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                  <text>Chaucer Bibliography Online</text>
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              <text>Butterfield, Ardis.</text>
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              <text>Medium Aevum 60 (1991): 33-60.</text>
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              <text>Book of the Duchess.</text>
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              <text>Medium Aevum 60 (1991)</text>
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              <text>mea</text>
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                <text>Lyric and Elegy in The Book of the Duchess</text>
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                <text>Analyzes Chaucer's treatment of bereavement and its consolation, particularly in relation to the exploitation of lyric in French narratives (both dit and elegy).</text>
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              <text>Haskell, Ann S.</text>
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              <text>English Symposium Papers 3 (1973): 1-45.</text>
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              <text>1973</text>
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              <text>Lyrics and Short Poems</text>
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              <text>English Symposium Papers (S.U.N.Y at Fredonia) 03 (1973)</text>
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              <text>mea; 4/13/2015 No SAC</text>
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                <text>Lyric and Lyrical in the Works of Chaucer: The Poet in His Literary Context</text>
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                <text>Characterizes medieval lyrics and various sub-genres by illustrative examples; then comments on several themes and topoi in Chaucer's lyrics and lyrical passages from his longer works.</text>
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              <text>Boyar, Jenny.</text>
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              <text>Dissertation Abstracts International A78.01 (2016): n.p.</text>
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              <text>Dissertation Abstracts International 78 (2016)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Lyric Form and the Charge of Forgetfulness in Medieval and Early Modern Poetry.</text>
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            <description>An account of the resource</description>
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                <text>Traces "the creative potentials of technologies of memory in the rise of English lyric poetry," focusing on Chaucer and Thomas Wyatt, and including assessment of how "innovations of lyric form are introduced" in TC "at moments in which memory is most compromised" and when Chaucer is "most unhinged" from his sources.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, Elizabeth.</text>
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              <text>Julia Boffey and Christiania Whitehead, eds. Middle English Lyrics: New Readings of Short Poems (Cambridge: Brewer, 2018), pp. 174-88.</text>
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              <text>Middle English Lyrics: New Readings of Short Poems</text>
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              <text>Troilus and Criseyde&#13;
Lyrics and Short Poems</text>
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              <text>mea; SAC 44:320</text>
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                <text>Lyric Interventions in "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851693">
                <text>Argues that three lyric moments in Book II of TC (Antigone's song, the lay of the nightingale, and the dream of the eagle) "distil the complexity of Criseyde's &#13;
inner deliberations," show "how Criseyde's choice to love is inflected by the condition of women subject to male desire within an economy of war," and "express the social antagonism between love and war that is the subject of the poem as a whole."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Delahoyde, Michael.</text>
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        <element elementId="98">
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              <text>Brief Chronicles: The Interdisciplinary Journal of Authorship Studies 5 (2014): 69-100.</text>
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            <elementText elementTextId="2827873">
              <text>Brief Chronicles: The Interdisciplinary Journal of Authorship Studies 5 (2014)</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 41:67</text>
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              <text>2014</text>
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            <name>Title</name>
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                <text>Lyric Poetry from Chaucer to Shakespeare.</text>
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            <description>An account of the resource</description>
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                <text>Tallies a number of specific "[i]nfluences, echoes, or borrowings from Chaucer in English poetic tradition as it developed between Henry Howard, earl of Surrey, and Shakespeare," mentioning familiar instances and adding ones previously unnoticed. Remarks that Chaucer "may be the single most important influence" on Shakespeare's works, and identifies a particularly large number of echoes in the Elizabethan collection "A Hundreth Sundrie Flowres."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nelson, Ingrid.</text>
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        <element elementId="98">
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              <text>Philadelphia: University of Pennsylvania Press, 2017.</text>
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              <text>214 pp.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2829811">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women</text>
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              <text>SAC 41:321</text>
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              <text>2017</text>
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          <name>Series</name>
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          <elementTextContainer>
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              <text>The Middle Ages Series.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lyric Tactics: Poetry, Genre, and Practice in Later Medieval England.</text>
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                <text>Asserts that Chaucer's inset lyrics in TC and LGW have a "tactical" quality that gives them flexibility and contingency. In TC, Antigone's song, using both English practices and French and Italian sources, demonstrates "a tension between negotiation and [Petrarchan] absolutism" that reflects the narrative's concern with "individual and communal desires." In LGW, especially Prologue F, lyrics are integrated with exemplary narrative, giving lyric an ethical role and "suspending [exempla's] "drive toward closure."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Holsinger, Bruce.</text>
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              <text>Seth Lerer, ed. The Yale Companion to Chaucer (New Haven and London: Yale University Press, 2006), pp. 179-212.</text>
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              <text>The Yale Companion to Chaucer.</text>
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                <text>Holsinger explores each of Chaucer's lyrics and short poems, explicating tensions of form and theme and explaining Chaucer's "cagey manipulation" of metrical and lyric conventions - English, French, and Italian. Rarely an inventor, Chaucer was a lyric innovator who experimented with relationships between emotion and form.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2843315">
              <text>xxi, 278 pp.</text>
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              <text>Lyrics and Short Poems&#13;
Legend of Good Women&#13;
Parliament of Fowls&#13;
Complaint to Pity&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
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              <text>mea; 10/27/2023</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2843318">
              <text>1959</text>
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                <text>Lyrics of the Middle Ages.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843312">
                <text>Anthologizes samples of Greek, Latin, Provençal, French, Portuguese, Spanish, Italian, Welsh, Irish, Norse, Danish, Dutch, German, and Old and Middle English verse--generally in modern English translation--from the fifth to the fifteenth century. The three samples from Chaucer (ballade from LGWP, rondel from PF, and Pity) are in Middle English, with sidebar glosses.</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2765001">
              <text>Kim, Jae-Whan.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Journal of English Language and Literature (Korea) 44: 255-74,   1998.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765003">
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            <elementText elementTextId="2765006">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Canterbury Tales: General.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2765008">
              <text>Journal of English Language and Literature (Korea) 44 (1998)</text>
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        <element elementId="109">
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          <description/>
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              <text>vxl SAC 27: 202</text>
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          <element elementId="50">
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              <elementText elementTextId="2765000">
                <text>M / W: A Deconstructive Reading of the Wife of Bath</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2765004">
                <text>Chaucer prompts his readers to recognize that the Wife of Bath misreads and adapts the authorities she confronts, reminding us that multiple meanings are everywhere possible. This deconstruction of meaning prompts deconstruction of the male/female dichotomy and echoes throughout WBPT, ClT, MerT, and even Ret.</text>
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                <text>In Korean, with English abstract.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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            <elementText elementTextId="2780311">
              <text>Aloni, Gila.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780312">
              <text>Danielle Buschinger and Arlette Sancery, eds. Mélanges de langue, littérature et civilisation offerts à André Crépin à l'occasion de son quatre-vingtième anniversaire (Amiens: Presses du Centre d'Études Médiévales, Université de Picardie-Jules Verne, 2008), pp. 1-10.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780313">
              <text>2008</text>
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          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2780314">
              <text>Mélanges de langue, littérature et civilisation offerts à André Crépin à l'occasion de son quatre-vingtième anniversaire</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Man of Law and His Tale</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833605">
              <text>vxl SAC 32:203.</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2780310">
                <text>M(ons)ters In-Laws: Maternal Models in The Man of Law's Tale</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2780315">
                <text>Explores how Chaucer's reflections on maternity expose a relationship between Christianity  and other religions in MLT.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Robinson, Peter.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756472">
              <text>Joe Bray, Miriam Handley, and Anne C. Henry, eds. Ma(r)king the Text: The Presentation of Meaning on the Literary Page ( Aldershot, Hants; and Brookfield, Vt.: Ashgate, 2000), pp. 309-28.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756473">
              <text>2000</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2756475">
              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756477">
              <text>jules SAC 24 (38)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2756470">
                <text>Ma(r)king the Electronic Text : How, Why, and for Whom?</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756474">
                <text>Summarizes the strengths and weaknesses of TEI (Text Encoding Initiative) encoding for electronic texts in the humanities, advocating a middle ground between "realist" and "anti-realist" theories of what can and should be represented. Expresses concerns about the future of electronic editing, drawing examples from The Wife of Bath Prologue on CD-ROM (1996; SAC 20 [1998], no. 11) and The General Prologue on CD-ROM (2000; SAC 24 [2002], no. 41), among others.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701214">
              <text>Campbell, Thomas P.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701215">
              <text>Chaucer Review 24 (1990): 275-89.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701216">
              <text>1990</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2701218">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701219">
              <text>Chaucer Review 24 (1990)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701220">
              <text>jules - 10/10/94 SAC 14 (21)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2701213">
                <text>Machaut and Chaucer : 'Ars Nova' and the Art of Narrative</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2701217">
                <text>Chaucerian narrative is closely related to the compositions of Machaut--not only poetically but also musically.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="261840" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698978">
              <text>Wimsatt, James (I.)</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698979">
              <text>Rossell Hope Robbins, ed.  Chaucer at Albany (New York: Franklin, 1975), pp. 11-26.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698980">
              <text>1975</text>
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          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2698981">
              <text>Chaucer at Albany</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2698983">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2698984">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698985">
              <text>jules - 20/9/94 SAC 1 (39)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2698977">
                <text>Machaut's 'Lay de Comfort' and Chaucer's 'Book of the Duchess'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698982">
                <text>Machaut's 'Lay' bears an important relation to BD.  Even though they are less praised, Machaut's lyrics were found worthy of use by Chaucer.</text>
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          </element>
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              <text>Pelen, Marc M.</text>
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              <text>Chaucer Review 11 (1976): 128-55.</text>
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              <text>Book of the Duchess.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 02 (24)</text>
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                <text>Machaut's Court of Love Narratives and Chaucer's 'Book of the Duchess'</text>
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            <description>An account of the resource</description>
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                <text>The French narrative poems of Machaut and Froissart reveal the source of the voice in Chaucer's early poems.  Even though BD imitates the conventions of its French models, it shows how Chaucer adapted the conventions to his own use.</text>
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              <text>Calin, William.</text>
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              <text>R. Barton Palmer, ed. Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition (New York: AMS Press, 1999), pp. 29-46</text>
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            <elementText elementTextId="2752162">
              <text>1999</text>
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                <text>Machaut's Legacy : The Chaucerian Inheritance Reconsidered</text>
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              <elementText elementTextId="2752164">
                <text>The most important source for Chaucer's BD is not Machaut's Jugement dou Roy de Behaingne but his Dit de la fonteinne; for LGWP, not the French "Marguerite poems" but Machaut's Jugement dou Roy de Navarre. Moreover, the belief that Chaucer drifted away from French influence in his later works is now "defunct"; there is significant influence of Machaut on Chaucer's MerT, for example. Revised version; first published in Studies in the Literary Imagination 20 (1987): 9-22.</text>
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              <text>Calin, William.</text>
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              <text>Studies in the Literary Imagination 20 (1987): 9-22.</text>
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              <text>jules SAC 11 (30)</text>
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              <elementText elementTextId="2708970">
                <text>Machaut's Legacy: The Chaucerian Inheritance Reconsidered</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2708974">
                <text>The French influence on Chaucer is undervalued.  Machaut's "La Fonteinne amoureuse" provided the model for BD; his "Judgement dou Roy de Navarre" inspired LGWP; "Le voir dit" has a direct tie with ManT; ; "Le voir dit" and "La Fonteinne amoureuse" influenced MerT.  Some techniques considered original with Chaucer, even the narrator-persona, actually came from Machaut.</text>
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                <text>Revised version published in R. Barton Palmer, ed. Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition (New York: AMS Press, 1999), pp. 29-46.</text>
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              <text>Palmer, R. Barton, and Burt Kimmelman, eds. </text>
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        <element elementId="98">
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              <text>Gainesville: University Press of Florida, 2017.</text>
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              <text>xxviii, 308 pp.; 8 b&amp;w illus.</text>
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              <text>Kimmelman, Burt, ed.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2831806">
              <text>mea; SAC 42:31</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831807">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2831799">
                <text>Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831800">
                <text>Ten essays by various authors treat the impact and legacy of Guillaume de Machaut's works, especially "his judgment series" of poems, and the ways they influence writers from Chaucer and John Gower to Marcel Proust and Philip Roth. For four essays that pertain to Chaucer, search for Machaut's Legacy under Alternative Title.</text>
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  <item itemId="263354" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713888">
              <text>Peden, Alison M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713889">
              <text>Medium AEvum 54 (1985): 59-73.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713890">
              <text>1985</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2713892">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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              <text>Medium AEvum 54 (1985)</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
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              <text>jules SAC 09 (24)</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2713887">
                <text>Macrobius and Mediaeval Dream Literature</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713891">
                <text>Backgrounds and sources for PF, HF, BD, NPT.  Argues that Macrobius was less influential in later Middle Ages than Chaucer's references to him suggests.</text>
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  <item itemId="264500" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724870">
              <text>Amsler, Mark E.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724871">
              <text>Allegorica 4 (1979): 301-14.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724872">
              <text>1979</text>
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            <elementText elementTextId="2724874">
              <text>Complaint of Mars.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2724875">
              <text>Allegorica 04 (1979)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2724876">
              <text>jules SAC 05 (259)</text>
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          <element elementId="50">
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              <elementText elementTextId="2724869">
                <text>Mad Lovers and Other Hooked Fish: Chaucer's 'Complaint of Mars'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2724873">
                <text>Mars is placed within Christian moral interpretation when Mars refers to lovers as fish caught on a hook.  Asking why God made human love enticing, Mars inverts the "hierarchy of human and divine lovers."  For him the love bait on the hook is not divine.  The two kinds of love are central also in TC.</text>
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  <item itemId="265977" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739681">
              <text>Rex, Richard.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739682">
              <text>Richard Rex.  "The Sins of Madame Eglentyne" and Other Essays on Chaucer (Newark, N.J.: University of Delaware Press; London: Associated University Presses, 1995), pp. 78-94.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739683">
              <text>1995</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
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              <text>"The Sins of Madame Eglentyne" and Other Essays on Chaucer.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>jules SAC 19 (1997) - 252</text>
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                <text>Madame Eglentyne and the Bankside Brothels</text>
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                <text>Argues that the name Eglentyne ("rose") connoted sexual dalliance to Chaucer's audience.  Fourteenth-century property records indicate affiliations between property owned by the priory at Stratford-at-Bow and the Bankside brothel, the Rose.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2736674">
              <text>Orsten, Elisabeth M.</text>
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        <element elementId="98">
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              <text>Florilegium 11 (1992): 82-100.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2736676">
              <text>1992</text>
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            <elementText elementTextId="2736678">
              <text>Prioress and Her Tale.  </text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Florilegium 11 (1992)</text>
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              <text>jules SAC 18 (1996) - 228</text>
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              <elementText elementTextId="2736673">
                <text>Madame Eglentyne in Her Day and Ours: Anti-Semitism in 'The Prioress's Tale' and a Modern Parallel</text>
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              <elementText elementTextId="2736677">
                <text>The Prioress's combination of pious sentiment, moral blindness, and indifference to official church doctrine can be paralleled in a 1985 attempt, in an Austrian village, to defend and preserve an anti-Semitic legend about the murder of a three-year-old and the local cult that grow up around it.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2697869">
              <text>Alexander, Philip S.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2697870">
              <text>Bulletin of the John Rylands University Library of Manchester 74 (1992): 109-20.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2697871">
              <text>1992</text>
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              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2697874">
              <text>Bulletin of the John Rylands University Library of Manchester 74 (1992).</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea</text>
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                <text>Madame Eglentyne, Geoffrey Chaucer and the Problem of Medieval Anti-Semitism</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2697872">
                <text>Reviews anti-Semitism in PrT from a historical point of view. Defines anti-Semitism and its typical features: the death of the clergeon mirrors that of Christ; the Jews are linked with the devil; and they engage in usury.  PrT is definitely anti-Semitic, and Chaucer knew what he was doing in writing it.</text>
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  <item itemId="268325" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2764084">
              <text>Fleming, John V.</text>
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        <element elementId="98">
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              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 205-33.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764086">
              <text>2003</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2764087">
              <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2764089">
              <text>Prioress and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl 27:243</text>
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            <name>Title</name>
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                <text>Madame Eglentyne: The Telling of the Beads</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764088">
                <text>The description of the Prioress's rosary exemplifies Chaucer's word play and his literary engagement with other writers, particularly Jean de Meun and Ovid. Fleming compares the Prioress's rosary with rosaries in medieval art and assesses the significance of her name, Madame Eglentyne, in romance and sacred romance alike.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2728594">
              <text>Cutts, John P.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2728595">
              <text>Studies in the Humanities 7.2 (1979): 34-38.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728596">
              <text>1979</text>
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          <name>Chaucer Subject</name>
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              <text>Prioress and Her Tale.</text>
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          <elementTextContainer>
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              <text>Studies in the Humanities 07 (1979)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2728600">
              <text>jules SAC 03 (132)</text>
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          <element elementId="50">
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                <text>Madame Eglentyne's Saint Loy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2728597">
                <text>Chaucer's characterization of the Prioress mirrors the struggle of "a country bumpkin trying to upgrade herself."  The St. Loy of her oath might best be identified with St. Louis IX, King of France.  The Bell edition of 1890 cites St. Loy as the spelling for St. Louis in the 1543 edition of the French translation of "Legenda Aurea."  St. Louis was noted for his simple humanity.  The Prioress was attempting to refine and embellish her own simple humanity.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715399">
              <text>Braswell, Mary Flowers.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715400">
              <text>English Language Notes 23 (1985): 55-70.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715401">
              <text>1985</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2715403">
              <text>Pardoner and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2715404">
              <text>English Language Notes 23 (1985)</text>
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            <elementText elementTextId="2715405">
              <text>jules SAC 09 (186)</text>
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          <element elementId="50">
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              <elementText elementTextId="2715398">
                <text>Madness, Mayhem, and the Search for Gold: William Faulkner's Use of 'The Pardoner's Tale'</text>
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                <text>Chaucer's influence on Faulkner is evident in the similarities between PardT and "Lizards in Jamshyd's Courtyard."  Both stories concern three treasure seekers who make an ironic vow of loyalty and are guided in motion by a figure who represents Greed Incarnate--but, unlike the Pardoner, Flem Snopes does not receive poetic justice.</text>
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