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              <text>Ferrer, Josefina, trans.</text>
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              <text>Barcelona: Marte, 1967.</text>
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              <text>251 pp.; illus.</text>
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              <text>Canterbury Tales General&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Los Cuentos de Canterbury.</text>
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                <text>Spanish prose translation of CT, with illustrations in color and b&amp;w by Aguilar More.</text>
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              <text>Balestrini, María Cristina.</text>
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              <text>De medio aevo 10.15 (2021): 169-79.</text>
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              <text>De medio aevo 10 (2021)</text>
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                <text>Los escritores ricardianos y la consolidación de la literatura en inglés medio.</text>
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                <text>Reviews development of late fourteenth-century English poetry and the canonization and recognition of Chaucer and Gower as founders of English literature. Claims that their literature contributes to a sense of belonging, through the use of the vernacular and the construction of a public voice, in cultural communities.</text>
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              <text>Sanchez Escribano, F. Javier.</text>
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              <text>jules SAC 19 (1997) - 153</text>
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                <text>Summarizes the literary and social position of women in Chaucer's time and discusses the various marital relationships in CT.</text>
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                <text>  Assesses MilT, WBPT, ClT, MerT, FranT, ShT, and ManT, observing how the works focus on one or more of the following:  adultery, authority, battle of the sexes, patience, age differences in marriage, and the dangers of jealousy.</text>
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              <text>Wislocka Breit, Bozena.</text>
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              <text>Miguel Ibáñez Rodríguez, ed. Enotradulengua: Vino, lengua y traducción (Berlin: Peter Lang, 2020), pp. 151-68.</text>
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              <text>Chaucer's Life&#13;
Pardoner and His Tale</text>
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              <text>mea; SAC 44:11</text>
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            <description>An account of the resource</description>
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                <text>Studies the presence of Spanish wine in England through literary references, starting with a brief survey of Chaucer. Contends that Chaucer's familiarity with Spanish wines such as sherry in PardT is attributable both to his father's business and to his travels as a diplomat.</text>
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                <text>Los nombres de los vinos españoles en la literatura inglesa: Una panorámica desde Chaucer (s. XIV) y Shakespeare (s. XVI) hasta los victorianos Dickens y Thackeray (s. XIX)."</text>
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              <text>Kikuchi, Shigeo.</text>
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              <text>Neuphilologische Mitteilungen 102: 427-34,   2001.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Neuphilologische Mitteilungen 102 (2001)</text>
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              <text>jules SAC 25 (281)</text>
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                <text>Lose Heart, Gain Heaven : The False Reciprocity of Gain and Loss in Chaucer's Troilus and Criseyde</text>
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                <text>Dividing TC into eighteen episodes highlights a series of analogous and oppositional relations centering on "ethical debt"; in addition, the poem's action can be charted through four cycles. Similar patterns, in some instances less symmetrical, underlie MilT, RvT, and WBT.</text>
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              <text>Hewitt, Kathleen.</text>
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              <text>Papers on Language and Literature 25 (1989): 19-35.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Papers on Language and Literature 25 (1989).</text>
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                <text>BD "questions the very nature of the relation between text and interpretation."  Each of the four divisions of the poem examines a different relation of source and text.</text>
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                <text>Loss, Grief, Reminiscence, and Popular Culture in Chaucer's Book of the Duchess</text>
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Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Lost Chaucer: Natalie Wood's 'The Deadly Riddle' and the Golden Age of American Television.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2820962">
                <text>Recounts efforts to find "film elements" (recorded vestiges) of "The Deadly Riddle," a 1956 television version of WBT, produced by Roy Huggins for "Warner Brothers Presents," starring Natalie Wood and Jacques Sernas. Only paratextual material provides evidence of the lost recording, indicating loose adaptation of WBT, yet enabling a fantasy of reconstruction. Also, CT may be seen as the "originary origin" for framed serial storytelling, a recurrent technique of television and radio</text>
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                <text>Lost Hearts : 'Troilus and Criseyde', Book II, Lines 925-31</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fforde, Jasper.</text>
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              <text>New York: Penguin, 2004.</text>
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        <element elementId="114">
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            <elementText elementTextId="2799042">
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              <text>399 pp.</text>
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            <elementText elementTextId="2799045">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>mea 7/12/2014 No SAC</text>
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                <text>Lost in a Good Book: A Novel</text>
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              <elementText elementTextId="2799044">
                <text>Comic novel featuring literary detective Thursday Next, set in a world where reality and literature are permeable. Includes references to Chaucer, to discrepancies in CT, and to many works of fiction.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2721826">
              <text>Jordan, Robert M.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Chaucer Review 18 (1983): 100-15.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1983</text>
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              <text>House of Fame</text>
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          <name>Journal by Volume Number</name>
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              <text>Chaucer Review 18 (1983)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea SAC 07 (222)</text>
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              <elementText elementTextId="2721825">
                <text>Lost in the Funhouse of Fame: Chaucer and Postmoderism</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2721829">
                <text>Nabokov, Barth, and Joyce have rediscovered the solipsistic mode of fiction of which Chaucer was an accomplished practitioner.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2780362">
              <text>Risden, E. L.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Enarratio 13 (2006): 1-24.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2780364">
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780365">
              <text>The Plenary Address, 22nd Annual Meeting of the Medieval Association of the Midwest, January 2007, University of Puerto Rico at Mayaguez.</text>
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        <element elementId="102">
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          <description/>
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              <text>Enarratio 13 (2006).</text>
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        <element elementId="109">
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          <description/>
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              <text>vxl SAC 32:214.</text>
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              <elementText elementTextId="2780361">
                <text>Lost in the Not-So-Fun House: Subversive Threads in the Medieval Narrative Labyrinth</text>
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                <text>Risden explores how several medieval narratives "subvert" readers' expectations and "hint at the loneliness of the moral act." Includes comments on WBP, as well as on "Beowulf," "Sir Gawain and the Green Knight," "Piers Plowman," and other works.</text>
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  <item itemId="265415" public="1" featured="0">
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              <text>Kinney, Clare (Regan.)</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Exemplaria 5 (1993): 343-63.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733822">
              <text>1993</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2733824">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2733825">
              <text>Facsimiles, Editions, and Translations.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2733826">
              <text>Exemplaria 05 (1993)</text>
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            <elementText elementTextId="2733827">
              <text>jules SAC 17 (259)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2733819">
                <text>Lost in Translation: The Vicissitudes of the Heroine and the Immasculation of the Reader in a Seventeenth-Century Paraphrase of "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2733823">
                <text>Influenced by the conventions of Renaissance Petrarchism, Jonathan Sidnam's seventeenth-century translation/paraphrase of TC suppresses Chaucer's intimations that his poem may be read by both men and women in a way that transcends gender. Observing this, the modern reader can recognize the uniqueness of Chaucer's representation of the story.</text>
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              <text>Renevey, Denis, and Christiania Whitehead, eds.</text>
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              <text>Turnhout, Belgium: Brepols, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2009</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
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              <text>xviii, 382 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Whitehead, Christiania, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2793782">
              <text>Background and General Criticism.</text>
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          <name>Series</name>
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          <elementTextContainer>
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              <text>The Medieval Translator/Traduire au Moyen Âge, no. 12.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 9/30/2013 No SAC</text>
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            <name>Title</name>
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                <text>Lost in Translation?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Twenty-five essays by various authors on topics that pertain to translation in the Middle Ages and the translation of medieval literature; the volume includes an index that lists many references to Chaucer.  For two essays that pertain to Chaucer, search for Lost in Translation? under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761665">
              <text>Summit, Jennifer.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Chicago and London : University of Chicago Press, 2000.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761667">
              <text>2000</text>
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          <name>Physical Description</name>
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              <text>x, 274 pp. : 10 b&amp;w illus.</text>
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              <text>House of Fame</text>
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              <text>Anelida and Arcite</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2761674">
              <text>Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 26-155</text>
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            <name>Title</name>
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                <text>Lost Property: The Woman Writer and English Literary History, 1380-1589</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2761669">
                <text>Historicizing the "commonplace" conception that women writers stand in opposition to literary tradition, Summit assesses how the conception itself "dialectically fashioned both 'the woman writer' and 'English literature' in the medieval and early modern periods." In Chaucer, "'the lost woman writer' embodies the disjunction between vernacular writing and the classical canon." Women writers "embody textual loss and cultural instability" in HF, Anel, TC, and LGW, and through them Chaucer "explores the problems of writing outside authoritarian models of literary tradition."</text>
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                <text>For later writers and critics (Christine de Pizan, Margery Kempe, Anne Askew, Elizabeth I, John Bale, Thomas Bentley, George Puttenham), the figure of the female writer serves similar functions and thereby "becomes central to English literature's very invention," especially under Elizabeth I.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2769373">
              <text>Beidler, Peter.</text>
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          <elementTextContainer>
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              <text>Studies in American Indian Literature 15 (2003): 92-103.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2769375">
              <text>2003</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2769377">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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            <elementText elementTextId="2769378">
              <text>Studies in American Indian Literature 15 (2003)</text>
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        <element elementId="109">
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              <text>vxl sac 29:53</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2769372">
                <text>Louise Erdrich's Lulu Nanapush : A Modern-Day Wife of Bath?</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2769376">
                <text>Comments on the possible influence of CT on the frame-tale structure of Erdrich's "Tales of Burning Love" and considers to what extent parallels between the Wife of Bath and Lulu Nanapush ("Love Medicine") indicate that Chaucer's work is a source for Urdich's. Identifies eight parallels between Alison and Lulu.</text>
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  </item>
  <item itemId="273818" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Coghill, N. K.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>John Lawlor, ed. Patterns of Love and Courtesy: Essays in Memory of C. S. Lewis (London: Edward Arnold, 1966), pp. 141-56.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2820073">
              <text>Patterns of Love and Courtesy</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2820074">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 9/18/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2820076">
              <text>1966</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Love and "Foul Delight": Some Contrasted Attitudes.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2820070">
                <text>Explores the attitude toward sexual love expressed in Andreas Capellanus's "De Arte Honeste Amandi," contrasting it with the "innocent sincerity in sexual love" that is characteristic of Chaucer's Troilus (and Shakespeare's), also considering the casuistry of love depicted in "The Book of the Knight of La Tour-Landry."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2817545">
              <text>James, Jonathan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817546">
              <text>Dissertation Abstracts International A77.05 (2015): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2015)</text>
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              <text>Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 39:107&#13;
mea; 2/25/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2817550">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2825064">
                <text>Love and Apocalypse in Chaucer's Dream Visions.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825175">
                <text>Examines Chaucer's efforts, in BD, HF, LGW, and PF, to meld two strands of dream poetry: the philosophical and amorous subspecies of the form.</text>
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          </element>
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  <item itemId="273272" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815565">
              <text>Durham, Lonnie J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815566">
              <text>Chaucer Review 3.1 (1968): 1-11.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2815567">
              <text>Chaucer Review 03 (1968)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2815568">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
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          <element elementId="50">
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                <text>Love and Death in "Troilus and Criseyde."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815564">
                <text>Explores the imagery of nature and death in TC, arguing that Criseyde is "representative of a principle of life" and "best understood in terms of her cyclical or seasonal progression through the poem." Pandarus is associated with mutability, and Troilus, with death and the "little death" of sex, although he is "best understood in what may be seen as an ascending spiral."</text>
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  <item itemId="261750" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Buckler, Patricia Prandini.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698105">
              <text>JoAnna Stephens Mink and Janet Doubler Ward, eds.  Joinings and Disjoinings: The Significance of Marital Status in Literature (Bowling Green Ohio: Bowling Green State University Popular Press, 1991), pp. 6-18.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2698106">
              <text>1991</text>
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            <elementText elementTextId="2698107">
              <text>Joinings and Disjoinings: The Significance of Marital Status in Literature.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Mink, JoAnna Stephens, ed.</text>
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              <text>Ward, Janet Doubler, ed.</text>
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                <text>Composed in the context of the bubonic plague, BD encourages rejection of despair.</text>
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              <text>Miliaras, Barbara.</text>
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              <text>Knight and His Tale.</text>
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              <text>jules SAC 17 (52)</text>
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                <text>Love and Death: The Function of the Grotesque in the Paintings of Edward Burne-Jones</text>
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              <elementText elementTextId="2731538">
                <text>Burne-Jones's use of the grotesque was influenced by Chaucer, among others.  In KnT, Emelye unwittingly inspires destructive passion in Palamon and Arcite, creating disorder in society and leading to a "grotesque denouement."</text>
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            <elementText elementTextId="2710469">
              <text>Fyler, John M.</text>
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        <element elementId="98">
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              <text>Chaucer Review 21 (1987): 321-37.</text>
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              <text>Franklin and His Tale.</text>
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              <elementText elementTextId="2710468">
                <text>Love and Degree in the 'Franklin's Tale'</text>
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              <elementText elementTextId="2710472">
                <text>Arveragus is a more fully developed character if we acknowledge his relatively low degree (compared with that of Dorigen).  Class status also clarifies the teller's own status and his admiration for rhetoric.</text>
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              <text>Gilles, Sealy.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Studies in the Age of Chaucer 25 (2003)</text>
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                <text>Love and Disease in Chaucer's Troilus and Criseyde</text>
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              <elementText elementTextId="2764486">
                <text>Reads the depiction of Troilus's love-sickness against "new theories of contagion" that resulted from the devastations of the plague. Criseyde internalizes the anti-feminist "logic of disease" and names herself the "infective other." Troilus's "love-sickness mimics the progress of a viral infection" and leads--in his "apotheosis"--to a cure only when his body leaves the "earthbound cycle of contagion."</text>
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  <item itemId="261561" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Moser, Thomas C., Jr.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>James M. Dean and Christian Zacher, eds.  The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 243-64.</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2696252">
              <text>1992</text>
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          <description/>
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            <elementText elementTextId="2696253">
              <text>Idea of Medieval Literature.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>mea</text>
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                <text>Love and Disorder: A Fifteenth-Century Definition of Love and Some Literary Antecedents</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Analyzes a lyric with the invented title of "Inordinate Love Defined," which appears uniquely on the final leaf of a fifteenth-century manuscript, Copenhagen Thott 110, in the Royal Library.  Also discusses briefly a lyric fragment of TC (1.400-406).</text>
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  <item itemId="277658" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Slaughter, Eugene E.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Essays in Honor of Walter Clyde Curry (Nashville: Vanderbilt University Press, 1954), pp. 61-76.</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; 5/29/26</text>
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        <element elementId="114">
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              <text>1954</text>
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                <text>Love and Grace in Chaucer's "Troilus."</text>
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                <text>Explores parallels and tensions between earthly and heavenly love in TC, investigating how the theological "doctrine" of grace--inflected by ideas of merit, hope, and despair--is adapted to courtly, earthly conventions in the poem. Focuses on uses of religious language, imagery, and sentiment to depict Troilus's love and Criseyde's responses.</text>
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