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              <text>Bullough, Vern L., and James A. Brundage,eds.</text>
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              <text>New York and London: Garland, 1996.</text>
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              <text>xviii, 441 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Garland Reference Library of the Humanities, no. 1696</text>
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              <text>jules SAC 21 - 90</text>
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              <text>Brundage, James A., ed.</text>
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                <text>Handbook of Medieval Sexuality</text>
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                <text>Eighteen essays by various authors, addressing topics such as confession, medicine, chaste marriage, contraception, homosexuality, lesbianism, cross-dressing, prostitution, castration, and various cultural studies: Jewish, Muslim, Eastern Orthodox, French, Norse, and English. For an essay that pertains to Chaucer, search for Handbook of Medieval Sexuality under Alternative Title.</text>
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              <text>Bovair, Simone.</text>
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              <text>Dissertation Abstracts International C75.01 (2016): n.p.</text>
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              <text>Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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                <text>Handling Virtue: Chaucer's Narrative Art.</text>
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                <text>Argues that Chaucer "contextualizes virtues through narrative." Provides close study of Chaucer's treatment of virtues and ethics in CT and TC.</text>
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              <text>Smith, Jeremy J.</text>
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              <text>Jacek Fisiak, ed. Studies in Middle English Linguistics (Berlin and New York: Mouton de Gruyter, 1997), pp. 551-60.</text>
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        <element elementId="114">
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            <elementText elementTextId="2743509">
              <text>Studies in Middle English Linguistics.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>jules SAC 21 - 36</text>
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                <text>Handmade Tales: The Implications of Linguistic Variations in Two Early Manuscripts of Chaucer's 'Canterbury Tales'</text>
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          <element elementId="41">
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              <elementText elementTextId="2743510">
                <text>Although the Hengwrt and Ellesmere manuscripts were both copied by "Scribe B," their differences indicate how a variety of factors affect textual transmission.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2726727">
              <text>McCarty, Willard.</text>
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        <element elementId="98">
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            <elementText elementTextId="2726728">
              <text>Ian Lancashire, ed.  Computer-Based Chaucer Studies (Toronto: Centre for Computing in the Humanities, University of Toronto, 1993), pp. 49-65.</text>
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        <element elementId="114">
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            <elementText elementTextId="2726729">
              <text>1993</text>
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        <element elementId="108">
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            <elementText elementTextId="2726730">
              <text>Computer-Based Chaucer Studies.</text>
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          <name>Chaucer Subject</name>
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              <text>Bibliographies, Reports, and Reference.</text>
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        <element elementId="109">
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            <elementText elementTextId="2726733">
              <text>jules SAC 17 (5)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2726726">
                <text>Handmade, Computer-Assisted, and Electronic Concordances of Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Briefly surveys the practice of concordance making and assesses the limitations of Tatlock and Kennedy's concordance to Chaucer (1927) and Oizumi's computer-assisted but conventionally printed one (1991).  Some of the limitations of traditional methods can be overcome through interactive software programs such as "TACT."</text>
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          <elementTextContainer>
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              <text>Norsworthy, Scott.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2759415">
              <text>Journal of English and Germanic Philology 100: 313-32.,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759416">
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              <text>Monk and His Tale.</text>
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          <elementTextContainer>
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              <text>Journal of English and Germanic Philology 100 (2001)</text>
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              <text>jules SAC 25 (241)</text>
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                <text>Hard Lords and Bad Food-Service in the Monk's Tale</text>
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                <text>In MkP, the Host associates the Monk with a sacristan or cellarer. Norsworthy surveys historical cellarers and the role of the cellarer according to the Rule of St. Benedict, connecting bad cellarers with MkT. The Monk's narratives pertain to tyrants and devourers who are supposed to be cared for (e.g., Nebuchadnezzar and Belshazzar), or they represent the sad plight of the victims of bad governors (e.g., Ugolino).</text>
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            <elementText elementTextId="2716106">
              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
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            <elementText elementTextId="2716107">
              <text>Notes and Queries 229 (1984): 156.</text>
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        <element elementId="114">
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              <text>1984</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2716111">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
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            <elementText elementTextId="2716112">
              <text>Notes and Queries 229 (1984)</text>
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              <text>jules SAC 08 (20)</text>
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                <text>Hardyng's 'Chronicle' and 'Troilus and Criseyde'</text>
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              <elementText elementTextId="2716109">
                <text>John Hardyng borrows TC III.617 for his verse "Chronicle."</text>
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            <elementText elementTextId="2785079">
              <text>Patrouch, Joseph A., Jr</text>
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            <elementText elementTextId="2785080">
              <text>David M. Hassler, ed. Patterns of the Fantastic (Mercer Island, Wash.: Starmont House, 1983), pp. 63-66.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2785081">
              <text>1983</text>
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              <text>Patterns of the Fantastic.</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea 1/18/2013 No SAC</text>
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                <text>Harlan Ellison's Use of the Narrator's Voice</text>
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              <elementText elementTextId="2785083">
                <text>Opens a discussion of Harlan Ellison's uses of a "speaking voice" in his fiction by commenting on Chaucer's multiple narrative voices and the depiction of "Chaucer reading aloud" in the Troilus frontispiece (Cambridge, Corpus Christi College, MS 61).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pintor, Ivan, and others.</text>
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          <name>Published</name>
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              <text>Hamilton, N. J.: Films Media Group, 2009.</text>
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          <name>Date</name>
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              <text>2009</text>
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              <text>Audiovisual recording. 1 DVD (approx. 56 min.)</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795852">
              <text>"Chaucer and the Creation of Character."</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795854">
              <text>Recordings and Films</text>
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            <elementText elementTextId="2795855">
              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2795856">
              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2795857">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2795858">
              <text>mea; 12/7/2013 No SAC</text>
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            <name>Title</name>
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                <text>Harold Bloom: Critic in the Active Voice</text>
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            <description>An account of the resource</description>
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                <text>An illustrated interview with Harold Bloom, with commentary and contributions by others.  The section entitled "Chaucer and the Creation of Character" includes Bloom's suggestion that the Pardoner is a precursor to Shakespeare's Iago and Edmund, and his observation that the Wife of Bath is a contemporary of Falstaff. The section closes with a dramatic reading from WBP (3.470-79, 3.147-50) in modern English.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768672">
              <text>Quinn, William A.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768673">
              <text>Studies in Medievalism 14 (2005): 200-216.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768674">
              <text>2005</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2768676">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2768677">
              <text>Chaucer's Influence and Later Allusion.</text>
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          <elementTextContainer>
            <elementText elementTextId="2768678">
              <text>Studies in Medievalism  14 (2005)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 29:133</text>
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              <elementText elementTextId="2768671">
                <text>Harriet Monroe as Queen-Critic of Chaucer and Langland (viz. Ezra Pound)</text>
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              <elementText elementTextId="2768675">
                <text>Monroe's essay "Chaucer and Langland," published in her journal Poetry in 1915, argued that Chaucer's preference for French forms and rhythms had cut off later English poetry from the true native tradition represented by Langland's alliterative verse. The essay was intended to counter the strong critical influence of her sometime collaborator in Poetry, Ezra Pound, who "adored" Chaucer, and to remind him of native qualities he himself had captured in his "truly wonderful paraphrase" of the Seafarer.</text>
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  <item itemId="274590" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2827386">
              <text>Sadlek, Gregory M.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2827387">
              <text>James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 37-52.</text>
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        <element elementId="108">
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            <elementText elementTextId="2827388">
              <text>Geoffrey Chaucer: Critical Insights Series</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827389">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827390">
              <text>SAC 41:170</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827391">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829914">
                <text>Harry Bailey's Labor and Time Consciousness on Chaucer's Canterbury Pilgrimage.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830066">
                <text>Explores how CT reflects Chaucer's "orientation toward life that celebrates 'bisynesse' [business/busyness] and abhors wasteful idleness." Focuses on the importance of the Host and Chaucer's "marking of the time" in CT.</text>
              </elementText>
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  </item>
  <item itemId="273793" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819868">
              <text>Byers, John R., Jr.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>English Language Notes 4 (1966): 6-9.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819870">
              <text>English Language Notes 04 (1966)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2819871">
              <text>Monk and His Tale&#13;
Tale of Melibee</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819872">
              <text>mea; 9/17/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2819873">
              <text>1966</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819866">
                <text>Harry Bailey's St. Madrian.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819867">
                <text>Argues that the Host's oath by the "precious corpus Madrian" in CT (MkP 7.1892) refers to St. Hadrian or Adrian, adducing details from the "Golden Legend" and citing the Host's "untrained ear," as well as parallels with Melibee's wife, Prudence, and the Host's, Goodelief.</text>
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  </item>
  <item itemId="275172" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833036">
              <text>Eckert, Kenneth.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833037">
              <text>Review of English Studies 68, no. 285 (2017): 471-87.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833038">
              <text>Review of English Studies 68 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833039">
              <text>Tale of Sir Thopas&#13;
Style and Versification&#13;
Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833040">
              <text>mea; SAC 42:166</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833041">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2833034">
                <text>Harry Bailly and Chaucer-Pilgrim's "Quiting" in the "Tale of Sir Thopas."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2833035">
                <text>Reads Th as a "brilliant joke at the Host's expense": not a satire or parody of tail-rhyme romances but a repudiation of the Host's "crude homosocial bantering," his "puerile tastes," and his "pretensions" as a literary critic. Includes comments on stanza form; manuscript layout; and terms such as "satire," "parody," and "burlesque."</text>
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  <item itemId="273223" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2815064">
              <text>Taitt, P. S.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815065">
              <text>Studia Neophilologica 41 (1969): 112-14.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2815066">
              <text>1969</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2815068">
              <text>Pardoner and His Tale</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2815069">
              <text>Studia Neophilologica 41 (1969)</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815070">
              <text>mea; 04/10/2016 No SAC</text>
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              <elementText elementTextId="2815063">
                <text>Harry Bailly and The Pardoner's Relics: An Interpretation of the Host's Behaviour at the End of 'The Pardoner's Tale' in Chaucer's 'Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>Comments on the Host's "outrage" and the "silence" of the other pilgrims at the end of PardT, attributing them both to failure to "separate art from reality."</text>
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              <text>Dubs, Kathleen.</text>
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              <text>Kathleen Dubs and Janka Kascáková, eds. Does It Really Mean That? Interpreting the Literary Ambiguous (Newcastle: Cambridge Scholars, 2011), pp. 35-58.</text>
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              <text>Does It Really Mean That? Interpreting the Literary Ambiguous.</text>
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              <text>Dubs, Kathleen, ed.</text>
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              <text>Kascáková, Janka, ed.</text>
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              <text>mea sac 35:77.</text>
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                <text>Harry Bailly: Chaucer's Critic?</text>
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                <text>Through Harry Bailly in CT, Chaucer explores the literary tastes of his new audience.  Although the Host's interpretations of Chaucer's tales are usually wrong-headed, Chaucer uses the Host to suggest appropriate audience reactions to various medieval literary forms.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Richardson, Thomas C.</text>
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          </elementTextContainer>
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          <name>Published</name>
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            <elementText elementTextId="2741740">
              <text>Laura C. Lambdin and Robert T. Lambdin, eds.  Chaucer's Pilgrims: An Historical Guide to the Pilgrims in the "Canterbury Tales".  (Westport, Conn.; and London: Greenwood, 1996), pp. 324-39.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2741741">
              <text>1996</text>
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            <elementText elementTextId="2741742">
              <text>Chaucer's Pilgrims: An Historical Guide to the Pilgrims in "The Canterbury Tales."</text>
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            <elementText elementTextId="2741744">
              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996), 137</text>
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                <text>Harry Bailly: Chaucer's Innkeeper</text>
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                <text>Characterizes the Host by examining the social history of his profession as an innkeeper and its possible associations with prostitution.  In his interactions with other pilgrims,the Host reveals a "desire to be entertained with merry stories" and an obsession with male sexuality.</text>
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            <elementText elementTextId="2831984">
              <text>Groves, Beatrice.</text>
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              <text>Beatrice Groves, Literary Allusion in "Harry Potter" (New York: Routledge, 2017), pp. 38-59. </text>
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            <elementText elementTextId="2831987">
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Pardoner and His Tale</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2831989">
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          <element elementId="50">
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              <elementText elementTextId="2831982">
                <text>Harry Potter's Medieval Hallows: Chaucer and the "Gawain"-Poet.</text>
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              <elementText elementTextId="2831983">
                <text>Argues that the most "tempting objects" in J. K. Rowling's "Deathly Hallows" derive in part from the girdle in "Sir Gawain and the Green Knight"; the "thirty pieces of silver that persuade" the biblical Judas to betray Jesus; and the "deadly pile of gold" in PardT, the latter being the "direct source" of the Rowling chapter titled "Tale of the Three Brothers," with variants derived from the "Buddhist folk tradition" and fairy tales.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2805424">
              <text>Harward, Vernon.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
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              <text>Studies in Scottish Literature 10 (1972): 48-50.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2805426">
              <text>1972</text>
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            <elementText elementTextId="2805428">
              <text>Troilus and Criseyde</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2805430">
              <text>Studies in Scottish Literature 10 (1972)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805431">
              <text>mea; 12/18/2015 No SAC</text>
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          <element elementId="50">
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                <text>Hary's 'Wallace' and Chaucer's 'Troilus and Criseyde'</text>
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            <elementTextContainer>
              <elementText elementTextId="2805427">
                <text>Argues that Troilus's wooing and loss of Criseyde in TC influenced the depiction of Wallace's wooing and loss of the Bradefute maiden in Hary's "Wallace."</text>
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  <item itemId="267302" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Foster, Edward E.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2753552">
              <text>Chaucer Review 34: 398-409,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753553">
              <text>2000</text>
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              <text>Tale of Melibee.</text>
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          <elementTextContainer>
            <elementText elementTextId="2753556">
              <text>Chaucer Review 34 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (304)</text>
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                <text>Chaucer possibly intended for Mel to be a take-it-or-leave-it kind of work. Its storyline was extremely familiar in the fourteenth century, and its very presence within CT made a statement. Mel is a tale to be known rather than read, both by Chaucer's audience and by audiences today.</text>
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              <text>Kano, Koichi.</text>
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              <text>The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 69-86.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Has the Absurd in the "Wife of Bath's Tale" Been Solved?: With Special Reference to the Citation of Classical Works.</text>
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              <elementText elementTextId="2850874">
                <text>Interprets WBT as a story in which the knight finally accepts the absurdity caused by himself, persuaded by the old woman's words citing classical works. In Japanese.</text>
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            <elementText elementTextId="2813520">
              <text>Shimonaga, Yuki.</text>
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        <element elementId="98">
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            <elementText elementTextId="2813521">
              <text>Koichi Kano, ed. Through the Eyes of Chaucer:  Essays in Celebration of the 20th Anniversary of Society for Chaucer Studies (Kawasaki: Asao Press, 2014), pp. 100-10.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2813522">
              <text>2014</text>
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              <text>Through the Eyes of Chaucer:  Essays in Celebration of the 20th Anniversary of Society for Chaucer Studies.</text>
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          <name>Chaucer Subject</name>
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              <text>Parson and His Tale</text>
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              <text>mea; 2/19/2017 SAC 38:195</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2813519">
                <text>Hasteth yow; the sonne wole adoun': Unfair Treatment of the 'Parson's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Points to the position of ParsT as the last tale of CT, and discusses reasons for this placement by taking into account Harry Bailly's attitude  toward the Parson, the meaning of evening time, and Chaucer's adoption of prose rather  than verse for this tale. In Japanese.</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832970">
              <text>Fyler, John M.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2832971">
              <text>Critical Survey 30.2 (2018): 20-50.</text>
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            <elementText elementTextId="2832972">
              <text>Critical Survey 30 (2018)</text>
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              <text>Merchant and His Tale</text>
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              <text>mea; SAC 42:153</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832975">
              <text>2018</text>
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          <element elementId="50">
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                <text>Hateful Contraries in "The Merchant's Tale." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832969">
                <text>Argues that the narrator in MerT "augments the malignity of the tale itself by debunking all idealism and mocking its naiveté, but in his blindness and rhetorical ineptitude points to a sordid reality that he fails to gloss over." Yet, the tale reveals a "psychologically healthy middle ground outside the experience of the narrator or his characters, where body and soul, real and ideal, experience and innocence meet."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797887">
              <text>Fumo, Jamie C.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797888">
              <text>Chaucer Review 46 (2011): 20-38.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2797889">
              <text>2011</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2797892">
              <text>Chaucer Review 46 (2011).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2797893">
              <text>mea sac 35:150.</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2797886">
                <text>Hating Criseyde: Last Words on a Heroine from Chaucer to Henryson</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2797890">
                <text>Expressions of hatred of Criseyde belie a persistent love for her and thus motivate new attempts at telling her story. In this way, hatred serves as "a sign of dispossession" of Criseyde "that invites repossession by the next author."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778797">
              <text>Perkins, Nicholas.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778798">
              <text>Chaucer Review 43 (2008): 103-39.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778799">
              <text>2008</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2778801">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778803">
              <text>Chaucer Review 43 (2008).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833739">
              <text>vxl SAC 32:60.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2778796">
                <text>Haunted Hoccleve? The Regiment of Princes, the Troilean Intertext, and Conversations with the Dead</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2778800">
                <text>Hoccleve's authorial identity develops through "borrowings and echoes" derived from TC: "Boethian  dialogue; diseased language; and gendered subjects." These allusions work as conjurings--understood as both invocation and exorcism--of the "spectral Chaucerian corpus."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
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            <elementText elementTextId="2853972">
              <text>Heor, Woo Ree.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Ph.D. dissertation (City University of New York, 2023), Dissertation Abstracts International A84.11(E). Freely accessible at https://academicworks.cuny.edu/gc_etds/5372 (accessed January 31, 2025).</text>
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              <text>viii, 158 pp.</text>
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              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2853978">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853970">
                <text>Haunting at Troy: Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853971">
                <text>Identifies a "dichotomy of fascination and revulsion towards Troy" in several Middle English narratives, and argues that in TC and Henryson's "Testament of Cresseid," Criseyde "signifies the repeated theme of loss and treachery inherent in the medieval concept of Trojanness."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844752">
              <text>Vial, Claire.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2844754">
              <text>Naugrette, Jean-Pierre, ed.&#13;
Lanone, Catherine, ed..</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844757">
              <text>SAC 45:103</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844758">
              <text>2020</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850944">
              <text>Jean-Pierre Naugrette and Catherine Lanone, eds. Le temp qu'il fait dans la littérature et les artes du monde anglophone / What's the Weather Like in Anglophone Literature and Art (Paris: Honoré Champion, 2020), pp. 57-70.</text>
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          <description/>
          <elementTextContainer>
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              <text>Le temp qu'il fait dans la littérature et les artes du monde anglophone&#13;
What's the Weather Like in Anglophone Literature and Art</text>
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            <description>A name given to the resource</description>
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                <text>Having a Heatwave? Of Chaucer's Invention of Spring, the Inconveniences of Falling Asleep in the Sun, and Why a Warm Bed's Best for the Winter.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844751">
                <text>Examines "inner and outer landscapes in relation with the seasons" in three works of medieval literature, including articulation of the aesthetic pleasure evoked at the beginning of GP, effected through Chaucer's thematic range and use of "every single known rhetorical convention of his time regarding spring and the opening of a narrative." Other topics include summer in "Sir Launfal" and winter in "Sir Gawain and the Green Knight." Includes an abstract in French.</text>
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          </element>
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