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              <text>Cook, Megan L.</text>
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              <text>Spenser Studies 26 (2011): 179-222.</text>
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Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:33</text>
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                <text>Making and Managing the Past: Lexical Commentary in Spenser's "Shepheardes Calender" (1579) and Chaucer's "Works" (1598/1602).</text>
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                <text>Considers how Edmund Spenser's "Shepheardes Calender" "influenced the reception and presentation of Chaucer in the late Tudor period," focusing particularly on how the editorial apparatus of Thomas Speght's "Works" influenced "two of the most significant preoccupations" of E. K.'s commentary in Spenser: "Chaucer as a figure embodying both classical and vernacular poetic traditions," and "Chaucer's language as archaic and potentially difficult for readers."</text>
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              <text>Olson, Glending.</text>
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              <text>Comparative Literature 31 (1979): 272-90.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 05 (92)</text>
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                <text>Making and Poetry in the Age of Chaucer</text>
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                <text>Chaucer's distinction between "makere" and "poete" is found elsewhere in medieval writings.  Serving both to separate classical from contemporary and to distinguish artistic quality from moral seriousness, the distinction suggests the relationship between vernacular versifiers and Latin Christian humanists.</text>
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              <text>Kordecki, Lesley.</text>
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              <text>Nona C. Flores, ed.  Animals in the Middle Ages: A Book of Essays (New York: Garland, 1996), pp. 85-101.</text>
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              <text>Animals in the Middle Ages: A Book of Essays.</text>
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              <text>Manciple and His Tale.</text>
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              <text>House of Fame.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 20 (1998), 243</text>
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                <text>Making Animals Mean: Speciest Hermeneutics in the 'Physiologus' of Theobaldus</text>
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                <text>The overt hermeneutic directives of many animal books are evident in HF, WBP, and, especially, the silencing of the crow in ManT.  The latter combines with the Parson's "antiliterary prologue" to undercut the whole of CT.</text>
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              <text>Scattergood, John.</text>
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              <text>N&amp;Q 247 : 444-47, 2002.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Notes and Queries 247 (2002)</text>
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              <text>vxl sac 26:286</text>
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                <text>Proposes a reading for PF 215-16: "and with a harde file / She couched hem." "Couched" comes from French "cocher," meaning "to cut a notch or groove," a necessary step in arrow-making.</text>
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              <text>Fumo, Jamie Clire.</text>
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              <text>Cardiff: University of Wales Press, 2015.</text>
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              <text>244 pp.</text>
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              <text>Book of the Duchess&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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2/29/2018</text>
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                <text>Studies the history of interpretation of BD, surveying scholarly commentary, material transmission, and late medieval/early modern creative reception. Emphasizes the (re)making of BD over time, by means of the interrelated textual processes of writing, reading, and reception modeled within the poem itself. As a work that, paradoxically, has been both marginalized and freighted with canonical import, BD impacts our understanding of Chaucerian authorship, English and French vernacularity, and the late medieval culture of book production in ways that demand fuller reckoning.</text>
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                <text>Making Chaucer's "Book of the Duchess": Textuality and Reception.</text>
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              <text>Maffuccio, Christine.</text>
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              <text>Dissertation Abstracts International A77.09 (2018): n.p. </text>
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Canterbury Tales--General</text>
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              <text>mea; SAC 42:48</text>
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                <text>Making English Low: A History of Laureate Politics, 1399-1616.</text>
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                <text>While examining Thomas Hoccleve, John Skelton, and Ben Jonson, suggests that Hoccleve "channels" Harry Bailly from CT as a demotic voice, drawing upon the routines of London life in the establishment of an "English writerly voice worthy of laureate status."</text>
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              <text>Chaucer Review 9 (1975): 197-211.</text>
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                <text>Making His Own Myth: The Prologue to Chaucer's 'Legend of Good Women'</text>
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                <text>The "G" Prologue to LGW is central to Chaucer's poetic career both chronologically and artistically.  The Prologue and its narrator are a "mythic distillation" of Chaucer's earlier works and show the love poet's mature awareness of his position in both the historical and literary worlds.</text>
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                <text>Making It in the 'Merchant's Tale': Chaucer's Signs of January's Fall</text>
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                <text>Stock applies semiotic theory to MerT:  the reason-passion motif in May's stepping on January's back to climb the pear tree; the cough, the garden, and the May-Mary association; the serpent-Damien; the January-creator.  The tale's verbal "signes" parody the Fall of Adam in Eden.</text>
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              <text>Dissertation Abstracts International A74.11 (2014): n.p.</text>
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              <text>Dissertation Abstracts International 74 (2014)</text>
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Merchant and His Tale&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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                <text>Making Myth Matter: Interrogating Narrative and Reconstructing Metanarrative in Classical Myth Adaptation.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830583">
                <text>Includes comments on Cassandra, Persephone, and Philomela as victims of "acquaintance rape" in Chaucer's works (TC, MerT, and LGW), treating his and other versions (classical, medieval, and modern) as adaptations of myths that create "metanarratives that shame rape survivors and demean the violence of the rape act." Offers alternative ways of adapting these stories.</text>
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              <text>Hieatt, Constance B.</text>
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              <text>Martha Carlin and Joel T. Rosenthal, eds. Food and Eating in Medieval Europe (London and Rio Grande, Ohio: Hambledon Press, 1998), pp. 101-15</text>
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              <text>1998</text>
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              <text>Food and Eating in Medieval Europe.</text>
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        <element elementId="112">
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              <text>Carlin, Martha, ed.</text>
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              <text>Rosenthal, Joel T., ed.</text>
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        <element elementId="109">
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              <text>mea No SAC</text>
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              <elementText elementTextId="2787119">
                <text>Making Sense of Medieval Culinary Records: Much Done, But Much More to Do</text>
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            <description>An account of the resource</description>
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                <text>Corrects a number of misconceptions about medieval recipes and includes clarification of the meaning of "gyngebreed" in Th (CT 7.854).</text>
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              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Akbari, Suzanne Conklin.</text>
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        <element elementId="98">
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              <text>Florilegium 23.1 (2006): 1-18.</text>
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        <element elementId="114">
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            <elementText elementTextId="2793098">
              <text>2006</text>
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              <text>Background and General Criticism</text>
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              <text>Florilegium 23 (2006)</text>
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              <text>mea 8/1/2013 No SAC</text>
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                <text>Making Substantial Connections: A Critical Appreciation of Sheila Delany</text>
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                <text>Assesses three of Sheila Delany's critical essays (including "Geographies of Desire: Orientalism in Chaucer's Legend of Good Women'") for the ways that they have "dramatically shifted the direction of critical discourse in emergent subfields of medieval studies."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2824655">
              <text>Johnson, Ian.</text>
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        <element elementId="98">
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              <text>Phillips, Philip Edward, and Noel Harold Kaylor, eds. A Companion to Boethius in the Middle Ages (Boston: Brill, 2012), pp. 413-46.</text>
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        <element elementId="102">
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              <text>Sources, Analogues, and Literary Relations&#13;
Boece&#13;
Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion&#13;
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        <element elementId="114">
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          <element elementId="50">
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              <elementText elementTextId="2824653">
                <text>Making the "Consolatio" in Middle English.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2824654">
                <text>Explores the "special place at the commanding heights of literary culture" that Boethian translation held in Middle English, surveying the variety of translations and uses of the "Consolation," commenting on the importance of Jean de Meun and Nicholas Trevet as mediators in the translation process, and focusing on Bo and on John Walton's translation of 1410. Finds "less clarity and elegance" in Chaucer's verse translation of Boethius in TC 4 than in Walton, but generally commends the subtlety and nuances of Chaucer's prose translation in Bo. Also comments on the "Boke of Coumfort of Bois," Robert Henryson's "Testament of Love," Chaucer's influence on them, and James I's "Kingis Quair."</text>
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              <text>Rudd, Gillian.</text>
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        <element elementId="98">
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              <text>John Parham, ed. The Environmental Tradition in English Literature (Burlington, Vt.: 2002), pp.117-29.</text>
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        <element elementId="102">
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              <text>Knight and His Tale</text>
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              <text>Franklin and His Tale</text>
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        <element elementId="109">
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              <text>mea 7/15/2013 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2792133">
                <text>Making the Rocks Disappear: Refocusing Chaucer's Knight's and Franklin's Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2792139">
                <text>Analyzes interactions between humans and nature (animals and environment) "through the lens of ecocriticism," exploring animal metaphors and the treatment of trees in KnT and representations of the sea and rocks in FranT.  In KnT humans render nature safe by taming and burning, while FranT challenges masculinist binary thinking by "tacitly acknowledging" that humans "deal less with the fact of the world than with our conceptions or preconceptions of it."</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2696496">
              <text>Walker, Faye.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2696497">
              <text>Style 26 (1992): 577-92.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696498">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2696501">
              <text>Background and General Criticism</text>
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              <text>Style 26 (1992).</text>
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          <name>Source</name>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2696495">
                <text>Making Trouble: Postmodern Theory with/in Chaucer Studies</text>
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              <elementText elementTextId="2696499">
                <text>Recent work on Chaucer influenced by poststructuralism can be roughly divided into two types: that which finds postmodern concerns already in medieval poetics and language theory, and that which approaches Chaucerian texts through postmodern theories.</text>
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                <text>Both tendencies seem motivated by a sense of loss and (possible) fullness, but they vary in their estimation of which era needs to be "filled."  Walker surveys criticism, with a bibliography of post-1985 work.</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702676">
              <text>Jenson, Emily.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702677">
              <text>Chaucer Review 24 (1990): 320-28.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702678">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702680">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702681">
              <text>Chaucer Review 24 (1990)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702682">
              <text>jules SAC 14 (142)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702675">
                <text>Male Competition as a Unifying Motif in Fragment A of the 'Canterbury Tales'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702679">
                <text>As the competition between men intensifies in fragment A of CT, competition becomes an end in itself, and the women become increasingly objectified as persons.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="266919" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749576">
              <text>Rossi-Reder, Andrea.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749577">
              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde ( Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 105-16.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749578">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749579">
              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749581">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2749582">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749583">
              <text>jules SAC 22 - 247.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749575">
                <text>Male Movement and Female Fixity in the Franklin's Tale and Il Filocolo</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749580">
                <text>Like Boccaccio in Il Filocolo, Chaucer in FranT contrasts men and women by emphasizing men's mobility and women's fixity. Men are depicted as publicly and physically active, while women are privately and intellectually active.</text>
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  <item itemId="266283" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742829">
              <text>Hendershot, Cyndy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742830">
              <text>Mediaevalia 21 (1996): 1-26.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742831">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742833">
              <text>Book of the Duchess.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742834">
              <text>Mediaevalia 21 (1996)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742835">
              <text>jules SAC 20 (1998), 249</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742828">
                <text>Male Subjectivity, 'Fin Amor,' and Melancholia in 'The Book of the Duchess'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742832">
                <text>The discourse of "fin amor" places the male subject in a feminine position; in BD, the absence of White problematizes this feminization of the male, producing melancholia that endangers the Black Knight's psychic stability and the dominant fiction of masculine stability.  The narrator's attempt to console the Black Knight defends the fiction of masculine wholeness.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="273719" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819260">
              <text>Stevens, Martin.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819261">
              <text>Leeds Studies in English 1 (1967): 1-5.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819262">
              <text>Leeds Studies in English 01 (1967)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819263">
              <text>Man of Law and His Tale&#13;
Reeve and His Tale&#13;
Cook and His Tale&#13;
Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819264">
              <text>mea; 4/12/2018</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819265">
              <text>1967</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819258">
                <text>Malkyn in the Man of Law's Headlink.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819259">
                <text>Argues that "Malkyn" in MLP (2.30) refers not to a generic "lewd woman" as suggested by W. W. Skeat but to the character Malyne in RvT, Symkyn's daughter, hypothesizing that Chaucer intended to cancel CkPT and follow RvT with MLPT.</text>
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          </element>
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  </item>
  <item itemId="275679" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837562">
              <text>Kennedy, Edward Donald.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837563">
              <text>Arthuriana 28.3 (2018): 51-65.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837564">
              <text>Arthuriana 28 (2018)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2837565">
              <text>Tale of Sir Thopas&#13;
Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837566">
              <text>SAC 43:207</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837567">
              <text>2018</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837560">
                <text>Malory, the Stanzaic "Morte Arthur," the Alliterative "Morte Arthure," and Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837561">
                <text>Argues that Malory downplayed his uses of the Stanzaic "Morte Arthur" and the Alliterative "Morte Arthure" in his "Le Morte Darthur" because the cultural prestige of native English romances was low--an attitude popularized by Chaucer in Th and elsewhere.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="269754" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778777">
              <text>Norris, Ralph.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778778">
              <text>Cambridge: D. S. Brewer,  2008.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778779">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778780">
              <text>[viii], 187 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778782">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Arthurian Studies, no. 71.</text>
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              <text>vxl SAC 32:58.</text>
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                <text>Malory's Library: The Sources of the "Morte Darthur"</text>
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                <text>Norris tallies and assesses the major and minor sources of Malory's "Morte Darthur," suggesting that  Malory was more widely read than is usually assumed. Chaucer's influence (especially WBT, FranT, and KnT) is neither close nor  sustained in plot, but echoes of language and various sequences of ideas indicate that Malory had read works by Chaucer (along with Lydgate's "Pageant of Knowledge" and various Middle English romances) in addition to the major French romances.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2765376">
              <text>Rutter, Russell.</text>
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        <element elementId="98">
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            <elementText elementTextId="2765377">
              <text>ELN 36.3 : 23-33. ,   1999.</text>
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            <elementText elementTextId="2765378">
              <text>1999</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2765381">
              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2765382">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2765383">
              <text>English Language Notes 36 (1999)</text>
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        <element elementId="109">
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              <text>vxl SAC 27: 162</text>
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                <text>Malvolio the Fowler: A Note on Twelfth Night 3.4.74-75</text>
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            <description>An account of the resource</description>
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                <text>Traces the history of the metaphor of Satan as a "fowler" who seeks to trap souls as he would trap birds. Discusses examples from the time of the Church fathers to Shakespeare, including three instances in which Chaucer employs related metaphors: WBT 3.932-34, LGWP F134-39, and TC 1.353.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2699563">
              <text>Branch, Eren Hostetter.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699564">
              <text>Dissertation Abstracts International 35 (1975): 7861A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699565">
              <text>1975</text>
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            <elementText elementTextId="2699567">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2699568">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699569">
              <text>Dissertation Abstracts International 35 (1975)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2699570">
              <text>jules - 23/9/94 SAC 1 (100)</text>
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          <element elementId="50">
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              <elementText elementTextId="2699562">
                <text>Man Alone and Man in Society: Chaucer's 'Knight's Tale' and Boccacio's 'Teseida'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2699566">
                <text>Boccaccio's "Teseida" is about social relationships and its theme is the proper behavior of rational people in a rational society.  The KnT also treats social behavior, but its concern is people's attitude towards irrational, superhuman forces.</text>
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  <item itemId="270927" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2791037">
              <text>Ridyard, Susan J., and Robert G. Benson, eds.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2791038">
              <text>Sewanee, Tenn.: University of the South Press, 1995.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2791039">
              <text>1995</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2791040">
              <text>iii, 245 pp.; b&amp;w illus.</text>
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        <element elementId="112">
          <name>Contributor</name>
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              <text>Benson, Robert G., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2791043">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2791044">
              <text>mea 5/9/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2791036">
                <text>Man and Nature in the Middle Ages</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Fourteen essays from the seventeenth Sewanee Mediaeval Colloquium, on late-classical and medieval ideas of Nature, science, and human perception.  For two essays that pertain to Chaucer, search for Man and Nature in the Middle Ages under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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            <elementText elementTextId="2744707">
              <text>Sparrow, Edward Harrison.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744708">
              <text>Dissertation Abstracts International 57 (1997): 3952A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744709">
              <text>1997</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2744711">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2744712">
              <text>Dissertation Abstracts International 57 (1997)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744713">
              <text>jules SAC 21 - 147</text>
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                <text>Man-Making and the Modernist Code Duello, 1898-1934</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>The proof of masculinity by man-to-man combat continues to fascinate modern writers, though as early as Chaucer the duel had been perceived as inherently wrong.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725267">
              <text>Schuman, Samuel.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725268">
              <text>Cithara 19 (1980): 40-54.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725269">
              <text>1980</text>
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            <elementText elementTextId="2725271">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2725272">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725273">
              <text>Cithara 19 (1980)</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2725274">
              <text>jules SAC 04 (46)</text>
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          <element elementId="50">
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              <elementText elementTextId="2725266">
                <text>Man, Magician, Poet, God--An Image in Medieval, Renaissance, and Modern Literature</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2725270">
                <text>The magical pageant of the Briton clerk (FranT) is imitated in Shakespeare's masque of Ceres ("The Tempest"); Humbert Humbert ("Lolita") is an analogue of Prospero.  The image of the magician in each work points to the activity of the creative artist as illusionist, and leads to a theological esthetic.  The notion of the artist and artistic process implies the analogue of the divine creator.</text>
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