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              <text>Kanno, Masahiko.</text>
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              <text>Studies in Foreign Languages and Literatures 18 (Aichi University of Education, 1982): 99-112.</text>
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              <text>1982</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Studies in Foreign Languages and Literatures 18 (Aichi University of Education, 1982)</text>
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              <text>jules SAC 09 (213)</text>
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                <text>'The Canon's Yeoman's Tale' ni okeru 'craft' no Imi ( Implications of the Word 'Craft' in 'The Canon's Yeoman's Tale' )</text>
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                <text>Discusses how "craft" is lexically related to the development of the story.</text>
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                <text>In Japanese.</text>
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              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
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              <text>Christopher Cannon and Maura Nolan, eds. Medieval Latin and Middle English Literature: Essays in Honour of Jill Mann (Cambridge: Brewer, 2011), pp. 76-90.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2796531">
              <text>2011</text>
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          <elementTextContainer>
            <elementText elementTextId="2796532">
              <text>Medieval Latin and Middle English Literature: Essays in Honour of Jill Mann.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Chaucerian Apocrypha</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea sac 35:16.</text>
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            <name>Title</name>
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                <text>'The Canterbury Tales' and 'Gamelyn'</text>
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                <text>Examines twenty-five CT mss in which "Gamelyn" appears and makes suggestions about the tale's relationship to the CT, arguing against the notion that early scribes included it on "wholly whimsical grounds."  Its inclusion early in the textual tradition and its occurrence only with the CT invite further consideration.</text>
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              <text>Hinton, Norman D.</text>
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              <text>Essays in Medieval Studies 1: 28-48,   1985</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2714733">
              <text>1985</text>
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        <element elementId="112">
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              <text>Bosse, Roberta,ed.</text>
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            <elementText elementTextId="2714736">
              <text>Manuscripts and Textual Studies.</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2714738">
              <text>Essays in Medieval Studies 01 (1985)</text>
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        <element elementId="109">
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              <text>jules SAC 09 (113)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'The Canterbury Tales' as 'Compilatio'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2714735">
                <text>Advances computer data-based theory that if various manuscripts of CT represent "compilationes" with the "Tales" as "auctoritates," study of incomplete manuscripts may reveal how readers used them to discuss moral-ethical issues.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2717203">
              <text>Bloomfield, Morton (W.)</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2717204">
              <text>Leeds Studies in English 14 (1983): 44-56.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2717205">
              <text>1983</text>
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            <elementText elementTextId="2717207">
              <text>Canterbury Tales--General.</text>
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          <elementTextContainer>
            <elementText elementTextId="2717208">
              <text>Leeds Studies in English 14 (1983)</text>
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        <element elementId="109">
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              <text>jules SAC 08 (106)</text>
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            <name>Title</name>
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                <text>'The Canterbury Tales' as Framed Narratives</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2717206">
                <text>More than a mere unifying element, the pilgrimage frame of CT introduces tales, sets the tone of complexity, universalizes the stories, prepares us for morality and mirth, and satisfies the Gothic urge for wholes within wholes.  The Host is both supporter and critic of Chaucer, in a frame both causative and authenticating.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Hieatt, A. Kent.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784032">
              <text>Richardson, David A., ed. Spenser and the Middle Ages: Proceedings from a Special Session at the Eleventh Conference on Medieval Studies in Kalamazoo, Michigan 2-5 May 1976 (Cleveland: Cleveland State University, 1976), pp. 216-29.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2784033">
              <text>1976</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2784034">
              <text>Spenser and the Middle Ages: Proceedings from a Special Session at the Eleventh Conference on Medieval Studies in Kalamazoo, Michigan 2-5 May 1976.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2784035">
              <text>Richardson, David A., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2784037">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2784038">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2784039">
              <text>Squire and His Tale</text>
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              <text>Franklin and His Tale</text>
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              <text>Parliament of Fowls</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea 12/5/2012 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2784030">
                <text>'The Canterbury Tales' in 'The Faerie Queene'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784036">
                <text>Argues that Spenser emulated a four-part mythic pattern of Chaucer's KnT in his own version of SqT, as well as elsewhere in Books 3-4 of "The Faerie Queene," where Spenser also reflects the influence of Chaucer's concerns in the Marriage Group (particularly FranT) and PF.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734424">
              <text>Fisher, Judith L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734425">
              <text>Poetica: An International Journal of Linguistic Literary Studies 39-40 (1994): 155-77.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734426">
              <text>1994</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2734428">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2734429">
              <text>Poetica: An International Journal of Linguistic Literary Studies 39-40 (1994)</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 48</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2734423">
                <text>'The Canterbury Tales' in Charles Knight's 'Old England': Conservative Reform in Popular Publishing</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2734427">
                <text>Examines the iconography of nineteenth-century engravings of select Canterbury pilgrims published by Knight.  The postures, details, and styles in the engravings reflect assumptions about social order, as well as Knight's program of educating his readership.</text>
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              <text>Lee, Dongchoon.</text>
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              <text>Medieval and Early Modern English Studies 22.01 (2014): 21-47.</text>
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                <text>'The Canterbury Tales' in Terms of a Road Festival as Reflected in 'The Miller's Tale'</text>
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                <text>Applies Mikhail Bakhtin's notion of the "carnivalesque," which provides a "context for understanding the importance of laughter" in CT. The Miller focuses on physical pleasure and natural instinct in MilT; his disregard for rules of social hierarchy reinforces that the pilgrimage is a  time of "carnivalesque freedom" for the Host and the pilgrims.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fernández Rodríguez, Carmen María.</text>
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              <text>Elizabeth Woodward Smith, ed. About Culture (Santiago de Compostela: Universidade de Coruña, 2004), pp. 139-46.</text>
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              <text>Clerk and His Tale</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 7/10/2014 SAC 36: 162</text>
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                <text>'The Canterbury Tales' in the Nineteenth Century: Maria Edgeworth's The Modern Griselda</text>
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              <elementText elementTextId="2799034">
                <text>Describes Maria Edgeworth's view of the education of women through her adaptation of ClT in "The Modern Griselda" (1805), intended as a warning against sensibility and defense of rational women.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2717349">
              <text>Sturges, Robert S.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2717350">
              <text>Modern Language Studies 13:2 (1983): 41-51.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1983</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Modern Language Studies 13 (1983)</text>
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              <text>jules SAC 08 (121)</text>
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            <name>Title</name>
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                <text>'The Canterbury Tales' Women Narrators: Three Traditions of Female Authority</text>
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                <text>Women narrators--Wife of Bath, Prioress, and Second Nun--seek either earthly or spiritual authority over men in CT and establish female poetic tradition, invoking powerful females archetypes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2707562">
              <text>Nicholson, R. H.</text>
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        <element elementId="98">
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            <elementText elementTextId="2707563">
              <text>English Language Notes 25:3 (1988): 16-22.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1988</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2707567">
              <text>English Language Notes 25 (1988)</text>
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            <elementText elementTextId="2707568">
              <text>jules SAC 12 (145)</text>
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                <text>'The Canterbury Tales', A. 2032: 'Of Antonius'</text>
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                <text>The reference to the slaughter of Antonius in KnT 2032 is not to Mark Antony, as is commonly believed, but to Antonius Bassianus.  Usually known as Caracalla, Emperor Antonius was betrayed and murdered--a reference far more suitable to Chaucer's context than is Mark Antony's suicide.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2808178">
              <text>Howard, Donald R.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2808179">
              <text>ELH 38 (1971): 319-28.</text>
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        <element elementId="114">
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            <elementText elementTextId="2808180">
              <text>1971</text>
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              <text>Canterbury Tales--General</text>
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              <text>General Prologue to the Canterbury Tales</text>
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        <element elementId="100">
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            <elementText elementTextId="2808184">
              <text>ELH 38 (1971)</text>
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        <element elementId="109">
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            <elementText elementTextId="2808185">
              <text>mea; 2/28/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2808177">
                <text>'The Canterbury Tales': Memory and Form</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2808181">
                <text>Observes that the "primary fiction" of CT is the narrator's "remembered personal experience," established in the GP and providing "the principle of form" for the entire work: a "pervasive sense of obsolescence, the passing of experience into memory." Comments on the medieval understanding of memory, the "ideal" portraits of GP, and the thematic unity of CT, despite its unfinished nature.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2738745">
              <text>Mertens-Fonck, Paule.</text>
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        <element elementId="98">
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              <text>Atti della Accademia Peloritana dei Pericolanti Classe di Lettere, Filosofia e Belle Arti 69 (1995): 1-29.</text>
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        <element elementId="114">
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            <elementText elementTextId="2738747">
              <text>1995</text>
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            <elementText elementTextId="2738749">
              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2738750">
              <text>Atti della Accademia Peloritana dei Pericolanti Classe di Lettere Filosofia e Belle Arti 69 (1995)</text>
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              <text>jules SAC 19 (1997) - 163.</text>
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              <elementText elementTextId="2738744">
                <text>'The Canterbury Tales': New Proposals of Interpretation</text>
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            <description>An account of the resource</description>
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                <text>The systematic inconsistencies between numbers in GP (number of pilgrims "announced" v. number found by reader, number of tales "promised" v. actual number, number of potential narrators v. number of tales told) seem to proceed from a poetic strategy inspired by the nominalist theory of knowledge, designed to invite the reader to a critical reappraisal.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Crafton, John Micheal.</text>
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        <element elementId="98">
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            <elementText elementTextId="2777354">
              <text>Philological Quarterly 84 (2005): 259-85.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777355">
              <text>2005</text>
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        <element elementId="102">
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            <elementText elementTextId="2777357">
              <text>Physician and His Tale</text>
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            <elementText elementTextId="2777358">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2777359">
              <text>Philological Quarterly 84 (2005)</text>
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              <text>vxl SAC 31:241</text>
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              <elementText elementTextId="2777352">
                <text>'The cause of everiche maladye': A New Source of the Physician's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2777356">
                <text>As a treatise on continence, the last chapter of the "Summa virtutem remediis anime" provides significant analogues to PhyT. Virginia represents true virginity and in her martyrdom appears saintly. Virginius represents foolish virginity, especially given his sacrifice of his daughter, a sacrifice made unnecessary and cruel in light of the source text, which locates virginity in the spirit--not the flesh.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2710953">
              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
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              <text>Notes and Queries 232 (1987): 295.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2710955">
              <text>1987</text>
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            <elementText elementTextId="2710957">
              <text>Legend of Good Women.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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          <name>Journal by Volume Number</name>
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              <text>Notes and Queries 232 (1987)</text>
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              <text>jules SAC 11 (243)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2710952">
                <text>'The Chaunce of Dice' and 'The Legend of Good Women'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2710956">
                <text>Notes an allusion to LGW 1377 in the mid-fifteenth-century poem "The Chaunce of Dice" 1.34, not noted by Spurgeon.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2749500">
              <text>Paris, Bernard J.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2749501">
              <text>Chapter 5 in Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature (New York and London: New York University Press, 1997), pp. 82-92.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2749502">
              <text>1997</text>
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          <elementTextContainer>
            <elementText elementTextId="2749503">
              <text>Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature.</text>
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              <text>Clerk and His Tale.</text>
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        <element elementId="109">
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            <elementText elementTextId="2749506">
              <text>jules SAC 22 - 239</text>
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                <text>'The Clerk's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Psychoanalyzes Walter of ClT as one who tests Griselda's submissiveness to assure his own freedom and to vindicate his choice of her as a wife. Griselda seeks personal glory in her subservience. They are "two sick people in a pathological relationship, and Chaucer seems aware of this."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2705169">
              <text>Johnson, Lynn Staley.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2705170">
              <text>Mediaevalia 11 (1989, for 1985): 121-28.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2705171">
              <text>1989</text>
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            <elementText elementTextId="2705174">
              <text>Clerk and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2705175">
              <text>Mediaevalia 11 (1989, for 1985).</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2705176">
              <text>jules SAC 13 (139)</text>
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          <element elementId="50">
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              <elementText elementTextId="2705168">
                <text>'The Clerk's Tale' and the Arts of Narrative Manipulation</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2705172">
                <text>The Clerk's "apparently subversive narration" draws the reader away from pathos toward "harder wisdom."  ClT is a "gem of narrative irony."  The Clerk manipulates reader response by exploiting "techniques of irony" and pointing out inconsistencies in his own tale to provide the reader with two choices:  the blindness and bondage of Walter's unstable people or the "knowing freedom" of patient Griselda--responses inspired by the inscrutable Walter.</text>
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              <elementText elementTextId="2705173">
                <text>In her loving obedience, Griselda maintains a "moral integrity" that places her "beyond the reach of fortune and change."  Herein lies the lesson of ClT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2739343">
              <text>Georgianna, Linda.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2739344">
              <text>Speculum 70 (1995): 793-821.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2739345">
              <text>1995</text>
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            <elementText elementTextId="2739347">
              <text>Clerk and His Tale.</text>
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        <element elementId="100">
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            <elementText elementTextId="2739348">
              <text>Speculum 70 (1995)</text>
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        <element elementId="109">
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            <elementText elementTextId="2739349">
              <text>jules SAC 19 (1997) - 213</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739342">
                <text>'The Clerk's Tale' and the Grammar of Assent</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2739346">
                <text>Griselda's assent to Walter's wishes, which goes beyond the patience or concealment that he demands, represents complete identification or unity of will.  In the theological terms of Rudolph Otto, her assent is not "moral" but "numinous." The absoluteness of her assent therefore defies political or moral explanation.</text>
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  </item>
  <item itemId="272057" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802914">
              <text>Fichte, Joerg O.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802915">
              <text>William C. Johnson and Loren C. Gruber, eds. "New" Views on Chaucer: Essays in Generative Criticism (Denver: Society for New Language Study, 1973), pp. 9-16.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802916">
              <text>1973</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802917">
              <text>New Views on Chaucer: Essays in Generative Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802919">
              <text>Clerk and His Tale</text>
            </elementText>
            <elementText elementTextId="2802920">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802921">
              <text>mea; 3/9/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802913">
                <text>'The Clerk's Tale': An Obituary to 'Gentilesse'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2802918">
                <text>Argues that ClT demonstrates that "gentilesse" is "inoperable in a capricious and volatile" society, evident in Griselda's treatment by Walter and his people. An ideal virtue, "gentilesse" is impossible, even for Griselda, who lacks pity.</text>
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  </item>
  <item itemId="265875" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738632">
              <text>Olivares Merino, Eugenio (M.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738633">
              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 223-31.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738634">
              <text>1993</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738635">
              <text>Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738637">
              <text>Clerk and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738638">
              <text>jules SAC 19 (1997) - 219</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738631">
                <text>'The Clerk's Tale': Griselda's Virtue as Both Disruptive and Necessary</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738636">
                <text>Compares and contrasts Griselda of ClT with the Biblical Job to show that her morality is unorthodox and that she can be seen as a usurper of male roles.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796455">
              <text>Blandeau, Agnès.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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                <text>'The Clerkenwell Tales' de Peter Ackroyd: Une persistance de la formule chaucérienne?</text>
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                <text>Focuses on Ackroyd's use of Chaucer's "formulism" (Zumthor) and reflects on how successful the accumulation of medieval formulas and sayings really is.</text>
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              <text>Ellis, Deborah S.</text>
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              <text>College English 49 (1987): 188-201.</text>
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          <name>Date</name>
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              <text>1987</text>
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              <text>jules SAC 11 (182)</text>
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                <text>'The Color Purple' and the Patient Griselda</text>
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                <text>Most of the major elements of plot and theme in ClT reappear in Alice Walker's novel of 1982.  The heroines of each, Griselda and Celie, passively accept male domination and tyranny but finally achieve reconciliation.</text>
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              <text>Phillips, Helen.</text>
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              <text>Roger Ellis and Ruth Evans, eds. The Medieval Translator, 4. Medieval &amp; Renaissance Texts &amp; Studies, no. 123. (Binghamton, N.Y.: Medieval &amp; Renaissance Texts &amp; Studies, 1994), pp. 86-103.</text>
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              <text>Complaint of Venus</text>
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              <text>Sources, Analogues and Literary Relations.</text>
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              <text>The Medieval Translator, no. 04.</text>
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              <text>Medieval Texts &amp; Studies, no. 123.</text>
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              <text>jules SAC 18 (1996) - 286</text>
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                <text>'The Complaint of Venus': Chaucer and de Graunson</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2734630">
                <text>Compares the diction of Chaucer's Ven with that of its sources (three of Otto de Graunson's ballades) to explore how Chaucer reconceived "what de Graunson had written for a male speaker as an expression of a woman's feelings."  The speaker of the poem is presented as a translator and, like other Chaucerian narrator-translators, is feminine or feminized.  Includes the text of Ven and its sources.</text>
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              <text>Kawasaki, Masatoshi.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2759593">
              <text>Studies in British and American Literature (Komazawa University) 36: 73-104,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759594">
              <text>2001</text>
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            <elementText elementTextId="2759597">
              <text>Parliament of Fowls.</text>
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          <elementTextContainer>
            <elementText elementTextId="2759598">
              <text>Studies in British and American Literature (Komazawa University) 36 (2001)</text>
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          <elementTextContainer>
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              <text>jules SAC 25 (273)</text>
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            <name>Title</name>
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              <elementText elementTextId="2759591">
                <text>'The Craft So Long to Lerne' : 'Love' and 'Art' in The Parliament of Fowls</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759595">
                <text>Survey of love and art in PF.</text>
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              <elementText elementTextId="2759596">
                <text>In Japanese.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2756009">
              <text>Duffell, Martin J.</text>
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              <text>Chaucer Review 34: 269-88,   2000.</text>
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        <element elementId="114">
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              <text>2000</text>
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              <text>Style and Versification.</text>
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              <text>Chaucerian Apocrypha.</text>
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          <elementTextContainer>
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              <text>Chaucer Review 34 (2000)</text>
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              <text>jules SAC 24 (94)</text>
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                <text>'The Craft So Long to Lerne' : Chaucer's Invention of the Iambic Pentameter</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756012">
                <text>Chaucer's model for the iambic pentameter line was Boccaccio's endecasillabo, not the French vers de dix. Chaucer introduced the "void" position, the "extra unprominent syllable within the hemistich, and possibly the epic caesura." All of his pentameter poems show equal mastery of line, and verse analysis indicates that he is probably the author of the "Ch" poems.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2700851">
              <text>Polzella, Marion L.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2700852">
              <text>Chaucer Review 10 (1976): 279-86.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700853">
              <text>1976</text>
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              <text>Envoy to Scogan.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2700857">
              <text>Chaucer Review 10 (1976)</text>
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              <text>jules - 7/10/94 SAC 1 (226)</text>
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                <text>'The Craft So Long to Lerne': Poet and Lover in Chaucer's 'Envoy to Scogan' and 'Parliament of Fowls'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2700854">
                <text>In Scog and PF, Chaucer creates a vision of the world of love through which he may comment on his own craft.  The poet-narrator's being uninitiated to love is a quality ideally suitable to this double focus on poetry and love.</text>
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