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              <text>Terrell, Katherine H.</text>
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              <text>Columbus: The Ohio State University Press, 2022.</text>
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              <text>viii, 232 pp.</text>
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              <text>Interventions: New Studies in Medieval Culture.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 46:99</text>
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                <text>Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland.</text>
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                <text>Describes a "widespread nationalistic feeling" in late medieval and early modern Scotland, with particular attention to Latin chroniclers, court poets in the reign of James IV, and their similar uses of Scottish myths of origin in resistance to English  ones. Includes discussion of how the Selden manuscript "appropriates Chaucerian material to its own nationalistic vision"; how William Dunbar "claims Chaucer as a literary ancestor" while he asserts his own nationalistic voice; and how, for Gavin Douglas, Chaucer exemplifies past English glory that has degenerated in contrast with growing Scottish prestige.</text>
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              <text>Stretter, Robert.</text>
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              <text>Comparative Drama 55 (2021): 331-54.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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                <text>Chaucer, Shakespeare, and the Lost Friendship Plays of the Admiral's Men.</text>
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                <text>Identifies complex intertextual relations among KnT, the story of Amis and Amiloun, Shakespeare and Fletcher's "Two Noble Kinsmen." and archival references to two lost Tudor plays, "Palamon and Arcite" and "Alexander and Lodowick, "exploring differences between motifs of medieval sworn brotherhood and humanist classical friendship. In this light, considers "The Two Noble Kinsmen" as a critique of male-friendship plays performed by the Admiral's Men.</text>
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              <text>Stenner, Rachel.</text>
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              <text>Comparative Drama 55 (2021): 259-82.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>SAC 46:95</text>
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              <elementText elementTextId="2848014">
                <text>The Word of Apollo: Prophecy and Vatic Poetry in Geoffrey Chaucer's "Troilus and Criseyde" and William Shakespeare's "Troilus and Cressida."</text>
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                <text>Argues that allusion to Apollo in TC conveys an ambivalent attitude toward literary authority by affiliating it with sexual violence, an ambivalence that Shakespeare echoes in "Troilus and Cressida." Both writers use Apollo to problematize intertextuality and "allow the shadow of sexual violence to hover in the background of their texts as a means to question the foundations of poetic prophecy."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Smith, Nathanial B.</text>
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              <text>Comparative Drama 55 (2021): 234-58.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and LIterary Relations</text>
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              <text>SAC 46:94</text>
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              <text>2021</text>
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                <text>The Framing of the Shrews: Dream Skepticism from "The House of Fame" to "The Taming of the Shrew."</text>
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                <text>Shows that Shakespeare's "Taming of the Shrew" and the anonymous "Taming of a Shrew" feature skeptical parody of Stoic certainty about distinguishing reality from illusion or dream. As in HF, the "framing fictions" of the plays "make a show" of controlling uncertainty and reveal the skeptical "circularity" of any "dogmatic quest for authoritative certainty." Assesses how "[s]cenes problematizing authoritative instruction proliferate" throughout HF and the plays and, in the latter, destabilize antifeminist certainties.</text>
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              <text>Schreyer, Kurt.</text>
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              <text>Comparative Drama 55 (2021): 185-210.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:93</text>
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                <text>Stealing Shives: "Titus Andronicus" as Chaucerian Anti-Romance.</text>
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                <text>Identifies narrative, linguistic, and thematic similarities between Chaucer's KnT, MilT, and RvT and Shakespeare's "Titus Andronicus," and argues that the brutal treatment of Lavinia in Shakespeare's play resonates with the aspects of courtly love depicted and refracted in Chaucer's three tales and in TC, thereby "blurring the lines" between "violent 'Roman'" and "courtly' Romance.'"</text>
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              <text>Rutter, Tom.</text>
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              <text>Comparative Drama 55 (2021): 404-13.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:92</text>
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              <text>2021</text>
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                <text>Explores how resonance with CT in '1 Henry IV, 1.2, "communicates the pre-Reformation otherness of the world" and raises questions about "cultural distance and appropriation" that circulate among the essays collected in this special issue of "Comparative Drama." Also comments on allusions to Chaucer in John Dryden's preface to his "Troilus and Cressida" and his "The Grounds of Criticism in Tragedy," as well as in Ben Jonson's "Entertainment at Bolsover."</text>
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              <text>Rush, Rebecca.</text>
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              <text> x, 284 pp.</text>
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Style and Versification</text>
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              <text> xv, 447 pp.; illus.</text>
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Knight and His Tale</text>
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        <element elementId="114">
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2023</text>
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                <text>Femina: A New History of the Middle Ages, through the Women Written Out of It.</text>
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                <text>Includes a brief summary of KnT and posits that the petitioning of Theseus by the Theban women may have inspired the "final act" of suffragette Emily Wilding Davison when she reached "towards the king's horse" at the Epsom Derby of 1913. Also notes that, as a child, Wilding Davison adopted the pen name "Emelye."</text>
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              <text>Beth Lau and Greg Kucich, eds. Keats's Reading / Reading Keats: Essays in Memory of Jack Stillinger (Cham: Palgrave Macmillan, 2022), pp. 129-51</text>
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Kucich, Greg, ed.</text>
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Troilus and Criseyde</text>
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                <text>Reviews Keats's "regular contact" with Chaucer's works and assesses TC as a "largely overlooked intertext" for "The Eve of St. Agnes" that illuminates "the creative tensions of St. Agnes and Keats's habits in reading medieval texts." Focuses on "Keats's affective identification with Troilus" and "the ways that St. Agnes rewrites Chaucer's tragedy."</text>
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              <text>Morrison, Susan Signe.</text>
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              <text>Humanities 9, no. 4 (2020): 117 [11 pp.]</text>
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              <text>Humanities 09 (2020)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>"[A]n Exterior Air of Pilgrimage": The Resilience of Pilgrimage Ecopoetics and Slow Travel from Chaucer's "The Canterbury Tales" to Jack Kerouac's "On the Road."</text>
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                <text>Assesses the "ecocritical insights" of Jack Kerouac's "On the Road" via its intertexual relations with the "pilgrimage ecopoetics" of CT, exploring structural similarities in the works and their vernacularity, metatextual references, "linguistic and physical contingency, and slow walking, where&#13;
slowness functions as a form of rebellion."</text>
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Wife of Bath and Her Tale</text>
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              <text>Li, Chi-fang Sophia.</text>
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              <text>Comparative Drama 55 (2021): 355-79.</text>
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Canterbury Tales--General</text>
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                <text>Chaucerian Topoi and Topography in Thomas Dekker's (and John Webster's) "Westward Ho" (1605) and "Northward Ho" (1607).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851967">
                <text>Demonstrates that Chaucerian estates satire in CT influenced the development of dramatic "city comedy" at the turn of the seventeenth century. Shows that in his "Ho" plays Dekker adapts Chaucer's London topographies, characterizations, themes, and motifs of game and play to develop "neo-Chaucerian topoi and topography . . . in which everyone is a 'homo viator' and 'homo ludens'." Links these concerns with John Norden's 1593 map of London.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847927">
              <text>Lankewish, Vincent A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847928">
              <text>Victorian Poetry 60 (2022): 35-164; 10 b&amp;w illus.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847929">
              <text>Victorian Poetry 60 (2022)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847930">
              <text>Chaucer's Influence and Later Allusion&#13;
Legend of Good Women</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847931">
              <text>SAC 46:81</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847932">
              <text>2022</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847925">
                <text>Danger Lurks in the Darkness: The Ruskin/Burne-Jones Medieval Poetry Salon for Girls.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850844">
                <text>Introduces the activities and concerns of a Victorian "salon" conducted by John Ruskin and Edward Burne-Jones in which young women could "engage in serious conversations about medieval poetry, about art, and about humanitarianism and virtue." Focuses on Ruskin and Burne-Jones's reception of LGW, with attention to Victorian depictions of Medea, Burne-Jones's tapestry of LGW and the Kelmscott Chaucer, and Ruskin's annotations in his copy of Chaucer's works.</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847919">
              <text>Hanna, Natalie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847920">
              <text>Comparative Drama 55 (2021): 380-403.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847921">
              <text>Comparative Drama 55 (2021)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847922">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847923">
              <text>SAC 46:79</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847924">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847917">
                <text>A Credible Debt: Dekker as Host to Chaucer's Franklin.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851966">
                <text>Shows that in his pamphlet "A Strange Horse-Race," Thomas Dekker quotes FranT "to illustrate hospitality" and the force of "binding oaths"; in his play "The Shoemaker''s Holiday," he "drew on Chaucer's Franklin for material about credit and debt." Because Chaucer was reputed to be a debtor, and concerned with patience, obligation, and binding language, Dekker relied on  Chaucer as "a model . . . not just as writer, but also as a debtor."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847911">
              <text>Greene, Darragh.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2847912">
              <text>Comparative Drama 55 (2021): 166-84.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847913">
              <text>Comparative Drama 55 (2021)</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847914">
              <text>Chaucer's Influence and Later Allusion&#13;
Friar and His Tale&#13;
Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2847915">
              <text>SAC 46:77</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847916">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847909">
                <text>"Thou shalt knowen of oure Privetee / Moore than a maister of dyvynytee": Devils and Damnation in Chaucer's "Canterbury Tales" and Marlowe's "Doctor Faustus."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851965">
                <text>Argues "that Chaucer's treatment of devils, damnation, and hell" in CT "resonates" in "Doctor Faustus," focusing on the yeoman-devil and "the force and binding implications of illocutionary acts" in FrT, as well as on "interesting parallels" between the Pardoner and Faustus as "vain characters" who are "master rhetoricians" and "contemptuous of conventional morality." Contrasts Chaucer's and Marlowe's views of penitence--comic and tragic respectively.</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847903">
              <text>Espie, Jeff.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847904">
              <text>Comparative Drama 55 (2021): 283-306.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847905">
              <text>Comparative Drama 55 (2021)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847906">
              <text>Chaucer's Influence and Later Allusion&#13;
Manciple and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847907">
              <text>SAC 46:76</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847908">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847901">
                <text>"The Winter's Tale": Decorum, Distinction, and Shakespeare's Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852101">
                <text>Suggests that Shakespeare's title, "The Winter's Tale," adapts a possessive form associated with Chaucerian narratives--the x's tale--" and identifies similarities between the play and ManT. Focuses on the works' attention to linguistic register--"linguistic distinctions between people of different types and stations"--and argues that Shakespeare asserts both "similarity to Chaucer" and "independence from him." Appends a coda on "lemman" and "ladies" in early printings of Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276948" public="1" featured="0">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847894">
              <text>Dutton, Richard.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847895">
              <text>Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare (New York: Cambridge University Press, 2019), pp. 17-34.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2847896">
              <text>Chiari, Sophie, ed.&#13;
Mucciolo, John, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847897">
              <text>Performances at Court in the Age of Shakespeare</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847898">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847899">
              <text>SAC 46:75</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847900">
              <text>2019</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847892">
                <text>"Palamon and Arcite": Early Elizabethan Court Theatre.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847893">
                <text>Extracts information about Richard Edwards's now-lost play "Palamon and Arcite," from three extant contemporary accounts of the visit of Queen Elizabeth I to Oxford, where she attended a performance of the play in 1566. The accounts--by Miles Windsor, Nicholas Robinson, and John Bereblock--evince plot and details (with one quotation recorded), staging and performance (including accidental deaths), and some awareness of relations with KnT as source.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276947" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847886">
              <text>Clark, Cassandra.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847887">
              <text>Edinburgh: Severn House, 2021.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847888">
              <text>264 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847889">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847890">
              <text>SAC 46:74</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847891">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847884">
                <text>The Day of the Serpent: A Brother Chandler Medieval Mystery.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851963">
                <text>Historical murder mystery set in 1400, in the months after Henry IV's usurpation of Richard II's throne. "Master" Chaucer and Adam are involved with copying Lollard treatises; Matilda, Chaucer's house-maid, is involved with friar-cum-sleuth Brother Chandler.</text>
              </elementText>
            </elementTextContainer>
          </element>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
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            <elementText elementTextId="2847878">
              <text>Buffy, Emily.</text>
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              <text>Comparative Drama 55 (2021): 138-65.</text>
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            <elementText elementTextId="2847880">
              <text>Comparative Drama 55 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2847881">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucer's Life</text>
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        <element elementId="109">
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              <text>SAC 46:73</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847883">
              <text>2021</text>
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            <name>Title</name>
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                <text>Playing Chaucer at the Early Elizabethan Inns of Court.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851962">
                <text>Addresses performance texts associated with the early Elizabethan Inns of Court ("closet dramas, translations, masques, and orations"), arguing that they reflect four Chaucerian "paradigms of play" ("Chaucerian Self-Fashioning," "Chaucerian Arraignments," "Masques and Orations," and "Staging The Canterbury Tales"). Comments on Chaucer's putative legal associations and works by Barnabe Googe, Jasper Heywood, Thomas Pound, George Gascoigne, Gerard Legh, and more, identifying influences of TC, KnT, ClT, HF, and other Chaucerian poems.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847870">
              <text>Brooks, Karen.</text>
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        <element elementId="98">
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              <text>New York: William Morrow, 2022 (originally published Sydney: Harlequin, 2021).</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2847872">
              <text>xii, 541 + 5 pp.</text>
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        <element elementId="102">
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            <elementText elementTextId="2847873">
              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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          <name>Source</name>
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            <elementText elementTextId="2847874">
              <text>SAC 46:72</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847875">
              <text>2022&#13;
2021</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847868">
                <text>The Good Wife of Bath: A (Mostly) True Story.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850848">
                <text>Historical novel in which the setting, plot, and first-person protagonist, Eleanor (later Alyson) are based on WBPT, with many characters adapted from history and from CT, including Chaucer. Includes a glossary, list of historical characters, author's note on composition, and a series of study questions for book groups.</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2847862">
              <text>Nakao, Yoshiyuki.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2847863">
              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 169-91.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2847864">
              <text>Polyphony and the Modern</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 46:328</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2847867">
              <text>2021</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850707">
                <text>Offers a technical linguistic analysis of STR (speech and thought representation) in TC, theorizing a hierarchical "structure of subjectivities" to examine samples from the poem, attending to nuances latent in diction, situation, point of view, manuscript context, editorial intervention, etc. Concludes with comments on the "plasticity" of Chaucer's STR, the "varying subjectivities that are likely to be encoded" in it, and how they "allow for semantic extension."</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850708">
                <text>Chaucer's Speech and Thought Representation in "Troilus and Criseyde": Encoded Subjectivities and Semantic Extension.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2847854">
              <text>Strohm, Paul.</text>
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        <element elementId="98">
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              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 192-205.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847856">
              <text>Polyphony and the Modern</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847857">
              <text>Chaucer's Influence and Later Allusion&#13;
Style and Versification&#13;
Clerk and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 46:97</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847859">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847852">
                <text>Chaucer and the Streams of Parnassus.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850850">
                <text>Argues that Chaucer's "polyphony and polyvocality" are both "modern" and "progressive"--justification for dismantling the period boundary between medieval and Early Modern literatures. Surveys mixed, condescending praise by Early Modern critics of Chaucer as an ancient but indecorous writer, then demonstrates how Robert Greene's valuation of Chaucer in "Greene's Vision" (1592) offers a valid view of him as a up-to-date model of polyvocality. Comments on the Clerk's view of Petrarch, ClT 4.26-30.</text>
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  <item itemId="276942" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Bertonèche, Caroline. Trans. Jonathan Fruoco. </text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 206-16.</text>
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        <element elementId="112">
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              <text>Fruoco, Jonathan, trans.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847848">
              <text>Polyphony and the Modern</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847849">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847850">
              <text>SAC 46:71</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847851">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847843">
                <text>"Tis More Ancient Than Chaucer Himself": Keats and Romantic Polyphony.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847844">
                <text>Argues that the polyphonies of John Keats's poetry (as identified by Helen Vendler) are attributable to his engagements with Chaucer's works and Chaucerian apocrypha, reflecting a particular kind of "Englishness," underpinned by travel and encounters with French and Italian literatures.</text>
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          </element>
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  <item itemId="276941" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847837">
              <text>Fruoco, Jonathan, ed. </text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847838">
              <text>New York: Routledge, 2021.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847839">
              <text>vi, 266 pp. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847840">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847841">
              <text>SAC 46:137</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847842">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847835">
                <text>Polyphony and the Modern.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847836">
                <text>Raises questions about what it means to be modern in one own's time and about polyphony (including polyphonic music, polyvocality, and literary dialogism) as an index to modernity, collecting fourteen essays on relevant topics, most of them on medieval music and literature. For three essays that pertain to Chaucer, search for Polyphony and the Modern under Alternative Title.</text>
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