of Jack Kerouac's "On the Road" via its intertexual relations with the "pilgrimage ecopoetics" of CT, exploring structural similarities in the works and their vernacularity, metatextual references, "linguistic and physical contingency, and slow walking, where&#13;
slowness functions as a form of rebellion."</text>
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              <text>Studies in the Age of Chaucer 38 (2016): 1-37.</text>
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              <text>Studies in the Age of Chaucer 38 (2016)</text>
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              <text>Miller and His Tale&#13;
Style and Versification&#13;
Language and Word Studies</text>
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                <text>"A berd! A berd!": Chaucer's Miller and the Poetics of the Pun.</text>
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                <text>Assesses "why puns matter so much" in MilT, both "speaker puns" and "recipient puns," exploring the yoked concerns of language and intention, and commenting on secular and religious punning in medieval linguistic, artistic, rhetorical, and lexical traditions. Traces features of punning in literary history and the critical history of pun-hunting in Chaucer, showing how MilT is a "medium of recipient poetics" in its deployment of popular forms and verbal dexterity, a poem about the "fantasies" of language and linguistic plenitude.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 93-132.</text>
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              <text>Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame</text>
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                <text>"A Familiar Vois and Stevene": Hearing Voices in Chaucer's Dream Visions.</text>
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                <text>Examines auditory cognition in BD, PF, and HF, attending particularly to "janglynge" and related concepts. BD illustrates differences between hearing and listening, while PF records a "paradigm shift" from seeing to listening, and HF reflects Chaucer's "sense of the partiality of his own poetic voice, dependent as it is on the collaboration of his auditor to come into being." Attends to noise, gossip, voice, animal sounds, acousmatic sound and reading, transduction, listening "modalities," and theories of aurality.</text>
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              <text>Scott-Macnab, David.</text>
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              <text>Notes and Queries 262 (2017): 22-24.</text>
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              <text>Notes and Queries 262 (2017)</text>
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              <text>Language and Word Studies</text>
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              <text>mea; SAC 44:113</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>"A goode hors shulde haue . . . a dry hede."</text>
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                <text>Adduces KnT, 1362, as one example in suggesting a new sub-meaning for the MED definition of "dry"/"drye."</text>
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            <elementText elementTextId="2853102">
              <text>Saunders, Corinne.</text>
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              <text>Annette Kern-Stähler and Elizabeth Robertson, eds. Literature and the Senses (New York: Oxford University Press, 2023), pp. 107-24.</text>
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              <text>Literature and the Senses</text>
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              <text>Book of the Duchess&#13;
Troilus and Criseyde</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853100">
                <text>"A lowde voys clepyng": Voice-Hearing, Revelation, and Imagination.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853101">
                <text>Comments on medieval and modern understandings of hearing voices, then assesses the phenomenon in Middle English romances and mystical accounts. Demonstrates how in TC and BD Chaucer "extends romance motifs" to explore "the processes of the imagination, the intersections of affect and cognition, and the shaping of these by the mysterious forces outside the self . . . [and] the disruptions of extreme feeling.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2835015">
              <text>Burrow, J.</text>
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        <element elementId="98">
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              <text>Medium Aevum 30 (1961): 33-37.</text>
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              <text>Medium Aevum 30 (1961)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2835018">
              <text>Man of Law and His Tale&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/10/21</text>
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              <text>1961</text>
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                <text>"A Maner Latyn Corrupt."</text>
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                <text>Explores parallels between several medieval analogues to Chaucer's use of the phrase "Latyn corrupt" in his description of Constance's language in MLT 2.519--the alliterative "Morte Arthure," the "Etymologiae" of Isidore of Seville (possibly, the ultimate source), John Gower's "Confessio Amantis," Vincent of Beauvais's "Speculum Doctrinale," and "Fouke Fitz Warin."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Franklin and His Tale</text>
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MEA; 2/27/2018</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2818049">
                <text>literary heritage of Breton lay narratives, with emphasis on FranT. For three essays that pertain to Chaucer, search for A noble tale / Among us shall awake under Alternative Title</text>
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                <text>"A noble tale / Among us shall awake": Approches croisees des "Middle English Breton Lays" et du "Franklin's Tale."</text>
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