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              <text>Akahori, Naoko.</text>
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              <text>Bulletin of the Institute of Women's Culture (Showa Women's University) 34 (2007): 29-38.</text>
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              <text>Bulletin of the Institute of Women's Culture (Showa Women's University) 34 (2007).</text>
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              <text>vxl SAC 31:132</text>
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                <text>Is May in the Merchant's Tale Beautiful as 'May'?</text>
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                <text>Akahori analyzes characteristics of May in MerT, focusing on her presence in January's garden and nuances of the adjective "fressh." Exploring instances of the word throughout CT, the author shows that its use in MerT is sarcastic.</text>
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              <text>Brown, Peter.</text>
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              <text>English Studies 64 (1983): 481-90.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>jules SAC 07 (202)</text>
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                <text>Is the 'Canon Yeoman's Tale' Apocryphal?</text>
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                <text>The Hengwrt manuscript omits CYT and CYP, whose authenticity must be determined on critical, not paleographical, evidence.</text>
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              <text>Boenig, Robert.</text>
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              <text>Notes and Queries 241 (1996): 261-64.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>Is the 'Monk's Tale' a Fragment?</text>
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                <text>MkT is not fragmentary, although the Knight misunderstands its common fourteenth-century technique of closure.  Boenig provides parallel examples from Chaucer and Machaut.</text>
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              <text>Murchison, Krista A.</text>
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              <text>Modern Language Review 115 (2020): 497-517.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Is the Audience Dead Too? Textually Constructed Audiences and Differentiated Learning in Medieval England.</text>
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                <text>Explores how writers and audiences in medieval England "approached textually constructed audiences," considering evidence from rhetorical theory, readers' comments, and "signs of adaptation undertaken by authors, correctors, and scribes." Concentrates on confessional manuals and religious instruction, but includes comments on CT and the ways it depicts "narrators grappling" with diverse audiences, particularly in MilP and CYT.</text>
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              <text>Edwards, A. S. G., and Linne R. Mooney.</text>
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              <text>Chaucer Review 26 (1991): 31-42.</text>
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              <text>Equatorie of the Planetis.</text>
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              <text>mea</text>
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                <text>Is the Equatorie of the Planets a Chaucer Holograph?</text>
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                <text>Equat is not a holograph.  The careful preparation of certain aspects of the text indicates a final version, and certain deletions and corrections suggest that the copier did not always understand the material he wrote down.  The scribe was likely an inexperienced individual, writing in London, who associated the calculation for the radix with Chaucer's name.</text>
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              <text>Saito, Isamu.</text>
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              <text>Doshisha Studies in English 52-53 (1991): 8-29.</text>
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                <text>Discusses whether the dubious Eglentyne of GP is the right person to tell the pious tale.  Chaucer's genius makes her succeed in putting deep human and feminine emotion into the tale.</text>
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              <text>Wolf, Sophia Philomena.&#13;
Contzen, Eva von.</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 47:10</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852367">
              <text>2023</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2852360">
                <text>Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852361">
                <text>Outlines "the lesson plan and pedagogical approach" (with course description and syllabus) for a senior, undergraduate course called "Retelling, Rereading, Rethinking--the Afterlife of Medieval Texts in Contemporary Literature." Includes explanation of using samples from CT (in translation or synopsis) and retellings/adaptations of them in Patience Agbabi's "Telling Tales" (2014).</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743311">
              <text>Robinson, Peter</text>
            </elementText>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743312">
              <text>Richard J. Finneran, ed. The Literary Text in the Digital Age. (Ann Arbor: University of Michigan Press, 1996), pp. 99-115.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743313">
              <text>1997</text>
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          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2743314">
              <text>Literary Text in the Digital Age.</text>
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        <element elementId="112">
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          <description/>
          <elementTextContainer>
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              <text>Finneran, Richard J.,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2743317">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743318">
              <text>jules SAC 21 - 16</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743310">
                <text>Is there a Text in These Variants?</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743316">
                <text>Argues that electronic editions are both archival and interpretive, enabling users "to find the one text they seek" and recording data that reflect reception history and provide linguistic information.  Cites examples from the electronic WBP (SAC 20 [1998], no. 11) to demonstrate how texts change as we view them in different ways and from different perspectives.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819876">
              <text>Corsa, Helen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819877">
              <text>Literature and Psychology 16 (1966): 184-91.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819878">
              <text>Literature and Psychology 16 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819879">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819880">
              <text>mea; 9/17/2018</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819881">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819874">
                <text>Is This a Mannes Herte?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819875">
                <text>Argues that Chaucer's characterizations of the three main actors in TC produce an "Oedipal triangle" that helps to explain the power of the feelings in the consummation scene. Considers the changes Chaucer makes to Boccaccio's "Filostrato," focusing on Troilus's swoon which, though "puzzling," is "psychologically 'right'" insofar as it reflects the hero's "intrapsychic conflicts" and regression. The poem depicts "a primal relationship and the primal infidelity."</text>
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  </item>
  <item itemId="267990" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760757">
              <text>Herman, Peter C.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760758">
              <text>SoAR 62: 1-31, 1997.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760759">
              <text>1997</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2760761">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2760762">
              <text>Knight and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2760763">
              <text>South Atlantic Review 62 (1997)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2760764">
              <text>vxl SAC 26: 68</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2760756">
                <text>Is This Winning?: Prince Henry's Death and the Problem of Chivalry in The Two Noble Kinsmen</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2760760">
                <text>The death of England's Prince Henry sparked a "sense of near-nihilism" and prompted Shakespeare and Fletcher to question chivalry in The Two Noble Kinsmen. This interrogation anticipates modern readings of KnT--the source of the play--as a "demystification of chivalric conduct." Shakespeare and Fletcher's reaction to KnT differs radically from Speght's.</text>
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  <item itemId="277096" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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          <elementTextContainer>
            <elementText elementTextId="2849131">
              <text>Steinberg, Glenn A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849132">
              <text>Arthuriana 31 (2021): 3-28.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2849133">
              <text>Arthuriana 31 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849134">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849135">
              <text>SAC 46:231</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849136">
              <text>2021</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849129">
                <text>Is Ugliness Only Skin Deep? Middle English Gawain Romances and the "Wife of Bath's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849130">
                <text>Explores "the socioeconomic significance of the ugly, monstrous figures in the Gawain romances" and in WBT, arguing that Chaucer "bifurcates" the "ugly antagonist" of the romances into the "crude, social-climbing Wife . . . and the loathly lady of her tale" while amplifying criticism of the "old aristocracy" and highlighting "tensions and ugliness" among the parvenu Canterbury pilgrims.</text>
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  <item itemId="267619" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756877">
              <text>Bennett, Michael [J.]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756878">
              <text>J. S. Bothwell, ed. The Age of Edward III. (Rochester, N.Y.; and Woodbridge: York Medieval Press and Boydell Press, 2001), pp. 215-25.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756879">
              <text>2001</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756880">
              <text>The Age of Edward III.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2756881">
              <text>Bothwell, J. S.,ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756883">
              <text>Chaucer's Life.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756884">
              <text>jules SAC 25 (8)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756876">
                <text>Isabelle of France, Anglo-French Diplomacy and Cultural Exchange in the Late 1350s</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756882">
                <text>Seeks to "reveal a little more fully the world" in which Chaucer was trained as a page, examining the household accounts of Isabelle (BL MS Cotton Galba E.14) in the context of better-known household accounts. Bennett comments on pageantry, diplomacy, and domestic life.</text>
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  </item>
  <item itemId="271270" public="1" featured="0">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794728">
              <text>Schildgen, Brenda Deen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794729">
              <text>Jon Ma. Asgeirsson and Nancy van Deusen, eds. Alexander's Revenge: Hellenistic Culture through the Centuries (Reykjavik: University of Iceland Press, 2002), pp. 209-21.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794730">
              <text>2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794731">
              <text>Alexander's Revenge: Hellenistic Culture through the Centuries.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794732">
              <text>Asgeirsson, Jon Ma., ed.</text>
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            <elementText elementTextId="2794733">
              <text>Van Deusen, Nancy, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794735">
              <text>Man of Law and His Tale</text>
            </elementText>
            <elementText elementTextId="2794736">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794737">
              <text>mea; 11/6/2013 No SAC</text>
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          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2794727">
                <text>Islam in Boccaccio's 'Decameron' and Chaucer's 'Canterbury Tales'</text>
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                <text>Compares and contrasts the "treatment of Islam" in MLT and in "Decameron" 1.3 and 10.9, arguing that, unlike Boccaccio, Chaucer "vehemently condemns fraternizing with Islam" and presents Islam "as a dangerous and perfidious opposition to the Christian world," even though he "respects it as a source of learning."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Martin, Molly Anne.</text>
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        <element elementId="98">
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              <text>DAI A68.08 (2008): n.p.</text>
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              <text>2008</text>
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              <text>Troilus and Criseyde</text>
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              <text>Knight and His Tale</text>
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              <text>Merchant and His Tale</text>
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              <text>Dissertation Abstracts International 68 (2008).</text>
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              <text>vxl SAC 32:127.</text>
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              <elementText elementTextId="2779561">
                <text>Isn't the Gaze Male?: Gender and the Visual Experience in the Romances of Chaucer and Malory</text>
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                <text>Using the medieval concepts of "intromissive optics" and the passive viewer, Martin suggests that Chaucer in TC, KnT, and MerT employs conventions from outside the romance genre at the moment of sight. She contrasts this technique with that of Malory, who works within and "validates" the romance genre.</text>
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              <text>Wright, Michael J.</text>
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              <text>Studia Neophilologica 70 (1998): 181-86.</text>
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          <name>Date</name>
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              <text>1998</text>
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              <text>Franklin and His Tale.</text>
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              <text>Studia Neophilologica 70 (1998)</text>
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              <text>jules SAC 22 - 248.</text>
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              <elementText elementTextId="2749585">
                <text>Isolation and Individuality in the Franklin's Tale</text>
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                <text>FranT is set in a pre-Christian age, but Dorigen prays to God and thus achieves the status of a good pagan. She is portrayed as an individual rather than a socially rule-bound wife. Chaucer celebrates individuality through her, but he also recognizes the social and personal cost resulting from that individuality.</text>
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          <elementTextContainer>
            <elementText elementTextId="2807784">
              <text>Gruber, Loren Charles.</text>
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        <element elementId="98">
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            <elementText elementTextId="2807785">
              <text>DAI 33.06 (1972): 2891A.</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <text>1972</text>
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              <text>Man of Law and His Tale</text>
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              <text>Summoner and His Tale</text>
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            <elementText elementTextId="2807793">
              <text>Dissertation Abstracts International 33 (1972)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2807794">
              <text>mea; 2/10/2016 No SAC</text>
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                <text>Isolation in Old English Elegies and the Canterbury Tales: A Contribution to the Study of the Continuity of English Poetry</text>
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          <element elementId="41">
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              <elementText elementTextId="2807787">
                <text>Treats various characters of CT as figures in or of isolation: Arcite (KnT), John (MilT), Constance (MLT), Friar John (SumT), Thomas (SumT), and the Pardoner. As such, they share characteristics with figures in Old English poetry.</text>
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              <text>Cable, Thomas.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Donka Minkova and Robert Stockwell, eds. Studies in the History of the English Language: A Millennial Perspective (Berlin: Mouton de Gruyter, 2002), pp. 125-51.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2760521">
              <text>2002</text>
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          <elementTextContainer>
            <elementText elementTextId="2760522">
              <text>Studies in the History of the English Language: A Millennial Perspective.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760524">
              <text>Style and Versification.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760525">
              <text>vxl sac 26: 93</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2760518">
                <text>Issues for a New History of English Prosody</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2760523">
                <text>Surveys twentieth-century developments in describing and analyzing the prosody of early English poetry, summarizing and assessing the views of Wimsatt and Beardsley, Halle and Keyser, Kiparsky, and others on meter, stress, ictus and their relations. The regularity of Chaucer's and Gower's verse is a function of stress shift.</text>
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  <item itemId="270508" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2786663">
              <text>McMullen, Carol.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786664">
              <text>[Jay Ruud, ed.] Papers on the "Canterbury Tales": From the 1989 NEH Chaucer Institute, Northern State University, Aberdeen, South Dakota ([Aberdeen, S.D.: Northern State University, 1989), pp. 73-83.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786665">
              <text>1989</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786666">
              <text>Papers on the "Canterbury Tales": From the 1989 NEH Chaucer Institute, Northern State University, Aberdeen, South Dakota.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2786668">
              <text>Merchant and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786669">
              <text>mea 3/8/2013 No SAC</text>
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              <elementText elementTextId="2786662">
                <text>It All Comes Together in 'The Merchant's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2786667">
                <text>Argues that the "moral lesson" of MerT is "self-deception and spiritual blindness" which result from January's efforts to "create a paradise on earth."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cook, Vivian.</text>
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        <element elementId="98">
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              <text>London: Profile, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793563">
              <text>2009</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2793564">
              <text>323 pp.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2793565">
              <text>"Chaucer's Words."</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Language and Word Studies</text>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2793568">
              <text>mea; 9/25/2013 No SAC</text>
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              <elementText elementTextId="2793560">
                <text>It's All in a Word</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2793566">
                <text>A book "about the different aspects of words" (etymology, morphology, language acquisition, language and cognition, etc.), designed for a popular audience and arranged as a series of 121 topical pieces of varying lengths.  Item 54 ("Chaucer's Words," pp.140-41), tallies a number of examples where the OED lists Chaucer as a first user.</text>
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              <text>McCormick, Elizabeth.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2777879">
              <text>DAI A67.07 (2007): n.p.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2777880">
              <text>2007</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777882">
              <text>Legend of Good Women</text>
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          <name>Journal by Volume Number</name>
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              <text>Dissertation Abstracts International 67 (2007)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777884">
              <text>vxl SAC 31:294</text>
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                <text>It's How You Play the Game: Chaucer and Christine Debate 'Woman'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825801">
                <text>McCormick uses game theory and the debate genre to investigate the structure of LGW and of Pizan's "Le livre de la cité des dames." The former is "a ludic puzzle"; the latter, "an architectural mnemonic."</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2789657">
              <text>Beidler, Peter G.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2789658">
              <text>LATCH 3 (2010): 134-50.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2789659">
              <text>2010</text>
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        <element elementId="102">
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            <elementText elementTextId="2789661">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2789662">
              <text>LATCH: A Journal for the Study of the Literary Artifact in Theory, Culture, and History 03 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl sac 34:197</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2789656">
                <text>It's Miller Time! Baba Brinkman's Rap Adaptation of the Miller's Tale</text>
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                <text>Commenting on how Baba Brinkman's rap version of MilT "recast and reset" Chaucer's original, Beidler raises questions about the pedagogical and cultural value of the live performance, the audio recording, and the printed version. Includes (pp. 145-50) an interview with Brinkman concerning his goals and plans.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2788098">
              <text>Edwards, Robert R.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2788099">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 3-24.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788100">
              <text>2010</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2788101">
              <text>Chaucer: Contemporary Approaches.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Chaucer's Life</text>
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        <element elementId="109">
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              <text>vxl sac 34:48</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Italy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788102">
                <text>Reconsiders Chaucer's use of Italian sources and his references to Italy and Italian regions (including Rome), focusing on ways that Italy was a geographical and cultural place of strangeness. Authors such as Chaucer and Gower negotiated tensions between strangeness and familiarity. Edwards comments on Chaucer's journeys to Italy (including surmises about an early trip in 1368) and considers how the "multiform contexts of literary influences" complement traditional "comparative and intertextual studies" and encourage consideration of how Italian influences were "transmitted in more than one language."</text>
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  <item itemId="263039" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710890">
              <text>Carruthers, Mary J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710891">
              <text>John V. Fleming and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 2, 1986 (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 179-88.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710892">
              <text>1987</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710893">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>House of Fame.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710896">
              <text>jules SAC 11 (235)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2710889">
                <text>Italy, 'Ars Memorativa', and Fame's House</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2710894">
                <text>Concerns the influence upon Chaucer exerted by the "rhetorica ad herennium," specifically in the art of memory training, which was largely ignored in medieval commentary until it was revived in Italy.  Both Dante and Chaucer make use of the "architectural mnemonic," Dante in canto 10 of "Purgatorio"; Chaucer, in HF, bk. 1, the painted wall of the Temple of Venus, and bd. 3, the colonnaded hall of Fame's temple.  Rather than buildings, these can be seen as architectural mnemonic devices.</text>
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  <item itemId="271757" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2799790">
              <text>Strojan, Marjan, trans.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2799791">
              <text>Ljubljani: Mladinska Knjiga, 1974.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799792">
              <text>1974</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2799793">
              <text>115 pp.; illus.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799794">
              <text>From the Canterbury Tales.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799796">
              <text>Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2799797">
              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2799798">
              <text>Miller and His Tale</text>
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              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2799800">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 11/24/2014 No SAC</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2799789">
                <text>Iz Canterburyjskih Zgodb [From the Canterbury Tales]</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2799795">
                <text>Item not seen; reported in Worldcat, which indicates that this is a Slovenian translation of GP, MilT, and PardT, with introduction and notes.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2848433">
              <text>Gulley, Alison.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848434">
              <text>New Chaucer Studies: Pedagogy and Profession 3 (2022): 31-39.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2848435">
              <text>New Chaucer Studies: Pedagogy and Profession 03 (2022)</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Pardoner and His Tale</text>
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              <text>SAC 46:143</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2848438">
              <text>2022</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848431">
                <text>J. K. Rowling, Chaucer's Pardoner, and the Ethics of Reading.</text>
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                <text>Discusses the Pardoner's "queerness and fitness to tell a moral tale" in light of ethical concerns about J. K. Rowling's "public comments about trans women," suggesting pedagogical uses.</text>
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