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              <text>Duffy, Carol Ann.</text>
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              <text>The Guardian, February 14, 2013, p. 1.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls</text>
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              <text>mea; 8/2/2024</text>
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                <text>Chaucer's Valentine.</text>
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            <description>An account of the resource</description>
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                <text>A thirteen-line love-lyric that opens with quotation of the first line of PF and refers to a "wood, all thrilled with birds" and "early English words."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, Kellie.</text>
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              <text>Exemplaria 22.2 (2010): 99-118.</text>
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              <text>Exemplaria 22 (2010)</text>
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              <text>Style and Versification&#13;
Background and General Criticism&#13;
Legend of Good Women&#13;
Troilus and Criseyde</text>
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              <text>mea; 7/30/2024</text>
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              <text>2010</text>
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                <text>Medieval Materialism: A Manifesto.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846363">
                <text>Redresses neglect of medieval views in recent materialism studies, arguing that "that medieval definitions of matter, both hylomorphic and humoral, constitute their own versions of 'materialism,' versions that can help us to historicize later understandings of the term." Includes analysis of Chaucer's uses of "philo-hylomorphic" metaphors in LGW and TC as examples of the "dialogic nature of matter and form" in medieval poetics as well as in Aristotelian natural philosophy. Offers an example from Gower's "Confessio Amantis" that is, by contrast, "Neoplatonic."</text>
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              <text>Wright, Herbert G.</text>
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        <element elementId="98">
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              <text>London: University of London, Athlone, 1957.</text>
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              <text>xiv, 495 pp.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Clerk and His Tale</text>
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              <text>mea; 7/4/2024</text>
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                <text>Boccaccio in England: From Chaucer to Tennyson.</text>
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            <description>An account of the resource</description>
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                <text>Surveys the influence of Boccaccio's Italian and Latin works on English writers and literary tradition through the nineteenth century, with extensive analyses of Chaucer's uses of the "Teseida" in KnT, "Filostrato" in TC, and "Decameron" in ClT. Asserts that there is "no convincing internal evidence" for influence of the "Decameron" on CT more generally.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Williams, George G.</text>
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        <element elementId="98">
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              <text>Rice Institute Pamphlet 44, no. 1 (1957): 126-46.</text>
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              <text>Rice Institute Pamphlet 44 (1957)</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Life&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 7/4/2024</text>
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              <elementText elementTextId="2846345">
                <text>Who Were Troilus, Criseyde, and Pandarus?</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846346">
                <text>Argues that the "chief characters" of TC "were probably modeled from real people" and, exploring alterations from Boccaccio's "Filostrato," speculates that Troilus is based on John of Gaunt, Criseyde on Katherine Swynford, and Pandarus on Chaucer himself. Also suggests that aspects of the epilogue to TC were based on lines from Dante's "Paradiso"--the last twenty of XXV and the first sixty-six of XXVI.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Williams, George G. </text>
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        <element elementId="98">
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            <elementText elementTextId="2846340">
              <text>Modern Language Notes 72.1 (1957): 6-9.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>Modern Language Notes 72 (1957)</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Chaucer's Life</text>
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              <text>mea; 7/4/2024</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2846337">
                <text>"The Hous of Fame" and the House of the Musicians.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Proposes that the facade of the thirteenth-century "Maison des Musiciens" in Reims may have inspired Chaucer's description of the exterior of Fame's palace in HF 1189-1266, hypothesizing  how and when Chaucer may have seen the historical building.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wilkins, Ernest H.</text>
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              <text>Speculum 32.3 (1957): 511-22.</text>
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              <text>Speculum 32 (1957)</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Aanalogues, and Literary Relations&#13;
House of Faame&#13;
Knight and His Tale</text>
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              <text>mea; 7/4/2024</text>
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            <name>Title</name>
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                <text>Descriptions of Pagan Divinities from Petrarch to Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Provides detailed background for Petrarch's ekphrastic descriptions of pagan gods in his "Africa" (iii.138-264), and argues that Chaucer's related descriptions in HF (131-39) and in KnT (1.1955-66) derive from the "Libellus de deorum imaginibus" (attributed to "Albricus Philosophus") rather than from Petrarch's work or from the "Ovidius moralizatus" of Pierre Bersuire (Petrus Berchorius).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wallis, N. Hardy, ed.</text>
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              <text>London: Brodie, 1957.</text>
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        <element elementId="99">
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              <text>99 pp.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 7/4/2024</text>
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                <text>Canterbury Colloquies: A New Arrangement of the "Prologue" and "End-links" of "The Canterbury Tales" to Show Their Dramatic Significance.</text>
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                <text>Re-arranges the sequence of the descriptions in GP to align with the order in which the pilgrims tell their tales. Includes descriptions of pilgrims who tell no tales at the end, along with the colloquies or speeches of the pilgrims in the links between tales. In Middle English.</text>
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              <text>Modern Language Notes 72.2 (1957): 89-90.</text>
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              <text>Modern Language Notes 72 (1957)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Age of Troilus.</text>
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                <text>Offers evidence that Troilus is "extremely young" in TC, comparing details from Boccaccio's "Filostrato" and other analogues.</text>
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              <text>Stavrou, C. N. </text>
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              <text>South Atlantic Quarterly 55 (1957): 454-61.</text>
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              <text>South Atlantic Quarterly 55 (1957)</text>
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              <text>Background and General Criticism&#13;
Style and Versification</text>
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              <text>mea; 7/4/2024</text>
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                <text>Some Implications of Chaucer's Irony.</text>
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                <text>Rejects Matthew Arnold's claim that Chaucer lacked "high seriousness," commenting on the "close interrelationship between the ironist and moralist" in the older poet's works, and suggesting that, though genial in his acceptance of human variety and folly, Chaucer "is not content merely to record the color and movement of his age"; he critiques it with "high comic irony" and notable tragic touches.</text>
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              <text>Spector, Robert Donald.</text>
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        <element elementId="98">
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              <text>Notes and Queries 202 (1957): 26.</text>
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              <text>Notes and Queries 202 (1957)</text>
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Canon's Yeoman and His Tale&#13;
Cook and His Tale</text>
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              <text>mea; 7/4/2024</text>
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                <text>Chaucer's "The Manciple's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846298">
                <text>Suggests that ManT 9.311-62 is a personal, dramatic rejoinder to the Canon's Yeoman and his account rather than criticism of the Cook. </text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846291">
              <text>Slaughter, Eugene Edward.</text>
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              <text>New York: Bookman, 1957.</text>
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              <text>xiv, 272 pp.</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 7/4/2024</text>
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            <elementText elementTextId="2846296">
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            <name>Title</name>
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              <elementText elementTextId="2846289">
                <text>Virtue According to Love--In Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846290">
                <text>Classifies various kinds of love in Chaucer's works--religio-philosophical, courtly, heroic, and syncretistic--with sub-categories of virtues, vices, and sins in each. Describes the sources, characteristics, and overlapping of the classifications, and proceeds to taxonomize each of Chaucer's works for how it aligns with and reflects the classifications.</text>
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              <text>Rockwell, K. A.</text>
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              <text>Notes and Queries 202 (1957): 84.</text>
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              <text>Notes and Queries 202 (1957)</text>
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              <text>Language and Word Studies&#13;
General Prologue to the Canterbury Tales&#13;
Wifee of Bath and Her Tale</text>
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              <text>mea; 7/4/2024</text>
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                <text>Canterbury Tales: General Prologue, 526; The Wife of Bath's Prologue, 435: "Spiced Conscience."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846282">
                <text>Suggests that "spiced conscience" in GP (1.526) means "peppery" moral indignation; "sweet, spiced conscience" in WBP (3.435), a "bland, gentle disposition."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robinson, F. N., ed.</text>
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              <text>Boston: Houghton Mifflin; London: Oxford University Press, 1957.</text>
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              <text>xliv, 1002 pp.</text>
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              <text>New Cambridge Edition. Originally published as the Cambridge Edition (1933)</text>
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          <name>Chaucer Subject</name>
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              <text>Facsimiles, Editions, and Translations&#13;
Background and General Criticism</text>
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                <text>The Works of Geoffrey Chaucer. 2d ed.</text>
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                <text>Edits the complete works of Chaucer from various manuscripts, with end-of-volume explanatory notes, textual notes, and glossary. A general Introduction summarizes Chaucer's life, the canon and chronology of his works, his language and meter, and the text of this edition. Individual introductions to each work (each fragment for the CT) comment on genre, source, background, and critical issues. Long the standard edition of Chaucer's work, first published in 1933 under the title "The Poetical Works of Chaucer," even though prose works were included. Significant changes between the two editions described in a "Preface to the Second Edition."</text>
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Cook and His Tale</text>
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                <text>Identifies an allusion to CkT 1.4421-22 in John Lacy's play, "The Dumb Lady" printed in 1672.</text>
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Manuscripts and Textual Studies</text>
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                <text>The Significance of Chaucer's Revisions of "Troilus and Criseyde."</text>
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                <text>Explores how several of Chaucer's putative additions to or revisions of TC (posited by R. K. Root) strengthen the poem's structural and thematic symmetry.</text>
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Equatorie of the Planetis&#13;
Troilus and Criseyde</text>
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                <text>Chaucer's Method of Composition.</text>
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                <text>Accepts that the manuscript of Equat is Chaucer's own draft, with revisions, and suggests that evidence from TC indicates that "Chaucer did not wait till he had finished his work to have parts of it copied out fair by his scribe."</text>
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              <text>Novelli, Cornelius.</text>
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Language and Word Studies&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde</text>
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                <text>The Demonstrative Adjective "This": Chaucer's Use of a Colloquial Narrative Device.</text>
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                <text>Focuses on Chaucer's uses of "this" to "create narrative tone and dramatic meaning" in CT, discussing a variety of examples and exploring metrical, rhetorical, and syntactic features as they help in characterization. Includes comments on the six uses of "this Pandarus" in TC, and suggests that in CT the device helps to keep the tales' narrators "unobtrusively in the reader's consciousness."</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Describes aspects of medieval French poetry that influenced Chaucer's style, high and low, tracing the idealizing, nonrepresentational conventions of courtly romances from the early twelfth century to their epitome in Guillaume's de Lorris's portion of the "Roman de la Rose," and surveying the naturalistic, colloquial aspects of fabliaux, beast epics, and fables as they influence Jean de Meun's subsequent portion. Analyzes Chaucer's fusions of these traditions in his mature poetry through blending, juxtaposition, and parody: BD emulates relatively pure courtly style; increasing use of realistic conventions enrich HF and PF. TC balances courtly features and realism, contrasting both with Boethian sublimity to disclose their limits. CT displays the courtly (KnT and ClT), the realistic (RvT, WBT, CYT), and rich mixtures (MilT, MerT, NPT). Variety in styles and tones produce a Gothic tension between the ideal and the phenomenal.</text>
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              <text>Hudson Review 10 (1957): 88-95.</text>
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Style and Versification</text>
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            <description>An account of the resource</description>
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                <text>Considers Chaucer's uses of bird imagery in TC, contrasting them at many points with other, more anthropocentric literary birds, and generally commending his bird (and animal) imagery for its rhetorical range and evocation of precise emotion.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Morel, W.</text>
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        <element elementId="98">
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              <text>Notes and Queries 202 (1957): 238-39.</text>
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            <elementText elementTextId="2846212">
              <text>Notes and Queries 202 (1957)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846213">
              <text>Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde</text>
            </elementText>
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              <text>mea; 7/4/2024</text>
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          <name>Date</name>
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              <text>1957</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2846208">
                <text>An Alleged Crux in Chaucer.</text>
              </elementText>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846209">
                <text>Suggests that Chaucer's citations of Lollius as a source for Trojan history may be attributable to his misreading of Horace's "Epistles" I 2,1.</text>
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  <item itemId="276741" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846202">
              <text>Montgomery, Marion.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2846203">
              <text>Boston University Studies in English 3 (1957): 177-78.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846204">
              <text>Boston University Studies in English 03 (1957)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846205">
              <text>Language and Word Studies&#13;
Legend of Good Women</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2846206">
              <text>mea; 7/4/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846207">
              <text>1957</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846200">
                <text>"For the Nones" Once More.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846201">
                <text>Suggests that "for the nones" in LGWP (F 292-96 and G 194-98), rather than meaning "for the occasion," refers to the canonical hour of Nones, i.e., for the ritual of the "celebration of Nones."</text>
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          </element>
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  </item>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2846194">
              <text>Lynch, James J.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2846195">
              <text>Modern Language Notes 72.4 (1957): 242-49.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2846196">
              <text>Modern Language Notes 72 (1957)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846197">
              <text>Prioress and Her Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846198">
              <text>mea; 7/4/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846199">
              <text>1957</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846193">
                <text>Reviews arguments that identify and explicate "Seinte Loy" in the GP description of the Prioress (GP 1.120) as a reference to St. Eligius, and suggests an alternative possibility: St. Eulalia. Explores resonances of the reference--thematic and metrical--and how Chaucer may have known the name. </text>
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              <elementText elementTextId="2850900">
                <text>The Prioress's Greatest Oath, Once More.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846188">
              <text>Lutyens, Elisabeth, composer.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2846189">
              <text>[London]: Schott, 1957. Facsimile (perusal score) available at https://www.schott-music.com/en/preview/viewer/index/?idx=MTUzNzA5&amp;idy=153709&amp;dl=0; accessed June 23, 2024</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
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              <text>Musical score. 4; 63 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846191">
              <text>Recordings and Films&#13;
Facsimiles, Editions, and Translations&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Troilus and Criseyde</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2846186">
                <text>"De amore." Plesaunce of love. "Chaucer." Cantata for Soprano and Tenor Soli, Mixed Chorus and Orchestra, op. 39.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Includes Middle English texts by Chaucer (with glossary appended at end of document) in nine parts: I Proem (PF 1-4); II Pastorale (19 lines selected from LGWP-F 35ff.; III Pleynte (TC 1.400-20); IV Invocation I (TC 3.1-14); V Invocation II (TC 2.827-33); VI Night-Spel I (TC 2.904-10); VII Night-Spel II (TC 2.918-24); VIII Lenvoy (TC 5.1835-41); IX Apotheosis (TC 3.1744-57).</text>
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  <item itemId="276738" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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              <text>Lawrence, William W. </text>
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              <text>Modern Language Notes 72.2 (1957): 87-88.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2846182">
              <text>Modern Language Notes 72 (1957)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2846183">
              <text>Shipman and His Tale&#13;
Wife of Bath and Her Tale</text>
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          <name>Source</name>
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            <elementText elementTextId="2846184">
              <text>mea; 7/4/2024</text>
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            <elementText elementTextId="2846185">
              <text>1957</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2846178">
                <text>The Wife of Bath and the Shipman.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2846179">
                <text>Disagrees with R. L. Chapman's argument (1956) that the Shipman was the original teller of ShT, offering further evidence that Chaucer first assigned the narrative to the Wife of Bath.</text>
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