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                  <text>Chaucer Bibliography Online</text>
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              <text>Morgan, Gerald.</text>
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              <text>Medium Aevum 70: 204-25,   2001.</text>
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              <text>Franklin and His Tale.</text>
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              <text>Medium Aevum 70 (2001)</text>
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              <text>jules SAC 25 (219)</text>
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                <text>Experience and the Judgement of Poetry : A Reconsideration of 'The Franklin's Tale'</text>
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                <text>Positioned midway between aristocracy and the lower orders of society, the Franklin appropriately tells a story that emphasizes the necessity and correctness of the social order as he (and Chaucer) would have understood it. Thus, the Arveragus-Dorigen-Aurelius triangle must be resolved by mutual compromise, and in the case of Arveragus, by severe self-sacrifice that "puts the good of the beloved before one's own good" (220).</text>
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              <text>Branca, Geraldine Sesak.</text>
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              <text>DAI 32.10 (1972): 5731A</text>
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              <text>Physician and His Tale</text>
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              <text>Dissertation Abstracts International 32 (1972)</text>
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              <text>mea; 11/21/2015 No SAC</text>
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                <text>Experience Versus Authority: Chaucer's Physician and Fourteenth-Century Science</text>
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            <description>An account of the resource</description>
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                <text>Summarizes debates about the relative importance of logical explanation (authority) and practical experience in medieval medical theory, an opposition between doctors and surgeons. Presented as both doctor and surgeon, Chaucer's Physician embodies the opposition, especially as it is inflected by the further opposition of faith and reason.</text>
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              <text>Harrington, Norman T.</text>
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              <text>Chaucer Review 10 (1976): 187-200.</text>
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        <element elementId="114">
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              <text>Canterbury Tales--General.</text>
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              <text>Chaucer Review 10 (1976)</text>
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              <text>jules - 23/sept/94 SAC 1 (85)</text>
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                <text>Experience, Art, and the Framing of the 'Canterbury Tales'</text>
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                <text>CT is the last formulation of one of Chaucer's strongest literary preoccupations:  the dynamic interaction of experience and art.  The links present reality as it is immediately perceived:  chaotic but vital.  The tales present reality as it is formally comprehended:  orderly but remote.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sayers, Edna Edith.</text>
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              <text>Joshua R. Eyler, ed. Disability in the Middle Ages: Reconsiderations and Reverberations (Burlington, Vt.: Ashgate, 2010), pp. 81-92.</text>
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              <text>2010</text>
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            <elementText elementTextId="2789994">
              <text>Disability in the Middle Ages: Reconsiderations and Reverberations.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 34:222</text>
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                <text>Experience, Authority, and the Mediation of Deafness: Chaucer's Wife of Bath</text>
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                <text>Sayers reviews commentary on the Wife of Bath's deafness; suggests that we treat it more literally than metaphorically; and posits that, through the deafened Wife, Chaucer "does not resolve the opposition between experience and authority, but rather forces its abandonment."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fisher, Leona Catherine.</text>
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              <text>DAI A71.12 (2011): n.p.</text>
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              <text>2011</text>
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              <text>Background and General Criticism</text>
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              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2797137">
              <text>Dissertation Abstracts International 71 (2011).</text>
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              <text>mea sac 35:56.</text>
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              <elementText elementTextId="2797130">
                <text>Experience, Epistemology, and Women's Writing in the Late Middle Ages</text>
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                <text>Mentions Chaucer (WBP) while discussing the rise of experience as an acceptable authority in the writing of female mystics, supplanting a previous exclusive reliance on traditional authority.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Howard, Donald R.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Jerome Mandel and Bruce A. Rosenberg, eds. Medieval Literature and Folklore Studies: Essays in Honor of Francis Lee Utley (New Brunswick, N.J.: Rutgers University Press, 1970), pp. 173-92.</text>
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        <element elementId="114">
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            <elementText elementTextId="2811110">
              <text>1970</text>
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            <elementText elementTextId="2811111">
              <text>Medieval Literature and Folklore Studies: Essays in Honor of Francis Lee Utley.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Style and Versification</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2811115">
              <text>10/04/2016; mea No SAC</text>
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              <elementText elementTextId="2811107">
                <text>Experience, Language, and Consciousness: 'Troilus and Criseyde,' II, 596-931</text>
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                <text>Explicates a "series of four scenes" in TC (2.596-931) that enable readers to "know what it feels like to 'be' Criseyde," establishing a fundamental empathy with her by, unusual in the age, seeing "into the mind of a woman." Examines the passage as a soliloquy, exploring its uses of folk wisdom, considering its relations with lyric poetry and novels, and assessing how it depicts the gaps among language, consciousness, and choice.</text>
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              <text>Pedersen, David.</text>
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              <text>Medieval Feminist Forum 55, no. 2 (2019): 98-114.</text>
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            <elementText elementTextId="2841425">
              <text>Medieval Feminist Forum 55 (2019)</text>
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                <text>Experiencing Authority: The Wife of Bath's Deaf Ear and the Flawed Exegesis of St. Jerome.</text>
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                <text>Argues that the Wife's non-congenital deafness signifies not spiritual deafness, but damage done to her by the contents of Jankyn's book, which she, ironically, destroys. Compares Alison's interpretations of Scripture in WBP with those of Jerome in "Adversus Jovinianum," identifying the "flawed" techniques of both and suggesting that, perhaps, "the authorities are not so authoritative." Includes comments on medieval understanding of deafness.</text>
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                <text>Argues that function shifts and the development of impersonal constructions reduced the nouns and verbs associated with dreaming in the development of English.  Nohara focuses on the loss of forms of "sweven" and "meten" from Middle English, drawing examples primarily from Chaucer.</text>
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                <text>Expletive 'There' in Chaucer</text>
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              <text>Philological Quarterly 74 (1995): 17-35.</text>
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                <text>The rape victim in WBT quickly vanishes from the text because she is "excommunicated," or denied access to the privileges of the knight who exploits her.</text>
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                <text>Only when society assimilates such marginalized others can the rapist himself be subjected to excommuniciation, which in this tale is only temporary and is occasioned by the victim's symbolic "reappearance" via the hag and the transformed wife. Lee compares the circumstances of this rape to the events in other works, including PhyT, FranT, and LGW (Lucrece).</text>
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              <text>Tale of Sir Thopas</text>
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              <text>Nun's Priest and His Tale</text>
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                <text>Exploring Chaucer's Theories of Language: 'Englyssh Suffissant' amd 'Slydengness of Tongue</text>
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                <text>Shows that throughout his career Chaucer "attempts to stike a balance between apologizing for the instability of his meaning and open acceptance of the capricious nature of language." Comments on Chaucer's attitudes toward language, interpretation, style, and translation in Adam, Astr, HF, TC, Th, Mel, and NPT.</text>
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              <text>Aers, David, and Thomas Pfau.</text>
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                <text>Argues that theological modes of inquiry are needed in interdisciplinary approaches to literature that have tended toward secular and "reductive" methodologies. Notes the difficulty of teaching theological modes of inquiry through Chaucer when few students have knowledge of basic Christian theological concepts. Contends that modern graduate schools' focus on poststructuralist theories reduces medieval texts to a single "message" and leads to inaccurate conclusions, such as that Chaucer was a "protodeconstructionist.</text>
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              <text>New York: Macmillan, 1955.</text>
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              <text>lxi, 756 pp.</text>
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              <text>Pardoner and His Tale&#13;
Style and Versification</text>
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                <text>Exploring Poetry.</text>
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          <element elementId="41">
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                <text>Introduces "the study of poetry," suitable for classroom use. A section on "Implied Argument: Irony and Ambiguity" includes a reading of PardT 6.728-33 that suggests a "profound idea wells up in this passage--the idea that we cannot conceive of bringing an end to death without at the same time destroying the principle of the life-cycle here symbolized by Mother Earth," even though Chaucer leaves ambiguous "just who the old man is." The volume also includes for further study excerpts from LGWP-F (the Balade, 249-69), the end of TC (5.1835-48, 1863-69), and the description of Alysoun in MilT 1.3221-70) .</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2782592">
              <text>Davis, Isabel.</text>
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            <elementText elementTextId="2782593">
              <text>Literature Compass 6 (2009): 842-63.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Literature Compass 06 (2009).</text>
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              <text>vxl sac 33:99</text>
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                <text>Expressing the Middle Ages</text>
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                <text>Davis assesses late medieval, first-person narration in English literature as a rhetorical and allegorical device and as an autobiographical stance. She comments on the influence of Augustine and Boethius and explores a range of Middle English authors, including Chaucer, particularly his "diminution of the narrator" in CT.</text>
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              <text>Literature Compass 06 (2009)</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 01/27/2024</text>
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        <element elementId="114">
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            <elementText elementTextId="2845296">
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          <element elementId="50">
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                <text>Expressing the Middle English "I."</text>
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                <text>Surveys uses of first-person narrative in late medieval English literary texts, agreeing with and extending earlier critics' arguments that find in this literature notions of selfhood often attributed to the early modern period. Observes how and where medieval subjectivity is distinguishable from modern autobiography and rooted in Christian and late Antique writing--Boethius and Augustine especially. Assesses generally comic effects of Chaucer's first-person voice in CT.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750737">
              <text>Walker, Warren S.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2750738">
              <text>Chaucer Review 33: 432-37,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1999</text>
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            <elementText elementTextId="2750741">
              <text>Franklin and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2750743">
              <text>Chaucer Review 33 (1999)</text>
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        <element elementId="109">
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            <elementText elementTextId="2750744">
              <text>jules SAC 23 (181)</text>
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          <element elementId="50">
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              <elementText elementTextId="2750736">
                <text>Extant Analogues of the Franklin's Tale in the Turkish Oral Tradition</text>
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                <text>Turkish tales that parallel the folkloric formula at the end of FranT-"Which was the noblest act?"-generally treat who is the most ignoble. So many Turkish stories fall into this category that Chaucer's Knight may have "previewed a performance" during one of his military campaigns.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2773641">
              <text>Aloni, Gila.</text>
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        <element elementId="98">
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              <text>Chaucer Review 41 (2006): 163-84.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2773643">
              <text>2006</text>
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              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2773646">
              <text>Chaucer Review 41 (2006)</text>
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        <element elementId="109">
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              <text>vxl sac 30:182</text>
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                <text>Extimacy in the Miller's Tale</text>
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            <description>An account of the resource</description>
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                <text>The relation between public and private in MilT may be understood as the condition of "extimacy": "the presence of the Other at the place thought to be most intimate." The "structure of extimacy" frustrates masculine attempts to control or acquire Alisoun as a private possession and affords her unusual freedom.</text>
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              <text>Jacobs, Kathryn.</text>
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        <element elementId="98">
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              <text>Publications of the Medieval Association of the Midwest 6: 25-33,   1999.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Language and Word Studies.</text>
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              <text>Miller and His Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2751199">
              <text>Merchant and His Tale.</text>
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            <elementText elementTextId="2751200">
              <text>Shipman and His Tale.</text>
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              <text>jules SAC 23 (137)</text>
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                <text>Extra-Marital Contracts in the Canterbury Tales</text>
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            <description>An account of the resource</description>
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                <text>Identifies the legal features of the lovers' pacts in CT. Legal diction (e.g., "accord"), careful preparation, and various kinds of delay connect the illicit relations in MilT, WBPT, ShT, MerT, RvT, and others with the legal contract of marriage.</text>
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              <text>Rude, Sarah B.</text>
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        <element elementId="98">
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              <text>Mediaevalia 40 (2019): 169-86.</text>
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              <text>Mediaevalia 40 (2019)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Boece&#13;
Language and Word Studies</text>
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                <text>Eye Beams and Boethian Sufficiency in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842085">
                <text>Argues that TC "dramatizes" the relations among vision, imagination, reason, and intellect found in Bo, tracing the effects of the lovers' "faulty reasoning" in failing to progress from sight-based earthly pleasure to eternal good, emphasized in Criseyde's use of the Boethian term "suffisaunce" (III.1309) to proclaim her love in the consummation scene.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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                <text>Eyes and Appetites in the 'Merchant's Tale'</text>
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              <text>Singh, G.</text>
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              <text>1994</text>
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              <text>176 pp.</text>
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              <text>mea 02/06/2013 No SAC</text>
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                <text>Ezra Pound as Critic</text>
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                <text>Includes a summary of Pound's appreciative criticism of Chaucer's poetry and the possible impact the assessment had on T. S. Eliot's views.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gugelberger, Georg M.</text>
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              <text>1978</text>
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              <text>214 pp.</text>
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              <text>Chaucer's Influence and later Allusion.</text>
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              <text>mea 01/02/2013 No SAC</text>
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                <text>Surveys the influence of Provençal and Italian poets on the works of Ezra Pound, and examines Pound's critical commentary about Chaucer (in his "ABC of Reading"), comparing passages from the two poets and exploring the extent to which the "three 'poeias' so central to Pound's thinking have their origin largely in Chaucer" (16).  Appendix L (pp. 196-97) tabulates allusions to and "Incorporations" of Chaucerian works in Pound.</text>
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          <elementTextContainer>
            <elementText elementTextId="2706787">
              <text>Benzie, William.</text>
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              <text>Norman, Okla.: Pilgrim Books, 1983.</text>
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        <element elementId="114">
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              <text>1983</text>
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            <elementText elementTextId="2706791">
              <text>Background and General Criticism.</text>
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              <text>jules SAC 12 (67)</text>
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                <text>F. J. Furnivall: Victorian Scholar Adventurer</text>
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                <text>Contains an account of the organization and work of the Chaucer Society (1868-1912) founded by Furnivall.</text>
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            <elementText elementTextId="2813912">
              <text>Spencer, H. L.</text>
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        <element elementId="98">
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            <elementText elementTextId="2813913">
              <text>Review of English Studies 65, no. 272 (2014): 790 -811.</text>
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              <text>Background and General Criticism</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Review of English Studies 65 (2014)</text>
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          <elementTextContainer>
            <elementText elementTextId="2813919">
              <text>mea; 2/24/2017 sac 38:95</text>
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                <text>F. J. Furnivall's Last Fling: The Wyclif Society and Anglo-German Scholarly Relations,1882-1922</text>
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                <text>F. J. Furnivall founded seven literary and publishing societies (including the Chaucer and New Shakespeare Societies). Furnivall  describes Wyclif  "as the first translator of our Bible and THE FATHER OF ENGLISH  PROSE" in an attempt "to foist prose paternity onto Wyclif (in pleasing symmetry with Chaucer's fatherhood of English poetry, alleged by Matthew Arnold)."</text>
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              <text>Review of English Studies 66, no. 276 (2015): 601-23</text>
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              <text>Review of English Studies 66 (2015)</text>
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              <text>Facsimiles, Editions, and Translations</text>
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              <text>SAC 39:19&#13;
mea; 2/18/2018</text>
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                <text>F. J. Furnivall's Six of the Best: "The Six-Text Canterbury Tales" and the Chaucer Society</text>
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                <text>Details Furnivall's founding of the Chaucer Society in 1868, and argues that his greatest contribution was his parallel text edition of CT, a publication that has far-reaching consequences for the later editing of Chaucer. Brief references to Astr, Bo, WBT, ClT, KnT, HF, NPT, and PardPT.</text>
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