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              <text>Sáez-Hidalgo, Ana, and R. F. Yeager</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>"Avant la lettre": Philip Perry, Reconversionist Aesthetics, and the Medieval Literary.</text>
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                <text>Posits that Philip Perry, an eighteenth-century priest and early practitioner of medievalism, was a pioneer in using original sources, among them Chaucer. Perry's unpublished notebooks contain detailed information on many medieval writers and their work, including Gower, Lydgate, Julian of Norwich, Margery Kempe, and others. Focuses on the fact that Perry believed Chaucer, like Langland, was a satirist of Church practices, not a heretical writer.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>234 pp.</text>
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              <text>Studies in English Medieval Language and Literature.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion&#13;
Romaunt of the Rose&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Troilus and Criseyde</text>
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                <text>Love and Virtue in Middle English and Middle Scots Poetry.</text>
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                <text>Considers relations between moral virtue and courtly love in a variety of Chaucer's works and Scottish Chaucerian works, analyzing a series of pairings--Rom and William Dunbar's "Golden Targe," Chaucer's Boethian poems and "The Kingis Quair," HF and Gavin Douglas's "The Palis of Honoure," PF and Dunbar's "The Thrissill and the Rois," and TC and Robert Henryson's "Testament of Cresseid"--that comprise a study of love and virtue in Chaucer's works and his influence on early Scottish literature.</text>
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              <text>Rogers, Will.</text>
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              <text>Leeds: Arc Humanities, 2021.</text>
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              <text>vii, 149 pp.</text>
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              <text>Borderlines.</text>
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              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 46:171</text>
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              <text>2021</text>
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                <text>Writing Old Age and Impairments in Late Medieval England.</text>
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                <text>Opens with commentary on oldness in KnT, MilT, and RvT, and proceeds to assess old age as a source "of debility and impairment as well as authority and veneration" in Scog, Adam, the Reeve's description in GP, RvPT, and WBT. Disability studies and narrative as prosthesis recur as concerns in analyzing these works along with "Parlement of the Thre Ages"; "Wynnere and Wastoure"; Hoccleve's "Regiment of Princes" and "La male regle", and Caxton's printings of them; and the role of Gower in Shakespeare's "Pericles."</text>
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              <text>Roger, Euan, and Andrew Prescott</text>
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              <text>Chaucer Review 57 (2022): 498-526.</text>
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              <text>Prescott, Andrew.</text>
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              <text>Chaucer Review 57 (2022)</text>
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              <text>Background and General Criticism&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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              <text>SAC 46:170</text>
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              <text>2022</text>
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                <text>The Archival Iceberg: New Sources for Literary Life-Records.</text>
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            <description>An account of the resource</description>
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                <text>Highlights the amount of potential material in The National Archives as compared to more traditional repositories for high-value manuscripts. Considers approaches to find and use this material with new examples for Chaucer, Gower, and Skelton.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Richmond, Andrew M.</text>
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              <text>New York: Cambridge University Press, 2021.</text>
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              <text>ix, 287 pp.</text>
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              <text>Cambridge Studies in Medieval Literature, no. 116.</text>
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              <text>Background and General Criticism&#13;
Man of Law and His Tale&#13;
Franklin and His Tale</text>
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                <text>Landscape in Middle English Romance: The Medieval Imagination and the Modern World.</text>
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                <text>Studies "ways in which medieval British romances conceived of ecological contexts" and identifies a "range of economic, religious, and social values attached to landscape"--hills and mines; seashores and beaches; and foreign, domestic, and fantastic territories--in a wide variety of popular romances and in "Sir Gawain and the Green Knight." Includes ecocritical comments on the "seashore as a space for play and false narrative" in FranT and a space of economic possibility and exploitation in MLT.</text>
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              <text>Reid, Lindsay Ann, and Rachel Stenner.</text>
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              <text>Comparative Drama 55 (2021): 127-37.</text>
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              <text>Stenner, Rachel.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:168</text>
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                <text>Introduction: Chaucerian Resonances in Early Modern Drama, Shakespeare and Beyond.</text>
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                <text>Assesses and combines various attempts to define Chaucerian "resonance" as a term of intertextuality and the reception of Chaucer; also summarizes each of the twelve essays included in this special number of Comparative Drama. For summaries of the essays, search for Comparative Drama 55 under Journal by Volume Number.</text>
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                <text>Describes and assesses NEH K-12 Seminars for high school teachers pertaining to CT and held in London, 2008–14; reflects on 2014 legislation that discontinued funding for such programs held outside the USA; and encourages future collaboration between university and secondary school educators.</text>
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                <text>The Middle English Lyrics in Their European Context.</text>
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                <text>Examines "Middle English lyric writing before and after Chaucer, assessing its evolving relationship to the Continent" and interactions between sacred and secular within the genre. Analyzes Chaucer's (and his successor's") uses of French lyric formes fixes, and assesses the "cross-fertilizations" of courtly sentiments, religious verse, and liturgy in Middle English lyrics.</text>
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Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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                <text>Shows how Chaucer's life and literature were "embedded in European contexts," even as he "ostentatiously displays the Englishness of his poetry." Comments generally on Continental and English aspects of Chaucer's style and content, and examines how they combine in the details, form, and matter of WBPT, characterizing the Wife herself as, in many ways, "a product of north-western Europe specifically, rather than Europe as a whole."</text>
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              <text>Radulescu, Raluca, and Sif Ríkharðsdóttir, eds.</text>
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              <text>xx, 479 p.p.; 12 illus</text>
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              <text>Ríkharðsdóttir, Sif, ed.</text>
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                <text>The Routledge Companion to Medieval English Literature.</text>
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            <description>An account of the resource</description>
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                <text>Thirty-seven essays by various authors on the forms, borders, networks, writers, and texts of medieval English, along with modern critical approaches, with an introduction by the editors (on "Trans-European and Global Contexts"), a timeline, and comprehensive index. For two essays that pertain to Chaucer, search for The Routledge Companion to Medieval English Literature under Alternative Title.</text>
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              <text>Quinn, William A.</text>
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              <text>English Studies 102 (2021)</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Boece&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Wife of Bath and Her Tale&#13;
Tale of Melibee&#13;
Second Nun and Her Tale&#13;
Manciple and His Tale</text>
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                <text>Chaucer, Arguing "in good feyth."</text>
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              <elementText elementTextId="2850810">
                <text>Explores Chaucer's attitude toward the Boethian notion that "right reasoning alone should guarantee rhetorical success." Mirrored in Chaucer criticism and inflected by issues of gender and point of view, "objectivity," effective persuasion, and literary intention are, for Chaucer, largely matters of an audience's predispositions. Assesses these concerns in Bo, WBP, ManT, TC, SNT, Mel, and PF, and comments on poststructuralist and feminist approaches to Chaucer studies.</text>
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              <text>Quinlan, Heather E.</text>
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              <text>Canton, Mich.: Visible Ink, 2020.</text>
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              <text>xvii, 397 pp.; illus.</text>
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              <text>Chaucer's Life&#13;
Pardoner and His Tale</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 46:164</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2848616">
              <text>2020</text>
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              <elementText elementTextId="2848609">
                <text>Plagues, Pandemics and Viruses: From the Plague of Athens to COVID-19.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850811">
                <text>Introduces medical, historical, sociological, and literary aspects of various infectious human diseases, including addiction, illustrated with sidebar facts, literary examples, and photographs and reproductions. A chapter on "The Black Death" includes a brief life of Chaucer--with a photograph of his statue (and bas-relief of pilgrims on its plinth) in Canterbury, by Sam Holland and Lynne O'Dowd, erected in 2016--and commentary on CT, especially the Pardoner and his Tale.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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              <text>Petracca, Eugene Anthony.</text>
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          <description/>
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Dissertation Abstracts International A81.11(E).</text>
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Book of the Duchess</text>
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Franklin and His Tale&#13;
Manciple and His Tale&#13;
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                <text>Engages several literary and anthropological theories of gifts, and addresses related motifs of reciprocity, generosity, promising, and exchange in medieval English texts, especially romances. Individual chapters assess "King Horn"/"Horn Childe" narratives, the Auchinleck manuscript and "Sir Gawain and the Green Knight," KnT and TC (gifts, gender, pledging, and praying), FranT and ManT (promises, speech acts, bodies, and the unpredictability of exchange), and Lydgate's "Troy Book" as a narrative of gifts and as a gift book in Manchester, John Rylands Library, MS English 1.</text>
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Knight and His Tale</text>
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                <text>Part of Paravicini's three-volume study of the crusades against Lithuania undertaken by the Teutonic order, focusing on literary backgrounds to the chivalric imagination underlying the crusades. Includes evidence of tensions between crusading and courtly ideals, quoting the GP description of the Knight and passages from KnT, FranT, MkT, Th, and BD, each with German translation.</text>
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              <text>Modern Language Review 115 (2020): 497-517.</text>
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Canterbury Tales--General&#13;
Miller and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Is the Audience Dead Too? Textually Constructed Audiences and Differentiated Learning in Medieval England.</text>
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                <text>Explores how writers and audiences in medieval England "approached textually constructed audiences," considering evidence from rhetorical theory, readers' comments, and "signs of adaptation undertaken by authors, correctors, and scribes." Concentrates on confessional manuals and religious instruction, but includes comments on CT and the ways it depicts "narrators grappling" with diverse audiences, particularly in MilP and CYT.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 293–95.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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                <text>#NotAllMen: In Conversation with Lucia Akard and Samantha Katz Seal.</text>
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            <description>An account of the resource</description>
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                <text>Personal response to two essays concerning medieval female consent in light of a rape in London in 2021; both essays are included in this volume of "Studies in the  Age of Chaucer."</text>
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Broyles, Paul A.&#13;
Pearman, Tory A.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Man of Law and His Tale&#13;
Wife of Bath and Her Tale&#13;
Merchants and His Tale</text>
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            <elementText elementTextId="2848558">
              <text>SAC 46:158</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2848559">
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                <text>Medieval Disability Sourcebook: Western Europe</text>
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              <elementText elementTextId="2848552">
                <text>Anthologizes a wide array of medieval texts that pertain to disability studies, each with an introduction and apparatus by individual contributors. Entries include Historical and Medical Documents, Religious Texts, Poetry, Prose, Drama, and visual Images. The Poetry section includes Middle English editions, with notes and glosses, of MerT (Moria Fitzgibbons), MLT (Paul A. Broyles), and the GP description of the Wife of Bath, with WBPT (Tory V. Pearman). The volume includes a General Introduction by the editor and a Thematic Table of Contents.</text>
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              <text>New Chaucer Studies: Pedagogy and Profession 3 (2022): 55-61.</text>
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        <element elementId="114">
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Former Age&#13;
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Franklin and His Tale&#13;
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                <text>Identifies three ways to illuminate female friendship in CT, disclosing "identity of feeling" among women (Custance, the Sultaness, and Hermengild in MLT), "enclaves . . . afforded by misogynistic discourses" (the Wife, her gossip, and female community in WBPT), and "surprises and resistances . . . possible in the mise-en-scène of female empathy" (Canacee and the falcon in SqT). Considers criteria of female friendship posed by Virginia Woolf and film-critic Alison Bechdel</text>
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                <text>Collects twelve essays that celebrate friendship among women in medieval literature, with an Introduction by the editors, an Afterword by Penelope Anderson, and a cumulative Index. For two essays that pertain to Chaucer, search for Women's Friendship in Medieval Literature under Alternative Title.</text>
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Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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                <text>Uses Paul Ricoeur's "theory of narrative identity" to explore various aspects of Chaucer's poetry, including issues of female agency in FranT, ClT, and TC; racialized narratives and white identity in CT; Chaucer's "talking-animal poetry"; and "poetic subjectivity" in his dream poems and in the Host's question to Chaucer as narrator, "What man artow?", in ThP.</text>
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Miller and His Tale&#13;
Reeve and His Tale&#13;
Cook and His Tale&#13;
Chaucerian Apocrypha</text>
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            <description>An account of the resource</description>
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                <text>Anthologizes seventeen essays by Knight, "written over several decades focused on the social and political contexts of medieval literature," three previously unpublished, one of which pertains to Chaucer: Chapter 14, "Chaucer's Fabliaux and Late Medieval Structures of Feeling." It shows ways in which "socio-political challenge" is a "key element" in Chaucer's uses of the fabliau genre, assessing the forms and structures of challenge in MilT, RvT, CkT, and the apocryphal "Tale of Gamelyn," with briefer comments on fabliau elements and socio-political challenge elsewhere in CT.</text>
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