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                  <text>Chaucer Bibliography Online</text>
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              <text>Sharrock, Roger.</text>
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              <text>Essays in Criticism 8 (1958): 123-37.</text>
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              <text>Essays in Criticism 08 (1958)</text>
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              <text>Toilus and Criseyde</text>
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              <text>mea; 5/18/2024</text>
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                <text>Second Thoughts on C. S. Lewis on Chaucer's "Troilus."</text>
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                <text>Responds to criticism of TC, especially that of C. S. Lewis on courtly love, and examines the poem's emphases on human vulnerability and limitations, reinforced by recurrent colloquialisms, juxtapositions of the sublime and the risible, and concern with the "contingent, fortuitous character of ordinary life." Attends to the lovers' struggles in dealing with worldly contingencies, supplanted in the final stanzas with spiritual distancing from the material world.</text>
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              <text>Renoir, Alain.</text>
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              <text>Notes and Queries 203 (1958): 283-84.</text>
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              <text>Notes and Queries 203 (1958)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Knight and His Tale&#13;
Parliament of Fowls&#13;
Troilus and Criseyde</text>
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              <text>mea; 5/18/2024</text>
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                <text>A Note on Chaucer's Women.</text>
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                <text>Explores similarities of Chaucer's description of women's hair (KnT 1.1048-50, PF 267-68, and TC 5.808-12) and Apuleius's "Metamorphoses" II.10, suggesting a similar aesthetic rather than a source relationship, and noting that all resonate with Virgil's "Aeneid" 1.318-20.</text>
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              <text>Renoir, Alain.</text>
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              <text>Notes and Queries 203 (1958): 248-49.</text>
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              <text>Notes and Queries 203 (1958)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and LIterary Relations</text>
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              <text>mea; 5/18/2024</text>
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                <text>Another Minor Analogue to Chaucer's Pandarus.</text>
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                <text>Identifies three "predominant" characteristics shared in the characterizations of Pandarus in TC and of "the slave Spurius, who plays the part of a pander for a young lover in Guillaume de Blois' Latin farce 'Alda,' written somewhat before 1170: "remarkable confidence" in dealing with the problems of others, "paradoxical" behavior, and "uncanny eagerness" in participating in the affairs of others.</text>
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              <text>Pratt, Robert A.</text>
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              <text>Journal of English and Germanic Philology 57.3 (1958): 416-23.</text>
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              <text>Journal of English and Germanic Philology 57 (1958)</text>
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              <text>Knight and His Tale</text>
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              <text>mea; 5/18/2024</text>
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                <text>"Joye after wo" in the "Knight's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Traces the unifying theme of joy after woe in KnT, "brought about both by the plot and by Boethian Destiny," focusing on Arcite's achievement of "welfare" and Palamon's "wele" after both start in sorrow. Theseus similarly replaces Egeus's saturnine sorrow with Jupiter's joy</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Owen, Charles A., Jr.</text>
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              <text>Journal of English and Germanic Philology 57.3 (1958): 449-76.</text>
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              <text>Journal of English and Germanic Philology 57 (1958)</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; 5/18/2024</text>
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                <text>The Development of the "Canterbury Tales"</text>
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                <text>Posits a "chronology of growth" for the CT, seeking "to follow the imagination of the poet and to recapture the dynamics of creation" evident in Chaucer's apparent changes in plan. Comments on earlier scholarly efforts to explain or understand inconsistencies and/or alterations in the tale-assignments, geographical and temporal details, and the number and sequence of tales and fragments, proposing a series of stages in Chaucer's compositional process.</text>
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              <text>Murata, Yazaburo.</text>
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              <text>In Kazuo Araki, and others, eds. Studies in English Grammar and Linguistics: A Miscellany in Honour of Takanobu Otsuka (Tokyo: Kenkyushi, 1958), pp. 289-99.</text>
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              <text>Kazuo Araki, and others, eds. </text>
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              <text>Studies in English Grammar and Linguistics: A Miscellany in Honour of Takanobu Otsuka.</text>
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              <text>Language and Word Studies&#13;
Style and Versificaation</text>
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              <text>mea; 5/18/2024</text>
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                <text>The Swearings in Chaucer.</text>
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                <text>Describes Chaucer's "power and limitations as a stylist," offering examples, and tabulating more extensively examples of oaths and swearing in Chaucer's works, including strong and weak oaths, wishes, and imprecations.</text>
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              <text>Mroczkowski, Przemysław.</text>
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              <text>Speculum 33.2 (1958): 204-21.</text>
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              <text>Speculum 33 (1958)</text>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2845717">
              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Style and Versification&#13;
Physician and His Tale</text>
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2845719">
              <text>1958</text>
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              <elementText elementTextId="2845712">
                <text>Mediaeval Art and Aesthetics in "The Canterbury Tales."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845713">
                <text>Sketches the development of "Gothic humanism," Platonism, and naturalism in medieval "plastic arts" and theory, locating similar principles and practices in CT--the principles expressed at the opening of PhyT and the practices found in a variety of examples where Chaucer's descriptions reflect idealism, dynamism, decorousness, and aesthetic incongruity, particularly in his "concrete and often minute or humorous details." Explores how Chaucer may have encountered Gothic style through travel and reading, and identifies possible correspondences between his verbal descriptions and visual iconography found in manuscript illuminations, misericords, carved ivories, and architectural details.</text>
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              <text>Morse, J. Mitchell.</text>
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              <text>Modern Language Quarterly 19 (1958): 3-20.</text>
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              <text>Modern Language Quarterly 19 (1958)</text>
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            <elementText elementTextId="2845709">
              <text>Clerk and His Tale&#13;
Wife of Bathe and Her Tale&#13;
Background and General Criticism</text>
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        <element elementId="109">
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845711">
              <text>1958</text>
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              <elementText elementTextId="2845704">
                <text>The Philosophy of the Clerk of Oxford.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Describes the "intellectual milieu" of the Clerk in order to characterize him as "man of essentially humanistic temper, aware of so many complexities . . . that he found it difficult to rest in dogmatic assurance of anything." Traces the "movement toward individualism . . . [as it] grew out of the realist-nominalist controversy," summarizing its development from Berengar of Tours to John Duns Scotus, William of Ockham, John Wyclif, and the "seeds of Protestantism," exploring its refractions in ClT, the characterizations of Griselda and Walter, and the Clerk's riposte to the Wife of Bath. </text>
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              <text>Manning, Stephen.</text>
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          <elementTextContainer>
            <elementText elementTextId="2845699">
              <text>Comparative Literature 10.2 (1958): 97-105.</text>
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        <element elementId="100">
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            <elementText elementTextId="2845700">
              <text>Comparative Literature 10 (1958)</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845701">
              <text>Book of the Duchess&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2845702">
              <text>mea; 5/18/2024</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845703">
              <text>1958</text>
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            <name>Title</name>
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                <text>Chaucer's Good Fair White: Woman and Symbol.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845697">
                <text>Contrasts the sorrows of the Dreamer and of Alcyone with that of the Man in Black in BD, arguing that the first two serve to elevate the intensity of the latter. Then examines the epideitic praise of Blanche/White as a form of personification that achieves symbolic value. Reflecting the idealized connotations of whiteness, she represents beauty, goodness, and "mesure," and her death, drawn from the tradition of troubadour courtly conventions, signals the passing of all worldly virtue.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mackerness, E. D.&#13;
</text>
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        <element elementId="98">
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            <elementText elementTextId="2845691">
              <text>Notes and Queries 203 (1958): 197-98.</text>
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            <elementText elementTextId="2845692">
              <text>Notes and Queries 203 (1958)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2845693">
              <text>Chaucer's Influence and Later Allusion&#13;
Physician and His Tale&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2845694">
              <text>mea; 5/18/2024</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845695">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845688">
                <text>Two Chaucer Allusions of 1659.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845689">
                <text>Identifies allusions to Chaucer from the "Periamma Epidemion" of 1659: to the description of the Physician in GP 1.437-38 and to WBP 3.227-28</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2845682">
              <text>MacKay, Eleanor Maxine.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845683">
              <text>Ph.D. Dissertation. Emory University, 1958.&#13;
Dissertation Abstracts International A 81/1(E). Full-text available from ProQuest Dissertations and Theses; accessed April 11, 2024.&#13;
</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845684">
              <text>Dissertation Abstracts International 81</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2845686">
              <text>mea; 5/18/2024</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845687">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845680">
                <text>The Clash and the Fusion of Medieval and Renaissance Elements in Chaucer's "Troilus."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845681">
                <text>Argues that TC, in its "integration of style, structure, and theme with meaning," is best regarded as "transitionally Renaissance in its entire import." Articulates differences between medieval and Renaissance cultures, and argues that TC better represents the latter.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845674">
              <text>Loomis, Laura Hibbard.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845675">
              <text>Speculum 33.2 (1958): 242-55.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845676">
              <text>Speculum 33 (1958)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845677">
              <text>Background and General Criticism&#13;
Franklin and His Tale&#13;
Languagee and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845678">
              <text>mea; 5/18/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845679">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845672">
                <text>Secular Dramatics in the Royal Palace, Paris, 1378, 1389, and Chaucer's "Tregetoures."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845673">
                <text>Identifies the "tregetoures" of FranT 4.1141, not as jugglers or magicians, but as the "actors, craftsmen, 'artisans mécaniques'" who produced spectacular entertainments such as the ones recorded by chroniclers to have taken place at the Royal Palace, Paris, in 1378 and 1389--the first representing the First Crusade, and the second, Jean Froissart's account of the Fall of Troy. Quotes from and analyzes original descriptions of these performances and related ones.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845666">
              <text>Lawrence, William W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2845667">
              <text>Speculum 33.1 (1958): 56-68.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
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            <elementText elementTextId="2845668">
              <text>Speculum 33 (1958)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845669">
              <text>Shipman and His Tale&#13;
Wife of Bath and Her Tale&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845670">
              <text>mea; 5/18/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845671">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845664">
                <text>Chaucer's "Shipman's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845665">
                <text>Describes the fabliau features of ShT, comments on its likely (though unknown) source, observes that its "personal generalizations" are unusual in the genre, and assesses its treatment of women and its stylistic features as evidence that its original teller was the Wife of Bath rather than the Shipman. Explores Chaucer's possible process of revision and probable re-ordering of the tales, commenting on inconsistencies and contradictions that result or remain.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kreuzer, James R.</text>
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              <text>Modern Language Notes 73.2 (1958): 81.</text>
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              <text>Modern Language Notes 73 (1958)</text>
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        <element elementId="102">
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              <text>Miller and His Tale</text>
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              <text>mea; 5/18/2024</text>
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              <text>1958</text>
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          <element elementId="50">
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              <elementText elementTextId="2845656">
                <text>The Swallow in Chaucer's "Miller's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845657">
                <text>Shows that evidence from a twelfth-century bestiary may indicate that the comparison of Alison to a swallow in MilT 1.3257-58 ironically anticipates later events of the plot--her "departure" from John and his fall from the roof beam.</text>
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  <item itemId="276673" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kovetz, Gene H.</text>
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        <element elementId="98">
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              <text>Notes and Queries 203 (1958): 236-37.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2845652">
              <text>Notes and Queries 203 (1958)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845653">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845655">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845648">
                <text>Canterbury Tales, A 2349-52.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845649">
                <text>Observes an inconsistency in Emily's address to Diana in KnT 1.2349-52 that results from Chaucer's change in the sequence of the three protagonists' addresses to deities, altering his source in Boccaccio's "Teseida." Suggests that Chaucer was "insensitive to [this] minor inconsistency" because of his overriding concern with the "Christian motif of Divine Providence."</text>
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          </element>
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  <item itemId="276672" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
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          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2845642">
              <text>Jordan, Robert. M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845643">
              <text>ELH 25.4 (1958): 237-57.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845644">
              <text>ELH 25 (1958)</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845647">
              <text>1958</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845640">
                <text>The Narrator in Chaucer's "Troilus."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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              <elementText elementTextId="2852093">
                <text>Analyzes the narrator of TC as a "dramatic" character--one who is known "by what he says rather than what is said about him"--whose shifting perspectives in the poem inflect readers' opinions of the other characters and their actions. The shifts also compel readers to recognize that the narrator is himself a character--not "a historian or commentator, a master of events, but as a dupe of time, a mortal of little, brief authority" when viewed from the eternal perspective of the poem's envoy. The perspective of the envoy shifts from the narrator's to the poet's.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="2845635">
              <text>Galway, Margaret.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845636">
              <text>Times Literary Supplement, April 4, 1958, p. 183.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845637">
              <text>Chaucer's Life&#13;
Parliament of Fowls</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>mea; 5/18/2024</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845639">
              <text>1958</text>
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          <element elementId="50">
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              <elementText elementTextId="2845633">
                <text>Chaucer's Journeys in 1368.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845634">
                <text>Argues from the evidence of life-records that Chaucer might well have accompanied Prince Lionel to Milan in 1368 when the latter wedded Violanta Visconti. Presents this in support of Ethel Seaton's discussion of PF (Medium Aevum 25.3 [1956]: 168-74) as a chronicle of the betrothal.</text>
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          </element>
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  <item itemId="276670" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845627">
              <text>Fox, Robert C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845628">
              <text>Notes and Queries 203 (1958): 523-24.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845629">
              <text>Notes and Queries 203 (1958)</text>
            </elementText>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2845630">
              <text>Parson and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2845631">
              <text>mea; 5/18/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845632">
              <text>1958</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845625">
                <text>Chaucer and Aristotle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845626">
                <text>Suggests that Aristotle is the "most likely" referent for "the philosopher" in ParsT 10.484.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="276669" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845618">
              <text>Faulkner, Nancy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845619">
              <text>Garden City, NY: Doubleday, 1958.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845620">
              <text>212 pp.; 6 b&amp;w illus.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845621">
              <text>O'Sullivan, Tom, illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845622">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845623">
              <text>mea; 5/18/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845624">
              <text>1958</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845616">
                <text>The Yellow Hat.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845617">
                <text>Historical novel for juvenile readers, set in London in 1381. Follows the growing romantic friendship between Kate, serving maid to Chaucer in his Aldgate residence, and a young commoner, Adam, who chooses to remain in London after the Uprising fails. Illustrated by Tom O'Sullivan.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276668" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845610">
              <text>Emerson, Katherine T.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845611">
              <text>Explicator 16 (1958): item 51.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845612">
              <text>Explicator 16 (1958)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845613">
              <text>Cook and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845614">
              <text>mea; 5/17/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845615">
              <text>1958</text>
            </elementText>
          </elementTextContainer>
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                <text>Chaucer's Canterbury Tales, A.4353.</text>
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                <text>Explains the Host's reference to "gentil Roger" in GP 1.4353 as a possible play on "Roger Knyght de Ware, Cook," found by Edith Rickert in a 1384-85 plea of debt and reported in the "Times Literary Supplement," October 20, 1932, p. 761.</text>
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Squire and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>The Spenser-Followers in Leigh Hunt's Chaucer.</text>
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                <text>Shows that in his "Cambus Khan" Leigh Hunt is indebted to Edmund Spenser (and others who followed him) in modernizing Part I of SqT "almost as much as he is to Chaucer."</text>
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              <text>Squire and His Tale&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2845599">
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                <text>Cambalus in the Squire's Tale.</text>
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                <text>Suggests two unattested emendations to SqT: pluralizing "Cambalus" in 5.656 (to mean two brothers), and changing "hewe" to "shewe" in 5.640.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Dyson, George, composer.</text>
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              <text>London: Oxford University Press, 1958. Original composition 1930. Reprinted several times.</text>
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              <text>Vocal score; 151 pp.</text>
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              <text>Recordings and Films&#13;
General Prrologue to the Canterbury Tales</text>
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              <text>1958&#13;
1930</text>
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                <text>The Canterbury Pilgrims: Portraits Chosen from the Prologue to Chaucer's "Canterbury Tales" and Set to Music for Chorus, Orchestra &amp; Three Soloists (Soprano, Tenor &amp; Baritone).</text>
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            <description>An account of the resource</description>
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                <text>Includes scoring for oratorio of fifteen cantatas: GP I, GP II, Knight, Squire, Nun, Monk, Clerk of Oxenford, Guildsmen and the Merchant, Sergeant at Law and Franklin, Shipman, Physician, Wife of Bath, Parson, and L'Envoi. Performed and recorded recurrently, with an additional overture ("At the Tabard Inn") and conclusion ("In Honour of the City").</text>
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              <text>Dunn, Charles W.</text>
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              <text>In Frank N. Magill, ed. Cyclopedia of World Literature (New York: Harper, 1958), pp. 204-06.</text>
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              <text>Magill, Frank N., ed.</text>
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              <text> Cyclopedia of World Literature.</text>
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              <text>Bibliographies, Reports, and Reference</text>
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                <text>Geoffrey Chaucer.</text>
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                <text>Lists Chaucer's works in chronological order, summarizes his career as a civil servant and poet, and offers a brief list of bibliographical references.</text>
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              <text>Donaldson, E. T[albot], ed.</text>
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Background and General Criticism&#13;
Chaucer's Life</text>
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            <description>An account of the resource</description>
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                <text>Edits the majority of Chaucer's verse (no prose included) in normalized spelling and modern punctuation, with bottom-of-page glosses and occasional brief notes. Omits Book 3 of HF, the legends of LGW (but LGWP-G included), several lyrics, and portions of CT (CkT, MLT, FrT, SumT, SqT, PhyT, SumT, CYT, and ManT are lacking). Appends introductions to Chaucer's language and life, along with valuable commentary on the works anthologized here (including discussion of each of the Canterbury pilgrims), a Bibliography, and a Glossary.</text>
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                <text>Chaucer's Poetry: An Anthology for the Modern Reader.</text>
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