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              <text>Schmitz, Gotz.</text>
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              <text>R. F. Yeager, ed.  John Gower, Recent Readings Kalamazoo:  Medieval Institute Publications, Western Michigan University), pp. 95-111.</text>
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        <element elementId="114">
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              <text>1989</text>
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              <text>John Gower, Recent Readings: Papers Presented at the Meetings of the John Gower Society at the International Congress on Medieval Studies, Western Michigan University, 1983-1988.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>House of Fame.</text>
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              <text>Legend of Good Women.</text>
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        <element elementId="109">
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              <text>jules SAC 13 (1991), no.94</text>
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                <text>Gower, Chaucer, and the Classics: Back to the Textual Evidence</text>
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                <text>Examines classical sources for HF, LGW.</text>
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              <text>Scanlon, Larry.</text>
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              <text>Russell A. Peck and R. F. Yeager, eds. John Gower: Others and the Self (Cambridge: D. S. Brewer, 2017), pp. 156-82.</text>
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              <text>John Gower: Others and the Self</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
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              <text>SAC 41:53</text>
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        <element elementId="114">
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              <text>2017</text>
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                <text>Gower, Lydgate, and Incest.</text>
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                <text>Argues that "alone of the three 'fathers of English poesy [Chaucer, Gower, and Lydgate],' Gower openly grapples with an acute awareness of the cultural centrality of a concept that extends from a betrayal of love's intimacy to social, political, and even poetic, dysfunction." Concludes that "Gower's exploration of incest posed a problem that Chaucer felt impelled to address, and that Lydgate felt impelled to try to solve." In exploring the divergences between Gower and Chaucer, regards Gower's examination of incest as "fuller and more searching," and Chaucer's treatment--as addressed in MLH, MLT, and ClT--as falling on the side of "dominant repression."</text>
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              <text>Staley, Lynn.</text>
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        <element elementId="98">
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              <text>Speculum 75: 68-96,   2000.</text>
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        <element elementId="114">
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              <text>Chaucer's Life.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Legend of Good Women.</text>
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        <element elementId="100">
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            <elementText elementTextId="2754900">
              <text>Speculum 75 (2000)</text>
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              <text>jules SAC 24 (189)</text>
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              <elementText elementTextId="2754892">
                <text>Gower, Richard II, Henry of Derby, and the Business of Making Culture</text>
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            <description>An account of the resource</description>
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                <text>English political poetry of the 1380s and 1390s was deeply marked by the self-image of the monarch, which shifted about the time of the Merciless Parliament (1388), as Richard II became more experienced and less playful. Chaucer's PF and revision of LGWP, Gower's rededication of "Confessio Amantis," and Clanvowe's "Boke of Cupide" reflect the shift. Events of 1390-94 indicate John of Gaunt's efforts to establish a court culture through which his son, Henry of Derby, could claim a dynasty.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2709247">
              <text>Bennett, J. A. W.</text>
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        <element elementId="98">
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              <text>J. A. W. Bennett.  The Humane Medievalist (Rome: Edizioni di Storia e Letteratura; Wolfeboro, N.H.: Boydell &amp; Brewer, 1982), pp. 49-66.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1982</text>
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        <element elementId="108">
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            <elementText elementTextId="2709250">
              <text>The Humane Medievalist.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2709252">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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              <text>jules SAC 11 (60)</text>
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                <text>Gower's 'Honest Love'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2709251">
                <text>Defends Gower's "Confessio Amantis," with brief allusions to Chaucer's BD, ParsT, GP, and TC.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2715046">
              <text>Fischer, Olga C. M.</text>
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        <element elementId="98">
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              <text>English Studies 66 (1985): 205-25.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1985</text>
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        <element elementId="102">
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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        <element elementId="109">
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              <text>jules SAC 09 (149)</text>
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                <text>Gower's 'Tale of Florent' and Chaucer's 'Wife of Bath's Tale': A Stylistic Comparison</text>
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                <text>The two tales have a common ancestor, but the very different motives of the Confessor and of the Wife are reflected in the language texture.  Gower's style complements his vision of order and harmony; WBT is more vivid, dramatic, and suspensful.</text>
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          <elementTextContainer>
            <elementText elementTextId="2822282">
              <text>Burrow, J. A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2822283">
              <text>Cristina Maria Cervone and D. Vance Smith, eds. Readings in Medieval Textuality: Essays in Honour of A. C. Spearing (Cambridge: D. S. Brewer, 2016), pp. 157-68.</text>
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        <element elementId="108">
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              <text>Readings in Medieval Textuality.</text>
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        <element elementId="102">
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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              <text>2016</text>
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                <text>Gower's "Confessio Amantis" and Chaucer's "Canterbury Tales" as "Dits."</text>
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                <text>Argues that CT and Gower's "Confessio Amantis" take the form of French "dit" poems. Claims that both works fit the genre because they have "sufficient 'dit'-like features." </text>
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              <text>Gastle, Brian.</text>
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              <text>vxl sac 34:217</text>
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                <text>All of the recensions of the Prologue to "Confessio Amantis"--especially the Ricardian recension--reflect Gower's economic concerns. His Tale of Florent also engages commercial concerns, particularly those of marital contracts, although to a lesser extent than does Chaucer's WBT.</text>
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              <text>Kim, Chong-Ai.</text>
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              <text>Legend of Good Women.</text>
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              <elementText elementTextId="2747518">
                <text>Gower's Good Women: 'Confessio Amantis'</text>
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                <text>Compares the treatment of women in "Confessio Amantis" and LGW.  In each case, the frame of the poem and the male-authored perspective disallow true praise of women.</text>
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                <text>In Korean.</text>
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              <text>Williams, Deanne.</text>
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              <text>Ananya Jahanara Kabir and Deanne Williams, eds. Postcolonial Approaches to the European Middle Ages: Translating Cultures (Cambridge: Cambridge University Press, 2005), pp. 127-50.</text>
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              <text>Postcolonial Approaches to the European Middle Ages: Translating Cultures.</text>
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              <text>Williams, Deanne, ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>House of Fame.</text>
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              <text>Monk and His Tale.</text>
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              <text>vxl sac 29:52</text>
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                <text>Compares Nebuchadnezzar in Gower's "Confessio Amantis" with his depictions in Chaucer's HF and MkT.</text>
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              <text>Pearsall, Derek.</text>
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              <text>PMLA 81 (1966): 475-84.</text>
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          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General&#13;
Wife of Bath and Her Tale&#13;
Legend of Good Women</text>
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              <elementText elementTextId="2820183">
                <text>Gower's Narrative Art.</text>
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                <text>  &#13;
Assesses Gower's virtues and achievements as a narrative poet rather than as a moralist in "Confessio Amantis," occasionally comparing and contrasting his techniques and accounts with analogous ones by Chaucer. Considers the frame of LGW to be inferior to Gower's in the "Confessio," which "released" Gower's narrative potential, much as the frame of CT did for Chaucer. Prefers Gower's accounts of Thisbe, Lucrece, and Philomela to those in LGW, but gauges Gower's tale of Florent, though successful, to be less sophisticated than WBT. &#13;
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                  <text>Chaucer Bibliography Online</text>
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              <text>Galloway, Andrew.</text>
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          <elementTextContainer>
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              <text>Annette Harder, Alasdair A. MacDonald, and Gerrit J. Reinink, eds. Calliope's Classroom: Studies in Didactic Poetry from Antiquity to the Renaissance (Dudley, Mass.: Peeters, 2007), pp. 245-67.</text>
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        <element elementId="114">
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              <text>Calliope's Classroom: Studies in Didactic Poetry from Antiquity to the Renaissance.</text>
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          <elementTextContainer>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Manciple and His Tale.</text>
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              <text>vxl SAC 31:40</text>
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                <text>Gower's Quarrel with Chaucer, and the Origins of Bourgeois Didacticism in Fourteenth-Century London Poetry</text>
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                <text>Chaucer and Gower compete in seeking to articulate political and moral ideals. Whereas Gower endorses "communal governance of the ideology of self-interest," Chaucer explores a less certain "ideal union" among political, moral, and personal forms of absolutism. Galloway examines PhyT, the tale of Lucrece (LGW), and ManT in relation to their analogues in Gower's Confessio Amantis and discusses these medieval outlooks as adumbrations of theories of John Locke and Thomas Hobbes.</text>
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              <text>Correale, Robert M.</text>
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        <element elementId="98">
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              <text>R. F. Yeager, ed. John Gower: Recent Readings. Papers Presented at the Meetings of the John Gower Society at the International Congress on Medieval Studies, Western Michigan University, 1983-1988 (Kalamazoo, Mich.: Medieval Institute Publications, 1989), 133-57.</text>
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              <text>John Gower: Recent Readings. Papers Presented at the Meetings of the John Gower Society at the International Congress on Medieval Studies, Western Michigan University, 1983-1988.</text>
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              <text>Man of Law and His Tale</text>
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            <elementText elementTextId="2785366">
              <text>Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2785363">
                <text>Tabulates correspondences between Gower's Tale of Constance ("Confessio Amantis" 2.587-1598) and available manuscripts of Trevet's Anglo-Norman original, seeking to identify Gower's source manuscript. Includes recurrent attention to Chaucer's MLT, its source manuscript, and the relations among the three versions of the Constance story.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814938">
              <text>Ito, Masayoshi.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814939">
              <text>Studies in English Literature (Tokyo) 46 (1969): 29-44.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814940">
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          <name>Chaucer Subject</name>
          <description/>
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              <text>Studies in English Literature (Tokyo) 46 (1969)</text>
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              <text>mea; 04/07/2016 No SAC</text>
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              <text>John Gower, The Medieval Poet</text>
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                <text>Gower's Use of 'Rime Riche' in 'Confessio Amantis'--As Compared with His Practice in 'Mirour de L'Omme' and with the Case of Chaucer</text>
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                <text>Analyzes "rime riche" (identical rhyme) in Gower's poetry, focusing on the "abundance" of rime-riche couplets in "Confessio Amantis," and discussing a number of points of comparison and contrast with Chaucer's practice in his verse. Revised version: Gower's Use of "Rime Riche" in "Confessio Amantis." John Gower, The Medieval Poet (Tokyo: Shinozaki Shorin, 1976), pp. 214-31.&#13;
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2812834">
              <text>Yeager, R. F.</text>
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        <element elementId="98">
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            <elementText elementTextId="2812835">
              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 144-53.</text>
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        <element elementId="114">
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            <elementText elementTextId="2812836">
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          <elementTextContainer>
            <elementText elementTextId="2812837">
              <text>Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek Brewer.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2812839">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2812840">
              <text>Miller and His Tale</text>
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            <elementText elementTextId="2812841">
              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2812842">
              <text>Shipman and His Tale</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2812844">
              <text>mea; 2/14/2017 SAC 38:37</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2812833">
                <text>Gowerian Laughter</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2812838">
                <text>Primarily discusses medieval humor in Gower, yet addresses how Gower's  and Chaucer's humorous characters are female.  Looks at Criseyde in TC, Alison in WBT, the merchant's wife in ShT, and Alisoun in MilT.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2806622">
              <text>Wetherbee, Winthrop.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806623">
              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 13-22.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2806624">
              <text>2013</text>
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            <elementText elementTextId="2806625">
              <text>Interpretation and Performance: Essays for Alan Gaylord.</text>
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            <elementText elementTextId="2806627">
              <text>Troilus and Criseyde</text>
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              <text>Language and Word Studies</text>
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              <text>Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806630">
              <text>mea SAC 37:171</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2806621">
                <text>Grace and Place in 'Troilus and Criseyde'</text>
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                <text>The key rhyming pair place and grace appears several times in TC, notably at the center of the poem. Up to the moment of the lovers' consummation, both words have a positive, sometimes spiritual connotation and intensity, but after that passage each term becomes associated with materiality rather than the ideal.</text>
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  <item itemId="273088" public="1" featured="0">
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          <elementTextContainer>
            <elementText elementTextId="2813711">
              <text>Laskaya, Anne.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813712">
              <text>Claire Vial, ed.  'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays (2014): n.p. (web publication).</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2813713">
              <text>2014</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813714">
              <text>'Gode is the lay, swete is the note': Résonances dans les lais bretons moyen-anglais / Echoes in the Middle English Breton Lays.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2813716">
              <text>Franklin and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813717">
              <text>mea; 2/21/2017 SAC 38:163</text>
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              <elementText elementTextId="2813710">
                <text>Graftings, Reweavings and Interpretation: The Auchinleck Middle English Breton Lays in Manuscript and Edition</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2813715">
                <text>Includes the argument that the material context of FranT must be considered as a relevant framework for reading Middle English Breton lays.</text>
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  <item itemId="265764" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2737418">
              <text>Wheeler, Bonnie.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737419">
              <text>Poetica: An International Journal of Linguistic Literary Studies (Tokyo) 44 (1995): 13-22.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2737420">
              <text>1995</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2737422">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2737423">
              <text>Poetica: An International Journal of Linguistic Literary Studies 44 (1995)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737424">
              <text>jules SAC 19 (1997) - 47.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737417">
                <text>Grammar, Genre, and Gender in Geoffrey Chaucer and Murasaki Shikibu</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737421">
                <text>Chaucer and Murasaki Shikibu, author of "Genji Monogatari," share a number of literary features:  a commitment to vernacular expression, grammatically and stylistically open texts, celebration of generic variety, and preoccupation with the female gender and its relations with power.</text>
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  <item itemId="265080" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730472">
              <text>Olsson, Kurt.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730473">
              <text>Modern Philology 76 (1978): 1-17.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730474">
              <text>1978</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2730476">
              <text>Monk and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730477">
              <text>Modern Philology 76 (1978)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2730478">
              <text>jules SAC 02 (197)</text>
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              <elementText elementTextId="2730471">
                <text>Grammar, Manhood, and Tears: The Curiosity of Chaucer's Monk</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2730475">
                <text>Chaucer's hedonist monk tells unexpectedly conservative tales.  But his "accessus" and first four tales betray him as a "grammaticus" bent on "curiositas," evoked by hunting (Augustine) and "vagatio" (Peter Damian).  The rest define "what is man" by an inverted Boethian progress through tearful spectacles satisfying "curiositas."</text>
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  <item itemId="273209" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814917">
              <text>G[reaves], P[aul].</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814918">
              <text>Menston, England: Scolar, 1969.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814919">
              <text>1969</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2814920">
              <text>n.p.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2814921">
              <text>"Vocabula Chauceriana."</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814923">
              <text>Language and Word Studies</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814924">
              <text>English Linguistics 1500--1800 (A Collection of Facsimile Reprints).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814925">
              <text>mea; 04/07/2017 No SAC</text>
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                <text>Grammatica Anglicana, 1594</text>
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                <text>Facsimile reproduction of Greaves' grammar (1594), which was the second grammar of English to be printed; includes as an appendix a six-page "Vocabula Chauceriana," the first glossary of Chaucer's lexicon.</text>
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              <text>Welna, J.</text>
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              <text>Studia Anglica Posnaniensia 35: 43-51,   2000.</text>
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              <text>Language and Word Studies.</text>
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              <text>Studia Anglica Posnaniensia 35 (2000).</text>
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              <text>jules SAC 24 (126)</text>
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                <text>Grammaticalization in Early English</text>
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            <description>An account of the resource</description>
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                <text>Surveys words (e.g., "very") that shift from lexical to grammatical function. Includes several citations of Chaucer.</text>
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              <text>Renevey, Denis.</text>
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Traduire au Moyen Age 14 (2018)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
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Parliament of Fowls&#13;
Complaint of Venus&#13;
Complaint of Mars</text>
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                <text>Grandson in the World: From the Pays de Vaud to Edward III's Court.</text>
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                <text>Clarifies the biography of Oton de Grandson (here "Othon"), particularly his role as "one of the leading knight-poets of his time," exploring how his status inflected his influence on other writers, including Chaucer. Chaucer's lower social status disallowed direct imitation of the suffering "I-voice" of courtly knight-poets, affecting the narratorial stance in BD, PF, and Ven (a "loose translation" of Oton's "Cinq balades ensuyvans"). Also explores relations between the Valentine's Day tradition in Oton and in Mars and PF.</text>
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              <text>Smallwood, Philip.</text>
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              <text>Queen Anne and the Arts.</text>
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              <elementText elementTextId="2829946">
                <text>Great Anna's Chaucer: Pope's "January and May" and the Logic of Settlement.</text>
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            <description>An account of the resource</description>
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                <text>Explores Alexander Pope's "transformation" of MerT in his "January and May," focusing on his "reading of Chaucer," and his poem's "consonance with the time of Queen Anne." Also comments more generally on Pope's reception and uses of Chaucer's narratives, including instances where he can be seen to be "out-Chaucering Chaucer."</text>
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              <text>Noble, Thomas F. X.</text>
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              <text>Chantilly, Va.: Teaching Company, 2004.</text>
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              <text>Audio-visual recording. 2 DVDs (approx. 6 hrs.). 1 booklet; 76 pp.</text>
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              <text>Literature of the Middle Ages</text>
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              <text>Chaucer's Life</text>
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              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2795618">
              <text>Great Courses: Literature &amp; English Language, no. 2100.</text>
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                <text>Great Authors of the Western Literary Tradition. Part III: Literature of the Middle Ages</text>
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            <description>An account of the resource</description>
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                <text>Includes two thirty-minute audio-visual recordings of lectures (nos. 35 and 36) on "Geoffrey Chaucer--Life and Works" and "Geoffrey Chaucer--'The Canterbury Tales'." The first surveys Chaucer's life and works; the second describes CT, with attention to variety of genres and unanswered questions. The booklet that accompanies the discs includes an outline of the lectures and several "Questions to Consider" (pp. 56-64).</text>
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              <description>A name given to the resource</description>
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              <text>Weisberg, Henry B., ed.</text>
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            <elementText elementTextId="2823622">
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              <text>General Prologue to the Canterbury Tales&#13;
Facsimiles, Editions, and Translations</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Great Poetry of the English Language: Geoffrey Chaucer to Emily Dickinson.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Includes a modernization of GP (pp. 3-34) in regularized rhymed iambic pentameter.&#13;
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2815299">
              <text>Ormond, Richard and Leonee.</text>
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            <elementText elementTextId="2815300">
              <text>London: H. M. S. O., 1969.</text>
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            <elementText elementTextId="2815302">
              <text>51 pp.; b&amp;w illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Chaucer's Life</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 04/17/2017 No SAC</text>
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          <element elementId="50">
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                <text>Great Poets</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2815303">
                <text>Reproduces portraits or busts of twenty-four English poets, from Chaucer to T. S. Eliot, held in England's National Portrait Gallery, with a very brief biography and short selection of poetry for each. The portrait of Chaucer is labeled as "By an unknown artist, after Occleve," accompanied by a paragraph about Chaucer's life, and a quotation of TC 5.1835-48. Also describes Thomas Hoccleve's portrait of Chaucer as "the only authentic image of the poet" and quotes the section of Hoccleve's "De Regimine Principum" where his portrait of Chaucer appears in the British Museum manuscript.</text>
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