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                  <text>Chaucer Bibliography Online</text>
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              <text>Underwood, Verne Michael.</text>
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              <text>Dissertation Abstracts International 56 (1996): 1155A.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Dissertation Abstracts International 56 (1996)</text>
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              <text>jules SAC 20 (1998), 50</text>
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                <text>John Lane's 'Tritons Trumpet'</text>
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                <text>Lane's previously unedited and unprinted pastoral poem of 1621, modeled on Spenser's "Shepheardes Calender", follows Chaucer in using verse narratives of varying genres (e.g., fabliau and romance) to illustrate its themes (the vices of the age; superiority of the pastoral to the court life).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pearsall, John.</text>
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              <text>London: Routledge and K. Paul; Charlottesville, N.C.: University of Virginia Press, 1970.</text>
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              <text>[x], 313 pp.</text>
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              <text>Poets of the Later Middle Ages.</text>
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              <text>mea; 07/09/2016 No SAC</text>
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                <text>John Lydgate</text>
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                <text>Combines literary biography with genre-study to assess the poetry of John Lydgate, particularly his conventionality and craftsmanship, his techniques of amplification and idealization, his commonplaces and "categories of thought," internal and external evidence in establishing his canon, and the pervasive influence of Chaucer throughout his corpus. Cites many specific instances where Lydgate "plunders" Chaucer's works and contends that Chaucer raises Lydgate's "ambitions and extends his horizons." Yet, unlike Chaucer, Lydgate is "perfectly representative" of the Middle Ages in his "total acquiescence to conventions and the demands of his age."</text>
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              <text>Pearsall, Derek.</text>
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              <text>Victoria: University of Victoria, 1997.</text>
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              <text>1997</text>
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              <text>95 pp.</text>
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            <elementText elementTextId="2747769">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2747770">
              <text>English Literary Studies, no. 71.</text>
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              <text>jules SAC 22 - 76</text>
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                <text>John Lydgate (1371-1449): A Bio-Bibliography</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2747768">
                <text>A documentary biography of Lydgate that prints and places in context his life-records and includes a bibliography of his major works, modern editions, and essential secondary studies.  The biography includes recurrent mention of where and how Lydgate's works reflect Chaucer's influence.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bupp, Alaina.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A80.02 (2018): n.p. </text>
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              <text>Dissertation Abstracts International 80 (2018)</text>
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            <elementText elementTextId="2831788">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:21</text>
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              <text>2018</text>
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              <elementText elementTextId="2831783">
                <text>John Lydgate and His Readers.</text>
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            <description>An account of the resource</description>
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                <text>Argues that Lydgate's critical return to prominence, after his earlier diminished critical attention, may stem in part from comparisons with Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kamath, Stephanie A. Viereck Gibbs.</text>
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              <text>Chaucer Review 45 (2010): 32-58.</text>
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              <text>2010</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Chaucer Review 45 (2010).</text>
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              <text>vxl sac 34:70</text>
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                <text>John Lydgate and the Curse of Genius</text>
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            <description>An account of the resource</description>
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                <text>In both "Reson and Sensuallyte" and "Troy Book," Lydgate establishes the literary authority of English poetry by placing it in the "allegorical landscape" of the "Roman de la Rose." He frequently follows Chaucer's "method of Rose citation," while Genius's anathema in "Troy Book" follows both Gower's and Chaucer's precedent of inserting "internal critiques" into their works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nolan, Maura.</text>
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              <text>Cambridge: Cambridge University Press, 2005.</text>
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              <text>ix, 276 pp.</text>
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            <elementText elementTextId="2792756">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2792757">
              <text>Monk and His Tale</text>
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            <elementText elementTextId="2792758">
              <text>Wife of Bath and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>mea 7/25/2013 No SAC</text>
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                <text>John Lydgate and the Making of Public Culture</text>
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                <text>Studies how John Lydgate's occasional poetry, including mummings and diguisings, reacts to and helps to shape an emergent notion of "public culture" that differs from that of his predecessor, Chaucer.  Lydgate, Nolan argues, translated "the poetic and literary techniques he learned from Chaucer into new media, especially spectacle."  Includes recurrent attention to Lydgate's dependencies on Chaucer and his departures from him, with sustained attention to the idea of tragedy in MkT and Lydgate's "Serpent of Division" and to the impact of MkP, WBT, ClT, and the fabliaux on the comedy of Lydgate's "Disguising at Hereford."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Flannery, Mary C.</text>
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              <text>xi, 208 pp.</text>
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              <text>mea SAC 36:52</text>
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                <text>Looks at fame in medieval texts and argues that although Lydgate was Chaucer's fifteenth-century successor, he "diverges from Chaucer's treatment" of fame by "constructing a more confident model of authorship."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stavsky, Jonathan.</text>
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              <text>SAC 34 (2012): 209-46.</text>
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              <text>Studies in the Age of Chaucer 34 (2012)</text>
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              <text>mea sac 36:62</text>
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                <text>John Lydgate Reads 'The Clerk's Tale'</text>
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                <text>Provides an "anatomy of Lydgate's engagement with" ClT, documenting his "many Griseldas": muse, "haughty beloved," "antithesis of contemporary women," "exemplary spouse," woman who "falls short of being the Virgin Mary," "victim of misrepresentation," and model for Lydgate's "own conception of poetry."</text>
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              <text>Farvolden, Pamela, ed.</text>
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              <text>x, 171 pp.</text>
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Knight and His Tale&#13;
Troilus and Criseyde&#13;
Boece</text>
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                <text>John Lydgate: "Fabula duorum mercatorum" and "Guy of Warwyk."</text>
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                <text>Edits Lydgate's two poems for classroom study, and includes as an appendix the Latin source of his "Guy of Warwyk." The introduction to the "Fabula" addresses Lydgate's debts to Chaucer in this poem: particularly how its view of friendship was influenced by KnT, how its presentation of love reflects TC, and how Boethian themes and imagery often follow Bo. The Explanatory Notes to the "Fabula" identify many echoes of Chaucerian works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Norton-Smith, John, ed.</text>
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              <text>Oxford: Clarendon, 1966.</text>
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              <text>xvi, 202 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 10/23/2018</text>
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                <text>John Lydgate: Poems.</text>
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          <element elementId="41">
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              <elementText elementTextId="2820483">
                <text>Edits twelve of Lydgate's poems, with end-of-text notes, glossary, and other apparatus. Includes "On the Departing of Thomas Chaucer," a selection from the "Troy Book," and "The Temple of Glas," among others. The Introduction (pp. ix-xii) and the Notes (pp. 114-92) include frequent references to Chaucer and his influence on Lydgate.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2772489">
              <text>Scanlon, Larry, and James Simpson, eds.</text>
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 2006.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2772491">
              <text>2006</text>
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        <element elementId="99">
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            <elementText elementTextId="2772492">
              <text>vi, 314 pp.</text>
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              <text>Simpson, James, ed.</text>
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              <text>House of Fame.</text>
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              <text>Parliament of Fowls.</text>
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              <text>vxl sac 30:71</text>
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                <text>John Lydgate: Poetry, Culture, and Lancastrian England</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2772494">
                <text>An introduction by the editors and eleven essays by various authors seek to vitalize Lydgate studies, exploring the status of poet laureate, Lydgate's poetic style, his political poetry, and a number of literary poems and forms (e.g., mumming, translation) that have been considered marginal. Chaucer's influence is a recurrent topic, with particular attention to ClT, HF, and PF.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2784953">
              <text>Kane, George.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Paul Ruggiers, ed. Editing Chaucer: The Great Tradition (Norman, Okla.: Pilgrim Books, 1984), pp. 207-29.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784955">
              <text>1984</text>
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          <elementTextContainer>
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              <text>Editing Chaucer: The Great Tradition.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2784958">
              <text>Facsimiles, Editions, and Translations</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea 1/15/2013 No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2784952">
                <text>John M. Manly (1865-1940) and Edith Rickert (1871-1938)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2784957">
                <text>Denounces Manly and Rickert's "The Text of the Canterbury Tales," asserting the editors' failure to state and maintain consistent editorial methods, their confused and confusing classification of manuscripts, and their error in attempting to apply recension to an incomplete manuscript stemma. Accuses the editors of misreading evidence, misunderstanding scribal practice, ignoring available lexical and grammatical information, and misconstruing Chaucer's practices of composition and revision--offering examples or instances of each kind of error.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754563">
              <text>Wood, Chauncey.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2754564">
              <text>Medieval Perspectives 15.1: 1-10,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754565">
              <text>2000</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754568">
              <text>Medieval Perspectives 15 (2000)</text>
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              <text>jules SAC 24 (232)</text>
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                <text>John Matthews Manly : Some Old Light on Chaucer, Being an Exposition on the 'Abhorrent Doctrine' and the 'More Abhorrent Doctrine'</text>
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                <text>Reconsiders Manly's distinction between the "Abhorrent Doctrine" (that Chaucer, in GP, "merely photographed his friends and acquaintances") and the "More Abhorrent Doctrine" (that Chaucer built his characters by piecing together "scraps from old books, horoscopes, astrological and physiological generalizations"). Both the Wilton Diptych and GP use "representational" and "attributive" techniques to make the conventional, the real, and the imagined "simultaneously accessible."</text>
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              <text>Page, Stephen.</text>
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              <text>Chaucer Review 31 (1996): 201-8.</text>
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              <text>1996</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Legend of Good Women</text>
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              <text>Chaucer Review 31 (1996)</text>
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                <text>John Metham's 'Amoryus and Cleopes': Intertextuality and Innovation in a Chaucerian Poem</text>
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                <text>The influence of Lydgate's "Troy Book" on Metham's work is often cited by critics.  However, in terms of scene and tone, Metham is more indebted to Chaucer's TC and "Legend of Thisbe" (LGW) than to Lydgate.</text>
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              <text>Fumo, Jamie C.</text>
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              <text>Franklin and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Chaucer Review 43 (2008).</text>
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              <text>vxl SAC 32:231.</text>
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                <text>John Metham's 'Straunge Style': 'Amoryus and Cleopes' as Chaucerian Fragment</text>
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                <text>Heretofore noted for its allusions to TC, the romance "Amoryus and Cleopes" also develops many of the themes, motifs, and stylistic traits of Fragment 5 of CT (SqT and FranT), in particular "its portrayal of pagan religion, its treatment of mechanical marvels and magical illusions, its frequently awkward narrative voice, and certain of its techniques of characterization."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hone, Ralph E., ed.</text>
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              <text>San Francisco: Chandler, 1966.</text>
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              <text>viii, 284 pp.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Monk and His Tale</text>
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              <text>mea; 1/22/2019</text>
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        <element elementId="114">
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            <elementText elementTextId="2824171">
              <text>1966</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2824164">
                <text>John Milton's Samson Agonistes: The Poem and Materials for Analysis.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2824165">
                <text>A textbook edition of "Samson Agonistes" that includes among the poem's "Antecedents" the Samson section of MkT (CT 7. 3205-3284) from Skeat's 1894 edition.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2739564">
              <text>Whitaker, Elaine E.</text>
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        <element elementId="98">
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              <text>ANQ 8:1 (1995): 3-8.</text>
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        <element elementId="114">
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              <text>1995</text>
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              <text>Physician and His Tale.</text>
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              <text>ANQ: A Quarterly Journal 08 (1995)</text>
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              <text>jules SAC 19 (1997) - 237</text>
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                <text>John of Arderne and Chaucer's Physician</text>
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                <text>John of Arderne's contemporary treatise "Fistula in Ano" is a manual for the medieval physician. Comparison with it indicates that "Chaucer's physician commits malpractice."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2734906">
              <text>Bland, Cynthia Renee.</text>
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        <element elementId="98">
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              <text>Charlotte Cook Morse, Penelope Reed Doob, and Marjorie Curry Woods, eds. The Uses of Manuscripts in Literary Studies: Essays in Memory of Judson Boyce Allen (Kalamazoo: Medieval Institute Publications, 1992), pp. 213-35.</text>
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        <element elementId="114">
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            <elementText elementTextId="2734908">
              <text>1992</text>
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            <elementText elementTextId="2734909">
              <text>The Uses of Manuscripts in Literary Studies: Essays in Memory of Judson Boyce Allen.</text>
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            <elementText elementTextId="2734911">
              <text>Background and General Criticism.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 18 (1996) - 75</text>
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                <text>John of Cornwall's Innovations and Their Possible Effects on Chaucer</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2734910">
                <text>John of Cornwall's "Speculum grammaticale" uses English as well as Latin sentences for examples, and such vernacular pedagogy seems to have been widely established by late fourteenth century.  The unidiomatic phrase "conservatyf the soun" (HF 847) may indicate that Chaucer learned Latin from "teaching grammars" that included materials in English.</text>
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            <elementText elementTextId="2717814">
              <text>Taggie, Benjamin F.</text>
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        <element elementId="98">
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            <elementText elementTextId="2717815">
              <text>Fifteenth-Century Studies 10 (1984): 195-228.</text>
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        <element elementId="114">
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              <text>1984</text>
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              <text>Book of the Duchess.</text>
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        <element elementId="100">
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            <elementText elementTextId="2717820">
              <text>Fifteenth-Century Studies 10 (1984)</text>
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              <text>jules SAC 08 (181)</text>
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                <text>John of Gaunt, Geoffrey Chaucer and 'O Noble, O Worthy Petro, Glorie of Spayne'</text>
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              <elementText elementTextId="2717817">
                <text>Treats Chaucer's use of the story of Pedro of Castile in MkT and BD; argues that Chaucer was unique in showing Pedro favorably--which suggests Gaunt was Chaucer's patron.</text>
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              <text>Goodman, Anthony.</text>
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              <text>New York: St. Martin's Press, 1992.</text>
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          <name>Date</name>
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              <text>xiii, 421 pp.; 5 maps; 4 tables; calendar of documents.</text>
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              <text>Background and General Criticism.</text>
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                <text>John of Gaunt: The Exercise of Princely Power in Fourteenth-Century England</text>
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                <text>Historical biography that emphasizes John of Gaunt's reverence for royal authority and his consistent service to the English Crown.  Unlike many magnates, Gaunt pursued personal ambitions within a royalist ideology, foreshadowing Tudor ideals of nobility.</text>
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                <text>Six chapters reconstruct events of Gaunt's life.  Individual chapters treat his historical reputation; his personality; and his attitudes toward Continental affairs, Lancastrian interests, the church, warfare, the peerage, etc.  Goodman claims that Gaunt was a patron of Chaucer and Gower and considers BD for what it reveals about a contemporary view of Gaunt.</text>
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              <text>Serrano Reyes, Jesus L.</text>
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                <text>Surveys scholarship pertaining to Chaucer's 1366 visit to Spain and Gaunt's 1386-87 campaign in Spain, commenting on historical events and Chaucer's involvement with them.</text>
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                <text>Chaucer's diplomatic mission was a success.  He reflects his familiarity with political and topographical features of Spain in HF, Mel, and MkT.  Philippa Chaucer may have died in Spain.</text>
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              <text>Dor, Juliette.</text>
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The Medieval Traslator/ Traduire au Moyen Age 16 (2017):  143-54.</text>
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Clément Goyens, ed.</text>
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Sources, Analogues, and Literary Relations</text>
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          <name>Date</name>
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                <text>John of Trevisa légitimise la traduction en langue anglaise (vers 1387).</text>
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                <text>Describes John of Trevisa's ideas about translating scientific and religious texts from Latin into English, commenting on similarities among these ideas, Wycliffite theory of translation, and Chaucer's approach in Astr.</text>
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        <element elementId="98">
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2810423">
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              <text>Facsimiles, Editions, and Translations</text>
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          <elementTextContainer>
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        <element elementId="109">
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          <element elementId="50">
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                <text>John Rastell's Text of 'The Parliament of Fowls'</text>
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                <text>Although of "no use to chaucerians," the fragmentary text of John Rastell's version of PF reflects the humanist's admiration of Chaucer's works even though he mangled the text.</text>
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              <text>Edwards, A. S. G.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="114">
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