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              <text>The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 40-56.</text>
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                <text>Considers the evil of indulgences through comparisons between PardT and its East Asian analogues. In Japanese.</text>
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                <text>Interprets WBT as a story in which the knight finally accepts the absurdity caused by himself, persuaded by the old woman's words citing classical works. In Japanese.</text>
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              <text>The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 217-30.</text>
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                <text>Argues that George Eliot inherits the way of communicating sorrows from KnT. In Japanese.</text>
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                <text>Presents debates surrounding intersection of art and paleography and the transmission of Middle English manuscripts. Focuses on CT manuscripts and research devoted to Gower, Langland, Hoccleve, and Chaucer. Argues that "scholars attend to how scribes may or may not signal a sense of their particularity and amenability to identification through the traces of their hand on the page."</text>
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              <text>Manuscripts and Textual Studies&#13;
Aneledia and Arcite&#13;
Book of the Duchess&#13;
House of Fame&#13;
Parliement of Fowls&#13;
Complaint of Mars&#13;
Complaint of Venus&#13;
Troilus and Criseyde&#13;
Chaucerian Apocrypha</text>
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                <text>Combines feminist critical awareness, reception studies, and codicology to explore the construction of Chaucer as "womanis frend" in fifteenth-century manuscript compilations, studying the intertextualities of English and French works, including Anel, BD, HF, PF, Mars, Venus, and TC; works by Machaut, Froissart, Gower, Hoccleve, Pizan, Lydgate, Chartier, Shirley; Chaucerian apocrypha; and more, showing how they reflect awareness of the "female hermeneutic dilemma," i.e., whether to respond to courtly masculine gallantry with belief or skepticism. Focuses on MSS Gg.4.27, Cosin V.ii.13, Additional 16165 and Trinity R.3.20, Tanner 346, and Fairfax 16.</text>
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                <text>The Reception of Chaucer's Shorter Poems, 1400-1450: Female Audiences, English Manuscripts, French Contexts.</text>
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              <text>Dase, Kyle, and Nicole Atkings.</text>
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              <text>2021</text>
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                <text>"Pacience Is an Heigh Vertu": Managing the Canterbury Tales Project via Textual Communities.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847440">
                <text>Describes the use of the online text-editing platform Textual Communities in ongoing developments of the Canterbury Tales Project, clarifying advantages and limitations of using such a platform, and offering advice for future changes to the project and similar endeavors</text>
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              <text>Gilbert, Jane, and Sara Harris. </text>
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              <text>Orietta Da Rold and Elaine Treharne, eds. The Cambridge Companion to Medieval British Manuscripts (Cambridge: Cambridge University Press, 2020), pp. 149-78.</text>
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              <text>Cambridge Companion to Medieval British Manuscripts</text>
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              <text>Treatise on the Astrolabe&#13;
Language and Word Studies</text>
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              <elementText elementTextId="2847430">
                <text>The Written Word: Literacy across Languages.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847431">
                <text>Includes discussion of Astr in showing that "vernacular pride" in late medieval England was "more inclusive than exclusive of other languages and cultures." Stresses the "practical utility" of Astr and how English achieves "dignity" by association with astronomical study.</text>
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              <text>Da Rold, Orietta, and Elaine Treharne, eds. </text>
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              <text>Cambridge: Cambridge University Press, 2020.</text>
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              <text>xiii, 319 pp.; 23 b&amp;w illus.</text>
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Manuscripts and Textual Studies</text>
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              <elementText elementTextId="2847421">
                <text>The Cambridge Companion to Medieval British Manuscripts.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847422">
                <text>Thirteen essays by various writers on the Hows, Whys, and Wheres of studying medieval manuscripts, with an Introduction by the editors, A Guide to Further Reading, an index of manuscripts, and a comprehensive index. For two essays that pertain to Chaucer, search for Cambridge Companion to Medieval British Manuscripts under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Crick, Julia, and Daniel Wakelin.</text>
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              <text>Orietta Da Rold and Elaine Treharne, eds. The Cambridge Companion to Medieval British Manuscripts (Cambridge: Cambridge University Press, 2020), pp. 49-75.</text>
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              <text>Cambridge Companion to Medieval British Manuscripts</text>
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Parliament of Fowls</text>
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              <elementText elementTextId="2847413">
                <text>Surveys late medieval insular scripts, and discusses evident efforts to imitate anglicana formata in a stanza inserted into the roundel of PF in Cambridge University Library, MS Gg.4.27--added by a scribe who seems to have been "more accustomed to secretary script."</text>
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              <text>Mosser, Daniel W.</text>
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              <text>Margaret Connolly, Holly James-Maddocks, and Derek Pearsall, eds. Scribal Cultures in Late Medieval England: Essays in Honour of Linne R. Mooney (York: York Medieval Press), pp. 285-311.</text>
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              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General&#13;
Bibliographies, Reports, and Reference</text>
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              <elementText elementTextId="2847404">
                <text>When Is a "Canterbury Tales Manuscript" Not Just a "Canterbury Tales Manuscript"?</text>
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              <elementText elementTextId="2851958">
                <text>Anatomizes the contents of CT manuscripts, i.e., "some 240 Middle English verse texts, 65 Middle English prose texts, 16 Latin prose texts, 10 Latin verse texts, and a single French verse text" that accompany some or all of the CT in one or more manuscripts. Includes two appendices: I (arranged by sigil) tabulates manuscripts, incunables, and textual families of CT; II (arranged by title alphabetically) tabulates texts other than CT contained in CT manuscripts</text>
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              <text>Margaret Connolly, Holly James-Maddocks, and Derek Pearsall, eds. Scribal Cultures in Late Medieval England: Essays in Honour of Linne R. Mooney (York: York Medieval Press), pp. 312-28.</text>
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Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
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                <text>Describes the role of Stephan Batman (c. 1542–84) in producing Cambridge, Trinity College, MS R.3.15 (which includes CT), observes how the manuscript aligns with contemporaneous printed editions of Chaucer by Thynne and Stow, and explores how Batman's interventions in the manuscript's texts reflect early modern interests and concerns.</text>
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Pearsall, Derek, ed.&#13;
Green, Daryl.</text>
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                <text>Thirteen essays on paleography, codicology, and manuscript studies in late medieval England, with emphasis on location and scribal identity, accompanied by an introduction (by Connolly), a personal tribute (by Pearsall), a list of Mooney's publications (by Daryl Green), and a comprehensive index. For two essays that pertain to Chaucer, search for Scribal Cultures in Late Medieval England under Alternative Title.</text>
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Adam Scriveyn&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde</text>
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                <text>Offers "a general introduction to manuscript studies for readers whose particular interests lie in medieval literature," commenting on material concerns, paleography, decoration and illustration, codicology, and principles of manuscript description, along with a glossary of terms, suggestions for further reading, and eleven case studies of individual manuscripts from Bede to the N-Town Plays. Chaucer is a recurrent concern, from an opening consideration of Adam and its implications to two case studies: one of the Ellesmere manuscript of the CT; the other of Huntington Library, MS HM 114, which includes TC, among other texts.</text>
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              <text>Bordalejo, Barbara, and Adam Alberto Vázquez</text>
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              <text>Digital Medievalist 14, special issue (2021), 46 pp.</text>
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                <text>Compares "manual and computer-assisted approaches to collation methods," drawing examples from the texts of TC, CT, Dante's "Commedia," and the Greek New Testament. Argues for full-text rather than selected-text analysis, the importance of variant distribution, and the need to avoid a-priori decisions, preferring computer-assisted techniques over manual ones.</text>
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              <text>Bordalejo, Barbara.</text>
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              <text>Digital Medievalist 14, special issue (2021). 36 pp.</text>
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                <text>Well-Behaved Variants Seldom Make the Apparatus: Stemmata and Apparatus in Digital Research.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847364">
                <text>Describes "computer-assisted methods for the analysis of textual variation within large textual traditions," clarifying phylogenetic methods, the goal of maximum parsimony, software decisions and usage, variant management, and the crucial importance of editorial decision-making." Illustrative examples drawn from the Canterbury Tales Project.</text>
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              <text>Bitner, Kendall, and Kyle Dase.</text>
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                <text>A Macron Signifying Nothing: Revisiting the Canterbury Tales Project Transcription Guidelines.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847355">
                <text>Explains the "necessary compromises and more efficient practices" that underlie changes to the original transcription principles of the Canterbury Tales Project, offering illustrative examples, and emphasizing the goal of making textual materials readily available, rather than a new edition per se.</text>
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              <text>Ph.D. Dissertation .The University of Texas at Austin, 2022.&#13;
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              <elementText elementTextId="2847346">
                <text>Putting Together the Pieces: Excerpts from Rolle, Gower, Chaucer, and Lydgate in Fifteenth-Century Miscellanies.</text>
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            <description>An account of the resource</description>
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                <text>S]urveys manuscripts excerpting Chaucer's "Canterbury Tales," Rolle's "Commentary on the Song of Songs," Lydgate's "Fall of Princes," and Gower's&#13;
"Confessio amantis' . . . [showing how] [t]hese manuscripts display a fifteenth-century attitude to authorship that re-shapes modern assumptions about canon formation and the laureation of Chaucer."</text>
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              <text>Zawadzki, Jared, trans.&#13;
Sienczyk, Maciej, illus.</text>
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              <text>Katowice: Biblioteka Slaska, 2022.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
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                <text>Opowiesci Kanterberyjskie.</text>
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              <text>Witcher, Heather Bozant.</text>
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              <text>Cambridge: Cambridge University Press, 2022.</text>
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                <text>Collaborative Writing in the Long Nineteenth Century: Sympathetic Partnerships and Artistic Creation.</text>
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                <text>Chapter 4--"Typographical Adventures: William Morris, Community, and the Kelmscott Press"--includes discussion of the "sympathetic collaboration" (a concept theorized by William Morris) between Edward Burne-Jones and Robert Catterson-Smith in producing illustrations for the Kelmscott Chaucer. Focuses on ClT.</text>
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              <text>Treharne, Elaine, and Claude Willan.</text>
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              <text>Stanford, Calif.: Stanford University Press, 2020.</text>
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              <text> xii, 207 pp.; 66 illus.</text>
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              <text>Willan, Claude.</text>
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              <text>SAC 46:32</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2020</text>
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                <text>Text Technologies: A History.</text>
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                <text>Introduces the study of text technologies, explaining concepts, providing history, and offering case studies. Among the latter is a brief study of the Kelmscott Chaucer as a text that "was created specifically to have a particular aura" in various ways and for various reasons. Also reproduces a sample illustration from Caxton's CT (London, British Library, G.11586), with questions for analysis or discussion.</text>
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              <text>Syme, Alison.</text>
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              <text>Nancy Rose Marshall, ed. Victorian Science and Imagery: Representation in Nineteenth-Century Visual Culture (Pittsburgh: University of Pittsburgh Press, 2021), pp. 56-78.</text>
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                <text>"All that Is Solid Melts into Air": Burne-Jones, Glaciation, and the Matter of History.</text>
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                <text>Focuses on Edward Burne-Jones's illustration of HF in the Kelmscott Chaucer (1896) to show "that Burne-Jones was attuned to the scientific discourse of his time," arguing that the book "provided the context and impetus to visualize, in distilled form, some of the complex relationships between natural change and human activity that his contemporaries were beginning to consider."</text>
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              <text>Štrmelj, Lidija.</text>
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              <text>Časopis za Književnost, Kulturu i Književno Prevođenje / A Journal of Literature, Culture and Literary Translation 12 (2021). 27 pp.</text>
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              <text>Časopis za Književnost, Kulturu i Književno Prevođenje 12 (2021)&#13;
A Journal of Literature, Culture and Literary Translation 12 (2021)</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Miller and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="114">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847305">
                <text>Compares conceptual metaphors in MilT and in its Croatian translation by Luko Paljetak (1986) in order to determine which metaphors are "conventional in both languages and cultures." In Croatian, with an English abstract.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851250">
                <text>Chaucerove metafore u prijevodu Luke Paljetka: Kognitivna studija.&#13;
[Chaucer's Metaphors in Luko Paljetak's Translation: A Cognitive Study].</text>
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              <text>Perry, Ryan, intro.</text>
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            <elementText elementTextId="2847299">
              <text>London: Flame Tree, 2019.</text>
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            <elementText elementTextId="2847300">
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            <elementText elementTextId="2847301">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2847302">
              <text>SAC 46:29</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2847303">
              <text>2019</text>
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              <elementText elementTextId="2847296">
                <text>Canterbury Tales.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847297">
                <text>Item not seen. WorldCat record notes that "This edition is based on the second edition of The complete works of Geoffrey Chaucer, edited by&#13;
the Rev. Walter W. Skeat, 1900 (Oxford)," with a "new introduction."</text>
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