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              <text>Greene, Darragh.</text>
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              <text>Comparative Drama 55 (2021): 166-84.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Friar and His Tale&#13;
Pardoner and His Tale</text>
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              <text>SAC 46:77</text>
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                <text>"Thou shalt knowen of oure Privetee / Moore than a maister of dyvynytee": Devils and Damnation in Chaucer's "Canterbury Tales" and Marlowe's "Doctor Faustus."</text>
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                <text>Argues "that Chaucer's treatment of devils, damnation, and hell" in CT "resonates" in "Doctor Faustus," focusing on the yeoman-devil and "the force and binding implications of illocutionary acts" in FrT, as well as on "interesting parallels" between the Pardoner and Faustus as "vain characters" who are "master rhetoricians" and "contemptuous of conventional morality." Contrasts Chaucer's and Marlowe's views of penitence--comic and tragic respectively.</text>
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              <text>Espie, Jeff.</text>
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              <text>Comparative Drama 55 (2021): 283-306.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Manciple and His Tale&#13;
Language and Word Studies&#13;
Facsimiles, Editions, and Translations</text>
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                <text>"The Winter's Tale": Decorum, Distinction, and Shakespeare's Chaucer.</text>
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                <text>Suggests that Shakespeare's title, "The Winter's Tale," adapts a possessive form associated with Chaucerian narratives--the x's tale--" and identifies similarities between the play and ManT. Focuses on the works' attention to linguistic register--"linguistic distinctions between people of different types and stations"--and argues that Shakespeare asserts both "similarity to Chaucer" and "independence from him." Appends a coda on "lemman" and "ladies" in early printings of Chaucer.</text>
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              <text>Dutton, Richard.</text>
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              <text>Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare (New York: Cambridge University Press, 2019), pp. 17-34.</text>
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              <text>Chiari, Sophie, ed.&#13;
Mucciolo, John, ed.</text>
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              <text>Performances at Court in the Age of Shakespeare</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>SAC 46:75</text>
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            <name>Title</name>
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                <text>"Palamon and Arcite": Early Elizabethan Court Theatre.</text>
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                <text>Extracts information about Richard Edwards's now-lost play "Palamon and Arcite," from three extant contemporary accounts of the visit of Queen Elizabeth I to Oxford, where she attended a performance of the play in 1566. The accounts--by Miles Windsor, Nicholas Robinson, and John Bereblock--evince plot and details (with one quotation recorded), staging and performance (including accidental deaths), and some awareness of relations with KnT as source.</text>
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              <text>Clark, Cassandra.</text>
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              <text>Edinburgh: Severn House, 2021.</text>
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              <text>264 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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            <name>Title</name>
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                <text>The Day of the Serpent: A Brother Chandler Medieval Mystery.</text>
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                <text>Historical murder mystery set in 1400, in the months after Henry IV's usurpation of Richard II's throne. "Master" Chaucer and Adam are involved with copying Lollard treatises; Matilda, Chaucer's house-maid, is involved with friar-cum-sleuth Brother Chandler.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Buffy, Emily.</text>
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              <text>Comparative Drama 55 (2021): 138-65.</text>
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              <text>Comparative Drama 55 (2021)</text>
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Chaucer's Life</text>
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              <text>2021</text>
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                <text>Playing Chaucer at the Early Elizabethan Inns of Court.</text>
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                <text>Addresses performance texts associated with the early Elizabethan Inns of Court ("closet dramas, translations, masques, and orations"), arguing that they reflect four Chaucerian "paradigms of play" ("Chaucerian Self-Fashioning," "Chaucerian Arraignments," "Masques and Orations," and "Staging The Canterbury Tales"). Comments on Chaucer's putative legal associations and works by Barnabe Googe, Jasper Heywood, Thomas Pound, George Gascoigne, Gerard Legh, and more, identifying influences of TC, KnT, ClT, HF, and other Chaucerian poems.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Brooks, Karen.</text>
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              <text>New York: William Morrow, 2022 (originally published Sydney: Harlequin, 2021).</text>
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              <text>xii, 541 + 5 pp.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 46:72</text>
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              <text>2022&#13;
2021</text>
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                <text>The Good Wife of Bath: A (Mostly) True Story.</text>
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                <text>Historical novel in which the setting, plot, and first-person protagonist, Eleanor (later Alyson) are based on WBPT, with many characters adapted from history and from CT, including Chaucer. Includes a glossary, list of historical characters, author's note on composition, and a series of study questions for book groups.</text>
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              <text>Nakao, Yoshiyuki.</text>
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          <elementTextContainer>
            <elementText elementTextId="2847863">
              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 169-91.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2847864">
              <text>Polyphony and the Modern</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2847865">
              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847866">
              <text>SAC 46:328</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2847867">
              <text>2021</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850707">
                <text>Offers a technical linguistic analysis of STR (speech and thought representation) in TC, theorizing a hierarchical "structure of subjectivities" to examine samples from the poem, attending to nuances latent in diction, situation, point of view, manuscript context, editorial intervention, etc. Concludes with comments on the "plasticity" of Chaucer's STR, the "varying subjectivities that are likely to be encoded" in it, and how they "allow for semantic extension."</text>
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              <elementText elementTextId="2850708">
                <text>Chaucer's Speech and Thought Representation in "Troilus and Criseyde": Encoded Subjectivities and Semantic Extension.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Strohm, Paul.</text>
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        <element elementId="98">
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              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 192-205.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2847856">
              <text>Polyphony and the Modern</text>
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            <elementText elementTextId="2847857">
              <text>Chaucer's Influence and Later Allusion&#13;
Style and Versification&#13;
Clerk and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847858">
              <text>SAC 46:97</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847859">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Chaucer and the Streams of Parnassus.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850850">
                <text>Argues that Chaucer's "polyphony and polyvocality" are both "modern" and "progressive"--justification for dismantling the period boundary between medieval and Early Modern literatures. Surveys mixed, condescending praise by Early Modern critics of Chaucer as an ancient but indecorous writer, then demonstrates how Robert Greene's valuation of Chaucer in "Greene's Vision" (1592) offers a valid view of him as a up-to-date model of polyvocality. Comments on the Clerk's view of Petrarch, ClT 4.26-30.</text>
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  <item itemId="276942" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2847845">
              <text>Bertonèche, Caroline. Trans. Jonathan Fruoco. </text>
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        <element elementId="98">
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            <elementText elementTextId="2847846">
              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 206-16.</text>
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        <element elementId="112">
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              <text>Fruoco, Jonathan, trans.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2847848">
              <text>Polyphony and the Modern</text>
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            <elementText elementTextId="2847849">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2847850">
              <text>SAC 46:71</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847851">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847843">
                <text>"Tis More Ancient Than Chaucer Himself": Keats and Romantic Polyphony.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847844">
                <text>Argues that the polyphonies of John Keats's poetry (as identified by Helen Vendler) are attributable to his engagements with Chaucer's works and Chaucerian apocrypha, reflecting a particular kind of "Englishness," underpinned by travel and encounters with French and Italian literatures.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2847837">
              <text>Fruoco, Jonathan, ed. </text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847838">
              <text>New York: Routledge, 2021.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847839">
              <text>vi, 266 pp. </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2847840">
              <text>Background and General Criticism</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847841">
              <text>SAC 46:137</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847842">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847835">
                <text>Polyphony and the Modern.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847836">
                <text>Raises questions about what it means to be modern in one own's time and about polyphony (including polyphonic music, polyvocality, and literary dialogism) as an index to modernity, collecting fourteen essays on relevant topics, most of them on medieval music and literature. For three essays that pertain to Chaucer, search for Polyphony and the Modern under Alternative Title.</text>
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          </element>
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  </item>
  <item itemId="276940" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847827">
              <text>Keller, William R.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847828">
              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 135-53.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847829">
              <text>Enlistment: Lists in Medieval and Early Modern Literature </text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847830">
              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847831">
              <text>SAC 46:299</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847832">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847825">
                <text>Performing Generic Exhaustion: Implosive Households in Gavin Douglas's "Palice of Honour."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850709">
                <text>Examines the role of lists, themes of order and disorder, epistemology and poetics, and tensions between household economy and monetized mercantile accretion (chremastistics) in Douglas's "Palice of Honour" as a response to similar concerns in Chaucer's HF and his other dream poems. Argues that, especially in Venus's mirror, Douglas exceeds Chaucer's concern with excessiveness and destabilizes the "genre of faculty allegory."</text>
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          </element>
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  <item itemId="276939" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847820">
              <text>Contzen, Eva von.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847821">
              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 115-34.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847822">
              <text>House of Fame&#13;
Style and Versificatioin</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847823">
              <text>SAC 46:296</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847824">
              <text>2022</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847833">
              <text>Enlistment: Lists in Medieval and Early Modern Literature</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2847818">
                <text>Epic Lists: The Matter of Troy and the Catalogue Form in Middle English Literature.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850851">
                <text>Uses Chaucer's list of poets of Troy in HF 1460ff. as a "vantage point" to demonstrate how epic catalogs in Middle English Troy narratives are "sites of scepticism towards established truths, questioning the Trojan War, the claims of epic, and poetry itself." Also considers these concerns in the "Seege or Batayle of Troye," the "Laud Troy Book," the "'Gest Hystoriale' of the Destruction of Troy," and John Lydgate's "Troy Book."</text>
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  <item itemId="276938" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2847812">
              <text>Simpson, James.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2847813">
              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 195-212.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847814">
              <text>Enlistment: Lists in Medieval and Early Modern Literature</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2847815">
              <text>Style and Versification&#13;
House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847816">
              <text>SAC 46L:108</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847817">
              <text>2022</text>
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                <text>Reformation Lists: Syntax, the Sacred, and the Production of Junk.</text>
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                <text>Assesses the syntax and rhetorical/literary functions of the "open-ended list that forms part of a sentence," focusing on those composed during the "cultural revolution" at the beginning of the Reformation in sixteenth-century England, but framed by discussion of syntactical contrasts between apposition in the list in House of Rumour in HF 1951-76 and hypotaxis in the opening of Milton's "Paradise Lost" 1.1-10.</text>
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              <text>Berensmeyer, Ingo.</text>
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              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 155-71.</text>
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Style and Versification&#13;
Knight and His Tale&#13;
Parliament of Fowls</text>
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              <text>Enlistment: Lists in Medieval and Early Modern Literature</text>
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                <text>The Epic Tree Catalogue from Chaucer to Spenser.</text>
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              <elementText elementTextId="2847805">
                <text>Focuses on the "Chaucerian tree catalogue[s]" in Philip Sidney's "Old Arcadia" and Edmund Spenser's "Faerie Queene," tracing the device as a "subtype of epic catalogue" in classical tradition and in KnT and PF, exploring its narrative, "metareferential," and "metapoetic" functions as an act of "self-insertion into the poetic tradition." Tabulates the trees, their epithets, and their significations shared by the three English poets.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Columbus: Ohio State University Press, 2022.</text>
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              <text>vii, 226 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2847799">
              <text>Interventions: New Studies in Medieval Culture</text>
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              <text>Simpson, James, ed.</text>
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              <text>Background and General Criticism</text>
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                <text>Enlistment: Lists in Medieval and Early Modern Literature.</text>
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              <elementText elementTextId="2851961">
                <text>Collects ten essays by various authors that discuss lists and listing as epistemological, rhetorical, and poetic devices, with an introduction by the editors ("Enlistment as Poetic Stratagem"), and a comprehensive index. For four essays that pertain to Chaucer, search for Enlistment: Lists in Medieval and Early Modern Literature under Alternative Title.</text>
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              <text>Hsy, Jonathan, and Candace Barrington. </text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 159-77.</text>
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              <text>Barrington, Candace.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Tale of Melibee</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2847792">
              <text>2022</text>
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            <elementText elementTextId="2847793">
              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
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              <elementText elementTextId="2847785">
                <text>Queer Time, Queer Forms: Noir Medievalism and Patience Agbabi's "Telling Tales."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847786">
                <text>Explores how the "circular and recursive form" of Agbabi's poetic adaptations of CT in her "Telling Tales" (2015) "showcases" the "queer time of medievalism and the queer form of adaptation." Focuses on Agbabi's versions of Mel ("Unfinished Business"), ClT ("I Go Back to May 1967"), and MLT ("Joined-Up Writing").</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hadbawnik, David.</text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 179-204.</text>
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              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
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            <elementText elementTextId="2847782">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:78</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2847784">
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                <text>Describes the "inbetweenedness" of language in Caroline Bergvall's poetic/performative "trilogy--"Meddle English" (2011), "Drift" (2014), and "Alisoun Sings" (2019)--including discussion of her uses of forms of "Chaucer's Middle English, as well as Old English and Old Norse." Assesses "The Host's Tale" (from "Meddle English") as a "mash-up" of Chaucer that "sets a tone "for Bergvall's "Chaucerian experiment," comparing it with the treatment of the Host in Lydgate's "Siege of Thebes."</text>
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          <elementTextContainer>
            <elementText elementTextId="2847772">
              <text>vii, 211 pp.</text>
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            <elementText elementTextId="2847773">
              <text>New Queer Medievalisms, no. 2.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 46:144</text>
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          <elementTextContainer>
            <elementText elementTextId="2847776">
              <text>2022</text>
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              <elementText elementTextId="2847768">
                <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847769">
                <text>Includes eight essays by various authors, an Introduction by the editor, and a comprehensive Index. For three essays that pertain to Chaucer, search for Postmodern Poetics and Queer Medievalisms: Time Mechanics under Alternative Title.</text>
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          </element>
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  <item itemId="276932" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barrington, Candace.</text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 61-80.</text>
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          <elementTextContainer>
            <elementText elementTextId="2847764">
              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
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              <text>Chaucer's Influence and Laaater Allusion&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 46:69</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2847767">
              <text>2022</text>
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                <text>feeld Notes: Jos Charles's Chaucerian "anteseedynts."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847761">
                <text>Assesses Jos Charles's "transpoetics" in "feeld" (2018), showing how the collection of poems capitalizes on the "historical ruptures" and other constitutive features of Middle English, mimicking its "malleability and fluidity." Also suggests that Charles's technique is analogous to medieval musical "hocket" and explores how Charles's dramatic monologue "reconceives" the Wife of Bath's  in WBT, assessing several resonances.</text>
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Recordings and Films&#13;
Facsimiles, Editions, and Translations&#13;
Man of Law and His Tale</text>
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              <text>O'Connell, Brendan.</text>
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                <text>Explores how the 2003 BBC adaptation of MLT and Patience Agbabi's "Telling Tales" (2004) "respond to the xenophobic and imperialist ideology of the original," challenging the relationship that MLT "posits between familial and national loyalties," reconfiguring "racial, familial, and religious identity," and confronting audiences with the importance of remembering as well as interrogating the past. Links the narratives with representations of Thomas Jefferson's "role as father and forebear" and Chaucer's as "father" of English poetry.</text>
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                <text>"Think of All the Differences!" Mixed Marriages in Transcultural Adaptations of Chaucer's "Man of Law's Tale."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Perry, R. D. </text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 65-84.</text>
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              <text>Thomas Hoccleve: New Approaches</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Canon's Yeoman and His Tale&#13;
Legend of Good Women</text>
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              <text>SAC 46: 200; rev. mea 12/16/2024</text>
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                <text>Hoccleve and the Logic of Incompleteness.</text>
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                <text>Assesses the "formal organising principle" of Hoccleve's "Series" in light of that of CT (and LGW). Argues that CT is "not just incomplete, but incompleteable" (citing the additivity entailed in CYP), explaining it as Chaucer's response to the conditions of the material production of his work and the inevitability of his own death. Hoccleve's "Series" is also "variable and open-ended" but its incompleteness is constrained by "the way the text presents authorship."</text>
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              <text>Myklebust, Nicholas.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 25-46.</text>
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              <text>Thomas Hoccleve: New Approaches</text>
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              <text>Style and Versification</text>
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                <text>Historicising Hoccleve's Metre.</text>
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                <text>Argues that "because Hoccleve's metre cannot persuasively be reconciled with any known metrical system, it must be allowed its own category." Details Chaucer's metrical "template" and shows how Hoccleve varies it to create his own, although influenced by that of John Walton in his verse translation of Boethius. Hoccleve's and Walton's verse "prefigure modern iambic pentameter" more clearly than does Chaucers.</text>
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              <text>Ripplinger, Michelle.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 105-23.</text>
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              <text>Thomas Hoccleve: New Approaches</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Clerk and His Tale</text>
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              <text>SAC 46:90</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847729">
                <text>Explores Hoccleve's uses of and attitudes toward Christine de Pizan and Chaucer, focusing on Ovidian notions of female readership and how in his"Series" Hoccleve positions Pizan to "speak back to Chaucer" and "asks us to reflect on the Chaucerian defence of poetic wit and fictive play, even as we remain alert to its potential risks and limits." Comments on the apology to women" in ClT.</text>
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                <text>Hoccleve''s "Series" and the Unanticipated Woman Reader.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Atkinson, Laurie.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 85-102.</text>
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              <text>Thomas Hoccleve: New Approaches </text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:68</text>
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              <text>2022</text>
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                <text>A "troubly dreme drempt al in wakynge": Hoccleve's Nearly-Dream Poem.</text>
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            <description>An account of the resource</description>
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                <text>Shows how the "framed first-person narrative with which [Hoccleve's] "Regiment" begins is a reconfiguration rather than a straightforward rejection of Chaucer's dream poetry." While both authors use dream-vision conventions to engage previous authors and texts, Hoccleve is concerned with "contemporary political and religious discourses" and his "distinctive self-authorising strategy . . . involves both an imitation and a pointed refusal of Chaucer's dream poems," especially their effacements of their narrators' poetic skills.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nuttall, Jennifer, and David Watt, ed.</text>
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              <text>Cambridge: Brewer, 2022.. </text>
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              <text>xiv, 254 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:85</text>
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              <text>2022</text>
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                <text>Thomas Hoccleve: New Approaches.</text>
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            <description>An account of the resource</description>
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                <text>Collects eleven essays about Hoccleve's literary works, with an Introduction by the editors and a comprehensive Index. References to Chaucer's influences on Hoccleve and Hoccleve's attitudes toward Chaucer recur throughout the volume (see the Index). For four essays with sustained attention to Chaucer, search for Thomas Hoccleve: New Approaches under Alternative Title.</text>
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