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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, Robert R.</text>
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              <text>Robert R. Edwards and Stephen Spector, eds.  The Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World (Albany: State University of New York Press, 1991), pp. 138-53, 272-76 (notes).</text>
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              <text>1991</text>
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              <text>Legend of Good Women.</text>
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              <text>Book of the Duchess.</text>
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              <text>Knight and His Tale.</text>
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              <text>mea</text>
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              <text>Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World.</text>
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                <text>Faithful Translations: Love and the Question of Poetry in Chaucer</text>
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            <description>An account of the resource</description>
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                <text>LGWP reflects concern with poetic art, especially the notions of translation and transformation, "making" and "enditing." Cupid's accusations against Rom and TC privilege social over artistic meaning although Chaucer and Alceste subvert this "social appropriation of poetry."  Edwards assesses the relations of social and artistic meaning in BD and KnT as well.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hieatt, Constance B.</text>
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              <text>R. Barton Palmer, ed. Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition (New York: AMS Press, 1999), pp. 163-86</text>
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              <text>1999</text>
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              <text>Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>mea 4/3/2013 No SAC</text>
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                <text>Falconry and Fantasy in Guillaume de Machaut's 'Dit de l'Alerion'</text>
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                <text>Assesses Machaut's knowledge of falconry and his depiction of the falconer/falcon relationship in "Dit de l'Alerion" as an extended metaphor of love. Also explores the influence of Machaut's metaphor, including its impact on Chaucer (TC, LGW, WBP, and FrT) and Shakespeare</text>
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              <text>Horobin, David.</text>
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              <text>Blaine, Wash.: Hancock House,  2004.</text>
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            <elementText elementTextId="2773036">
              <text>2004</text>
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            <elementText elementTextId="2773037">
              <text>223 pp.</text>
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            <elementText elementTextId="2773039">
              <text>Background and General Criticism.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Squire and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 30:122</text>
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              <elementText elementTextId="2773033">
                <text>Falconry in Literature: The Symbolism of Falconry in English Literature from Chaucer to Marvell</text>
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            <description>An account of the resource</description>
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                <text>An illustrated guide to raptors in English literature (fourteenth century to seventeenth century), which explains their symbolic value in terms of historical training and hunting practices and rituals. Recurrent references to Chaucer's works, including PF, SqT, and WBP.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Minnis, Alastair.</text>
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        <element elementId="98">
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              <text>Philadelphia: University of Pennsylvania Press, 2008.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2780680">
              <text>2008</text>
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            <elementText elementTextId="2780681">
              <text>xvi, 510 pp.</text>
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              <text>Pardoner and His Tale</text>
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              <text>Wife of Bath and Her tale</text>
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              <text>Second Nun and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Tale of Melibee</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2780689">
              <text>The Middle Ages Series.</text>
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        <element elementId="109">
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              <text>vxl SAC 32:247.</text>
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                <text>Fallible Authors: Chaucer's Pardoner and Wife of Bath</text>
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            <description>An account of the resource</description>
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                <text>Studies the Pardoner's and Wife of Bath's "deviancy" in light of late medieval theological and academic discourses, particularly the commentaries and summas of the scholastics, Lollard treatises ,and reactions to Lollard writings and trials. Neither character embodies Lollardy or Wycliffite heterodoxy, but each is radically unorthodox. The authority of the Pardoner is "fallible" because of his shocking abuses of sacerdotal privileges; the Wife's failings are linked to her usurpation of the rhetoric of clerical authority.</text>
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                <text>Topics include qualifications for preaching; administration and validity of the sacraments of baptism, penance ,the Eucharist,ordination, and marriage; indulgences; the role of intention; female clergy; the Pardoner's sexuality; the Wife's obscenity; and the loathly lady's discussion of gentility in relation to dominion. Though heterodox, the characters tell moral tales. Also comments on SNT, ClT, and Mel.</text>
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              <text>Mann, Jill.</text>
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              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 88-110.</text>
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              <text>Traditions and Innovations in the Study of Middle English Literature: The Influence of Derek Brewer.</text>
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              <text>Background and General Criticism</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 2/15/2017 SAC 38:223</text>
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                <text>Falling in Love with the Middle Ages</text>
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            <description>An account of the resource</description>
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                <text>Provides a landscape of medieval courtly love, particularly within the French tradition, and evaluates how Chaucer explores intricacies of love in TC.</text>
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              <text>Bradley, D. R.</text>
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              <text>Philological Quarterly 39 (1960): 122-25.</text>
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              <text>Philological Quarterly 39 (1960)</text>
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 3/15/22</text>
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                <text>Fals Eneas and Sely Dido.</text>
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                <text>Adduces details and emphases in Virgil's "Aeneid" to suggest that Chaucer used it directly in composing his Dido legend in LGW, though perhaps in combination with parallel sources.</text>
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              <text>Shirley, Peggy Faye.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 38 (1977): 1417A-18A.</text>
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        <element elementId="114">
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            <elementText elementTextId="2731727">
              <text>1977</text>
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              <text>Boece.</text>
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            <elementText elementTextId="2731730">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 38 (1977)</text>
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              <text>mea SAC 02 (266)</text>
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                <text>Fals Felicite and Verray Blisfulnesse: Alfred and Chaucer Translate Boethius's 'Consolation of Philosophy'</text>
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                <text>When King Alfred translated Boethius' "Consolation," he changed some of the materials so that it could be understood by his people whereas Chaucer tried to translate as accurately as his Middle English would allow.  The two translations are as different as the men who produced them.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2698013">
              <text>Patton, Celeste A.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 71 (1992): 399-417.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2698015">
              <text>1992</text>
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            <elementText elementTextId="2698017">
              <text>Manciple and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <elementTextContainer>
            <elementText elementTextId="2698019">
              <text>Philological Quarterly 71 (1992).</text>
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          </elementTextContainer>
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        <element elementId="109">
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              <text>mea</text>
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                <text>False 'Rekenynges': Sharp Practice and the Politics of Language in Chaucer's 'Manciple's Tale'</text>
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              <elementText elementTextId="2698016">
                <text>The Manciple evinces linguistic fraud through his digression on language, his shaping of the crow fable, and his impersonation of his mother's voice arguing against speech (a mispresentation of Jean de Meun's discourse of Reason and a foil to the silenced Coronis of the traditional fable).  These devaluations of language mirror his corrupt mercantile practices and link ManT to the concerns with transformation in SNT, CYT, and ParsT.</text>
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            <elementText elementTextId="2775023">
              <text>Haydock, Nickolas.</text>
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        <element elementId="98">
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            <elementText elementTextId="2775024">
              <text>Atenea (University of Puerto Rico) 26 (2006): 107-29.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2775025">
              <text>2006</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>House of Fame.</text>
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          <name>Journal by Volume Number</name>
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              <text>Atenea 26 (2006)</text>
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        <element elementId="109">
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              <text>vxl SAC 31:20</text>
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              <elementText elementTextId="2775022">
                <text>False and Sooth Compounded in Caxton's Ending of Chaucer's House of Fame</text>
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                <text>Haydock reads Caxton's spurious ending and epilogue to HF in the 1483 Book of Fame as a "canny as well as sympathetic reaction to the poem's ubiquitous concern with the transmission of literature."</text>
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  <item itemId="269929" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2780605">
              <text>Smith, Kirk L.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2780606">
              <text>Literature and Medicine 27 (2008): 61-81.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2780607">
              <text>2008</text>
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            <elementText elementTextId="2780609">
              <text>Physician and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2780610">
              <text>Literature and Medicine 27 (2008).</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833576">
              <text>vxl SAC 32:239.</text>
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          <element elementId="50">
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              <elementText elementTextId="2780604">
                <text>False Care and the Canterbury Cure: Chaucer Treats the New Galen</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2780608">
                <text>PhyT expresses its narrator's concern with "fiduciary" ethics and asserts the principle that "responsible professionals abjure exploitation." Such concerns are part of the late medieval professionalization of medical practice, so the Tale is appropriate to its teller.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768617">
              <text>Allen, Elizabeth.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2768618">
              <text>New York : Palgrave, 2005.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768619">
              <text>2005</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2768620">
              <text>viii, 225 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2768622">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2768623">
              <text>Physician and His Tale.</text>
            </elementText>
            <elementText elementTextId="2768624">
              <text>Pardoner and His Tale.</text>
            </elementText>
            <elementText elementTextId="2768625">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2768626">
              <text>Chaucerian Apocrypha.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768627">
              <text>vxl</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2768616">
                <text>False Fables and Exemplary Truth in Later Middle English Literature</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2768621">
                <text>Explores issues of exemplarity and applicability in examples of Middle English literature--"Book of the Knight of the Tower," Gower's "Confessio Amantis," Lydgate's "Fall of Princes," Henryson's "Testment of Cresseid," and CT and TC. Chaucerian topics include the function of the frame in ClT; history, fiction, and exemplarity in PhyT; Northumberland MS 455 and how the Canterbury Interlude (Tale of Beryn) reflects fifteenth-century audience reaction to PardT; and Criseyde's multivalent exemplarity in TC.</text>
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  <item itemId="271221" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794185">
              <text>Osberg, Richard H.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794186">
              <text>Studies in Medievalism 19 (2010): 204-26.&#13;
Defining Neomedievalism(s)</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794187">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794189">
              <text>Chaucer's Life</text>
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            <elementText elementTextId="2794190">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2794191">
              <text>Studies in Medievalism 19 (2010).</text>
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2794192">
              <text>mea; 10/26/2013 SAC 36:11</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2794184">
                <text>False Memories: The Dream of Chaucer and Chaucer's Dream in the Medieval Revival</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2794188">
                <text>Examines the role of two "false memories" of Chaucer's life in the formation of nineteenth-century attitudes toward the poet and his reputation.  The spurious incidents--Chaucer's exile and imprisonment and his "retirement" to a park at Woodstock--were repeated in biographical accounts and other popular materials, helping to create a romanticized idea of the poet.</text>
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  <item itemId="265661" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2736329">
              <text>Van, Thomas A.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2736330">
              <text>Chaucer Review 29 (1994): 179-93.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2736331">
              <text>1994</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2736333">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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              <text>jules SAC 18 (1996) - 191</text>
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                <text>False Texts and Disappearing Women in the 'Wife of Bath's Prologue and Tale'</text>
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                <text>Although WBP and WBT seem more disparate than similar, they are not.  The pairing of the two allows Alison to make a statement about how to love well and how to be happy.</text>
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              <text>Notes and Queries 263 (2018): 533-35.</text>
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              <text>Notes and Queries 263 (2018)</text>
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            <elementText elementTextId="2832011">
              <text>Chaucer's Influence and Later Allusion&#13;
Nun's Priest and His Tale</text>
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              <text>mea; SAC 42:46</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832013">
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          <element elementId="50">
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              <elementText elementTextId="2832006">
                <text>Falstaff and Fox Fables: A New Source.</text>
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                <text>Argues that Chaucer's "daun Russel the fox" in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2718840">
              <text>Finke, Laurie A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2718841">
              <text>Chaucerian Shakespeare (Ann Arbor: Michigan Consortium for Medieval and Early Modern Studies, 1983), pp. 7-24.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2718842">
              <text>1983</text>
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          <elementTextContainer>
            <elementText elementTextId="2718843">
              <text>Chaucerian Shakespeare.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2718845">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 07 (37)</text>
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          <element elementId="50">
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              <elementText elementTextId="2718839">
                <text>Falstaff, the Wife of Bath, and the Sweet Smoke of Rhetoric</text>
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              <elementText elementTextId="2718844">
                <text>Falstaff and the Wife of Bath "use remarkably similar grammatical and syntactical strategies to manipulate language," to create "smokescreens" that cover their "nakedness," and "to try to reshape the world in their own image."</text>
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  <item itemId="263556" public="1" featured="0">
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2715815">
              <text>Kendrick, Laura.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2715816">
              <text>Paul Strohm and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 1, 1984 (Knoxville, Tenn.: New Chaucer Society, 1985), pp. 135-48.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715817">
              <text>1985</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2715818">
              <text>Studies in the Age of Chaucer, Proceedings, No. 1 (1984)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715820">
              <text>House of Fame.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715821">
              <text>jules SAC 09 (230)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2715814">
                <text>Fame's Fabrication</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2715819">
                <text>Examines Froissart's and Christine de Pisan's treatments of fame and the role of the poet in bestowing it.  Questioning this tradition in HF, "Chaucer's art is to mask his own opinions and to reveal his readers' to themselves."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2817009">
              <text>Galloway, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817010">
              <text>Isabel Davis and Catherine Nall, eds. Chaucer and Fame: Reputation and Reception (Cambridge: D. S. Brewer, 2015), pp. 103-26.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2817011">
              <text>Chaucer and Fame: Reputation and Reception.</text>
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        <element elementId="102">
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            <elementText elementTextId="2817012">
              <text>Chaucer's Retraction&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>SAC 39:55&#13;
mea; 2/20/2018</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2817014">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2825085">
                <text>Fame's Penitent: Deconstructive Chaucer among the Lancastrians.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825725">
                <text>Argues that fifteenth-century verbal and visual depictions of Chaucer as an "aged penitent" (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer's poetry. Chaucer's persistent attention to "textual mediation" evokes "the illusion of presence," or an "absent presence" whereas his followers employ echoes of him and his poetry to evoke a politically charged "secular penance" that has parallels with Lancastrian reforms.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790620">
              <text>Godden, Richard Henry.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>DAI A70.07 (2010): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790622">
              <text>2010</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame.</text>
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        <element elementId="100">
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              <text>Dissertation Abstracts International 70 (2010).</text>
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        <element elementId="109">
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            <elementText elementTextId="2790626">
              <text>vxl sac 34:280</text>
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                <text>Fame's Untimeliness</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Uses HF--along with Langland's "Piers Plowman," "St. Erkenwald," and "Sir Gawain and the Green Knight"--as evidence in a discussion of the medieval understanding of the memorialization process, suggesting that fame "becomes emblematic" of the "ruptures that divide the past from the present."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Phillips, Noëlle.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2854359">
              <text>Ph.D. Dissertation. University of British Columbia, 2011. Fully available via https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0071672 (accessed March 18, 2026).</text>
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        <element elementId="99">
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              <text>viii, 280 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2854361">
              <text>Chaucer's Influence and Later Allusion&#13;
Manuscript and Textual Studies&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2854362">
              <text>mea; 4/1/2026</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2854363">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2854356">
                <text>Families, Fictions, and Seeing through Things: Re-reading Langland, Chaucer, and the "Pearl"-Poet.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854357">
                <text>Uses the "two models" of "genealogy and thing theory" to explore "the generation of meaning in medieval texts," addressing issues of differences between the "Chaucerian" tradition and the "Piers Plowman" tradition and the processes of their formulations. Explores how the "Chaucerian tradition enabled a truly 'public voice' or common identity among English writers" and includes discussion of the presence of TC and "Piers Plowman" in both Huntington Library, San Marino MS HM 143 and HM 114. Also assesses relations between "Pearl" and "Piers Plowman."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770859">
              <text>Lee, Brian S.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770860">
              <text>Southern African Journal of Medieval and Renaissance Studies 14 (2004): 23-38</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770861">
              <text>2004</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2770863">
              <text>Man of Law and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2770864">
              <text>Southern African Journal of Medieval and Renaissance Studies 14 (2004)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770865">
              <text>vxl sac 29:192</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2770858">
                <text>Family Values and the Boundaries of Christendom in Chaucer's Man of Law's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2770862">
                <text>Discusses three topics - Ford Madox Brown's painting of Chaucer reading from MLT to a decadent court at a time of dynastic crisis, the current Middle Eastern situation, and the story of Noah's Flood - in relation to Chaucer's portrayal of Custance's wanderings between the extremes of Islamic "heresy," to Northumbrian paganism and Christian apostasy, and to the portrayal of the triumph and continuity of Christianity in MLT, signified by water.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807412">
              <text>Czarnowus, Anna.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807413">
              <text>Frankfurt: Peter Lang, 2013.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807414">
              <text>2013</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807415">
              <text>233 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807417">
              <text>Squire and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807418">
              <text>Studies in English Medieval Language and Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807419">
              <text>mea SAC 37:125</text>
            </elementText>
          </elementTextContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807411">
                <text>Fantasies of the Other's Body in Middle English Oriental Romance</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2807416">
                <text>Considers the body of the "Other" in various medieval romances. Chapter 1, "Ethnic Difference and Body Marvelous: the Case of Chaucer's 'Squire's Tale' and Sir Ferumbras," focuses on how SqT highlights Canace's ethnicity as a space for fantasy. Canace represents an exotic other, symbolizing a "new world" in the East that is attractive to the West. SqT ties together the wonder inimical to the genre of romance with the fear of the Eastern Other, revealing the competing ideologies at work in the text.</text>
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  <item itemId="272822" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810931">
              <text>Schroeder, Mary C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810932">
              <text>Criticism 12.3 (1970): 167-79.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810933">
              <text>1970</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810935">
              <text>Merchant and His Tale</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2810936">
              <text>Criticism 12 (1970)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810937">
              <text>mea; 09/06/2016 No SAC</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810930">
                <text>Fantasy in the 'Merchant's Tale'</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810934">
                <text>Argues that January's foolish fantasy is MerT "is a version" of the Merchant's own, tracing the teller's "increasingly ambivalent attitude" toward his character "from detachment to attack." In January, the Merchant "tries to destroy his former self," repudiating all idealism in favor of harsh reality, and reflecting "precisely the projective self-indulgence of which he accuses January." Focuses on the "mirror of the mind" image, the Merchant's apostrophes, and the Pluto and Proserpina episode.</text>
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  </item>
  <item itemId="269803" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779289">
              <text>Denny-Brown, Andrea.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779290">
              <text>PQ 87 (2008): 9-32.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779291">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779293">
              <text>Fortune</text>
            </elementText>
            <elementText elementTextId="2779294">
              <text>Boece</text>
            </elementText>
            <elementText elementTextId="2779295">
              <text>Former Age</text>
            </elementText>
            <elementText elementTextId="2779296">
              <text>Against Women Unconstant</text>
            </elementText>
            <elementText elementTextId="2779297">
              <text>Book of the Duchess</text>
            </elementText>
            <elementText elementTextId="2779298">
              <text>Merchant and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779299">
              <text>Philological Quarterly 87 (2008)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833695">
              <text>vxl SAC 32:110.</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2779288">
                <text>Fashioning Change: Wearing Fortune's Garments in Medieval England</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2779292">
                <text>Denny-Brown analyzes sartorial changes accompanying the figure of Fortune from the twelfth century through the late medieval period, considering (along with works by other authors) Chaucer's For, Bo, Form Age, Wom Unc, BD, and MerT. Chaucer's uses of Fortune  direct attention to goods in the feudal system, assess wonder elicited by Fortune's goods, and associate late medieval female "consumer behavior" with Fortune's stereotypical characteristics.</text>
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          </element>
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  </item>
  <item itemId="274153" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822803">
              <text>Al-Saleh, Asaad.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822804">
              <text>Journal of the Midwest Modern Language Association 45.1 (2012): 35-47.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2822805">
              <text>Journal of the Midwest Modern Language Association 45(2012)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822806">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822807">
              <text>SAC 40:204</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822808">
              <text>2012</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822801">
                <text>Fate and Discipline: A Comparative Study of "The Tale of Heike" and Chaucer's "The Knight's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822802">
                <text>Describes the idea of the "servant-become-warrior" in the Japanese "Tale of Heike" and in KnT, commenting on the etymological roots of "samurai" and "knight" and exploring how concepts of determinism, service, and Foucauldian disciplinary power underlie the actions and characterizations in these narratives.</text>
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          </element>
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  </item>
  <item itemId="264387" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723805">
              <text>Schweitzer, Edward C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723806">
              <text>Studies in the Age of Chaucer 3 (1981): 13-45.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723807">
              <text>1981</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723809">
              <text>Knight and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723810">
              <text>Studies in the Age of Chaucer 03 (1981)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723811">
              <text>jules SAC 05 (140)</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2723804">
                <text>Fate and Freedom in 'The Knight's Tale'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2723808">
                <text>Precise astrological material and medical details pertaining to the disease "amor hereos" support the theory that Saturn and the fury that startles Arcite's horse dramatize the consequences of human choice rather than fatalism.  Chaucer uses Boethius's "Consolation" to turn apparent contradictions between universal order and particular disorder into significant paradox.</text>
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          </element>
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