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              <text>Ash-Irisarri, Kate, Laurie Atkinson, Daisy Black, Sarah Brazil, Natalie Calder, Andrew Finn, Darragh Greene, Ayoush Lazikani, Rebecca Menmuir, Mark Ronan, J. D. Sargan, and Seth Strickland.</text>
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              <text>Atkinson, Laurie.&#13;
Black, Daisy.&#13;
Brazil, Sarah.&#13;
Calder, Natalie.&#13;
Finn, Andrew.&#13;
Greene, Darragh.&#13;
Lazikani, Ayoush.&#13;
Menmuir. Rebecca.&#13;
Ronan, Mark &#13;
Sarga, J. D.&#13;
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                <text>Middle English.</text>
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                <text>Discursive bibliography, divided into fourteen subsections: Early Middle English; Theory; Manuscript and Technical Studies; Religious Writing; Secular Prose; Secular Verse; "Piers Plowman"; Gower; Old Scots; Drama; "Sir Gawain and the Green Knight"; "Pearl," "Patience," and "Cleanness"; Romance: Metrical, Alliterative, Prose; and Hoccleve and Lydgate. Multiple references augment the bibliography dedicated to Chaucer in  Year's Work in English Studies 101 (2022): 283-315.</text>
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              <text>Amsel, Stephanie, and Will Rogers.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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              <text>Rogers, Will.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 439-532</text>
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                <text>An Annotated Chaucer Bibliography, 2020.</text>
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                <text>Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 326 items, plus a listing of reviews for 47 books. Includes an author index.</text>
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              <text>Williams, Arnold.</text>
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              <text>Modern Philology 54.2 (1956): 117-20.</text>
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              <text>Modern Philology 54 (1956)</text>
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              <text>Friar and His Tale&#13;
Summoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 12/10/2024</text>
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                <text>Two Notes on Chaucer's Friars.</text>
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                <text>Provides context for the references to a cope in the GP description of the Friar (1.259-63) and to Elijah and Elisha in SumT 3.2117-7, connecting both with Richard Maidstone's polemical responses to John Ashwardby's attacks on mendicant friars.</text>
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              <text>Whitesell, J. Edwin.</text>
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              <text>Modern Language Notes 71.3 (1956): 160-61.</text>
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              <text>Modern Language Notes 71 (1956)</text>
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Summoner and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; 12/10/2024</text>
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                <text>Chaucer's Lisping Friar.</text>
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                <text>Links the use of "ferthyng" and the lisping of the Friar in GP 1.255 and 1.264 with the friar of SumT and his use of "ferthyng" (3.1967), suggesting that if that latter had a lisp like the former, his pronunciation may have inspired the "crude practical joke" Thomas plays at the end of the Summoner's retributive tale--evidence of Chaucer's "dramatic skill in tying together descriptive items in the Prologue with events in the tales themselves."</text>
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              <text>Waggoner, George R. </text>
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              <text>Notes and Queries 201 (1956): 462.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Chaucer's Life</text>
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                <text>Allusions to Chaucer in Stow's "Summarye of the Chronicles of England," 1570. </text>
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                <text>Locates three references to Chaucer in Stow's 1570 "Summarye," not found in the 1565 edition and not included in Caroline Spurgeon compendium of Chaucer's allusions. Points out that death dates given for Chaucer vary in two of the reference (1400 and 1402).</text>
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              <text>Untermeyer, Louis, ed.</text>
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              <text>Garden City, NY: Hanover House, 1956.</text>
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              <text>xxviii, 675 pp.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>A Treasury of Ribaldry.</text>
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                <text>Anthologizes (with commentary) a wide variety of ribald texts and excerpts from the "Ancients" to the "Moderns," including among "Renaissance" works MilT, RvT, and WBP in Theodore Morrison's translations.</text>
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              <text>Ueno, Naozo.</text>
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              <text>[Folcroft, PA]: Folcroft Press, 1969. Reprinted from Kyoto: Doshisha University, 1956.</text>
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              <text>Jimbungaku, no, 22.</text>
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              <text>Troilus and Criseyde&#13;
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              <text>mea; 12/10/2024</text>
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1969</text>
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                <text>The Religious View of Chaucer in His Italian Period (1).</text>
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                <text>Focuses on TC as an example of Chaucer's outlook during his "Italian period," charting his borrowings and "digressions" from Boccaccio's "Il Filostrato." the influence of Boethius, and courtly love. Describes the attitudes toward Fortune of the major characters, especially Criseyde's "tenderhearted" blindness to it, and suggests Chaucer views Fortune as the "agent of Destiny." Also comments on KnT and LGW, suggesting the latter is a throwback to Chaucer "French period."</text>
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              <text>Stillwell, Gardiner.</text>
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              <text>Complaint of Mars&#13;
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                <text>Convention and Individuality in Chaucer's "Complaint of Mars."</text>
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                <text>Compares Mars with the "Ovide moralisé" and examines its adaptations of the "aubade, the complaint, the Valentine-tradition (Gower and Graunson), and the conventions of courtly love"--as inflected by Chaucer's own concerns and "personality," and "expressing an attitude toward young lovers": "now joy, now sorrow, always fascination to see their 'busynesse' . . . amusing or pathetic or both together in basing their lives on so unstable a foundation."</text>
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              <text>Steadman, John M.</text>
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              <text>Modern Philology 54 (1956): 1-6.</text>
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              <text>mea; 12/10/2024</text>
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                <text>The Prioress' Dogs and Benedictine Discipline.</text>
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                <text>Clarifies the implications of the Prioress keeping dogs as pets and feeding them meat (GP 1.146ff.), explaining that such behavior bends or breaks at least four "Benedictine strictures"--ones that restrict pet owning (especially dogs) and eating meat, and others that mandate proper charity, or pity, and performance of duties.</text>
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              <text>Notes and Queries 201 (1956)Book </text>
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              <text>Book of the Duchess&#13;
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                <text>Chaucer's 'Whelp': A Symbol of Marital Fidelity?</text>
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              <elementText elementTextId="2852098">
                <text>Offers support for the notion that the whelp episode in BD (387-96)--likely derived from Machaut's "Dit dou Lyon"--serves as a "symbol of fidelity," adducing instances of Renaissance "canine symbolism" and the appearance of dogs "on medieval tombs." Suggests that the symbol may relate to Chaucer's loyalty to John of Gaunt and his deceased wife, to Gaunt's own loyalty to his wife, or to "Blanche's 'fides uxoria' s evinced in the course of her life."</text>
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              <text>Spector, R. D.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Language and Word Studies</text>
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                <text>Dryden's Translation of Chaucer: A Problem of Neo-Classical Diction.</text>
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                <text>Compares and contrasts examples of diction in Dryden's translations of CT to explain why Dryden did not translate the low-style fabliaux and to show that Dryden's translations of Chaucer's humorous passages evince metaphysical wit rather than the natural humor of the originals, recurrently regarded as "crude to modern taste."</text>
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              <text>Speculum 31 (1956): 297-315.</text>
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Language and Word Studies</text>
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                <text>The Domestic Background of "Troilus and Criseyde."</text>
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                <text>Reconstructs the layout and functions of the rooms and gardens of the households in TC, drawing on details in the poem and evidence from fourteenth-century English architecture, with connections to correlative structures and scenes elsewhere in Chaucer's works. Attends closely to arrangements in Pandarus's house where Troilus and Criseyde consummate their love, and to the diction of architecture and domestic practice. Comments on the recurrent presence of household retainers in the poem.</text>
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Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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                <text>The Seventh Sphere: A Note on "Troilus and Criseyde."</text>
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                <text>Offers a "third suggestion" to the discussions of what "seventhe spere" refers to in TC 5.1809, suggesting that Chaucer altered Boccaccio's eighth sphere (also a variant in TC manuscripts) and, counting inwards from the sphere of the fixed stars, locates Troilus in the sphere of Mercury.</text>
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              <text>Seaton, Ethel.</text>
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              <text>Medium Ævum 25 (1956): 168-74.</text>
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              <text>Medium Ævum 25 (1956)</text>
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              <text>Style and Versification&#13;
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Parliament of Fowls&#13;
Chaucer's Complaint to His Purse</text>
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              <text>mea; 12/9/2024</text>
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                <text>"The Parlement of Foules" and Lionel of Clarence.</text>
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                <text>Argues that complex acrostic anagrams in PF reveal that it was written on the occasion of negotiations for a marriage between Lionel of Clarence and Violanta Visconti; identifies French analogues to this intricate practice, and helping to date Chaucer's poem. Also finds the names "Henry Bolingbroke" and "Mary Bohun" embedded in "Chaucer's Complaint to His Purse."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ruggiers, Paul G.</text>
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              <text>College English 17.8 (1956): 439-44.</text>
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              <text>College English 17 (1956)</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846832">
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                <text>The Form of "The Canterbury Tales": "Respice Fines."</text>
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                <text>Seeks to illuminate "the kind of order that Chaucer was in the process of imposing" on the CT, focusing on the "definite beginning" and "definite end" rather than the "great middle." Treats GP, where Chaucer sets his topic ("variety of the created world"), and KnT and MLT as, respectively, philosophical and religious guides to the world, with ParsT serving as a necessary penitential alterative to the limitations of such perspectives.</text>
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              <text>Renoir, Alain.</text>
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              <text>Modern Language Notes 71.4 (1956): 249-56.</text>
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              <text>Modern Language Notes 71 (1956)</text>
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            <elementText elementTextId="2846822">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846824">
              <text>1956</text>
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              <elementText elementTextId="2846817">
                <text>Chaucerian Character Names in Lydgate's "Siege of Thebes."</text>
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              <elementText elementTextId="2846818">
                <text>Charts the charactonyms of Lydgate's "Seige of Thebes" with those used in two analogues, possibly sources--the "Roman de Edipus" and the "Ystoire de Thèbes--comparing them with names and spellings used by Chaucer. When Lydgate departs from Chaucer's usage, he tends to follow the "Edipus."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Raymo, R. R.</text>
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              <text>Modern Language Notes 71.3 (1956): 159-60.</text>
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            <elementText elementTextId="2846813">
              <text>Modern Language Notes 71 (1956)</text>
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            <elementText elementTextId="2846814">
              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2846815">
              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846816">
              <text>1956</text>
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          <element elementId="50">
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              <elementText elementTextId="2846809">
                <text>The Parlement of Foules 309-15.</text>
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              <elementText elementTextId="2846810">
                <text>Identifies lines 1-4 of the "Speculum Stultorum" of Nigel de Longchamps as a source for the bird cacophony in PF 309-15, observing that Chaucer's "personal familiarity" with the "Speculum" is evident in the reference to "Daun Burnel the Asse" at NPT 7.3312.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Prins, A. A. </text>
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        <element elementId="98">
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              <text>English Studies 37 (1956): 111-16.</text>
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            <elementText elementTextId="2846805">
              <text>English Studies 37 (1956)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846806">
              <text>Language and Word Studies&#13;
Clerk and His Tale</text>
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            <elementText elementTextId="2846807">
              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846808">
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          <element elementId="50">
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              <elementText elementTextId="2846801">
                <text>"As fer as last Ytaille."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851957">
                <text>Provides lexical and grammatical evidence to argue that the verbal form "last" in ClT 4.266 "more than likely" means "extend in space," a "loan-sense from the French" influenced by development of the similar meaning of "dure."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2846795">
              <text>Pratt, Robert A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2846796">
              <text>Studies in Philology 53 (1956): 509-39.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846797">
              <text>Studies in Philology 53 (1956)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846798">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
</text>
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            <elementText elementTextId="2846799">
              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846800">
              <text>1956</text>
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              <elementText elementTextId="2846793">
                <text>Chaucer and "Le Roman de Troyle et de Criseida."</text>
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          <element elementId="41">
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              <elementText elementTextId="2846794">
                <text>Suggests that the "main source" of TC "may have been" Beauvau's "Le Roman de Troyle et de Criseida," a French prose translation of Boccaccio's "Filostrato." Compares 300+ brief quotations (in all three languages), commenting on verbal and structural relations and arguing, tentatively, that the data not only indicate Chaucer's "approximately equal indebtedness," to the two Continental works but also "tip the balance" in favor of accepting the French work as a "significant volume in Chaucer's library."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846787">
              <text>Owen, Charles A., Jr.</text>
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            <elementText elementTextId="2846788">
              <text>Modern Language Notes 71.2 (1956): 84-87.</text>
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        <element elementId="100">
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            <elementText elementTextId="2846789">
              <text>Modern Language Notes 71 (1956)</text>
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          <name>Chaucer Subject</name>
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              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Pardoner and His Tale&#13;
Physician and His Tale</text>
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          <name>Source</name>
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              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846792">
              <text>1956</text>
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                <text>Relationship between the Physician's Tale and the Parson's Tale.</text>
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            <description>An account of the resource</description>
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                <text>Observes similarities in imagery, diction, and impact of portions of ParsT (Chaucer's interpolation in "lachesse" as a subset of Sloth) and PhyT (digression on governesses), exploring possible sources (especially St. Augustine), possible occasions of composition, and relative chronology.</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="98">
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            <elementText elementTextId="2846780">
              <text>Journal of English and Germanic Philology 55 (1956): 556-62.</text>
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            <elementText elementTextId="2846781">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
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          <element elementId="50">
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              <elementText elementTextId="2846777">
                <text>The Astronomical Dating of Chaucer's "Troilus."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that the astronomical conjunction of Saturn and Jupiter in TC 3.624-25 does not allude to a specific event in 1385 (by which the central book of the poem has been dated) but to a more "general tradition" of foreboding, thematically appropriate to the impending fall of Troy. Suggests that it is "clear that Book III could have been written in, say, 1380 or even earlier."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>O'Connor, John J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2846772">
              <text>Speculum 31 (1956):120-25.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2846773">
              <text>Speculum 31 (1956)</text>
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        <element elementId="102">
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              <text>Miller and His Tale</text>
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        <element elementId="109">
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2846776">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846769">
                <text>The Astrological Background of the "Miller's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846770">
                <text>Explains the exegetical tradition of associating Noah with astrological prediction of the Flood and suggests that in MilT "Hende Nicolas has built his entire scheme" to dupe John "around the astrological tradition of the Flood," thereby lending comic depth to the characterization of John as proudly anti-intellectual rather than merely stupid.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Neville, Marie.</text>
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        <element elementId="98">
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            <elementText elementTextId="2846764">
              <text>Journal of English and Germanic Philology 55 (1956): 423-30.</text>
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        <element elementId="100">
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            <elementText elementTextId="2846765">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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        <element elementId="102">
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            <elementText elementTextId="2846766">
              <text>House of Fame&#13;
Chaucer's Life</text>
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          <name>Source</name>
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            <elementText elementTextId="2846767">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2846768">
              <text>1956</text>
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              <elementText elementTextId="2846761">
                <text>Chaucer and St. Clare.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846762">
                <text>Identifies personal opportunities Chaucer had "to learn the special fame" of St. Clare, and suggests that his allusion to her in HF (line 1066) evokes "a contrasting silence" in a "passage descriptive of strident clamor."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Nault, Clifford A., Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2846756">
              <text>Modern Language Notes 71.5 (1956): 319-21.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Modern Language Notes 71 (1956)</text>
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          <name>Chaucer Subject</name>
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              <text>Book of the Duchess&#13;
Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2846759">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2846760">
              <text>1956</text>
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              <elementText elementTextId="2846753">
                <text>"Foure and Twenty Yer" Again.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846754">
                <text>Reinforces suggestions that the Black Knight's age at BD 455 should be emended to "nine and twenty yer" to coincide with the age of John of Gaunt at Blanche's death, justifiable because of evidence that twenty-nine years was considered to be young in "The Parlement of the Thre Ages."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Nathan, Norman.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846748">
              <text>Modern Language Quarterly 17 (1956): 39-42.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846749">
              <text>Modern Language Quarterly 17 (1956): 39-42.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846750">
              <text>Language and Word Studies&#13;
Friar and His Tale</text>
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        <element elementId="109">
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          <description/>
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              <text>mea; 12/9/2024</text>
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                <text>Pronouns of Address in the "Friar's Tale."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846746">
                <text>Records Chaucer's consistent and conventional usage of "ye" and "thou" in FrT, showing how it achieves "irony and humor." Attends to manuscript variants and opines that "that the English language lost something by the abandonment of the singular form of the pronoun of address."</text>
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