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                  <text>Chaucer Bibliography Online</text>
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              <text>Pappano, Margaret Aziza.</text>
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              <text>Robert M. Stein and Sandra Pierson Prior, eds. Reading Medieval Culture: Essays in Honor of Robert W. Hanning (Notre Dame: University of Notre Dame Press, 2005), pp. 248-70.</text>
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              <text>2005</text>
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              <text>Reading Medieval Culture: Essays in Honor of Robert W. Hanning.</text>
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              <text>Miller and His Tale.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>vxl sac 29:185</text>
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                <text>Leve Brother : Fraternalism and Craft Identity in the Miller's Prologue and Tale</text>
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                <text>Pappano characterizes late medieval craft guilds and the roles they play in CT, particularly the recurrent concern with "male artisan identity." Through MilPT, Chaucer critiques the exclusionary nature of "craft fraternalism."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Astell, Ann W., and J. A. Jackson, eds.</text>
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        <element elementId="98">
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              <text>Pittsburgh, Penn.: Duquesne University Press, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2009</text>
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              <text>x, 374 pp.</text>
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              <text>Jackson, J. A., ed.</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl sac 33:59</text>
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                <text>Levinas and Medieval Literature: The "Difficult Reading" of English and Rabbinic Texts</text>
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                <text>Twelve essays by various authors, plus an introduction by the editors, consider interactions among Christian allegory, talmudic hermeneutics, and the interpretive theory of Emmanuel Levinas. For three essays that pertain to Chaucer, search for Levinas and Medieval Literature under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Yager, Susan.</text>
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              <text>Ann W. Astell and J. A. Jackson, eds. Levinas and Medieval Literature: The "Difficult Reading" of English and Rabbinic Texts (Pittsburgh, Penn.: Duquesne University Press,  2009), pp. 35-56.</text>
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            <elementText elementTextId="2782982">
              <text>2009</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2782983">
              <text>Levinas and Medieval Literature: The "Difficult Reading" of English and Rabbinic Texts..</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2782985">
              <text>Clerk and His Tale.</text>
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              <text>vxl sac 33:140</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2782979">
                <text>Levinas, Allegory, and Chaucer's Clerk's Tale</text>
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                <text>Examines parallels between Levinas's writing and medieval allegory. Yager reads ClT in a Levinasian mode to generate an open-ended reading or "an exercise in ifs." ClT can be read as an ethical allegory; Chaucer, as an ethical allegorist. Yager discusses similarities between Griselda and the ethical other.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2726844">
              <text>Reisner, Thomas A.,and Mary E. Reisner.</text>
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        <element elementId="98">
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              <text>Modern Philology 75 (1978): 385-90.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1978</text>
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        <element elementId="112">
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              <text>Reisner, Mary E.</text>
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            <elementText elementTextId="2726849">
              <text>Chaucer's Life.</text>
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        <element elementId="100">
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            <elementText elementTextId="2726850">
              <text>Modern Philology 75 (1978)</text>
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        <element elementId="109">
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            <elementText elementTextId="2726851">
              <text>jules SAC 02 (10)</text>
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          <element elementId="50">
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              <elementText elementTextId="2726843">
                <text>Lewis Clifford and the Kingdom of Navarre</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2726848">
                <text>Newly discovered Spanish document reports 400 gold "fortes" paid to Lewis Clifford, Chaucer's friend, on behalf of Carlos II of Navarre, thus connecting Clifford with the Black Prince's Spanish campaign, and explaining some of his other connections with British and Spanish royalty.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2748682">
              <text>Thomas, Susanne Sara.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2748683">
              <text>Dissertation Abstracts International 58 (1998): 2645A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2748684">
              <text>1998</text>
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            <elementText elementTextId="2748686">
              <text>Background and General Criticism.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2748689">
              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2748690">
              <text>Canon's Yeoman and His Tale.</text>
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            <elementText elementTextId="2748691">
              <text>Dissertation Abstracts International 58 (1998)</text>
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              <text>jules SAC 22 - 157.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2748681">
                <text>Lex Scripta et Lex Non Scripta: Tensions Between Law and Language in Late Fourteenth-Century England and Its Literature</text>
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                <text>Examines how Chaucer and the Gawain poet explore the legal power of written and spoken words. "Sir Gawain and the Green Knight" challenges the potency of oral oaths, WBT parodies courtroom rhetoric, the GP sketch of the Sergeant of Law exposes legal subversion of land law, PardPT abuse and fetishize texts, and CYPT depicts the fearful prospect that texts are empty and language inauthentic.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sayers, William.</text>
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        <element elementId="98">
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              <text>NOWELE 44 (2004): 101-19.</text>
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          <name>Date</name>
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            <elementText elementTextId="2774186">
              <text>2004</text>
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              <text>Tale of Sir Thopas.</text>
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            <elementText elementTextId="2774189">
              <text>NOWELE: North-Western European Language Evolution 44 (2004)</text>
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              <text>vxl sac 30:237</text>
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                <text>Lexical and Literary Evidence for Medieval Trade in Precious Goods: Old French 'Rohal,' 'Roal,' and Middle English 'Walrus (and Narwhal?) Ivory'</text>
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                <text>Linguistic and economic background to uses of ivory in medieval decoration, including the saddle of Sir Thopas (Th 7.875-78).</text>
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              <text>Matsuo, Masatsugu,and Yoshiyuki Nakao.</text>
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          <elementTextContainer>
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              <text>Hiroshima Studies in English Language and Literature 28 (1983): 49-57.</text>
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              <text>jules SAC 09 (177)</text>
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                <text>Lexical Proximity and Its Application to a Literary Text: A Case Study on 'The Merchant's Tale'</text>
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                <text>"Lexical proximity" contributes to irony in MerT.</text>
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            <elementText elementTextId="2763081">
              <text>Nakao, Yoshiyuki.</text>
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              <text>English and English Teaching: A Festschrift in Honour of Prof. Hisashi Takahashi and Prof. Jiro Igarashi (Hiroshima: Department of English, Faculty of School Education, Hiroshima University, 1993), pp. 177-85.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2763083">
              <text>2003</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2763084">
              <text>English and English Teaching: A Festschrift in Honour of Prof. Hisashi Takahashi and Prof. Jiro Igarashi.</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2763089">
              <text>vxl SAC 27: 292</text>
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              <elementText elementTextId="2763080">
                <text>Lexis and Context in Chaucer: Slydynge and Its Related Words in Troilus and Criseyde</text>
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              <elementText elementTextId="2763085">
                <text>Discusses "slydynge" and related words (such as "kynde" and "pite") with regard to Criseyde's characterization. Examines also the syntactic structures containing those words.</text>
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                <text>In Japanese.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2705608">
              <text>Kanno, Masahiko.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2705609">
              <text>Geardagum 10 (1989): 45-58.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2705610">
              <text>1989</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2705614">
              <text>In Geardagum 10 (1989).</text>
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        <element elementId="109">
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              <text>jules SAC 13 (187)</text>
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            <name>Title</name>
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              <elementText elementTextId="2705607">
                <text>Lexis and Structure in 'The Canon's Yeoman's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2705611">
                <text>In CYT, Chaucer's comic use of technical terms related to alchemy or to alchemists (e.g., "craft," "disciplyne," "emprise," "experience," "labour," "loore," "maistrie," "multiplicatioun," "philosophie," "science," "travaille," "wirkyng," "philosophre," "alkamystre") reveals the falsehood and follies naturally inherent in the Canon and his "craft."</text>
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  <item itemId="266373" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2743772">
              <text>Duggan, Hoyt N.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743773">
              <text>C. B. McCully and J. J. Anderson, eds. English Historical Metrics. (Cambridge and New York: Cambridge University Press, 1996): pp. 219-37.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2743774">
              <text>1996</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743775">
              <text>English Historical Metrics.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743777">
              <text>Style and Versification.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2743778">
              <text>jules SAC 21 - 60</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743771">
                <text>Libertine Scribes and Maidenly Editors: Meditations on Textual Criticism and Metrics</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743776">
                <text>Comments on Dryden's and Tyrwhitt's views of Chaucer's meter as background to assessing editorial treatments of the meter of "Pearl."  Argues that editors need to emend the manuscript of "Pearl" more aggressively to minimize scribal interventions and clarify the metrical virtuosity of the poem.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829447">
              <text>Matsuda, Takami.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829448">
              <text>Geibun-Kenkyu (Keio University) 113.2 (2017): 29-39.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2829449">
              <text>Geibun-Kenkyu 113 (2017)</text>
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              <text>Manciple and His Tale</text>
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        <element elementId="109">
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              <text>SAC 41:264</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829452">
              <text>2017</text>
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              <elementText elementTextId="2830316">
                <text>Lie and Fable in Chaucer's "Manciple's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830409">
                <text>Argues that both the structure and the content of ManT explore the relativity of truth and lie. Regarding the structure, the dependence on literature of practical wisdom raises a doubt as to the tale's authority as an exemplum. As for the content, ManT is "no longer about the delayed discovery of truth as in 'Othello'," and instead focuses on Phoebus's "confused state of mind," in which "truth is whatever he wishes to believe."</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697245">
              <text>Sanders, Barry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697246">
              <text>David R. Olson and Nancy Torrance, eds.  Literacy and Orality (Cambridge: Cambridge University Press, 1991), pp. 111-28.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697247">
              <text>1991</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697248">
              <text>Literacy and Orality.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697249">
              <text>Olson, David R., ed.</text>
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            <elementText elementTextId="2697250">
              <text>Torrance, Nancy, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2697252">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2697253">
              <text>General Prologue to the Canterbury Tales.</text>
            </elementText>
            <elementText elementTextId="2697254">
              <text>Miller and His Tale.</text>
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          </elementTextContainer>
        </element>
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          <elementTextContainer>
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              <text>mea</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697244">
                <text>Lie It As It Plays: Chaucer Becomes an Author</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697251">
                <text>In GP, Chaucer poses himself as a "liar," capable of impossible feats of memory; in tales such as MilT, he capitalizes on the oral genre of joking.  As a liar and a joker, the literate Chaucer manipulates oral expectations, compelling his audience to recognize the art of fiction and join in his laughter.</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696361">
              <text>Reichl, Karl.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696362">
              <text>Theo Stemmler, ed.  Liebe als Krankheit: 3. Kolloquium der Forschungsstelle fur europaische Lyrik des Mittelalters an der Universitat Mannheim (Tubingen: Narr, 1990), pp. 187-215.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696363">
              <text>1990</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696364">
              <text>Liebe als Krankheit: 3. Kolloquium der Forschungsstelle fur europaische Lyrik des Mittelalters an der Universitat Mannheim.</text>
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        </element>
        <element elementId="102">
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            <elementText elementTextId="2696366">
              <text>Merciles Beaute.                                                  </text>
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              <text>Troilus and Criseyde.                               </text>
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                <text>Liebe als Krankheit</text>
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                <text>Surveys the forms and conventions of Middle English lyrics that treat love-sickness, including MercB, and those in TC and KnT.</text>
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              <text>Stemmler, Theo, ed.</text>
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              <text>Tubingen: Narr, 1990.</text>
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              <text>257 pp.</text>
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                <text>Liebe als Krankheit: 3. Kolloquium der Forschungsstelle fur europaische Lyrik des Mittelalters an der Universitat Mannheim</text>
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                <text>Nine essays by various authors on love-sickness in classical and medieval literature.  The essays discuss the topos in medicine, classical writing, medieval Latin, Islamic writing, troubadour poetry, ansd medieval vernacular languages: Spanish, French, English, and German.&#13;
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              <text>Shipman and His Tale&#13;
Language and Word Studies</text>
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                <text>Analyzes Langland's and Chaucer's uses of "tally-tale-tail" puns in "Piers Plowman" and ShT, clarifying medieval understandings of signification, polysemy, equivocation, deception, economic value, and misogyny. Unlike Lady Mede, who is trapped in a "loop of polysemous equivocations"" the merchant's  wife in ShT recognizes "the mercantile, circulatory structures that ensnare her and use[s] them to pursue her own pleasures."</text>
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                <text>Lies, Puns, Tallies: Marital and Material Deceit in Langland and Chaucer."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Craun, Edwin D.</text>
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              <text>Cambridge: Cambridge Univeristy Press, 1997.</text>
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              <text>xiii, 255 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Manciple and His Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>jules SAC 21 - 98</text>
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              <elementText elementTextId="2744169">
                <text>Lies, Slander, and Obscenity in Medieval English Literature: Pastoral Rhetoric and the Deviant Speaker</text>
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              <elementText elementTextId="2744174">
                <text>Draws from thirteenth-century pastoral literature (much of it in manuscript) that treats "Sins of the Tongue" to demonstrate how a pastoral "speech code" was "woven into late medieval [literary] texts."  Chapters 1 and 2 distinguish in the pastoral literature certain "rhetorical paradigms," while Chapters 3-6 identify and explore these paradigms in "Patience," "Confessio Amantis," "Piers Plowman," and CT.</text>
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                <text>Craun concludes that in GP, ManP, and ManT the Manciple "subverts the prudential strain in pastoral discourse, just as he practices deviant speech with impunity."  In ParsT, however, the Parson restores order, "responding" to the Manciple with "conventional pastoral discourse on verbal sin" and "enact[ing] what he exhorts of others."</text>
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              <text>Mertens-Fonck, Paule.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2693488">
              <text>Piero Boitani and Anna Torti, eds.  Poetics:  Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 105-15.</text>
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        <element elementId="114">
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              <text>1991</text>
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          <description/>
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            <elementText elementTextId="2693490">
              <text>Poetics: Theory and Practice in Medieval English Literature.</text>
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              <text>Knight and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>mea.</text>
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                <text>Life and Fiction in the Canterbury Tales: A New Perspective</text>
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              <elementText elementTextId="2693491">
                <text>Chaucer's use of the name "Eglentyne" in the description of the Prioress in GP and in a scene of KnT emphasizes the disparity between reality and the courtly love tradition.</text>
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            <elementText elementTextId="2813884">
              <text>Mann, Jill.</text>
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              <text>Toronto: University of Toronto Press, 2014.</text>
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            <elementText elementTextId="2813886">
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              <text>Rasmussen, Mark David, ed.</text>
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              <text>Background and General Criticism</text>
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              <text>mea; 2/24/2017 SAC 38:89</text>
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                <text>A collection of Jill Mann's previously published essays, edited with an introduction by Mark David Rasmussen. The Preface explains that the essays are organized around exploring the implications of key words as ways to understand human experience in medieval literature.  Focuses on Mann's contributions to Middle English studies.</text>
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            <elementText elementTextId="2700093">
              <text>Hatcher, Elizabeth.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2700094">
              <text>Chaucer Review 9 (1975): 246-52.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1975</text>
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            <elementText elementTextId="2700097">
              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2700099">
              <text>jules - 26/9/94 SAC 1 (155)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2700092">
                <text>Life without Death: The Old Man in Chaucer's 'Pardoner's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2700096">
                <text>The Old Man of PardT, wretched because of his inability to die, embodies a lesson of "contemptus mundi" that should correct the rioters' "rash wish" to overcome physical death,but due to their spiritual blindness, they fail to heed his warning.</text>
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              <text>Fradenburg, L. O. Aranye.</text>
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              <text>Staying Alive: A Survival Manual for the Liberal Arts (Brooklyn, N.Y.: Punctum, 2013), pp. 223-61.</text>
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Book of the Duchess&#13;
House of Fame</text>
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                <text>Life's Reach: Territory, Display, Ekphrasis.</text>
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                <text>Contemplates and appreciates the "indisputable fact of our common aliveness," exploring various topics for evidence of cognitive and aesthetic similarities: biosemiotics, real estate advertising, human natal development, communal grooming, and the temporal yearnings of Virgilian ekphrasis and its reflexes in BD and HF.</text>
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              <text>Har, Patricia Rochford.</text>
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              <text>Ph.D. Dissertation. Cornell University, 2011. Fully accessible via http://hdl.handle.net/1813/30706 (accessed April 4, 2026).</text>
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              <text>vii, 250 pp.</text>
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              <text>Second Nun and Her Tale&#13;
Monk and His Tale</text>
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              <text>mea; 4/4/2026</text>
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                <text>Lifelines: Tracing Organic Vitalities in Sacred and Secular Biography.</text>
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                <text>Explores "what constitutes 'life' in hagiographical literature" and medieval life-writing in general, focusing on "philosophical and organic categories of life" rather than "political, social, and ecclesiastic content." Assesses Walter Daniel's "Life of Aelred of Rievaulx," animal encounters in the "South English Legendary," "thing power" in "Pearl" and SNT, and enlivening relationships in MkT (Cenobia) and "Piers Plowman."</text>
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              <text>Ebi, Hisato.</text>
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              <text>The Journal of Liberal Arts Department, Kansai Medical University (December 1980): pp. 15-126.</text>
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              <text>jules SAC 04 (145)</text>
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                <text>Light and Darkness in 'The Book of the Duchess'--The 'Aesthetics of Light' of Gothic Art</text>
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                <text>Pseudo Dionysius Areopagita's theory of "One Light of God" had very much to do with the rich achievements of Gothic art.  Consciously or unconsciously, Chaucer was a man in the High Gothic era.  In BD his aesthetic idea is clearly presented by the fine counterpointing of "white" and "black" and the metaphor of "light."</text>
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              <text>Walsh, Elizabeth,and Susie M. Barrett,eds.</text>
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              <text>New York: Peter Lang, 1993.</text>
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          <elementTextContainer>
            <elementText elementTextId="2732322">
              <text>1993</text>
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                <text>Light of Learning: Selected Essays of Morton W. Bloomfield, 1970-1986</text>
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                <text>Reprints twenty-four essays by Morton W. Bloomfield. </text>
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                <text>The eight devoted to Chaucer are "The 'Canterbury Tales' as Framed Narrative"; "The 'Miller's Tale'--An UnBoethian Interpretation"; "The 'Man of Law's Tale': A Tragedy of Victimization and a Christian Comedy"; "The 'Merchant's Tale': A Tragicomedy of the Neglect of Counsel--The Limits of Art"; "The 'Franklin's Tale': A Story of Unanswered Questions"; "The 'Friar's Tale' As a Liminal Tale"; "Troilus' Paraclausithyron and Its Setting"; and "The Gloomy Chaucer."</text>
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              <text>Širca, Alen.</text>
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              <text>Primerjalna književnost 44 (2021): 87-105.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Lik Antigone v predmoderni literaturi.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849795">
                <text>Surveys depictions of Antigone in western literature from Antiquity through the late Middle Ages, with assessment of Chaucer's characterization of her in TC as an interweaving of Trojan and Theban traditions. In Bulgarian with English abstract.</text>
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              <text>Joy, Eileen A.</text>
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              <text>postmedieval 2 (2011): 316-28.</text>
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Sources, Analogues, and Literary Relations&#13;
Recordings and Films</text>
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        <element elementId="114">
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              <elementText elementTextId="2822991">
                <text>Like Two Autistic Moonbeams Entering the Window of My Asylum: Chaucer's Griselda and Lars von Trier's Bess McNeill.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822992">
                <text>Considers the protagonists of ClT and Lars von Trier's film "Breaking the Waves," exploring how the audience's experiences of the "weird realism" of Griselda and Bess may be seen to induce a "heightened mode of encounter with the traces of a sentience network" theorized by Carolyn Dinshaw, Michel Foucault, and Michael Moore.</text>
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