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              <text>Rogers, Laura Mestayer.</text>
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              <text>Medieval Feminist Forum 31: 36-43,   2001.</text>
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              <text>jules SAC 25 (131)</text>
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                <text>Embarking with Constance : Margaret Schlauch</text>
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                <text>Assessment of Schlauch's career and criticism, focusing on her Chaucer's Constance and Accused Queens (1927; rpt. 1969). Includes a bibliography of Schlauch's publications.</text>
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              <text>Prioress and Her Tale&#13;
Background and General Criticism</text>
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                <text>Embarrassment of Riches.</text>
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                <text>Interprets the GP description of the Prioress as a satire of an institution rather than a critique of an individual, offering the reading as a prolegomenon to a comparative discussion of the challenges of teaching English and teaching foreign language studies in modern educational institutions. Delivered as an address to the Twenty-Third Annual Conference of the College Language Association, Washington, D.C., April 19, 1963.</text>
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                <text>As part of a larger discussion of "loathliness" and the transformation away from loathliness in the context of marginalization of women, examines WBPT. Particular attention is paid to "the implications of disembodying a Loathly Lady in a tale that rewards male sexual violence with marriage."</text>
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                <text>Studies the "role of stigma in determining the social value of a lone woman of loathly proportions or perceptions," discussing a range of texts, medieval to postmodern, including two chapters on WBPT that assess the loathly lady as the "alter ego" of the Wife of Bath.</text>
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              <text>Randall, Jackie.</text>
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              <text>Rouse Hill, NSW: Schillings, 2016.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Emelin.</text>
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                <text>Item not seen; WorldCat information indicates this is a children's novel, set in the Middle Ages, about a gifted girl who flees her home in order to protect a Chaucer manuscript.</text>
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              <text>Wietecha, Kristine.</text>
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                <text>Emelye's Objectified Characterization: A Study of Gender Characterization in Chaucer's "The Knight's Tale."</text>
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                <text>Argues that the depictions of Emelye and Diana in KnT result from the Knight's objectification, ventriloquism, and patriarchal ideals.</text>
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              <text>Minkova, Donka, and Robert Stockwell.</text>
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              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 129-39.</text>
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              <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly.</text>
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                <text>Of roughly 30,000 lines of Chaucer's iambic pentameter, only a tiny subset are variant. The majority of his lines follow a template of ten syllables, each foot beginning with a weak syllable. The essay refers specifically to FranT.</text>
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              <text>Copeland, Rita.</text>
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                <text>Emotion and the History of Rhetoric in the Middle Ages.</text>
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                <text>Explores emotion as a device of rhetoric from Antiquity through the fifteenth century, and describes the influence of Aristotle's "Rhetoric" on political, ethical, and literary discourse from the thirteenth century forward. Assesses a wide range of texts, including discussions of rhetorical handbooks, style, and emotion in Chaucer generally, and of "enthymematic oratory" in KnT.</text>
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              <text>Houlik-Ritchey, Emily.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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                <text>Emotion, Feeling, Intensity, Pleasure, and the "Franklin's Tale."</text>
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                <text>Compares the functions and effects of Dorigen's "odd pleasure of intense feeling" in FranT with those of Marianne Dashwood in Jane Austen's Sense and Sensibility, considering their feelings in light of their respective community structures and gender expectations. Includes several classroom projects and questions for discussion.</text>
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              <text>Megna, Paul.</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 39:224&#13;
mea; 3/1/2018</text>
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              <elementText elementTextId="2818413">
                <text>Emotional Ethics in Middle English Literature.</text>
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                <text>Considers the connection between ethics and emotional response in several Middle English texts, including TC.</text>
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              <text>Ohno, Hideshi.</text>
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              <text>Hiroshima Studies in English Language and Literature 61 (2017): 69-84.</text>
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              <text>Language and Word Studies&#13;
Troilus and Criseyde&#13;
Canterbury Tales--Genral</text>
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                <text>Emotional Expression in Chaucer: With Special Reference to "Herte."</text>
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                <text>Focuses on words and phrases collocating with "herte," "minde," and "soule" in CT and TC and analyzes how Chaucer "exerts his influence on the reader's/audience's emotion" through the use of these words.</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Man of Law and His Tale&#13;
Franklin and His Tale</text>
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                <text>Emotions and War in Chaucer's "Knight's Tale."</text>
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                <text>Investigates the restless "emotional movement" of "roaming" in KnT, as expression of both confined frustration and openness to new adventures enacted by Palamon, Emelye, and Arcite. Compares Chaucer's depictions of these movements and emotions with those found in Boccaccio's "Teseida," and compares Emelye's roaming with Dorigen's in FranT, Constance's in MLT, and Hypsipyle's in LGW.</text>
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              <text>Francisco Fernandez, Miguel Fuster, and Juan Jose Calvo, eds. English Historical Linguistics, 1992 (Amsterdam and Philadelphia: Benjamins, 1994), pp. 219-34.</text>
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              <text>Language and Word Studies.</text>
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                <text>Studying four families of emotion words (wrath, anger, annoyance, grief) in the Chaucer canon, Diller draws several conclusions:  the introduction of emotion words from French and their rivalry with native English words deserve close scrutiny; semantic study of emotion words is inextricably intertwined with their stylistic and cultural study; and such study may bring a new perspective to the question of whether emotions are universal or culture-specific.</text>
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              <text>Spector, Stephen.</text>
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              <text>Robert R. Edwards and Stephen Spector, eds.  The Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World (Albany: State University of New York Press, 1991), pp. 211-28, 289-300 (notes).</text>
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              <text>mea</text>
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                <text>Explores the "joining of contradictions in irony" in the GP portrait of the Prioress and the "joining of contraries" in the "sublime paradox" in the allusion to the Incarnation in PrT.  A further contradiction is "that the Prioress, whose faith and emotion seem so shallow and misplaced" in GP, "should utter so ardent a prayer at all."  Spector deconstructs "the moral dichotomy in her depiction of Christian-Jewish relations" to challenge the notion of Chaucer's anti-Semitism..</text>
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              <text>Hazell, Dinah.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Carmina Philosophiae 11: 43-74,   2002.</text>
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        <element elementId="114">
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              <text>Carmina Philosophiae 11 (2002)</text>
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              <text>vxl SAC 27:182</text>
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                <text>Empedocles, Boethius, and Chaucer: Love Binds All</text>
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              <elementText elementTextId="2764343">
                <text>Explores how the character Theseus in KnT does and does not embody principles of political philosophy found in Boethius's "Consolation of Philosophy." Combining "idealism and political exigency," Theseus fulfills the "composite model of an ideal" late-medieval ruler, but not that of a Boethian philosopher. His closing speech aligns with the "Empedoclean model" or worldview, in which strife and love vie in a mechanistic way.</text>
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              <text>Nichols, Stephen G.</text>
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        <element elementId="98">
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              <text>Exemplaria 2 (1990): 127-47.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Pardoner and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2703065">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2703066">
              <text>Background and General Criticism.</text>
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              <text>Exemplaria 02 (1990).</text>
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        <element elementId="109">
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            <elementText elementTextId="2703068">
              <text>jules SAC 14 (102)</text>
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              <elementText elementTextId="2703057">
                <text>Empowering New Discourse: Response to Eugene Vance and Hope Weissman</text>
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                <text>Vance's concept of "power semantics" articulates how Chaucer uses transgressive exempla--"meta-examples which confound expectations"--to pit the discourse of medieval history against itself in PardT, predicating a literal critique of medieval culture and social institutions.</text>
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                <text>Weissman's concern with the rhetorical "gaze" prompts a reexamination of the problematic relationship between medieval visual imagery and the rhetorical figure "ekphrasis" in de Lorris's "Romance of the Rose," the GP description of the Prioress, and MilT's Alison.</text>
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              <text>Crafton, John Micheal.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2738396">
              <text>Richard J. Utz, ed.  Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm (Lewiston, N.Y.; Queenston, Ont.; Lampeter, Wales: Eswin Mellen, 1995), pp. 117-34.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2738397">
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          <elementTextContainer>
            <elementText elementTextId="2738398">
              <text>Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Pardoner and His Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 19 (1997) - 139</text>
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              <elementText elementTextId="2738394">
                <text>Emptying the Vessel: Chaucer's Humanistic Critique of Nominalism</text>
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              <elementText elementTextId="2738399">
                <text>Chaucer's works reflect a pattern of concern with the realist-nominalist issues of language. Early on, Chaucer critiques realism, and, later on, nominalism, while TC and especially CT pose the two views in dialogic debate. Fragment 6 (Phyt and PardT) represents the opposed extremes and then undermines them, exemplifying how Chaucer struggled with his predecessors and anticipated the Renaissance.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2819674">
              <text>Céspedes [Benitez], Irma. </text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2819675">
              <text>Revista Chilena de Literatura 7 (1976): 5-26.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2819676">
              <text>Revista Chilena de Literatura 7 (1976)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2819677">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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        <element elementId="114">
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            <elementText elementTextId="2819679">
              <text>1976</text>
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                <text>En Torno a los Cuentos de Canterbury.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819673">
                <text>Explores the vibrant language of CT (and the difficulties of translation), its relations with oral tradition, and the constraints and possibilities of traditional medieval narrative set in tension with a competitive tale-telling contest among diverse tellers. Compares CT with a variety of other medieval literary works and maintains consistent focus on the pilgrimage motif.</text>
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  <item itemId="270867" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2790418">
              <text>Staley, Lynn.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790419">
              <text>Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 113-33.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790420">
              <text>2010</text>
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          <elementTextContainer>
            <elementText elementTextId="2790421">
              <text>Cultural Reformations: Medieval and Renaissance in Literary History.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2790423">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="109">
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              <text>vxl sac 34:261</text>
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              <elementText elementTextId="2790417">
                <text>Enclosed Spaces</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790422">
                <text>Explores the trope of England as an idealized garden/island in imagery of homes in various medieval and Renaissance works, including NPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2836161">
              <text>Cooper, Helen.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2836162">
              <text>Heather Hirschfeld, ed. The Oxford Handbook of Shakespearean Comedy (Oxford: Oxford University Press, 2018), pp. 55-68.</text>
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        <element elementId="112">
          <name>Contributor</name>
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              <text>The Oxford Handbook of Shakespearean Comedy.</text>
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          <elementTextContainer>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Encountering the Past II: Shakespearean Comedy, Chaucer, and Medievalism.</text>
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                <text>Surveys theatrical genre labels ("comedy," "tragedy," "play," "drama") in early English, including Chaucer's uses of them. Then surveys the ways in which Chaucer's plots, motifs, and emphases influenced Shakespeare, with comments also on the influence of Gower, fabliaux, medieval mystery and morality plays, and other works. Argues in particular that Chaucer's influence on "A Midsummer Night's Dream has been underestimated, and documents the breadth of his role in shaping Shakespeare's "medievalism."</text>
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              <text>Snodgrass, Mary Ellen.</text>
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              <text>xvi, 451 pp.; 47 b&amp;w figs.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Manciple and His Tale.</text>
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                <text>Encyclopedia of Fable</text>
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            <description>An account of the resource</description>
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                <text>An alphabetical dictionary of the "world fable," i.e., the beast fable and related narratives in various international traditions, both as stand-alone narratives and as exempla in larger works. </text>
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                <text>Includes entries on national and ethnic traditions, authors, subgenres, and motifs; also includes a timeline, lists of authors and sources, a bibliography, and an index. </text>
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                <text>The entry on Chaucer (pp. 70-78) provides biographical information and comments on NPT and ManT. </text>
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                <text>Also includes a separate entry on Chauntecleer (pp. 78-81).</text>
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              <text>x, 549 pp.</text>
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              <text>Lambdin, Laura Cooner, ed.</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>mea 6/5/2013 No SAC</text>
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                <text>Encyclopedia of Medieval Literature</text>
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            <description>An account of the resource</description>
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                <text>An alphabetical one-volume encyclopedia of medieval "literary works, authors, historical figures, events, themes, and genres," with a general emphasis on "early British literature" and individual entries for Continental literatures. Many entries are accompanied by selective bibliographies, and the volume includes an index.  The major entry for Chaucer (pp. 91-96) is biographical, with separate entries for CT and individual tales, TC, and selects other works.</text>
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              <text>Ruud, Jay, ed.</text>
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              <text>New York: Facts on File, 2006.</text>
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              <text>2006</text>
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              <text>xviii, 734 pp.</text>
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              <text>Chaucer's Life</text>
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            <elementText elementTextId="2792587">
              <text>mea 7/22/2013 No SAC</text>
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              <elementText elementTextId="2792579">
                <text>Encyclopedia of Medieval Literature</text>
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            <description>An account of the resource</description>
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                <text>An alphabetical one-volume encyclopedia of international medieval writers, their works, anonymous works, literary genres, and major cultural contexts, with entries by a dozen contributing authors, a time line of writers, a bibliography, and an index. The main entry on Chaucer (pp. 129-31) is biographical, and the volume includes entries for each of his major works.</text>
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              <text>Byrne, Joseph P.</text>
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              <text>xx, 429 pp.</text>
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              <text>Bibliographies, Reports, and Reference&#13;
Chaucer's Life</text>
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mea; 2/18/2018</text>
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              <elementText elementTextId="2816583">
                <text>Encyclopedia of the Black Death</text>
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            <description>An account of the resource</description>
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                <text>Includes a summary (pp.70–71) of Chaucer's life and his literary representations of the plague ("the word appears nine times").</text>
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              <text>Bormann, Sally.</text>
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              <text>Dissertation Abstracts International 56 (1995): 199A.</text>
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              <text>1995</text>
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              <text>Style and Versification.</text>
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              <text>Dissertation Abstracts International 56 (1995)</text>
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                <text>End-rhyme and Alliterative Sonotations in Chaucer, Gower, Langland and the 'Gawain'-poet</text>
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                <text>"Sonotations" (generated by sound patterns that affect both denotation and connotation) appear in rhymed and alliterative verse.</text>
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                <text>Poets balance the structural and sensuous qualities of sound with sense, and aesthetic qualities with didactic ones.</text>
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