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              <text>Barton, Amanda C.</text>
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              <text>Dissertation Abstracts International A80.01 (2018): n.p. </text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Knight and His Tale</text>
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              <text>mea; SAC 42:36</text>
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                <text>I Write My Woe: Pain in Late Medieval and Early Modern English Literature.</text>
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                <text>Considers KnT and TC vis-à-vis Robert Henryson's "Testament of Cresseid" as part of a discussion of pain and love in chapter three.</text>
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              <text>Hilmo, Maidie.</text>
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              <text>Kathryn Kerby-Fulton, ed. Women and the Divine in Literature Before 1700: Essays in Memory of Margot Louis (Victoria, Canada: ELS Editions, 2009), pp. 107-35.</text>
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              <text>Kerby-Fulton, Kathryn, ed.</text>
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              <text>Prioress and Her Tale</text>
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              <text>vxl sac 33:162</text>
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                <text>Iconic Representations of Chaucer's Two Nuns and Their Tales from Manuscript to Print</text>
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                <text>Hilmo explores the iconography of representations of the Prioress, the Second Nun, and their Tales, commenting on the Ellesmere illustrations of the tellers, the Vernon manuscript depiction of PrT, two manuscript depictions of Saint Cecilia, and the woodcuts used by Caxton, de Worde, and Pynson. 9 b&amp;w figs.</text>
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              <text>Brinton, Laurel J.</text>
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              <text>John Deely and Jonathan Evans, eds. Semiotics 1986 (Lanham, New York, and London: University Press of America, 1987),  pp. 3-14.</text>
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              <text>Semiotics 1986.</text>
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              <text>Tale of Melibee.</text>
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              <text>jules SAC 11 (211)</text>
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                <text>Iconic Word Order Patterns in Chaucerian Prose</text>
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                <text>Delimits "the notion of iconicity in syntax before examining how iconic word order patterns contribute to the 'iconic text interpretation.'"  Applies theories to Mel.</text>
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              <text>Matheson, Lister M., ed.</text>
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              <text>Santa Barbara, Calif.: Greenwood, 2012.</text>
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              <text>2 vols. xviii, 705 pp. Available as e-text.</text>
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              <text>Bishop, Louise M.</text>
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              <text>mea SAC 36:9</text>
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                <text>Icons of the Middle Ages: Rulers, Writers, Rebels, and Saints</text>
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                <text>Surveys lives and careers of iconic medieval characters. Includes chapter on Chaucer by Louise M. Bishop, pp. 175-204.</text>
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              <text>Adanur, Evrim Doğan, ed.</text>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2011.</text>
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              <text> xiii, 547 pp.</text>
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                <text>IDEA: Studies in English.</text>
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                <text>Includes forty-six papers presented at the fifth international IDEA conference, held at Atilim University, Ankara, Turkey in 2010. For three essays that pertain to Chaucer, search for IDEA: Studies in English under Alternative Title.</text>
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              <text>Cunningham, J. V.</text>
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              <text>Shenandoah 19.2 (1968): 38-41.</text>
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              <text>Clerk and His Tale</text>
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                <text>Ideal Fiction: "The Clerk's Tale."</text>
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                <text>Defines ClT as an example of "Ideal Fiction," generally unpalatable to modern taste, identifying the presence of a manipulator in the plot (Walter), the narrative "distance" achieved through its combination of "ordinariness" and fantasy, the extremeness of the action, its "ideality of invention," and the flatness of the characters.</text>
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              <text>Bachman, William Bryant,Jr.</text>
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                <text>Idealistic-Materialistic Oppositions as an Informing Principle in Chaucer's Philosophical Narratives</text>
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                <text>By the fourteenth century Augustinian idealism had lost ground to rising confidence in the experiential world.  TC, KnT, FranT, and NPT all reveal the movement towards determinism. The idealism of the ParsT forms an opposition to this movement.</text>
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                <text>Identifies classical and medieval uses and understandings of "tragedy."  For Aristotle, tragedy was a serious story, although one that might end happily.  The notion of "irretrievable misfortune" came to dominate the late-classical use of the term.</text>
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                <text>Lost and then reclaimed in the Middle Ages, the term was understood variously by Boethius, Isidore of Seville, Averroes, John of Salisbury, Dante, and others.  Some of them were influenced by classical uses, but most exhibit new fusions of ideas.  Late-medieval definitions varied from country to country, with Chaucer's legacy leading to Shakespeare and solidifying into the modern sense.  Comments on TC and MkT.</text>
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              <text>Williamson, John R.&#13;
Zell, Mary Jo.&#13;
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                <text>Item not seen. WorldCat records indicate that Unit One of this pedagogical study guide includes a thematic section "Faith and Doubt," which features PardT (J. U. Nicolson's poetic translation), with exploratory study questions. A student workbook is also available.</text>
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              <text>Fleming, Carolyn Evine Mary Elizabeth.</text>
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              <text>Ph.D. Dissertation. University of Liverpool, 1987. Dissertation Abstracts International A81/1(E) and A50 (1990): 3601. Abstract available vis ProQuest Dissertations &amp; Theses Global.</text>
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1990</text>
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        <element elementId="109">
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              <text>jules SAC 14 (179); rev. mea 5/28/2025</text>
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                <text>Explores ideas of selfhood evident in medieval literature and sixteenth-century printed versions of select romances. Includes discussion of how Chaucer in WBT "utilises the methods and vocabulary at his disposal to generate debate on the 'self'."</text>
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            <elementText elementTextId="2713715">
              <text>Johnson, James D.</text>
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              <text>Chaucer Review 19 (1984): 62-86.</text>
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                <text>Identifying Chaucer Allusions, 1953-80: An Annotated Bibliography</text>
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            <description>An account of the resource</description>
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                <text>Allusions collected since Spurgeon (1908-17; reprinted 1925). Indexes names and titles.</text>
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                <text>An annotated list of thirty-seven items, intended as an update of Caroline Spurgeon's "Five Hundred Years of Chaucer Criticism and Allusion, 1357-1900."</text>
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            <description>An account of the resource</description>
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                <text>Tabulates and annotates fifty-seven studies that identify or discuss allusions to Chaucer, presented as a continuation of Caroline Spurgeon's Five Hundred Years of Chaucer Criticism and Allusion (1925). Includes a name and title index for the studies.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Strohm, Paul.</text>
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              <text>Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 14-23</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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                <text>Identifying, and Identifying "with," Chaucer</text>
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                <text>Contemplates the notion that "identification" with a given author is a "frequent, if unacknowledged, component of literary appreciation." Theorizes the notion in Freudian terms and those of reader-response criticism, exploring the processes and rewards of personal enjoyment of Chaucer's works as a reader, as a critic, and especially as an appreciative biographer of Chaucer's "demanding life."</text>
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              <text>Düzgün, Şebnem.</text>
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              <text>Journal of Narrative and Language Studies 6, no. 10 (2018): 113-23.</text>
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              <text>mea; SAC 44:226</text>
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                <text>Ideological Approaches to Nature and Female Body in Witch Poems.</text>
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                <text>Assumes that the loathly lady in WBT is a witch, and maintains that she is "stigmatised in the poem to enforce the medieval discourse that appreciates nurture against nature, obedience against revolt, and youth and beauty against old age and ugliness." The rapist knight is a figure of patriarchy, which the loathly lady ultimately accepts. Also assesses Robert Burns's "Tam o'Shanter," John Keats's "Lamia," and Anne Sexton's "Her Kind."</text>
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              <text>Rigby, Stephen H.</text>
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              <text>Matthew Davies and Andrew Prescott, eds. London and the Kingdom: Essays in Honour of Caroline M. Barron. Proceedings of the 2004 Harlaxton Symposium. Harlaxton Medieval Studies, no. 16 (Donington, England: Shaun Tyas, 2008), pp. 316-34.</text>
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              <text>2008</text>
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              <text>Prescott, Andrew, ed.</text>
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              <text>Knight and His Tale.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2782862">
              <text>Harlaxton Medieval Studies, no. 16.</text>
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              <text>vxl sac 33:113</text>
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                <text>Ideology and Utopia: Prudence and Magnificence, Kingship and Tyranny in Chaucer's Knight's Tale</text>
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                <text>Orthodox notions of royal prudence and magnificence underlie the idealized figure of Theseus in KnT. Theseus embodies the traits that Richard II was accused of lacking.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2721733">
              <text>Knight, Stephen.</text>
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              <text>Parergon 28 (1980): 3-31.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2721735">
              <text>1980</text>
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              <text>Franklin and His Tale.</text>
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              <text>Parergon 28 (1980)</text>
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              <text>jules SAC 06 (117)</text>
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                <text>Ideology in 'The Franklin's Tale'</text>
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              <elementText elementTextId="2721736">
                <text>Identifies the "broad patterns of ideology in the text," discusses sources and onomastics, and examines the way in which the poetic working out energizes and modifies the ideology.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Besserman, Lawrence L.</text>
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            <elementText elementTextId="2759503">
              <text>Chaucer Review 36: 48-72,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759504">
              <text>2001</text>
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              <text>Prioress and Her Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 25 (232)</text>
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                <text>Ideology, Antisemitism, and Chaucer's Prioress's Tale</text>
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                <text>Throughout the decades, Chaucer critics have argued their own biases in interpreting Chaucer's ideology--seeing Chaucer as a "Christian poet"; as a "poet first and foremost"; as an "atheist"; as a writer who was "politically incorrect." Eschewing close textual reading, modern theoretical critics provide "flawed and dangerous assumptions," often throwing critical scholarship "way off its true course."</text>
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          <elementTextContainer>
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              <text>Simons, Christopher E. J.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Humanities: Christianity and Culture (International Christian University) 41 (2013): 31-70.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807318">
              <text>2013</text>
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              <text>Humanities: Christianity and Culture 41 (2013)</text>
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        <element elementId="109">
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              <text>mea sac 37:112</text>
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                <text>Idle and Extravagant Stories in Verse: 400 Years of Narrative Poetry from Sir Gawain to Wordsworth</text>
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              <elementText elementTextId="2807319">
                <text>Clarifies what kind of poems William Wordsworth criticized as "idle and extravagant stories in verse" and examines four English narrative poems before Wordsworth, including WBT. All four turn out to be more or less "idle and extravagant" by Wordsworth's standards.</text>
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          <elementTextContainer>
            <elementText elementTextId="2739844">
              <text>Pelen, Marc M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2739845">
              <text>Forum for Modern Language Studies 31 (1995): 193-214.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739846">
              <text>1995</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739849">
              <text>Second Nun and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>Forum for Modern Language Studies 31 (1995)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739851">
              <text>jules SAC 19 (1997) - 271.650::Canon's Yeoman and His Tale.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2739843">
                <text>Idleness and Alchemy in Fragment VIII(G) of Chaucer's 'Canterbury Tales': Oppositions in Themes and Images from the 'Roman de la Rose'</text>
              </elementText>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739847">
                <text>Chaucer's mode of composition of SNT and CYT owes much to the structure of "Roman de la Rose," in which the theme of contradictions and contraries plays a major role.</text>
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              <elementText elementTextId="2739848">
                <text>  The correspondence goes beyond the specific similarities in image and subject that have long been noted between the two works.</text>
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  <item itemId="268610" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766988">
              <text>Sadlek, Gregory [M.]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766989">
              <text>Washington, D.C. : Catholic University of America Press, 2004.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766990">
              <text>2004</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766991">
              <text>xii, 298 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766994">
              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2766995">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766996">
              <text>vxl sac 28:84</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2766987">
                <text>Idleness Working: The Discourse of Love's Labor from Ovid Through Chaucer and Gower</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2766992">
                <text>Bakhtinian analysis of the discourse of love's labor in classical and medieval love literature, focusing on two traditions: one, rhetorical, playful, and concerned with the labor of courtship; the other, serious, philosophical, and concerned with the labor of reproduction. The two combine in the later love poetry, including Chaucer's, in a steady "embourgeoisement de l'eros" [a making bourgeois of love].</text>
              </elementText>
              <elementText elementTextId="2766993">
                <text>Constructed by means of a rich array of labor vocabulary and imagery, "work" is presented as a necessary but fulfilling component of human existence, a foreshadowing of the Protestant Work Ethic. The final chapter focuses on Chaucer, particularly PF and TC.</text>
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  </item>
  <item itemId="275187" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833159">
              <text>Barootes, B. S. W. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833160">
              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 29-50. </text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833161">
              <text>Book of the Duchess: Contexts and Interpretations .</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833162">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833163">
              <text>mea; SAC 42:183</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833164">
              <text>2019</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833157">
                <text>Idleness, Chess, and Tables: Recuperating Fables in Chaucer's "Book of the Duchess." </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833158">
                <text>Considers the relations between BD and fourteenth-century devotional texts, particularly "Cursor mundi," that disparage "fable" as a form of idleness. Rejecting the popular association between consuming fiction and playing idle games, BD reclaims storytelling as "active, productive, and restorative," thus critiquing "medieval attitudes toward fiction."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="266739" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747649">
              <text>Steinberg, Glenn.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747650">
              <text>Theresa M. Krier, ed. Refiguring Chaucer in the Renaissance (Gainesville: University Press of Florida, 1998), pp. 91-109.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747651">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747652">
              <text>Refiguring Chaucer in the Renaissance.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747654">
              <text>Book of the Duchess.</text>
            </elementText>
            <elementText elementTextId="2747655">
              <text>Chaucer's Influence and Later Allusion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747656">
              <text>jules SAC 22 - 286.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2747648">
                <text>Idolatrous Idylls: Protestant Iconoclasm, Spenser's 'Daphnaida,' and Chaucer's 'Book of the Duchess'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2747653">
                <text>Reads Spenser's "Daphnaida" as a "refiguration and response" to BD, modified by Spenser's Protestant outlook.  Compares and contrasts the two poems, considering tone, idiom, and faith in the ability of art to console.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="273933" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821011">
              <text>Lynch, Kathryn L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821012">
              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 130-48.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821013">
              <text>Chaucer on Screen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821014">
              <text>Recordings and Films&#13;
Canterbury Tales--General&#13;
Reeve and His Tale&#13;
Summoner and His Tale&#13;
Merchant and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821015">
              <text>SAC 40:18</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821016">
              <text>2016</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821009">
                <text>Idols of the Marketplace: Chaucer/Pasolini.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821010">
                <text>Interprets Pier Paolo Pasolini's "I racconti di Canterbury" as a "profound" engagement with CT, analyzing four instances of adaptation that reflect subtle appreciation and understanding of Chaucer's themes and techniques: a latrine scene at the beginning of Pasolini's version of RvT, the gesture used to drive away the cat in his SumT, the "self-reflexiveness" of his casting himself as Chaucer, and his "use of voice" in MerT and placement of it as the first of his tales.</text>
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  <item itemId="276697" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845845">
              <text>Torabi, Katayoun.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845846">
              <text>Matthew Davis, Tamsyn Mahoney-Steel, and Ece Turnator, eds. Meeting the Medieval in a Digital World (Amsterdam: Arc Humanities, 2018), pp. 27-44.</text>
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          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845847">
              <text>Davis, Matthew, ed.&#13;
Mahoney-Steel, Tamsyn, ed.&#13;
Turnator, Ece, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845848">
              <text>Meeting the Medieval in a Digital World.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845849">
              <text>Language and Word Studies&#13;
Style and Versification&#13;
General Prologue to the Canterbury Tales</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 5/26/2024</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845851">
              <text>2018</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845843">
                <text>If (not "Quantize, Click, and Conclude"): {Digital Methods In Medieval Studies}.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845844">
                <text>Describes two projects that use digital research tools: one using Lexomics to compare passages in "Beowulf" and "Blickling Homily XVII" and another using Lexomics and Voyant to 1) examine verbal clusters in GP to "see if Chaucer wrote differently" about his female and male characters and 2) to look at which of the CT "use the word 'privetee' (private) and how often the word is paired with 'apert' (public)." Tabulates results and assesses methods.</text>
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          </element>
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