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                  <text>Chaucer Bibliography Online</text>
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              <text>Sundwall, McKay.</text>
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              <text>Review of English Studies 26 (1975): 313-17.</text>
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              <text>Review of English Studies 26 (1975).</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules - 22/9/94 SAC 1 (43)</text>
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                <text>'The Destruction of Troy', Chaucer's 'Troilus and Criseyde', and Lydgate's 'Troy Book'</text>
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                <text>Inclusion of Diomede's taking Criseyde's rein, original with Chaucer, dates "The Destruction of Troy" after 1385-87.  A probable compression of Lydgate's reference to TC suggests a date after 1420 and closer to Luttrell's dating of the alliterative poem.</text>
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              <text>Marshall, Joseph.</text>
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            <elementText elementTextId="2793117">
              <text>Medieval Perspectives 22 (2007): 60-72.</text>
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              <text>2007</text>
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              <text>Shipman and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Tale of Melibee</text>
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              <text>Parson and His Tale.</text>
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              <text>Medieval Perspectives 22 (2007)</text>
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              <text>mea 8/1/2013 No SAC</text>
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                <text>'The devel have part on alle swich rekenynges: The Augustinian Argument about Wealth and Wisdom in Chaucer's 'Shipman's Tale'</text>
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                <text>Argues that Chaucer seeks to persuade the audience of ShT to "use money wisely" by exposing the fallacy of equating wisdom and wealth and by following St. Augustine's arguments about wealth (that are also echoed in Mel and ParsT). This helps to justify the references to Augustine in ShT.</text>
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              <text>Grigsby, Bryon Lee.</text>
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              <text>Dissertation Abstracts International 60: 4419A,   2000.</text>
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              <text>2000</text>
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              <text>Background and General Criticism.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Summoner and His Tale.</text>
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              <text>Dissertation Abstracts International 60 (2000)</text>
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              <text>jules SAC 24 (157)</text>
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                <text>'The Doctour Maketh This Descriptioun' : The Moral and Social Meanings of Leprosy and Bubonic Plague in Literary, Theological, and Medical Texts of the English Middle Ages and Rena</text>
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                <text>In the Christian Middle Ages, epidemics were perceived as punishment for spiritual sin, though bubonic plague became so widespread as to seem apocalyptic. Grigsby treats "Pricke of Conscience," "Amis and Amiloun," the York Cycle "Moses and Pharaoh," Gower, Chaucer (SumT, PardT), and Henryson, concluding with a discussion of syphilis in Renaissance literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bloomfield, Josephine.</text>
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              <text>Essays in Medieval Studies 20: 125-33. ,   2003.</text>
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              <text>2003</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2763416">
              <text>Parliament of Fowls.</text>
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              <text>House of Fame.</text>
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            <elementText elementTextId="2763418">
              <text>Essays in Medieval Studies 20 (2003)</text>
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        <element elementId="109">
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              <text>vxl SAC 27:46</text>
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                <text>'The Doctrine of These Olde Wyse': Commentary on the Commentary Tradition in Chaucer's Dream Visions</text>
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                <text>In LGWP, PF, and HF, Chaucer absorbs several conventions and concerns from the commentaries that he used as sources, thereby suggesting that his audience was familiar not only with traditional texts but also with the commentaries on them.</text>
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            <elementText elementTextId="2764827">
              <text>Massey, Jeff.</text>
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        <element elementId="98">
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              <text>Chaucer Review 38: 16-35,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764829">
              <text>2003</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2764832">
              <text>Chaucer Review 38 (2003)</text>
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        <element elementId="109">
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              <text>vxl SAC 27: 286</text>
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              <elementText elementTextId="2764826">
                <text>'The Double Bind of Troilus to Tellen': The Time of the Gift in Chaucer's Troilus and Criseyde</text>
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                <text>TC exhibits a notable conflict between gift and not-gift economics--between ideal giving and practical commodity exchange. The rules of courtly love, ostensibly designed to ennoble the lover and enable "true" love, in practice disallow unconditional giving and reduce true love to commodity. The theories of Mauss and Derrida can profitably be applied to this text.</text>
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  <item itemId="270001" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Koppelman, Kate.</text>
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          <elementTextContainer>
            <elementText elementTextId="2781332">
              <text>Tison Pugh and Marcia  Smith Marzec,eds. Men and Masculinities in Chaucer's "Troilus and Criseyde"  (Cambridge: D.S. Brewer, 2008), pp. 97-114.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2781333">
              <text>2008</text>
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          <elementTextContainer>
            <elementText elementTextId="2781334">
              <text>Men and Masculinities in Chaucer's "Troilus and Criseyde."</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>vxl SAC 32:311.</text>
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              <elementText elementTextId="2781330">
                <text>'The Dreams in Which I'm Dying': Sublimation and Unstable Masculinities in Troilus and Criseyde</text>
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                <text>Criseyde is the "fullest subjectivity" in TC. Her resistance to Troilus's fantasy demonstrates the "constructed nature of masculinity" as shifting and dependent posturing. Koppelman explores Criseyde's confrontations with the "opaque network" of systems of signification that her role as courtly lady entails.</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742167">
              <text>Wynne-Davies, Marion.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742168">
              <text>Marion Wynne-Davies. Women and Arthurian Literature: Seizing the Sword (New York: St. Martin's, 1996), pp. 14-35.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742169">
              <text>1996</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742170">
              <text>Women and Arthurian Literature: Seizing the Sword.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742172">
              <text>Wife of Bath and Her Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742173">
              <text>jules SAC 20 (1998), 182</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742166">
                <text>'The Elf-queen, with Hir Joly Compaignye': Chaucer's 'Wife of Bath's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742171">
                <text>While the Wife of Bath's character is proto-feminist, the rape of the maiden and the submission of the woman at the end of WBT point to a dominate patriarchal attitude.  By embedding Arthurian myth into WBT and presenting the Wife as a fictional character, Chaucer scrutinizes gender relations without threatening the patriarchal system</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784571">
              <text>Burton, T. L.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784572">
              <text>Essays in Criticism 31 (1981): 282-98.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784573">
              <text>1981</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2784575">
              <text>Tale of Sir Thopas</text>
            </elementText>
            <elementText elementTextId="2784576">
              <text>Miller and His Tale</text>
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            <elementText elementTextId="2784577">
              <text>Merciles Beaute</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784578">
              <text>Essays in Criticism 31 (1981)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784579">
              <text>mea 01/02/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784570">
                <text>'The Fair Maid of Ribblesdale' and the Problem of Parody</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2784574">
                <text>Argues that internal evidence (meter, repetitiveness, exaggeration, etc.) is sufficient to establish that "The Fair Maid of Ribblesdale" is a parody, comparing examples drawn from the poem to similar ones in Chaucer's MercB, MilT, and, especially, Thop.</text>
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  </item>
  <item itemId="265314" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732813">
              <text>Snyder, Cynthia Lockard.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732814">
              <text>David Chamberlain, ed. New Readings of Late Medieval Love Poems (Lanham, Md.; New York; and London: University Press of America, 1993), pp. 145-71.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732815">
              <text>1993</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732816">
              <text>New Readings of Late Medieval Poems.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732818">
              <text>Chaucerian Apocrypha.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2732819">
              <text>jules SAC 17 (277)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2732812">
                <text>'The Floure and the Leafe': An Alternative Reading</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2732817">
                <text>Thought to be the work of Chaucer until the 1870s and long read largely for its style, "The Floure and the Leafe" is an ironic allegory warning readers not to "succumb to the deceptions that have befallen both the Flower and the Leaf." The details and allusions of the poem indicate that it encourages rejection of Fortune.</text>
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  </item>
  <item itemId="265961" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739524">
              <text>Pearsall, Derek.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739525">
              <text>Studies in the Age of Chaucer 17 (1995): 69-78.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739526">
              <text>1995</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739528">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2739529">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739530">
              <text>Studies in the Age of Chaucer 17 (1995)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739531">
              <text>jules SAC  19 (1997) - 232</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739523">
                <text>'The Franklin's Tale,' Line 1469: Forms of Address in Chaucer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739527">
                <text>Surveys the use of the vocative, "thou" and "you" forms, and other "unadorned" forms of address in Chaucer's works to argue that in FranT Arveragus adopts an authoritative tone in sending Dorigen to meet Aurelius to fulfill her promise.</text>
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  </item>
  <item itemId="265088" public="1" featured="0">
    <collection collectionId="8">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730545">
              <text>Ross, Gordon N.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730546">
              <text>Notes and Queries 223 (1978): 156.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730547">
              <text>1978</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2730549">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730550">
              <text>Notes and Queries 223 (1978)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730551">
              <text>jules SAC 02 (171)</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730544">
                <text>'The Franklin's Tale' and 'The Tempest'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730548">
                <text>FranT line 5(F).1204 equals "The Tempest" 4.1, "our revels now are ended."</text>
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  </item>
  <item itemId="269612" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777325">
              <text>Haas, Kurtis B.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777326">
              <text>Journal of English and Germanic Philology 106 (2007): 45-63.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777327">
              <text>2007</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777329">
              <text>Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777330">
              <text>Journal of English and Germanic Philology 106 (2007)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777331">
              <text>vxl SAC 31:238</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2777324">
                <text>'The Franklin's Tale' and the Medieval Trivium: A Call for Critical Thinking</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825839">
                <text>Dorigen and Arveragus of FranT "demonstrate . . . deficiency in the cognitive skills inculcated by the medieval trivium," making them "vulnerable to the Orleans clerk's corruptions of the quadrivium." Weak critical thinking undermines their ability to behave ethically, and FranT exposes a society in which "elementary reasoning skills have been lost to pseudoscience and thickheaded versions of chivalric honor."</text>
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  </item>
  <item itemId="264001" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720061">
              <text>Kanno, Masahiko.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720062">
              <text>Studies in Foreign Languages and Literatures (Aichi) 19 (1983):85-98.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720063">
              <text>1983</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720066">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720067">
              <text>Studies in Foreign Languages and Literatures 19 (Aichi University of Education, 1983)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720068">
              <text>jules SAC 07 (175)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2720060">
                <text>'The Franklin's Tale'--Aurelius's 'gentillesse'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2720064">
                <text>At first lacking in "gentillesse," Aurelius knows how to insist u0pon his rights, but in the latter half of FranT, he is transformed into a gentle squire.</text>
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                <text>In spite of an appearance as a tragedy, the tale by the sanguine Franklin quickly arrives at the conclusion of a happy exemplum.  It is the narrator himself who most keenly enjoys the tale.</text>
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                <text>In Japanese.</text>
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                <text>'The Franklin's Tale': A Story of Unanswered Questions</text>
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                <text>Chaucer moves away from the Catholic concept of love, which abhors adultery.  FranT is a happy tale in spite of the serious unanswered questions about God and life and love.</text>
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        <element elementId="114">
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              <text>jules SAC 07 (159)</text>
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                <text>'The Friar's Tale' as a Liminal Tale</text>
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                <text>Folklorists describe liminal tales as experiences that are part of a rite of passage from one realm of experience to another.  Viewed thus, FrT assumes new complexities:  it reflects the total pilgrimage experience of CT.</text>
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            <elementText elementTextId="2707774">
              <text>Bela, Teresa.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2707775">
              <text>Jan Nowakowski, ed.  Litterae et Lingua: In Honorem Premislavi Mroczkowski (Wroclaw: Pol. Akad. Nauk, 1984), pp. 51-55.</text>
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        <element elementId="114">
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        <element elementId="102">
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        <element elementId="109">
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              <text>jules SAC 12 (162)</text>
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                <text>'The Friar's Tale' Reconsidered</text>
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                <text>FrT is a tale warning Chaucer's audience about the stupidity of sin.  The Friar tells a story of a foolish summoner who gives in to at least three of the deadly sins.  Stupidity, not wickedness, leads the Summoner to hell.</text>
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              <text>Gross, Charlotte.</text>
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          <name>Published</name>
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              <text>David Raybin and Linda Tarte Holley, eds. Closure in The Canterbury Tales: The Role of The Parson's Tale (Kalamazoo: Medieval Institute Publications, Western Michigan University, 2000), pp. 177-97.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753229">
              <text>2000</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
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              <text>Closure in The Canterbury Tales: The Role of The Parson's Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Language and Word Studies.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 24 (330)</text>
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                <text>'The Goode Wey' : Ending and Not-Ending in The Parson's Tale</text>
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                <text>ParsT ends CT but does not bring transcendent closure to the work. In various ways--including several verb forms and other variations from Pennaforte's "Summa"--ParsPT reaffirm temporality rather than asserting eternality; they focus attention not on eschatology but on the "quotidian time of the Chaucerian audience."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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              <text>Flahiff, Frederick T.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Figures in a Ground: Canadian Essays in Modern Literature Collected in Honor of Sheila Watson. (Saskatoon: Western Producer Prairie, 1978), pp. 87-98.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2727607">
              <text>1978</text>
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              <text>Figures in a Ground: Canadian Essays in Modern Literature Collected in Honor of Sheila Watson.</text>
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            <elementText elementTextId="2727610">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="109">
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              <text>jules SAC 03 (44)</text>
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              <elementText elementTextId="2727604">
                <text>'The Great Gatsby': Scott Fitzgerald's Chaucerian Rag</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2727609">
                <text>The movement of "Gatsby" was compared to that of TC by Nancy Hoffman in 1971.  However, the differences are as significant as the similarities.  Fitzgerald's story reflects different preoccupations, a different age.  Chaucer created something poised and terrible and elegant.  Fitzgerald produced a story of the 20's, something equivalent to his own Age of Confusion.</text>
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            <elementText elementTextId="2735000">
              <text>Schoeck, R[ichard] J.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Connotations: A Journal for Critical Debate 3:2 (1993-94): 110-14.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735002">
              <text>1993</text>
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            <elementText elementTextId="2735004">
              <text>House of Fame.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2735005">
              <text>Connotations 03 (1994)</text>
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          <name>Source</name>
          <description/>
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              <text>jules SAC 18 (1996) - 263</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2734999">
                <text>'The Hous of Fame' Revisited</text>
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                <text>Treating HF as a performance piece enablies us to better recognize its humor.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2802273">
              <text>Tisdale, Charles P. R.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2802274">
              <text>Comparative Literature 25 (1973): 247-61.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2802275">
              <text>1973</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802277">
              <text>House of Fame</text>
            </elementText>
            <elementText elementTextId="2802278">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2802279">
              <text>Comparative Literature 25 (1973)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2802280">
              <text>mea; 1/9/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2802272">
                <text>'The House of Fame : Virgilian Reason and Boethian Wisdom</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2802276">
                <text>Argues that in HF Chaucer achieves "symbolic cohesion" and unity by combining the narrator's Virgilian epiphany of a "higher sense of duty" (his response to the Aeneas/Dido exemplum) with the Boethian imagery of philosophical ascent (effected by the eagle). Combined with the dominant concern with journey, these strands together depict the theme of rejecting the passions in favor of "rational ascent to discovery and revelation."</text>
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  <item itemId="262777" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708366">
              <text>Sasaki, Tomio.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708367">
              <text>Essays Commemorating the Retirement of Professor Sachiho Tanaka (Tokyo: Kirihara Shoten, 1988), pp. 141-49.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708368">
              <text>1988</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708369">
              <text>Essays Commemorating the Retirement of Professor Sachiho Tanaka.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708372">
              <text>House of Fame.</text>
            </elementText>
            <elementText elementTextId="2708373">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2708374">
              <text>jules SAC 12 (222)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2708365">
                <text>'The House of Fame' and 'And'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2708370">
                <text>Examines various uses and stylistic effects of "and" in HF.</text>
              </elementText>
              <elementText elementTextId="2708371">
                <text>In Japanese.</text>
              </elementText>
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  <item itemId="263040" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710899">
              <text>Matheson, Lister M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710900">
              <text>Notes and Queries 232 (1987): 289-91.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710901">
              <text>1987</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710903">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710904">
              <text>Notes and Queries 232 (1987)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710905">
              <text>jules SAC 11 (236)</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710898">
                <text>'The House of Fame', 26: A Chaucer Reading Restored</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710902">
                <text>The favored manuscript reading "Prison, stewe, of gret distress" appears in CX1 and TH "Pryson, stryfe, or grete dystress."  "Stryfe" was often spelled "striue," and "stewe" can be derived from abbreviated "striue" and not vice versa.  The sense of strife is also found in the collocation in RR 18405-418.  Hence, it seems probable that the CX1 reading is the original.</text>
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  <item itemId="265396" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733624">
              <text>Steadman, John M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2733625">
              <text>Connotations 3 (1993): 1-12.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733626">
              <text>1993</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733628">
              <text>House of Fame.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2733629">
              <text>Connotations 03 (1993)</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733630">
              <text>jules SAC 17 (241)</text>
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        </element>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2733623">
                <text>'The House of Fame': Tripartite Structure and Occasion</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2733627">
                <text>Steadman suggests "a possible connection between the fictional date of the poet's dream, its tripartite structure, the feast of Saint Lucy, and the Dantesque associations of Chaucer's eagle," discussing major images and motifs of the poem.</text>
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  <item itemId="267108" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751501">
              <text>Patterson, Annabel.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751502">
              <text>Sally McKee, ed. Crossing Boundaries: Issues of Cultural and Individual Identity in the Middle Ages and the Renaissance (Turnhout, Belgium: Brepols, 1999) pp. 155-87.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751503">
              <text>1999</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751504">
              <text>Crossing Boundaries: Issues of Cultural and Individual Identity in the Middle Ages and the Renaissance.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2751506">
              <text>Background and General Criticism.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751507">
              <text>jules SAC 23 (110)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2751500">
                <text>'The Human Face Divine': Identity and the Portrait from Locke to Chaucer</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2751505">
                <text>Assesses the Chaucer portraits in the Ellesmere manuscript and in Hoccleve's Regement of Princes as evidence in the study of the development of individual identity. Considers literary portraits of John Locke, John Milton, John Donne, and Chaucer, suggesting that the threshold between "modernity and premodernity" may not be as clear as sometimes thought. 13 b&amp;w figs.</text>
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