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              <text>Chitwood, Garrett Clayton.</text>
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              <text>DAI 31.07 (1971): 3497A</text>
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              <text>1971</text>
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              <text>Prioress and Her Tale</text>
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              <text>Dissertation Abstracts International 31 (1971)</text>
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              <text>mea; 07/09/2016 No SAC</text>
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                <text>Love and Guilt: A Study of Suffering in Selected Medieval Works</text>
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                <text>Includes comments on the lack of remorse among the Jews in PrT.</text>
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              <text>Heinrichs, Katherine.</text>
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              <text>Neophilologus 73 (1989): 593-604.</text>
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              <text>1989</text>
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              <text>Background and General Criticism.</text>
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              <text>Book of the Duchess.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Neophilologus 73 (1989).</text>
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              <text>jules SAC 13 (66)</text>
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                <text>Love and Hell: The Denizens of Hades in the Love Poems of the Middle Ages</text>
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                <text>In the allusions to infernal sufferers in medieval poems, the lover and the miser are often linked:  both have lost their rational capacity, and the sins of both proceed from cupidity.  Hence, such reference in BD and TC show that the Black Knight and Troilus are suffering from destructive passion.</text>
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              <text>Bryson, Michael, and Arpi Movsesian.</text>
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              <text>[Cambridge]: Open Books, 2017. </text>
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              <text>.x, 567 pp.; color illus. </text>
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              <text>Movsesian, Arpi.</text>
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              <text>Post-Fin'amor English Poetry.</text>
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              <text>Background and General Criticism&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; SAC 42:76</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Love and Its Critics: From the Song of Songs to Shakespeare and Milton's Eden.</text>
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            <description>An account of the resource</description>
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                <text>Surveys depictions of love, from the Bible to English Renaissance literature, exploring poetic representations of love and the effects of efforts to sublimate or suppress it. The section on Chaucer (pp. 280-94), labeled "Post-Fin'amor English Poetry," treats courtly love in KnT as a "Neoplatonized and Christianized caricature of fin'amor." Juxtaposing KnT with MilT, Chaucer suggests that "love must be a matter of heart, mind, spirit, and body all at once," a reassertion of traditional fin'amors sensibility. Reads WBPT and its emphasis on glossing as an indictment of courtly and clerical efforts to suppress female desire.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Saunders, Corinne [J.]</text>
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              <text>Helen Cooney, ed. Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 45-61.</text>
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        <element elementId="114">
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              <text>2006</text>
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              <text>Writings on Love in the English Middle Ages.</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>vxl sac 30:141</text>
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            <name>Title</name>
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                <text>Love and Loyalty in Middle English Romance</text>
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            <description>An account of the resource</description>
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                <text>Apart from Chaucer's works, most romances in Middle English "rewrite" their French and Latin analogues, representing the virtuous aspects of love rather than the conventions of the courtly game. Chaucer's writing exemplifies the "extremes of fin amour."</text>
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              <text>Brewer, D[erek], S.</text>
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        <element elementId="98">
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              <text>Modern Language Review 49 (1954): 461-64.</text>
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              <text>Modern Language Review 49 (1954)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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              <text>mea; 5/28/26</text>
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              <text>1954</text>
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                <text>Love and Marriage in Chaucer's Poetry.</text>
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            <description>An account of the resource</description>
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                <text>Challenges the critical "platitude" that love and marriage are incompatible in Chaucer. Identifies a number of instances in Chaucer's works where love and marriage clearly coincide, and argues that TC is only an "apparent exception" in this regard. Discusses how the plot or "matière" of Chaucer's poem is "illicit" love, but its "sen," or meaning, is a celebration of virtuous, "honorable" love.</text>
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              <text>Lipton, Emma.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>[8 pp.]</text>
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              <text>The Open Access Companion to the Canterbury Tales. </text>
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              <text>mea; 1/10/2021</text>
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                <text>Love and Marriage in the "Wife of Bath's Prologue."</text>
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            <description>An account of the resource</description>
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                <text>Explores how and to what extent the WBP "presents both the challenges to women's agency posed by medieval marriage and, conversely, the ways existing practices of medieval marriage could be manipulated to empower women." Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Kelly, Henry Ansgar.</text>
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              <text>Ithaca, N.Y.:  Cornell University Press, 1975.</text>
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            <elementText elementTextId="2783806">
              <text>1975</text>
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            <elementText elementTextId="2783807">
              <text>359 pp.</text>
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              <text>Troilus and Criseyde</text>
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                <text>Love and Marriage in the Age of Chaucer</text>
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                <text>Assesses the meaning and status of "courtly" love and its relation to marriage in medieval traditions and critical commentary on these traditions. Considers a wide range of  medieval Latin and vernacular representations of love and marriage, and gauges their reception in light of canon law, particularly the canons that relate to clandestine marriage, with sidelights on the practices of ring-giving, on sexual pleasure, and other topics. There is "no tradition of incompatibility between love and marriage, except in the literature of satire and complaint" (333) and "clandestine marriage was considered 'valid'" and it was widespread, although "forbidden by the Church" (217).  Comments on MLT, RvT, WBPT, MerT, FranT, ParsT, and Anel, and explores TC and LGW in detail, arguing for Chaucer's appreciation of Ovid's serious treatments of love as well as his mockery. TC was influenced by Boccaccio's "Filocolo" as well as his "Filostrato," although Chaucer "mutes" his concern with marriage in order to amplify the "uncertainty" of secret alliances (240).</text>
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              <text>Archibald, Elizabeth.</text>
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              <text>Claire Vial, ed.  'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays (Etudes Epistémè, no. 25, 2014): n.p. (web publication).</text>
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        <element elementId="114">
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            <elementText elementTextId="2813627">
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            <elementText elementTextId="2813628">
              <text>'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Franklin and His Tale</text>
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              <text>mea; 2/20/2017 SAC 38:68</text>
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                <text>Love and Marriage in the Breton Lays</text>
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              <elementText elementTextId="2813629">
                <text>Despite the widely accepted claim that French and Middle  English Breton lays are concerned primarily with love, argues that the English poems pay relatively little attention to romantic love, and are more concerned with identity, family separation and reunion, loyalty, and justice. Refers to TC and FranT.</text>
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            <elementText elementTextId="2838178">
              <text>Bayley, John.</text>
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            <elementText elementTextId="2838179">
              <text>John Bayley. The Characters of Love: A Study in the Literature of Personality (London: Constable, 1960), pp. 51-123.</text>
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        <element elementId="108">
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            <elementText elementTextId="2838180">
              <text>The Characters of Love: A Study in the Literature of Personality.</text>
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        <element elementId="102">
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            <elementText elementTextId="2838181">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2838182">
              <text>mea; 3/15/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838183">
              <text>1960</text>
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              <elementText elementTextId="2838176">
                <text>Love and the Code: "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838177">
                <text>Explores the characterizations in TC of Troilus, Pandarus, and, most extensively, Criseyde, explaining how Chaucer modifies their antecedents in Boccaccio's "Filostrato" by adapting the conventions and rhetoric of courtly love and creates rich personalities, comparable to those of Shakespearean drama and modern novels. Though he "neither analyses nor moralizes," Chaucer depicts the "random circumstances of love and living" as well as awareness of psychology. Includes comments on the relations between characterization and the theme of love in LGW, PF, and KnT.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2704027">
              <text>Fyler, John M.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2704028">
              <text>Mediaevalia 13 (1989, for 1987): 295-307.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2704029">
              <text>1989</text>
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          <elementTextContainer>
            <elementText elementTextId="2704031">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2704032">
              <text>Mediaevalia 13 (1989, for 1987).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2704033">
              <text>jules SAC 13 (25)</text>
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          <element elementId="50">
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              <elementText elementTextId="2704026">
                <text>Love and the Declining World : Ovid, Genesis, and Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2704030">
                <text>Ovid's views on humanity's decline from the first age influence Chaucer's "Former Age":  Chaucer's use of Lamech in WBT, SqT, and Anel; and his distrust of rhetorical ornament (as evidenced by the Franklin and BD, for example).</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2774729">
              <text>Saunders, Corinne [J.]</text>
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        <element elementId="98">
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              <text>Corinne Saunders, ed. A Concise Companion to Chaucer (Malden, Mass.; Oxford; and Victoria: Blackwell, 2006), pp. 134-55.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2774731">
              <text>2006</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2774732">
              <text>A Concise Companion to Chaucer.</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 30:292</text>
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              <elementText elementTextId="2774728">
                <text>Love and the Making of the Self : Troilus and Criseyde</text>
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                <text>Saunders traces elements of Chaucer's "rarefied treatment of love" to Marie de France, Chrétien de Troyes, troubadours, trouvères, and Ovid, arguing that Chaucer developed a notion of "fin' amors" to treat philosophical questions as well as the comic aspects of love. Criseyde is the "central enigma" of TC, but Troilus's experience as lover shapes the narrative, incapacitates him, and offers him a near mystical experience. Criseyde's perspective is "more pragmatic and perhaps ultimately more tragic." Also considers Pandarus's disturbing role, the narrator's partiality for Criseyde, and Boethian philosophical ideas.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>New York: Peter Lang, 2021.</text>
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              <text>234 pp.</text>
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            <elementText elementTextId="2848699">
              <text>Studies in English Medieval Language and Literature.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion&#13;
Romaunt of the Rose&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Troilus and Criseyde</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>Love and Virtue in Middle English and Middle Scots Poetry.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848695">
                <text>Considers relations between moral virtue and courtly love in a variety of Chaucer's works and Scottish Chaucerian works, analyzing a series of pairings--Rom and William Dunbar's "Golden Targe," Chaucer's Boethian poems and "The Kingis Quair," HF and Gavin Douglas's "The Palis of Honoure," PF and Dunbar's "The Thrissill and the Rois," and TC and Robert Henryson's "Testament of Cresseid"--that comprise a study of love and virtue in Chaucer's works and his influence on early Scottish literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cooper, Helen.</text>
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          <elementTextContainer>
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              <text>Helen Cooney, ed. Writings on Love in the English Middle Ages (New York: Palgrave Macmillan, 2006), pp. 25-43.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Knight and His Tale.</text>
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              <text>vxl sac 30:112</text>
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                <text>Love Before Troilus</text>
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                <text>Before TC and KnT, most romances in England were Anglo-Norman and largely uninfluenced by the conventions of courtly love and the Petrarchan tradition. The reputation of Chaucer's works overshadows that of these other works and their more practical ethos of love.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>O'Callaghan, Tamara Faith.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2749978">
              <text>Dissertation Abstracts International 59: 2014A,   1998.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2749979">
              <text>1998</text>
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          <elementTextContainer>
            <elementText elementTextId="2749981">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Language and Word Studies.</text>
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              <text>Dissertation Abstracts International 59 (1998)</text>
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        <element elementId="109">
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              <text>jules SAC 23 (262)</text>
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                <text>Love Imagery in Benoît de Sainte-Maure's 'Roman de Troie,' John Gower's 'Confessio Amantis,' and Geoffrey Chaucer's 'Troilus and Criseyde'</text>
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                <text>These works use the language and motifs of love to distinguish gendered passion. In particular, the diction and imagery of love associated with Criseyde in TC show her, unlike the male characters, to be motivated more by fear and a sense of honor than by love.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2782476">
              <text>Sidhu, Nicole Nolan.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2782477">
              <text>Literature Compass 6 (2009): 864-85.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2782478">
              <text>2009</text>
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
            <elementText elementTextId="2782481">
              <text>Literature Compass 06 (2009).</text>
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        <element elementId="109">
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              <text>vxl sac 33:90</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2782475">
                <text>Love in a Cold Climate : The Future of Feminism and Gender Studies in Middle English Scholarship</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2782479">
                <text>Sidhu surveys recent attention to gender in medieval studies and assesses the "continuing marginalization" of gender studies. Recurrent references to Chaucer studies.</text>
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  <item itemId="272323" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805705">
              <text>Fowler, David C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805706">
              <text>Romanic Review 63 (1972): 5-14.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805707">
              <text>1972</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2805709">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2805710">
              <text>Sources, Analogues, and LIterary Relations</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2805711">
              <text>Romanic Review 63 (1972)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2805712">
              <text>mea; 1/12/12016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2805704">
                <text>Love in Chrétien's Lancelot</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805708">
                <text>Discusses Chrétien's "Knight of the Cart," including several points of comparison with TC: the poems as command performances, their inclusion of songs of love, and the possibility that the heroes are presented as humorous.</text>
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  </item>
  <item itemId="261709" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697709">
              <text>Simmons-O'Neill, Elizabeth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697710">
              <text>Modern Language Quarterly 51 (1990): 389-407</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697711">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2697713">
              <text>Merchant and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2697714">
              <text>Modern Language Quarterly 51 (1990).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697715">
              <text>mea</text>
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              <elementText elementTextId="2697708">
                <text>Love in Hell: The Role of Pluto and Proserpine in Chaucer's 'Merchant's Tale'</text>
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          <element elementId="41">
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              <elementText elementTextId="2697712">
                <text>Unlike its analogues, MerT develops themes and images associated with the myth of Proserpine's rape and Ceres's search for her daughter.  As a result, both May and January are presented as culpable and victimized.</text>
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  <item itemId="272156" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2803951">
              <text>apRoberts, Robert [P.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2803952">
              <text>Chaucer Review 7.1 (1972): 1-26.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2803953">
              <text>1972</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2803956">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2803957">
              <text>Chaucer Review 07 (1972)</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 7/14/2015 No SAC</text>
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            <name>Title</name>
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                <text>Love in the 'Filostrato'</text>
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          <element elementId="41">
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                <text>Suggests that Chaucer purges "sensuality" from Boccaccio's "Filostrato" when he adapts it as TC, and demonstrates in detail where the quality is consistently present in the Boccaccio's poem.</text>
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  <item itemId="269358" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774654">
              <text>Lynch, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Corinne Saunders, ed. A Concise Companion to Chaucer (Malden, Mass.; Oxford; and Victoria: Blackwell, 2006), pp. 113-33.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2774656">
              <text>2006</text>
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        <element elementId="108">
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            <elementText elementTextId="2774657">
              <text>A Concise Companion to Chaucer.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2774659">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2774660">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>vxl sac 30:284</text>
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              <elementText elementTextId="2774653">
                <text>Love in Wartime : Troilus and Criseyde as Trojan History</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
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                <text>Lynch explains the centrality of the legend of Troy to European narratives as a symbol of human instability and as a mirror of the present, especially in late medieval London. In comparison to its sources, TC keeps war on the periphery of the love story: Troilus is individualized as a lover, not as a warrior, but his changing motivations as a warrior lead to suicidal wrath.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2715846">
              <text>Allen, Peter Lewis.</text>
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              <text>Dissertation Abstracts International 45 (1985): 2516-7A.</text>
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              <text>1985</text>
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              <text>Legend of Good Women.</text>
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              <text>jules SAC 09 (233)</text>
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                <text>Love Oft Expressed: Conventions and Irony in Ovid's 'Amores', 'Aucassin et Nicolette', and Chaucer's 'Legend of Good Women'</text>
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                <text>Although classical and medieval rhetorics stress conventional "topoi," love poetry also supposedly emphasizes originality and sincerity.  Certain classical and medieval poets including Chaucer ironically play off convention against their own ideas.</text>
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              <text>Burr, David Stanford, ed.</text>
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              <text>New York: Barnes &amp; Noble, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2795461">
              <text>2002</text>
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              <text>xvi, 253 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Troilus and Criseyde</text>
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              <text>Facsimiles, Editions, and Translations</text>
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              <text>mea 12/6/2013 No SAC</text>
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                <text>Love Poems</text>
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            <description>An account of the resource</description>
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                <text>This anthology of lyrics and excerpts includes Troilus's Song (TC 1.400-29), in Middle English.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2702694">
              <text>Georgianna, Linda.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2702695">
              <text>Studies in the Age of Chaucer 12 (1990): 85-116.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2702696">
              <text>1990</text>
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              <text>Canterbury Tales--General.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Pardoner and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2702701">
              <text>Studies in the Age of Chaucer 12 (1990)</text>
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        <element elementId="109">
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              <text>jules SAC 14 (139)</text>
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              <elementText elementTextId="2702693">
                <text>Love So Dearly Bought: The Terms of Redemption in 'The Canterbury Tales'</text>
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                <text>CT examines such religious practices as pilgrimage, pardon, and penance within medieval soteriological traditions, which often analyzed redemption in commercial language.  Particularly in GP and PardT, "Chaucer's understanding of the terms of redemption informs his treatment of pilgrimage and penance as the twin frames for his narrative, a framework designed to elicit not scorn but hope."</text>
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            <elementText elementTextId="2800301">
              <text>Rust, Martha.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800302">
              <text>JEBS 15 (2012): 101-15</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>2012</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Troilus and Criseyde</text>
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          <elementTextContainer>
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              <text>Journal of the Early Book Society 15 (2012)</text>
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          <name>Source</name>
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              <text>mea SAC 36:39</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2800300">
                <text>Love Stories on Paper in Middle English Verse Love Epistles</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800304">
                <text>TC indicates that love letters were written on paper in England as early as the 1380s. Uses TC to frame connection of paper with verse love epistles and their fictions.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stone, Brian, trans.</text>
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              <text>Harmondsworth, England: Penguin, 1983.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718606">
              <text>1983</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2718609">
              <text>jules SAC 07 (12)</text>
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              <elementText elementTextId="2718603">
                <text>Love Visions: The Book of the Duchess; The House of Fame; The Parliament of Birds; The Legend of Good Women</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2718607">
                <text>Critical edition of BD, HF, PF, and LGW with introduction.</text>
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          </element>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2749968">
              <text>Na, Yong-jun.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749969">
              <text>Medieval English Studies 7 (1999): 177-97 (with Korean abstract).</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749970">
              <text>1999</text>
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              <text>Troilus and Criseyde.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2749973">
              <text>Medieval English Studies 07 (1999)</text>
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            <elementText elementTextId="2749974">
              <text>jules SAC 23 (261)</text>
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              <elementText elementTextId="2749967">
                <text>Love, 'That Knetteth Lawe of Compaignie' in Troilus and Criseyde</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2749971">
                <text>Traces Troilus's evolution toward an ever-higher understanding of cosmic Love.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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