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              <text>Phillips, Susan Elizabeth.</text>
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              <text>Dissertation Abstracts International 60 (1999): 4004A,   1999.</text>
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              <text>Language and Word Studies.</text>
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              <text>House of Fame.</text>
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              <text>Parson and His Tale.</text>
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              <text>Shipman and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 24 (115)</text>
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                <text>Gossip's Work : The Problems and Pleasures of Not-So-Idle Talk in Late Medieval England</text>
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                <text>Gossip, its meaning shifting from idle woman to idle talk, was treated as sinful and suspect in much clerical literature, including ParsT. Gossip in HF, WBP, and ShT provided Chaucer not only narrative techniques but also a method of experimentation with narrative. Phillips analyzes other works, especially Dunbar's.</text>
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              <text>Brewer, Derek.</text>
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              <text>Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 1-32.</text>
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              <text>Geoffrey Chaucer. Writers and their Background.</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea 02/06/2013 No SAC</text>
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                <text>Gothic Chaucer</text>
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                <text>Exemplifies a variety of "inconsistencies and discontinuities" in Chaucer's works, particularly CT, presenting them as typical of the poet's "Gothic" aesthetics and consistent with contemporaneous art and the "complex cultural pluralism" of his age," which is described here.  Juxtaposition, opposition, paradox, inorganic disunity, and fusion of genres (especially "anatomy" and romance) are more typical of Chaucer's art than of his contemporaries and are characteristic of his depictions of women, religion, and the responsibilities of the artist.</text>
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              <text>Yamaguchi, Eriko.</text>
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              <text>Eigo Seinen 146.8: 502-04,   2000.</text>
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          <name>Date</name>
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            <elementText elementTextId="2754487">
              <text>2000</text>
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              <text>"Sen no keiren: Chōsā no kabe."</text>
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              <text>Eigo Seinen (Tokyo) 146 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (224)</text>
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                <text>Gothic Folds in Chaucer's Canterbury Tales</text>
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                <text>Analyzes three types of pleats or folds in CT: graceful or classical drapings of the cloak of the Prioress; artificial folds "pynched" on her wimple, characteristic of Gothic art; and "wyndynge," which the Parson reproaches as a waste of cloth and which anticipates Baroque fashion.</text>
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            <elementText elementTextId="2694248">
              <text>Jordan, Robert M.</text>
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        <element elementId="98">
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              <text>Michio Kawai, ed.  Language and Style in English Literature: Essays in Honour of Michio Masui.  The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 96-107.</text>
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        <element elementId="114">
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              <text>1991</text>
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            <elementText elementTextId="2694251">
              <text>Language and Style in English Literature: Essays in Honour of Michio Masui.</text>
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        <element elementId="109">
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              <text>mea.</text>
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                <text>Gothic Rhetoric in Edifices of Word and Stone</text>
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            <description>An account of the resource</description>
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                <text>Gothic aesthetic combines opposing propensities for regularity and embellishment.  These features are manifest in Dante's Commedia, while CT is more irregular and improvisatory.</text>
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              <text>Binski, Paul.</text>
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              <text>New Haven: Yale University Press, 2013.</text>
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              <text> ix, 454 pp.; b&amp;w and color illus.</text>
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              <text>House of Fame&#13;
Background and General Criticism</text>
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                <text>Gothic Wonder: Art, Artifice and the Decorated Style, 1290--1350.</text>
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                <text>Describes and illustrates the "visual arts as a whole" in late medieval England. The index records some twenty references to Chaucer, including a section on HF (pp. 345–48) that shows that "the two largest passages of writing about architecture at the end of the [fourteenth] century are found in HF and that its lexicon mediate[s] between verbal and visual craft."</text>
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              <text>Mandel, Jerome.</text>
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              <text>Chaucer Review 10 (1976): 316-25.</text>
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              <text>1976</text>
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              <text>Physician and His Tale.</text>
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              <text>Chaucer Review 10 (1976)</text>
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              <text>jules - 26/9/94 SAC 1 (154)</text>
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                <text>Governance in the 'Physician's Tale'</text>
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                <text>PhyT treats appearance and reality, fraud and honesty at the individual, familial, political, and cosmic levels of governance.  Virginius' pardon of Claudius can be seen as an act that, on the cosmic level, affirms God's charitable governance and returns a chaotic world to its highest order.</text>
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            <elementText elementTextId="2741919">
              <text>Chaucer Review 30 (1996): 379-88.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2741920">
              <text>1996</text>
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            <elementText elementTextId="2741922">
              <text>Cook and His Tale.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Chaucer Review 30 (1996)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 20 (1998), 157</text>
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              <elementText elementTextId="2741917">
                <text>Governing the 'Cook's Tale' in Bodley 686</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2741921">
                <text>By adding forty-five lines in "quasi-Langlandian" alliterative personification allegory to CkT, the Bodley scribe creates a second distinctive narrative voice that competes with Chaucer's own.  The deliberate moral ending "governs" both Perykn and Chaucer, who left "some badly-spun text threatening to unravel."</text>
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            <elementText elementTextId="2813035">
              <text>Carlson, David R.</text>
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        <element elementId="98">
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              <text>Modern Language Review 109 (2014): 931-52.</text>
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        <element elementId="114">
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            <elementText elementTextId="2813037">
              <text>2014</text>
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            <elementText elementTextId="2813039">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2813040">
              <text>Book of the Duchess</text>
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              <text>House of Fame</text>
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              <text>Modern Language Review 109 (2014)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2813043">
              <text>mea; 2/16/2017 sac 38:28</text>
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                <text>Gower Agonistes and Chaucer on Ovid (and Virgil)</text>
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          <element elementId="41">
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              <elementText elementTextId="2813038">
                <text>Argues that Gower was "emulous and rivalrous," and eager to better the work of Ovid, Chaucer, and even his own early poetry. Compares Chaucer's use of the Ovidian tale of Ceyx and Alcyone, in BD and HF, with Gower's use of the same material in the "Visio Anglie" and in the final "Confessio Amantis" reuse of the Ceyx and Alcione matter. Concludes that Gower's mastery of Latin writers, especially of Ovid, was greater than Chaucer's.</text>
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              <name>Title</name>
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              <text>Bertolet, Craig E.</text>
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            <elementText elementTextId="2797076">
              <text>R. F. Yeager and Brian W. Gastle, eds. Approaches to Teaching the Poetry of John Gower (New York: Modern Language Association, 2011), pp. 83-90.</text>
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        <element elementId="114">
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            <elementText elementTextId="2797077">
              <text>2011</text>
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          <elementTextContainer>
            <elementText elementTextId="2797078">
              <text>Approaches to Teaching the Poetry of John Gower.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797080">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2797081">
              <text>mea sac 35:74.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2797074">
                <text>Gower and 'The Canterbury Tales': The Enticement to Fraud</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2797079">
                <text>Offers recommendations for teaching Gower in relation to Chaucer's CT.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276995" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Carlson, David R.</text>
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        <element elementId="98">
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              <text>Toronto: Pontifical Institute of Mediaeval Studies, 2021.</text>
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          <elementTextContainer>
            <elementText elementTextId="2848282">
              <text>[xi], 345 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2848283">
              <text>Studies and Texts, no. 226.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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        <element elementId="114">
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            <elementText elementTextId="2848286">
              <text>2021</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2848278">
                <text>Gower and Anglo-Latin Verse.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850831">
                <text>Chapter 3, "Gower and Estates Satire before Chaucer," includes brief mention of Chaucer in situating and analyzing Gower's uses of estates satire in his "Mirour de l'Omme," "Vox Clamantis," and Confessio&#13;
Amantis.</text>
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  </item>
  <item itemId="271935" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2801657">
              <text>Yeager, R. F.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801658">
              <text>Esther Cohen, Leona Toker, Manuela Consonni, and Otniel E. Dror, eds. Knowledge and Pain (New York: Rodopi, 2012), pp. 43-62.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801659">
              <text>2012</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801660">
              <text>Knowledge and Pain.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2801661">
              <text>Cohen, Esther, ed.</text>
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            <elementText elementTextId="2801662">
              <text>Toker, Leona, ed.</text>
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            <elementText elementTextId="2801663">
              <text>Consonni, Manuela, ed.</text>
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            <elementText elementTextId="2801664">
              <text>Dror, Otniel E., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2801666">
              <text>Physician and His Tale</text>
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            <elementText elementTextId="2801667">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801668">
              <text>mea SAC 36:174</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2801656">
                <text>Gower and Chaucer on Pain and Suffering: Jepte's Daughter in the Bible, the 'Physician's Tale' and the 'Confessio Amantis'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801665">
                <text>Unlike their biblical source, Chaucer's and Gower's allusions to Jephthah's daughter indicate concern with pain and emotional suffering. Also considers the illustration in Pierpont Morgan Library, MS M.126 that accompanies Gower's tale of Virginia in "Confessio Amantis."</text>
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  <item itemId="271468" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2796859">
              <text>McKinley, Kathryn L. &#13;
</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796860">
              <text>James G. Clark, Frank Thomas Coulson, and Kathryn L. McKinley, eds. Ovid in the Middle Ages (Cambridge: Cambridge University Press, 2011), pp. 197-230.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796861">
              <text>2011</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796863">
              <text>Ovid in the Middle Ages.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796864">
              <text>Clark, James G., ed.&#13;
Coulson, Frank Thomas, ed.&#13;
McKinley, Kathryn L., ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2796868">
              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Manciple and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea SAC 35:28' mea 10/23/20</text>
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              <elementText elementTextId="2796858">
                <text>Gower and Chaucer: Readings of Ovid in Late Medieval England.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2796867">
                <text>Briefly surveys uses of Ovid in late-medieval England, and compares Chaucer's and John Gower's engagements with Ovid's works and moralized version of them. Focuses on creative uses of Ovid in Gower's "Vox Clamantis" (Book 1),  in the Pyramus and Thisbe and the Theseus and Ariadne narratives in LGW and Gower's "Confessio Amantis," and in ManT and the analogous account in Gower's "Confessio."</text>
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              <name>Title</name>
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          <elementTextContainer>
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              <text>Gastle, Brian.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831878">
              <text>In Ana Sáez-Hidalgo, Brian Gastle, and R. F. Yeager, eds. The Routledge Research Companion to John Gower (New York: Routledge, 2017), pp. 296-310. </text>
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          <elementTextContainer>
            <elementText elementTextId="2831879">
              <text>The Routledge Research Companion to John Gower.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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                <text>Discusses John Gower's "Visio Anglie" as a departure from his usual compositional style and from his other treatments of the Revolt. Argues that specific depictions carry out a mimetic reenactment of the Revolt, rejecting the notion that Chaucer's "moral Gower" (TC, V.1856) was wholly concerned with pedantry, and asserting that "Visio Anglie" fully realizes themes present in Gower's earlier work.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Edwards comments on several features of Takamiya MS 32, which "provides the only significant narrative conjunction of the works of Chaucer and Gower": quire numbering and arrangement of materials indicate that the Gower material was "selected by the prospective purchaser" and that the production of the manuscript was "unsystematic."</text>
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              <text>Oliveira, Maria do Carmo Correia de.</text>
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              <text>"And gladly wolde (s)he lerne and gladly teche": Homenagem a Júlia Dias Ferreira.</text>
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              <text>Barbudo, Maria Isabel, ed.</text>
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                <text>Gower saúda Chaucer em Português: um excerto do Livro do Amante (Palacio, Ms. II-3088)</text>
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              <text>Axton, Richard.</text>
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              <text>Ruth Morse and Barry Windeatt, eds.  Chaucer Traditions: Studies in Honour of Derek Brewer (Cambridge: Cambridge University Press, 1990), pp.21-38.</text>
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                <text>Dr. Johnson called Gower "Chaucer's master."  But who is creditor and who is debtor?  The two poets allude to each other's work and appear to be mutually indebted; also, they share a large body of common stories, themes, and forms in their works.  Gower's late turning to English to "speke...of love" in "Confessio Amantis" is most significant evidence of Chaucer's influence on him.</text>
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              <text>Dimmick, Jeremy.</text>
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              <text>Review of English Studies 57 (2006): 456-73.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl sac 30:62</text>
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                <text>Gower, Chaucer and the Art of Repentance in Robert Greene's 'Vision'</text>
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                <text>Greene uses Chaucer and Gower to represent licentious comedy and moral literature, respectively. In manipulating the debate between the medieval authors, Greene displays subtle awareness not only of his own literary persona but also of the authorial self-projections of Gower and Chaucer.</text>
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              <text>Kennedy, Edward Donald.</text>
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              <text>Mediaevalia 16 (1993, for 1990): 55-90.</text>
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              <text>1990</text>
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                <text>Gower, Chaucer, and French Prose Arthurian Romance</text>
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                <text>Both Gower and Chaucer limit their use of Arthurian material to brief allusions, although Gower's allusions are more numerous, specific, and morally serious than are Chaucer's. Chaucer's allusions in WBT, PF, HF, LGW, SqT, Th, NPT, and Ros suggest that he cared little for Arthurian romance.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dean, James.</text>
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              <text>Studies in Philology 88 (1991): 251-75.</text>
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              <text>1991</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Studies in Philology 88 (1991).</text>
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                <text>Gower, Chaucer, and Rhyme Royal</text>
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                <text>In his rhyme-royal poetry, Gower adapted Chaucerian techniques as well as techniques from his own French seven-line poetry. Dean reviews Cinkante balades, Traitie pour essampler les amantz marietz, In Praise of Peace, and Amans's "supplicacioun" from Confessio Amatis 8.</text>
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              <text>Kuczynski, Michael P.</text>
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              <text>Susannah Mary Chewning, ed. Studies in the Age of Gower: A Festschrift in Honour of R. F. Yeager (Cambridge: D. S. Brewer, 2020), pp. 173-88.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Compares Genius of Gower's "Confessio Amantis" with Chaucer's Parson of CT in order to disclose Gower's "views concerning priests," arguing that both characters are idealized models of "proper pastoral care" and, perhaps, the result of conversations between the poets about the "responsibilities&#13;
of the secular clergy."</text>
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