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              <text>Horobin, Simon.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: PennsylvaniaState University, 2010), pp. 67-82.</text>
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              <text>2010</text>
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              <text>Chaucer: Contemporary Approaches.</text>
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              <text>vxl sac 34:35</text>
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                <text>Horobin describes recent advances in understanding "late medieval textual culture"--reading habits, book ownership, institutional affiliations, etc.--focusing on the œuvres of several Chaucerian scribes, discussions of locale and provenance, relationships between Chaucerian and non-Chaucerian contents, and the utility of electronic databases.</text>
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              <text>Pearsall, Derek, ed.</text>
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              <text>Cambridged: D. S. Brewer, 1987.</text>
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              <text>jules SAC 11 (25)</text>
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                <text>Manuscripts and Texts: Editorial Problems in Later Middle English Literature</text>
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                <text>Essays from the 1985 Conference at the University of York.</text>
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                <text>Twelve essays by various hands on manuscripts and editing.</text>
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                <text>For individual essays that pertain to Chaucer, search under a short title of this volume, i.e., Manuscripts and Texts.</text>
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              <text>Boffey, Julia.</text>
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              <text>Woodbridge, Suffolk, and Dover, N.H.: D. S. Brewer, 1985.</text>
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            <description>An account of the resource</description>
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                <text>Discusses manuscripts containing Chaucer's love lyrics, apocryphal and authentic, including poems extracted from longer works.</text>
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              <text>Gillespie, Alexandra, and Julianna Chianelli.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[10 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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              <text>Background and General Criticism&#13;
Manuscripts and Texual Studies&#13;
Canterbury Tales--General&#13;
Adam Scriveyn</text>
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              <text>mea. 1/10/2021</text>
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                <text>Manuscripts of the "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Summarizes the "textual world" of the late-medieval England  and describes the international development of the printing press. Comments on references to literacy and literate materials in Chaucer's works, explores the implications of Adam, remarks on the complexity of CT manuscripts ("a mess"), and argues that in CT Chaucer investigates the truth-value of "bokes" and bookish learning. Designed for pedagogical use.</text>
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              <text>Edwards, A. S. G.</text>
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              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 201-14.</text>
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              <text>Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek Brewer.</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>mea; 2/14/2017 SAC 38:13</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Reviews Derek Brewer's editorial work on Malory and Chaucer. Mentions Brewer's unpublished projects, including  the "Nelson Chaucer," that affected the "textual authority" of Middle English scholarship.</text>
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              <text>Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 21-44</text>
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              <text>Cambridge Companion to The Canterbury Tales</text>
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Manuscripts and Textual Studies</text>
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              <text>mea; SAC 44:29</text>
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                <text>Manuscripts, Scribes, Circulation.</text>
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                <text>Surveys extant manuscripts of CT, including collections that include standalone tales. Discusses the difference in manuscript presentation and frequency of the tales, arguing that earlier manuscript production and circulation often privileged those tales, which modern editors do not. Includes sections on scribes and readers and owners of manuscripts.</text>
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              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 54-68.</text>
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          <name>Alternative Title</name>
          <description/>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 47:78</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852838">
              <text>2023</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852831">
                <text>Manuscripts: The Textual Record of Middle English Poetry.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852832">
                <text>Considers the specifics of the material form and transmission of Middle English poetry, touching on the idea of the anthology, along with examples. Concludes by tracing the dearth of evidence for pre-1400 transmission of Chaucer's works (along with Gower's and Langland's).</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2698580">
              <text>Ruud, Jay.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>New York: Garland, 1992.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698582">
              <text>1992</text>
            </elementText>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2698583">
              <text>xii, 338 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2698586">
              <text>Lyrics and Short Poems.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698587">
              <text>mea</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698579">
                <text>Many a Song and Many a Leccherous Lay : Tradition and Individuality in Chaucer's Lyric Poetry</text>
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              <elementText elementTextId="2698584">
                <text>Chaucer's lyrics have been neglected not because Chaucer was an incompetent lyric poet but because they have been overshadowed by his narrative poetry.  Ruud introduces the lyrics to those not familiar with them, providing a separate "reading" of each poem.  Notes summarize critical debates and interpretive cruces for each poem, and the arrangement of chapters enables the reader to trace Chaucer's development as a lyric poet.  The final chapter deals </text>
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              <elementText elementTextId="2698585">
                <text>  with the place and importance of Chaucer's lyrics in the Chaucer canon.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2759443">
              <text>Burger, Glenn.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2759444">
              <text>Robert Myles and David Williams, eds. Chaucer and Language: Essays in Honour of Douglas Wurtele (Montreal and Kingston: McGill-Queen's University Press, 2001), pp. 61-70 and 198-203.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759445">
              <text>2001</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2759446">
              <text>Chaucer and Language: Essays in Honour of Douglas Wurtele.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2759448">
              <text>Tale of Melibee.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759449">
              <text>jules SAC 25 (238)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2759442">
                <text>Mapping a History of Sexuality in Melibee</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2759447">
                <text>Burger follows Gilles Deleuze and Féliz Guattari in associating "mapping" with modernity, resistance, and queerness and associating "tracing" with medieval times, hegemony, and heterosexuality. Explores how Mel can be seen to "map" Melibee's submission to Prudence as a process of feminization and a means to help its original audiences imagine ways to escape traditional categories and boundaries.</text>
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  <item itemId="270070" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782027">
              <text>Driver, Martha W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2782028">
              <text>Chaucer Review 36 (2002): 228-49.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782029">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782031">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
            <elementText elementTextId="2782032">
              <text>Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782033">
              <text>Chaucer Review 36 (2002).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782034">
              <text>vxl sac 33:37</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2782026">
                <text>Mapping Chaucer: John Speed and the Later Portraits</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2782030">
                <text>Driver examines John Speed's portrait of Chaucer (first printed version, Speght 1598) as a representation of "Elizabethan nationalism" and an emblem of Chaucer's reception. She also discusses Speed's career as a cartographer and historian and comments on the impact of his portrait of Chaucer.</text>
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  </item>
  <item itemId="275726" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837945">
              <text>Beal, Jane.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837946">
              <text>Peregrinations: Journal of Medieval Art and Architecture 6.3 (2018): 105-29.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2837947">
              <text>Peregrinations: Journal of Medieval Art and Architecture 06 (2018)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837948">
              <text>To Rosemounde&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2837949">
              <text>SAC 43:268</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837950">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837943">
                <text>Mapping Desire in Chaucer's "To Rosemounde," Shakespeare's "Rape of Lucrece," and Donne's "A Valediction: Of Weeping."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851849">
                <text>Analyzes the "thematic sexualization of the mappaemundi" in Ros, Shakespeare's "Lucrece," and Donne's "Weeping," providing interpretive background for the imagery, explaining the poets' familiarity with T-O maps, and exploring the range of implications in each of the poems, including comparison of Chaucer's treatment with that in Ranulf Higden's "Polychronicon." Three color illustrations.</text>
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  <item itemId="276232" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842070">
              <text>Narver, Annie Lee.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842071">
              <text>Dissertation Abstracts International A81.02 (2019): n.p.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2842072">
              <text>Dissertation Abstracts International 81 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2842073">
              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2842074">
              <text>mea; SAC 44:318</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842075">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2842068">
                <text>Mapping Human Virtue and the Ethics of Desire: The Ludic(rous) as Umpire.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842069">
                <text>Includes discussion of TC, arguing that the "ironies and games" in the poem "show how closely amorous pursuits may tread to modern conceptions of rape" and depict courtship as a "zero sum game in which each winning move is a loss."</text>
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  <item itemId="276106" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841040">
              <text>Levelt, Sjoerd.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2841041">
              <text>Notes and Queries 265 (2020): 14-16.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2841042">
              <text>Notes and Queries 265 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841043">
              <text>Chaucer's Influence and Later Allusion&#13;
General Prologue to the Canterbury Tales</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2841044">
              <text>mea; SAC 44:175</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841045">
              <text>2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841038">
                <text>Marcus Boxhorn's Misattribution of Verses from Chaucer's "Canterbury Tales" to John Gower.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841039">
                <text>Examines sources that Boxhorn drew upon for quoting GP and for (mis)identifying its author to show that, contrary to what scholars have believed, this seventeenth-century Dutch professor of history and rhetoric "was acquainted with neither Chaucer nor Gower."</text>
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  <item itemId="275905" public="1" featured="0">
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              <text>Clements, Pamela.</text>
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              <text>Richard Utz and Elizabeth Emery, eds. Makers of the Middle Ages: Essays in Honor of William Calin (Kalamazoo: Western Michigan University, 2011), pp. 55-59.</text>
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Emery, Elizabeth, ed.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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                <text>Margaret Atwood and Chaucer: Truth and Lies.</text>
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                <text>Identifies parallels between CT and Margaret Atwood's "The Handmaid's Tale," found particularly in the fictional "Historical Notes" that follow the main text of the novel. Notes the echo of Chaucer in Atwood's title and a single reference to Chaucer in her work, but focuses on textual complexity and "the problem of language as a vehicle for meaning" in both texts.</text>
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          <elementTextContainer>
            <elementText elementTextId="2785455">
              <text>Wilson, Janet.</text>
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              <text>Sandra J. McEntire, ed. Margery Kempe: A Book of Essays. Garland Medieval Casebooks (New York: Garland, 1992), pp. 223-37.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2785457">
              <text>1992</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785458">
              <text>Margery Kempe: A Book of Essays.</text>
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        <element elementId="112">
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              <text>McEntire, Sandra J., ed.</text>
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        <element elementId="102">
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        <element elementId="109">
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          <elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2785454">
                <text>Margery and Alison: Women on Top</text>
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                <text>Treats Margery Kempe and the Wife of Bath as carnivalesque female figures, although each is "mediated and hence vindicated by a masculine consciousness"--Margery's scribe and Chaucer. Both narrators are characterized by "grotesque realism," exaggeration, and the habitation of liminal states, but Chaucer seeks to reaffirm the status quo that he disturbs while Margery remains disturbing.</text>
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          <elementTextContainer>
            <elementText elementTextId="2715184">
              <text>Takamiya, Toshiyuki.</text>
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              <text>Hisashi Shigeo, et al., eds. The Wife of Bath (Tokyo: Gaku Shobo, 1985): pp. 63-78.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2715186">
              <text>1985</text>
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          <elementTextContainer>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715191">
              <text>jules SAC 09 (163)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2715183">
                <text>Margery Kempe and The Wife of Bath</text>
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          <element elementId="41">
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              <elementText elementTextId="2715188">
                <text>Considering the life of Margery Kempe, Takamiya tries to confirm the possibility of existence of such a woman as the Wife of Bath. In Japanese.</text>
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  <item itemId="263986" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2719920">
              <text>Takamiya, Toshiyuki.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2719921">
              <text>Reports of the Keio Institute of Cultural and Linguistic Studies (Tokyo) 15 (1983): 199-212.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2719922">
              <text>1983</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2719925">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2719926">
              <text>Reports of the Keio Institute of Cultural and Linguistic Studies (Tokyo) 15 (1983)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719927">
              <text>jules SAC 07 (157)</text>
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              <elementText elementTextId="2719919">
                <text>Margery Kempe and the Wife of Bath</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2719923">
                <text>Margery has much in common with Alisoun:  middle-class status, outspokenness, avid interest in or obsession with sex, devotion to Christianity, and passion for pilgrimages.</text>
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                <text>In Japanese.</text>
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  <item itemId="261540" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696041">
              <text>Johnson, Lynn Staley.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696042">
              <text>Journal of Medieval and Renaissance Studies 22 (1992): 159-84.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696043">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2696045">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2696046">
              <text>Journal of Medieval and Renaissance Studies 22 (1992).</text>
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        <element elementId="109">
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          <description/>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2696040">
                <text>Margery Kempe: Social Critic</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2696044">
                <text>Like Chaucer, Margery Kempe constructs a narrative context for the self she creates.  Kempe uses autobiographical details to shape "Margery" into a representative type and to analyze communal values and practices.  Kempe employs Chaucer's strategy of making pointed criticisms through negative constructions.</text>
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  <item itemId="269222" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773306">
              <text>Stévanovitch, Colette, ed.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Publications de l'Association des Médiviéstes Anglicistes de l'Enseignement Supérieur. Collection GRENDEL, no. 8. Nancy: AMAES, 2006. 404 pp.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773308">
              <text>2006</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2773309">
              <text>Publications de l'Association des Médiviéstes Anglicistes de l'Enseignement Supérieur.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773311">
              <text>Background and General Criticism.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773312">
              <text>GRENDEL, no. 8</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl sac 30:148</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2773305">
                <text>Marges/Seuils: Le liminal dans la littérature médiévale anglaise. Actes des journées d'étude de mai 2002, juin 2003, juin 2004</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Includes seven essays that pertain to Chaucer. For these essays, search for Marges/Seuils under Alternative Title.</text>
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  <item itemId="269276" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2773839">
              <text>Guardia Massó, Pedro.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773840">
              <text>Mercedes Brea, ed. Marginales e marginados en la Época Medieval. Cuardernos del CEMYR, no. 4 ([La Laguna, Canary Islands]: Universidad de La Laguna, Centro de Estudios Medievales y Renacentistas, 1996), pp. 107-24.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773841">
              <text>1996</text>
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              <text>Marginales e marginados en la Época Medieval. Cuardernos del CEMYR, no. 4.</text>
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              <text>Brea, Mercedes, ed.</text>
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              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
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              <text>Cuardernos del CEMYR, no. 4.</text>
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              <text>vxl sac 30:202</text>
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                <text>Marginación y opresión en Los Cuentos de Canterbury y en Pedro el Labriego</text>
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                <text>Guardia Massó examines ecclesiastical and sexual suppression in Lollardy, "Piers Plowman," and CT (especially in WBP).</text>
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              <text>Olson, Mary C.</text>
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              <text>William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (SAC 27 [2005], no. 105), pp. 1-35.</text>
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              <text>Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures</text>
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                <text>Olson describes the visual features of the Ellesmere manuscript and assesses its illustrations as schematic, metonymic, and stereotypic-representations of character types rather than realizations of fictional individuals. The juxtaposition of Th and Mel produces a tension analogous to the oral/literate tension of the manuscript. A version of this essay appears in the author's book-length study, "Fair and Varied Forms" (Routledge, 2003).</text>
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              <text>Kinney, Clare R.</text>
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              <text>Spenser Studies 18: 25-39,   2003.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl SAC 27:56</text>
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                <text>Marginal Presence, Lyric Resonance, Epic Absence: Troilus and Criseyde and/in The Shepheardes Calender</text>
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                <text>Using numerous small allusions to TC, Spenser situates himself within the English literary canon through a strategy of association with an "uncouthe, unkiste" Chaucer.</text>
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              <text>Long, Mary Beth.</text>
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        <element elementId="98">
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              <text>Manchester: Manchester University Press, 2023.</text>
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            <elementText elementTextId="2853127">
              <text>viii, 296 pp.; 6 color illus.</text>
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              <text>Background and General Criticism&#13;
ABC&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 47:85</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2853130">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Marian Maternity in Late-Medieval England.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853124">
                <text>Explores how "latent Marian maternal elements" inform a range of late medieval texts, focusing on how the devotional ideal of "imitatio Mariae"--rooted in Mary's "inimitable biology" as virgin and mother--informs Marian imagery and echoes in Margery Kempe, Middle English lives of mystics and saints' legendaries, and Chaucer's Marian works. Chapter 5 addresses how the presence of ABC and PrT in manuscripts containing other Marian texts encourages "matricentric" reading of Chaucer's works, while Chapter 6 considers how Marian material in SNT helps to make Cecilia a "metaphorical mother."</text>
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  <item itemId="261949" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Wurtele, Douglas J.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Proceedings of the Third Annual Symposium of Ottawa-Carleton Medieval-Renaissance Club 1 (1976): 56-74.</text>
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        <element elementId="114">
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            <elementText elementTextId="2700036">
              <text>1976</text>
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              <text>Merchant and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Proceedings of the Third Annual Symposium of Ottawa-Carleton Medieval-Renaissance Club 01 (1976).</text>
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              <text>jules - 26/9/94 SAC 1 (149)</text>
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                <text>Marian Overtones in Chaucer's 'Merchant's Tale'</text>
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            <description>An account of the resource</description>
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                <text>The "sponsa" of the "Song of Songs" is traditionally interpreted as Mary, and thus through January's aubade (4.2138-48) May becomes an ironic echo of the Virgin.  The deep ironies of this association reflect the more straightforward presentations of Mary-figures by the Clerk and the Man of Law.  They also help to reveal the extreme bitterness of the Merchant.</text>
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              <text>Gilbert, Dorothy, ed.</text>
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              <text>xv, 407 pp.</text>
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              <text>Norton Critical Editions.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Tale of Sir Thopas&#13;
Merchant and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 41:40</text>
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          <description/>
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            <elementText elementTextId="2827652">
              <text>2015</text>
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          <element elementId="50">
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              <elementText elementTextId="2827644">
                <text>Marie de France: Poetry, New Translations, Backgrounds and Contexts, Criticism.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830726">
                <text>Includes Th and a selection from MerT in the section called "Backgrounds and Context."</text>
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