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                  <text>Chaucer Bibliography Online</text>
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              <text>Machan, Tim William.</text>
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              <text>A.N. Doane and Carol Braun Pasternack, eds.  Vox Intexta: Orality and Textuality in the Middle Ages.  (Madison: University of Wisconsin Press, 1991), pp. 229-45.</text>
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              <text>1991</text>
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              <text>Vox Intexta.</text>
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              <text>mea</text>
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                <text>Editing, Orality, and Late Middle English Texts</text>
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                <text>Questions the role of orality in the recording and transmission of Middle English texts, suggesting that various attitudes and techniques of oral improvisation have left residues in these texts and that modern editors should use oral models.  Draws examples from TC, PF, and elsewhere.</text>
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              <text>Bianciotto, Gabriel.</text>
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              <text>Dissertation, Paris, 1977.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 07 (19)</text>
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                <text>Edition critique et commentee du Roman de "Troyle," traduction francaise du xve siecle du "Filostrato" de Boccace</text>
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                <text>Argues from linguistic evidence that Pratt is wrong when hypothesizing that Chaucer used a French version of the Troy story.</text>
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              <text>Reiss, Edmund.</text>
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              <text>College English 26 (1965): 572-83.</text>
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              <text>1965</text>
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                <text>Editions and Translations of Chaucer Now in Print.</text>
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            <description>An account of the resource</description>
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                <text>Surveys the "editions and translations of Chaucer currently in print" (in 1965) and designed for college courses, commenting on their strengths and weaknesses.</text>
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              <text>Blake, N. F.</text>
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              <text>Poetica 20 (1984): 1-19</text>
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              <text>1984</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Monk and His Tale.</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 20 (1984)</text>
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              <text>vxl sac 29:34</text>
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                <text>Editorial Assumptions and Problems in The Canterbury Tales</text>
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            <description>An account of the resource</description>
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                <text>Considers textual issues that pertain to the "Host stanza" at the end of ClT (4.1212a-g) and several passages in MkT and NPT: the "Adam stanza" (7.2007-14), the "Modern Instances" (7.2375-2462), and the short versus long versions of NPP. Discusses manuscript evidence and the likely sequence of composition.</text>
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              <text>Horobin, Simon.</text>
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              <text>Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 15-21.</text>
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        <element elementId="114">
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              <text>1997</text>
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              <text>The Canterbury Tales Project Occasional Papers, Volume II</text>
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            <elementText elementTextId="2743439">
              <text>Manuscripts and Textual Studies.</text>
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              <text>Franklin and His Tale.</text>
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              <text>jules SAC 21 - 28</text>
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                <text>Editorial Assumptions and the Manuscripts of 'The Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>Demonstrates the dangers of over-reliance on Hengwrt, Ellesmere, or any limited number of privileged manuscripts in establishing the text of CT, arguing for attention to all available material.</text>
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                <text>Uses Ad3 (British Library MS Additional 35286) to show (1) how its unique ordering of tales may preserve an early stage in Chaucer's composition process and (2) how two passages that Ad3 shares only with Ellesmere (FranT 1455-56, 1493-98) may preserve an authorial revision.</text>
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              <text>Costomiris, Robert Douglas.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 56 (1996): 4783A.</text>
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              <text>1996</text>
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              <text>Dissertation Abstracts International 56 (1996)</text>
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              <text>jules SAC 20 (1998), 7</text>
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                <text>Editorial Authority: William Thynne and the Construction of The Chaucer Canon in the Henrician Age</text>
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                <text>William Thynne, the first true editor of Chaucer's oeuvre, performed fewer duties for the royal household than has been believed; thus, he had more time for editing.  Familiar with the three previous printings and with many manuscripts, he built on Caxton's edition and apparently relied most heavily on one manuscript, Tanner 346.</text>
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              <text>Petrina, Alessandra.</text>
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              <text>Cahiers Elisabéthains 112 (2023): 3-13.</text>
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              <text>Cahiers Elisabéthains 112 (2023)</text>
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                <text>The textual problems of Bo are more complex than they seem.  Chaucer used several source texts, including commentaries and French translations; his chief interest was to translate the "'Consolatione' tradition," not just the "Consolatione" itself.  In a sense, then, he created his own source.  Similarly, Chaucer's own text was adapted by scribes, who reflected their primary interest in the meaning and the language, not in the artistry.</text>
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                <text>Variant treatments of ClT 4.507-8 reflect editorial practices as well as scribal power, specifically Adam Pinkhurst's, in shaping Chaucer's texts.</text>
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                <text>Emphasizes the global diversity of CT--settings, sources, influence, etc.--and asks "what underappreciated meanings in Chaucer's Middle English work open up through translation and adaptation." Summarizes the essays included in this special issue titled "Chaucer's Global Compaignye" and suggests that they help to offset "Anglophone normativity." For individual essays, search for Chaucer's Global Compaignye under Alternative Title.</text>
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von Contzen, Eva.&#13;
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                <text>Describes the launch of a new electronic journal related to the study of Chaucer, "New Chaucer Studies: Pedagogy &amp; Profession," and summarizes the contents of the inaugural issue.</text>
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                <text>Edle Ritter, schlaue Studenten, betrügerische Ablasskrämer: Chaucers "Canterbury Tales."</text>
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                <text>Introduces CT as one of the major accomplishments of English medieval literature, surveying information about Chaucer's life and works and focusing on the range and variety of CT. Describes GP, Ret, the longer prologues, and each of the tales, and examines their narrative genres, settings, sources and analogues, themes, and motifs.</text>
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                <text>Explores the influence of CT on Spenser's "Faerie Queene," especially the Renaissance version of Chaucer's work available to Spenser in Thynne's edition. Includes a list of Spenser's references and allusions to Chaucer.</text>
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              <text>Hall, Ann C.</text>
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              <text>Proverbium 3 (1986): 47-58.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Proverbium: Yearbook of International Proverb Scholarship 03 (1986)</text>
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              <text>jules SAC 10 (249)</text>
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                <text>Educating Reader: Chaucer's Use of Proverbs in 'Troilus and Criseyde'</text>
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                <text>Chaucer uses "ingenu" irony (Muecke's term) in TC.  Pandarus, the most prodigious user of proverbs, demonstrates the illusiveness and unreliability of proverbs.  For all his proverbial wisdom, Pandarus, like the narrator, is inept in love.  Proverbs provide a safety net to deflect blame from both, and to protect the characters from audience disapproval.</text>
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              <text>Vila de la Cruz, Maria Purificacion.</text>
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              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 319-23.</text>
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              <text>Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature.</text>
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              <text>jules SAC 19 (1997) - 157</text>
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                <text>Tallies instances of Chaucer's attention to childhood education in CT.</text>
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            <elementText elementTextId="2740294">
              <text>Orme, Nicholas (I.)</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>London and Ronceverte: Hambledon, 1989.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1989</text>
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            <elementText elementTextId="2740297">
              <text>x, 297 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Chaucer's Life.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2740298">
                <text>Fifteen chapters, fourteen reprinted, on various aspects of education in society and literature.  Includes a reprint of "Chaucer and Education."</text>
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Style and Versification</text>
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            <elementText elementTextId="2830950">
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              <elementText elementTextId="2830943">
                <text>Educational Expectation and Rhetorical Result in "The Canterbury Tales."</text>
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              <elementText elementTextId="2830944">
                <text>Argues that in his "mature work" and in "the service of greater realism," Chaucer used rhetoric "dramatically rather than ornamentally." Then gauges the degree of appropriateness of tales to tellers in light of the percentage of rhetoric in a given tale and its teller's presumed level of education, "special circumstances" of the teller's background or character, or the supposition that the tale was reassigned from one teller to another.</text>
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              <text>The School of Human Studies, the School of Literature (Taisho University) 85 (2000): 241-64.</text>
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                <text>Edward Burne-Jones and Geoffrey Chaucer</text>
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                <text>Discusses Edward Burne-Jones's illustrations for the Kelmscott Chaucer. In Japanese.</text>
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              <text>Richmond, Velma Bourgeois.</text>
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              <text>Chaucer Review 40 (2005): 1-38.</text>
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              <text>vxl sac 29:25</text>
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                <text>Edward Burne-Jones's Chaucer Portraits in the Kelmscott Chaucer</text>
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                <text>The thirty-one portraits in the Kelmscott Chaucer show Burne-Jones's development as a painter and his identification with Chaucer as an artist. Burne-Jones represents Chaucer as a tall and slender man, similar to his own self-portraits. The emotions he captures in Chaucer--happy to melancholy to almost deathlike--roughly parallel events in the artist's own life and reflect changes in his own philosophy, as well as tensions in late-Victorian England.</text>
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              <text>Ormrod, W. M.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2704555">
              <text>Journal of British Studies 26 (1987): 398-422.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 13 (75)</text>
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                <text>Edward III and His Family</text>
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                <text>Edward III achieved his dynastic ambitions through military activity, careful marriages, and apportionment of lands and titles among his children.  By 1377, his plans lay in ruins,and Richard II's abrasiveness destroyed Plantagenet harmony.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2727659">
              <text>Reisner, M. E.</text>
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        <element elementId="98">
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              <text>Eighteenth-Century Studies 12 (1979): 481-503.</text>
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              <text>1979</text>
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                <text>Effigies of Power: Pitt and Fox as Canterbury Pilgrims</text>
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                <text>Blake's portraits of the Pardoner and Summoner in "Chaucer's Canterbury Pilgrims" bear strong resemblances to contemporary satirical portraits of William Pitt the Younger and Charles James Fox, respectively.  The descriptions of the two pilgrims in GP and in their individual tales closely parallel the physical traits, tastes, abilities, and personalities of the historical figures.</text>
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              <text>Elliott, Winter S.</text>
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              <text>Kathleen A. Bishop,ed. "The Canterbury Tales" Revisited--21st Century Interpretations (Newcastle: Cambridge Scholars, 2008), pp. 110-26.</text>
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              <text>2008</text>
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            <elementText elementTextId="2780755">
              <text>"Canterbury Tales" Revisited-21st Century Interpretations.</text>
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              <text>Prioress and Her Tale</text>
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              <text>vxl SAC 32:256.</text>
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              <elementText elementTextId="2780751">
                <text>Eglentyne's Mary/Widow: Reconsidering the Anti-Semitism of The Prioress's Tale</text>
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              <elementText elementTextId="2780756">
                <text>The Prioress aligns herself with the widow in her Tale and with the Virgin Mary. Although the clergeon is like Christ in his challenge to Jewish tradition, PrT is concerned with female power as well as with cultural prejudice.</text>
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              <text>Danby, John F.</text>
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              <text>Critical Quarterly 2 (1960): 28-32.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Language and Word Studies&#13;
Style and Versification</text>
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                <text>Eighteen Lines of Chaucer's "Prologue."</text>
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            <description>An account of the resource</description>
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                <text>Comments on stylistic and tonal aspects of GP 1.1-18, focusing on their harmonious energy and "generalized vocabulary." Also comments Chaucer's sympathetic irony elsewhere in GP.</text>
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