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              <text>Renoir, Alain.</text>
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              <text>Modern Language Notes 71.4 (1956): 249-56.</text>
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              <text>Modern Language Notes 71 (1956)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 12/9/2024</text>
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                <text>Chaucerian Character Names in Lydgate's "Siege of Thebes."</text>
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                <text>Charts the charactonyms of Lydgate's "Seige of Thebes" with those used in two analogues, possibly sources--the "Roman de Edipus" and the "Ystoire de Thèbes--comparing them with names and spellings used by Chaucer. When Lydgate departs from Chaucer's usage, he tends to follow the "Edipus."</text>
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              <text>Raymo, R. R.</text>
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              <text>Modern Language Notes 71.3 (1956): 159-60.</text>
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              <text>Modern Language Notes 71 (1956)</text>
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              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 12/9/2024</text>
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              <text>1956</text>
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                <text>The Parlement of Foules 309-15.</text>
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            <description>An account of the resource</description>
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                <text>Identifies lines 1-4 of the "Speculum Stultorum" of Nigel de Longchamps as a source for the bird cacophony in PF 309-15, observing that Chaucer's "personal familiarity" with the "Speculum" is evident in the reference to "Daun Burnel the Asse" at NPT 7.3312.</text>
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              <text>Prins, A. A. </text>
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              <text>English Studies 37 (1956): 111-16.</text>
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              <text>English Studies 37 (1956)</text>
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              <text>Language and Word Studies&#13;
Clerk and His Tale</text>
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              <text>mea; 12/9/2024</text>
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                <text>"As fer as last Ytaille."</text>
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            <description>An account of the resource</description>
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                <text>Provides lexical and grammatical evidence to argue that the verbal form "last" in ClT 4.266 "more than likely" means "extend in space," a "loan-sense from the French" influenced by development of the similar meaning of "dure."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pratt, Robert A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2846796">
              <text>Studies in Philology 53 (1956): 509-39.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2846797">
              <text>Studies in Philology 53 (1956)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
</text>
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              <text>mea; 12/9/2024</text>
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              <elementText elementTextId="2846793">
                <text>Chaucer and "Le Roman de Troyle et de Criseida."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846794">
                <text>Suggests that the "main source" of TC "may have been" Beauvau's "Le Roman de Troyle et de Criseida," a French prose translation of Boccaccio's "Filostrato." Compares 300+ brief quotations (in all three languages), commenting on verbal and structural relations and arguing, tentatively, that the data not only indicate Chaucer's "approximately equal indebtedness," to the two Continental works but also "tip the balance" in favor of accepting the French work as a "significant volume in Chaucer's library."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Owen, Charles A., Jr.</text>
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              <text>Modern Language Notes 71.2 (1956): 84-87.</text>
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              <text>Modern Language Notes 71 (1956)</text>
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              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Pardoner and His Tale&#13;
Physician and His Tale</text>
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              <text>mea; 12/9/2024</text>
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                <text>Relationship between the Physician's Tale and the Parson's Tale.</text>
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                <text>Observes similarities in imagery, diction, and impact of portions of ParsT (Chaucer's interpolation in "lachesse" as a subset of Sloth) and PhyT (digression on governesses), exploring possible sources (especially St. Augustine), possible occasions of composition, and relative chronology.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2846779">
              <text>O'Connor, John J.</text>
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            <elementText elementTextId="2846780">
              <text>Journal of English and Germanic Philology 55 (1956): 556-62.</text>
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          <elementTextContainer>
            <elementText elementTextId="2846781">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 12/9/2024</text>
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              <elementText elementTextId="2846777">
                <text>The Astronomical Dating of Chaucer's "Troilus."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846778">
                <text>Argues that the astronomical conjunction of Saturn and Jupiter in TC 3.624-25 does not allude to a specific event in 1385 (by which the central book of the poem has been dated) but to a more "general tradition" of foreboding, thematically appropriate to the impending fall of Troy. Suggests that it is "clear that Book III could have been written in, say, 1380 or even earlier."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>O'Connor, John J.</text>
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              <text>Speculum 31 (1956):120-25.</text>
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              <text>Speculum 31 (1956)</text>
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              <text>Miller and His Tale</text>
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              <text>mea; 12/9/2024</text>
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              <text>1956</text>
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                <text>The Astrological Background of the "Miller's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Explains the exegetical tradition of associating Noah with astrological prediction of the Flood and suggests that in MilT "Hende Nicolas has built his entire scheme" to dupe John "around the astrological tradition of the Flood," thereby lending comic depth to the characterization of John as proudly anti-intellectual rather than merely stupid.</text>
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              <text>Neville, Marie.</text>
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              <text>Journal of English and Germanic Philology 55 (1956): 423-30.</text>
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              <text>House of Fame&#13;
Chaucer's Life</text>
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
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                <text>Chaucer and St. Clare.</text>
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                <text>Identifies personal opportunities Chaucer had "to learn the special fame" of St. Clare, and suggests that his allusion to her in HF (line 1066) evokes "a contrasting silence" in a "passage descriptive of strident clamor."</text>
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              <text>Nault, Clifford A., Jr.</text>
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              <text>Book of the Duchess&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; 12/9/2024</text>
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                <text>"Foure and Twenty Yer" Again.</text>
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                <text>Reinforces suggestions that the Black Knight's age at BD 455 should be emended to "nine and twenty yer" to coincide with the age of John of Gaunt at Blanche's death, justifiable because of evidence that twenty-nine years was considered to be young in "The Parlement of the Thre Ages."</text>
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              <text>Nathan, Norman.</text>
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              <text>Modern Language Quarterly 17 (1956): 39-42.</text>
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              <text>Modern Language Quarterly 17 (1956): 39-42.</text>
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              <text>Language and Word Studies&#13;
Friar and His Tale</text>
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              <text>mea; 12/9/2024</text>
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                <text>Pronouns of Address in the "Friar's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846746">
                <text>Records Chaucer's consistent and conventional usage of "ye" and "thou" in FrT, showing how it achieves "irony and humor." Attends to manuscript variants and opines that "that the English language lost something by the abandonment of the singular form of the pronoun of address."</text>
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              <text>Mroczkowski, Przemysław.</text>
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              <text>Lublin, 1956.</text>
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              <text>441 pp.; 13 illus.</text>
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              <text>Wydawnictwa Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, no. 12.</text>
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              <text>Canterbury Tales--General</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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            <elementText elementTextId="2846744">
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              <elementText elementTextId="2846736">
                <text>Opowieści Kanterberyjskie na Tle Epoki. [The Canterbury Tales and Their Age]</text>
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                <text>Describes and assesses the CT, with chapters on social and intellectual backgrounds, Chaucer's life, his use of pilgrimage and frame tale conventions, GP, and each of the individual tales, following the Ellesmere order. Discussions of individual tales emphasize the characterization of the narrators and their conflicts with other pilgrims, genres, sources, and various social and moral concerns. Includes a descriptive summary in English (pp. 435-41), a bibliography, and an index</text>
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              <name>Title</name>
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              <text>Mitchell, Edward R.</text>
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              <text>Modern Language Notes 71.8 (1956): 560-64. </text>
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              <text>Modern Language Notes 71 (1956)</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 12/9/2024</text>
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                <text>The Two Mayings in Chaucer's "Knight's Tale."</text>
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                <text>Considers the two "observances" of May ritual in KnT (Emelye's at 1.1041-45 and Arcite's at 1491-1512), neither found in Boccaccio's "Teseide," identifying various French analogues that may have inspired Chaucer, while noting that he may also have witnessed such activities himself.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Melton, John L.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Philological Quarterly 35 (1956): 215-17.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846724">
              <text>Philological Quarterly 35 (1956)</text>
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              <text>Tale of Sir Thopas&#13;
Language and Word Studies</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 12/9/2024</text>
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                <text>Sir Thopas' "Charbocle."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2846721">
                <text>Suggests that "charbocle" (carbuncle) in Th 7.871 may refer, not to part of the charge on Thopas' shield, but to his sword, with a jewel on its pommel.</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
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              <text>Matthews, William.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846715">
              <text>Modern Language Review 51 (1956): 217-20. </text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846716">
              <text>Modern Language Review 51 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2846717">
              <text>Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846719">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2846712">
                <text>Eustache Deschamps and Chaucer's "Merchant's Tale."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="2846713">
                <text>Identifies a ballade by Eustache Deschamps (number 880: "Que diriez vous du froit mois de Janvier") as an analogue, possibly a source, of several details in MerT.</text>
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  <item itemId="276805" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846706">
              <text>Manning, Stephen.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846707">
              <text>PMLA 71 (1956): 540-41.</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846708">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846709">
              <text>Book of the Duchess</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846710">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2846711">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2846704">
                <text>Dreamer Once More.</text>
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          <element elementId="41">
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              <elementText elementTextId="2851955">
                <text>Characterizes the dreamer of BD as consistently stupid, a "nonpareil of dullwittedness"-- technically, psychologically, and allegorically.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846690">
              <text>Lumiansky, R. M.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2846691">
              <text>TSE: Tulane Studies in English 06 (1956): 5-13.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846692">
              <text>TSE: Tulane Studies in English 06 (1956)</text>
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        <element elementId="102">
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          <description/>
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              <text>Canterbury Tales--General&#13;
Parson and His Tale&#13;
Chaucer's Retraction</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846695">
              <text>1956</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2846688">
                <text>Chaucer's Retraction and the Degree of Completeness of the Canterbury Tales.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="2846689">
                <text>Argues that a "shift to extreme piety" in ParsPT and Ret had "nothing to do with" Chaucer's "general plan" for CT, which the poet considered to be "a nearly complete work." Considers evidence of changes in Chaucer's plan and justifies them largely in terms of his "dramatic method," addressing "seventeen successive passages which refer to [and indicate ongoing changes in] the general scheme proposed by the Host for the trip."</text>
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          </element>
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  <item itemId="276802" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846682">
              <text>Lumiansky, R. M. </text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846683">
              <text>Journal of English and Germanic Philology 55 (1956): 431-38.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846684">
              <text>Journal of English and Germanic Philology 55 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2846685">
              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2846686">
              <text>mea; 12/9/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846687">
              <text>1956</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846680">
                <text>Benoit's Portraits and Chaucer's General Prologue.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846681">
                <text>Suggests that the "portraits" of Trojan war heroes and heroines in Benoit de Ste Maure's "Roman de Troie" are carefully individuated and arranged, and that Chaucer's "literary techniques" in the "sketches" of GP are similar to Benoit's in several ways: combination of "physical and temperamental traits," purposeful arrangement into groups, preparation for future speech or action, "conversational" framework, and the likeness of the Knight/Squire juxtaposition to that of Hector/Troilus.</text>
              </elementText>
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  <item itemId="276801" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846674">
              <text>Linney, Romulus.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846675">
              <text>In Norman Bailey, Romulus Linney, and Dominick Cascio. Radio Classics (Minneapolis: Burgess, 1956), pp. 102-09.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846676">
              <text>Radio Classics.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846677">
              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846678">
              <text>mea; 12/9/2023</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846679">
              <text>1956</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846672">
                <text>"The Wife of Bath's Tale: From the Canterbury Tales of Geoffrey Chaucer."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846673">
                <text>Adaptation of WBT in archaized modern English prose as a script for presentation as a radio drama, with seven characters (King, Queen, The Young Knight, Old Woman, 1st Woman, 2nd Woman, and Wife of Bath as voice-over narrator). Duration: "Approximately 15 Minutes." Includes recurrent suggestions for laughter, background noises, and music; omits gentility speech.</text>
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  <item itemId="276800" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Lawlor, John.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846667">
              <text>Speculum 31 (1956): 626-48.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846668">
              <text>Speculum 31 (1956)</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846669">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846670">
              <text>mea; 12/9/2024</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846671">
              <text>1956</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851953">
                <text>Argues that, modifying poems by Machaut to establish the narrator of BD as a comic, "doctrinaire" servant of love, Chaucer reveals how such a perspective is inadequate to "experience the experience . . . of perfection itself." The Dreamer learns of the Black Knight's loss of perfect, "fulfilled love" and is reduced to stunned pity, a complex elegiac move that conveys consolation rather than merely counselling it. Rejects the notion that courtly love necessarily entails adulterous passion.</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851954">
                <text>The Pattern of Consolation in "The Book of the Duchess."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276799" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846658">
              <text>Kleinstück, Johannes.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846659">
              <text>Archiv für das Studium der Neueren Sprachen und Literaturen 193 (1956): 1-14.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846660">
              <text>Archiv für das Studium der Neueren Sprachen und Literaturen 193 (1956)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846661">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846662">
              <text>mea; 12/9/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846663">
              <text>1956</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846656">
                <text>Chaucers "Troilus" und die Höfische Liebe.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Argues that TC is a psychological "novel" insofar as it explores how the lovers' uses of courtly language and conventions disguise their "urgent sensuality" ("drängende Sinnlichkeit"), even from themselves. Compares and contrasts Chaucer's and Boccaccio's versions to show how the English poet amplifies Troilus's and Criseyde's dependency on Pandarus and on the contingencies of Fortune.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jud-Schmid, Elisabeth.</text>
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              <text>Bern: A. Francke, 1956.</text>
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              <text>126 pp.</text>
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              <text>Language and Word Studies</text>
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              <text>mea; 12/9/2024</text>
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              <text>1956</text>
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              <text>Schweizer Anglistische Arbeiten / Swiss Studies in English, no. 39.</text>
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                <text>Der Indefinite Agens von Chaucer bis Shakespeare: Die Wörter und Wendungen für "Man."</text>
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                <text>Analyzes the grammar and usage of the "man" and related locutions that convey independent agency in late Middle English and Early Modern English, considering pronouns, modals, and passive verbal forms as well as "man" and other generalized nouns. Uses examples from Bo, Rom, GP, KnT, and MilT, as well as works by writers other than Chaucer.</text>
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              <text>Jorgensen, Paul A.,  ed.&#13;
Shroyer, Frederick B., ed. </text>
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              <text>New York: C. Scribner's Sons, 1956.&#13;
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              <text>xxiv, 598 pp.</text>
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              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; 12/9/2024</text>
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            <elementText elementTextId="2846646">
              <text>1956</text>
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          <element elementId="50">
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              <elementText elementTextId="2846639">
                <text>A College Treasury: Prose, Fiction, Drama, Poetry.</text>
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            <description>An account of the resource</description>
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                <text>Includes PardP, translated by Theodore Morrison, as an example of narrative poetry, with brief commentary and a biographical note.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dodds, M. H.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Responds to a query by Lisle C. John (Note and Queries 201 [1956]: 97-98), suggesting that "borrow" may mean borwe" (pledge) or "borough" (referring to Canterbury).</text>
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                <text>[Reply to "What is Chaucer's Borrow?"]</text>
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              <text>John, Lilse C.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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                <text>What is "Chaucer's Borrow"?</text>
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                <text>Seeks advice in understanding the phrase "Chaucer's borrow" which appears Sir Nicholas H. Nicholas's "Memoirs of the Life and Times of Sir Christopher Hatton" (1847), where it is quoted from a letter to Hatton from William Dodington. Clarifies the context and posits that "borrow" may be a mistake for "barrow" and that the phrase could possibly refer to either Geoffrey or Thomas Chaucer. See the Reply by M. H. Dodds, Notes and Queries 201 (1956): 317-18.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Jelliffe, Robert Archibald.</text>
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              <text>[Tokyo]: Hokuseido, 1956. Rpt. Norwood, PA: Norwood Editions, 1975.</text>
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              <text>vii, 272 pp.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 12/6/2024</text>
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              <text>1956&#13;
1975</text>
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                <text>Troilus and Criseyde: Studies in Interpretation.</text>
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                <text>Praises the art and skill of Chaucer's adaptations of sources and literary conventions in creating TC, comparing and contrasting the plot and characterizations of the work with those of a full range of its "literary progenitors" and exploring Chaucer's innovative transformations of the style and rhetoric of interpolated songs and letters, his dexterity with atmosphere and character psychology, and his uses of courtly conventions. Pays particular attention to Criseyde's laughter and Chaucer's admiration of her, the literary history of Diomedes, and Troilus's subjugation to the paradoxes of love. Reads much of the poem as expressing Chaucer's own views.</text>
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