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              <text>Atkinson, Laurie Ray.</text>
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              <text>Ph.D. dissertation (University of Durham, 2021), Dissertation Abstracts International C83.05(E). Fully accessible at http://etheses.dur.ac.uk/14081/ (accessed January 30, 2025).</text>
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              <text>376 pp.</text>
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              <text>Dissertation Abstracts International 85 (E). </text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 47:20</text>
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                <text>Dreaming of Authors, Authoring Dreams: Literary Authorship in the Framed First-Person Allegories of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas.</text>
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            <description>An account of the resource</description>
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                <text>"[I]nvestigates the distinctive conceptions of literary authorship of John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas by means of close and comparative readings of their utilisation of a particular form and mode: framed first-person allegory." Recurrent attention to Chaucer as a "predecessor" and his works as "models."</text>
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              <text>Koff, Leonard Michael.</text>
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              <text>Nancy van Deusen, ed. Cicero Refused to Die: Ciceronian Influence through the Centuries (Boston: Brill, 2013) , pp. 65-83.</text>
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              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>2013</text>
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                <text>Dreaming the Dream of Scipio.</text>
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                <text>Explores how Chaucer's adaptations in PF of Macrobius's Neoplatonic commentary on Cicero's "Dream of Scipio" anticipate "the humanist recovery of Ciceronian ideals," particularly the "ideal of marriage and mating as civic duty" and the "possibility of a monarchical continuity that counsels adjudication between personal prerogatives and the social duties of love."</text>
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              <text>Karpinski, Agnes.</text>
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              <text>Bernard Dieterle and Manfred Engel, eds. Historizing the Dream/Le rêve du point de vue historique (Würzburg: Königshausen &amp; Neumann, 2019), pp. 93-118.</text>
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              <text>Dieterle, Bernard, ed.&#13;
Engel, Manfred, ed.</text>
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              <text>Historizing the Dream&#13;
Le rêve du point de vue historique</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>mea; SAC 44:278</text>
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                <text>Dreams and Knowledge in Medieval Literary Theory: Three Comparative Examples.</text>
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                <text>Assesses relations between dreams and determinism (fate, providence, and prophecy) in three medieval narratives: Kriemhild's dream in the "Nibelungenlied," the dreams in" Der Nonne von Engeltal Büchlein von der Gnaden Überlast," and Chanticleer's dream in NPT. In the latter, physiological humoral processes counterpoint dream theories, and the philosophical implications of the tale are "relativized" by humor and "the fact that the protagonists must also be considered as natural enemies."</text>
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              <text>Dunai, Amber Rose.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A77.03 (2015): n.p.</text>
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              <text>Dissertation Abstracts International 77 (2015)</text>
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              <text>Book of the Duchess</text>
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        <element elementId="109">
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              <text>SAC 39:196&#13;
2/29/2018</text>
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              <text>2015</text>
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            <name>Title</name>
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                <text>Dreams and Visions in Medieval Literature.</text>
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                <text>Considers BD in a larger survey of dream visions, with particular attention to "connections [to] the conventions of medieval mystical texts."</text>
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              <text>Corsa, Helen Storm.</text>
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        <element elementId="98">
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              <text>American Imago 27 (1970): 52-65.</text>
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              <text>American Imago 27 (1970)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/5/2023</text>
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              <text>1970</text>
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                <text>Dreams in 'Troilus and Criseyde."</text>
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                <text>Argues in Freudian terms that dreams in TC disclose psychological aspects of the characters. Criseyde's dream (II, 925-31), added by Chaucer to his source, Boccaccio's "Filostrato," indicates her desire for ravishment and marks her early submission to Troilus's pursuit. Troilus's two "anxiety" dreams (in Book V), especially the second--a "primal scene" nightmare--and its variations from the version in "Filostrato," "point in the direction of shaping Troilus as an Oedipal figure."</text>
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              <text>Sharma, Govind Narayan.</text>
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              <text>Indian Journal of English Studies 6 (1965): 1-18.</text>
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              <text>Book of the Duchess&#13;
House of Fame&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Knight and His Tale&#13;
Troilus and Criseyde&#13;
Nun's Priest and His Tale&#13;
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              <text>mea; 2/10/2019</text>
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                <text>Dreams in Chaucer.</text>
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                <text>Describes medieval dream psychology, both medical and Macrobian, and summarizes the realism of dreams as narrative frame in Chaucer's dream visions (BD, HF, PF, and LGWP) and as device of characterization and dramatic irony when dreams are otherwise embedded in his narratives (KnT, TC, NPT). Praises Chaucer's "tremendous knowledge of medieval dream-lore" and his respect for dreams as "part of the mystery of creation."</text>
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                <text>Dreams in Place</text>
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                <text>Hacking describes cultural assumptions about dreams in Western tradition (biblical, Cartesian, Freudian, etc.), noting especially dreams' presumed separation from "reality" and the complexities of their relationships with narrative. He briefly considers the concern with "philosophical speculation" in Chaucer's dream poems and the reciprocity of dreaming and fiction-making in these poems.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kruger, Steven F.</text>
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              <text>Dissertation Abstracts International 49 (1989)</text>
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        <element elementId="109">
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              <text>jules SAC 13 (200)</text>
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                <text>Dreams in Search of Knowledge: The Middle Vision of Chaucer and His Contemporaries</text>
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                <text>Kruger investigates the ambivalent nature of dreams in light of various classical and medieval dream theories, as well as actual accounts of dreams.  The "middle vision," neither divine nor satanic, figures in Langland, Nicole Oresme, and Chaucer (BD and HF).</text>
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        <element elementId="110">
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              <text>Spearing, A. C.</text>
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              <text>Mary-Jo Arn, ed. Charles d'Orlans in England, 1415-1440 (Cambridge: D. S. Brewer, 2000), pp. 123-44.</text>
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        <element elementId="114">
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              <text>Charles d'Orléans in England, 1415-1440.</text>
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              <text>Arn, Mary-Jo, ed.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 24 (86)</text>
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                <text>Dreams in The Kingis Quair and the Duke's Book</text>
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                <text>Compares Charles's "Fortunes Stabilnes" with James I's "Kingis Quair," focusing on their dream visions and the narrators' responses to dreams. James's poem is more distinctly Chaucerian in its political and philosophical implications, while Charles's is "a literary fiction of a private life," more loosely organized, more playful, and more artificial.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2782676">
              <text>Smith, Nathanial B.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2782677">
              <text>DAI A69.10 (2009): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2782678">
              <text>2009</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2782680">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2782681">
              <text>Dissertation Abstracts International 69 (2009).</text>
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        <element elementId="109">
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              <elementText elementTextId="2782675">
                <text>Dreams of Influence: Embodied Reading in Late Medieval and Renaissance English Literature</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2782679">
                <text>Considers dream visions in the works of Chaucer and his successors (Hoccleve, Lydgate, Skelton, and Spenser), arguing that these dreams break down "binary" notions, including those of body/mind, gender, and text/reader.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813875">
              <text>Lenz, Tanya S.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Turnhout:  Brepols, 2014.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813877">
              <text>2014</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813878">
              <text>vii, 298 pp.; illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813880">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813881">
              <text>mea; 2/23/2017 SAC 38:88</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2813874">
                <text>Dreams, Medicine, and Exploring the Western LiteraryTradition through Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Highlights prominent connections among dreams, medicine, and literature in Chaucer's poetry.  Argues that dreams and medicine are integral aspects of Chaucer's works and that the poet shows how they can be experienced through literature  to bring about social and individual  harmony.</text>
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  <item itemId="262634" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706953">
              <text>Hale, David G.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706954">
              <text>Journal of the Rocky Mountain Medieval and Renaissance Association 9 (1988): 47-61.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706955">
              <text>1988</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706957">
              <text>Background and General Criticism.</text>
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          <elementTextContainer>
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              <text>Journal of the Rocky Mountain Medieval and Renaissance Association 09 (1988).</text>
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        <element elementId="109">
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              <text>jules SAC 12 (82)</text>
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              <elementText elementTextId="2706952">
                <text>Dreams, Stress, and Interpretation in Chaucer and His Contemporaries</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>In Chaucer and other fourteenth-century writers, dreams often prompt the dreamers to try to assert intellectual control over their mysterious experience by classifying the possible causes or truth values of dreams.  Earlier classifications of this sort were supplemented by newer ones, such as Nicholas of Lyra's (text and translation in appendix).</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2814620">
              <text>Bickley, John T.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>DAI A74.10 (2014): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2814622">
              <text>2014</text>
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              <text>House of Fame</text>
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            <elementText elementTextId="2814625">
              <text>Dissertation Abstracts International 74 (2014)</text>
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        <element elementId="109">
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            <elementText elementTextId="2814626">
              <text>mea; 3/03/2017 sac 38:200</text>
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              <elementText elementTextId="2814619">
                <text>Dreams, Visions, and the Rhetoric of Authority</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2814623">
                <text>In context of a larger study  of dream visions, uses HF as an example of the ironic dream vision, arguing that it treats authority ironically,  whereas other dream visions (e.g., Macrobius on Scipio, Julian of Norwich's mystical visions) offer other views of authority.</text>
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                <text>Considers the "authoritative weight" of dreams and visions in literature, focusing on their connections with other forms of prophetic or revelatory texts and offering a taxonomy of varieties. Includes chapters on the biblical Book of Daniel, Macrobius's "Commentary on the Dream of Scipio," Julian of Norwich's "Revelations of Love," and HF, with references to many other works. Argues that HF, in step with aspects of the growing skepticism of later fourteenth-century thought, ironically undercuts its own claims to authority.</text>
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              <text>Postscript 5.2 (2000): 1-19</text>
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                <text>Dressing and Redressing the Male Body: Homosocial Poetics in Troilus and Criseyde</text>
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                <text>Deeply engaged with literary tradition and the dynamics of translation, TC resists "the patriarchal biases of the founding myth the narrator transmits to us." It "denaturalizes the masculine literary corpus" by revealing the "radical contingency of textuality" and the "homosocial orchestration of identity through exchange."</text>
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              <text>Chaucer Review 52.4 (2017): 456-75.</text>
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              <text>Reeve and His Tale&#13;
Language and Word Studies</text>
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                <text>Analyzes the ways in which Chaucer uses the word "sight" in order to examine concepts of taste and tastelessness in RvT.</text>
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                <text>Dressing Symkyn's Wife: Chaucer's "Reeve's Tale" and Bad Taste.</text>
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              <text>Scala, Elizabeth.</text>
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              <text>Texas Studies in Literature and Language 59 (2017): 137-61.</text>
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Franklin and His Tale</text>
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              <text>mea; SAC 42:52</text>
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                <text>Dressing Up as a Franklin's Housewife: Native Sources for Shakespeare's "Cymbeline." </text>
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                <text>Argues that FranT provided the "raw material and structures of dramatic feeling" for Shakespeare's "Cymbeline," encouraging critics to adopt a more expansive view of source relations, and observing how and where the tale and the play illuminate each other, especially on questions of love and marriage.</text>
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              <text>Kaempfer, Lucie.</text>
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              <text>Open Library of Humanities 4.1 (2018): 1-24.</text>
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              <text>Open Library of Humanities 04 (2018)</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification&#13;
Boece&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Second Nun and Her Tale</text>
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                <text>Drinking Sorrow and Bathing in Bliss: Liquid Emotions in Chaucer.</text>
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                <text>Associates the liquidity of emotions in medieval literature with the Galenic theory of humours, exploring "the different uses of liquidity to represent emotions in Chaucer's work," especially TC, where emotions such as sorrow and joy can be variously cried, drunk, bathed in, written in ink, and more. Includes comments on Bo, ClT, MLT, SNT, and WBT.</text>
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                <text>Discusses the history of silent reading and commercial manuscript production for private reading, starting with Chaucer's BD and including considerations of the Auchinleck manuscript and British Library, MS Harley 978, to suggest that meditative consideration of conscience and silent reading may have been linked social practices. A revised address to the Canadian Society of Medievalists delivered in 2004;</text>
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              <text>David Raybin and Linda Tarte Holley, eds. Closure in The Canterbury Tales: The Role of The Parson's Tale (Kalamazoo: Medieval Institute Publications, Western Michigan University, 2000), pp. 151-75.</text>
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                <text>Dropping the Personae and Reforming the Self : The Parson's Tale and the End of The Canterbury Tales</text>
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                <text>ParsT is an examination of conscience that prepares for the act of confession that is Chaucer's Ret. Late-medieval notions of self differ from modern ones; the process of preparing for confession led the penitent to recognize and discard the sinful self to reestablish unity with the "Imago Dei" that is the true self.</text>
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              <text>Rowland, Beryl.</text>
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              <text>Archiv fur das Studium der neueren Sprachen und Literaturen 217 (1980).</text>
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                <text>The Augustans were the last English poets to possess enough confidence in their own idiom to attempt to make Chaucer their contemporary.  Dryden's modernization of Chaucer was intended to achieve verisimilitude for his 17th-century audience.  It would surprise him to know that his transformation would require elucidation for 20th-century readers.</text>
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              <text>Milne, Fred L.</text>
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              <text>Knight and His Tale.</text>
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                <text>Dryden's 'Palamon and Arcite': Its Merits and Flaws as a Translation of Chaucer's 'Knight's Tale'</text>
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                <text>Dryden's alterations of Chaucer's narrative division, versification, motif and thematic emphasis, and character portrayal follow his avowed principles of translation.  But his alterations in the "spirit" of Chaucer's tale violate one of his important principles and produce a work significantly different in meaning from Chaucer's original.</text>
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              <text>Mason, Tom.</text>
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                <text>Documents Dryden's wide-ranging allusiveness in his adaptation of NPT and comments on the reception of this version, arguing that "The Cock and the Fox" presents a delicate balance between praise and blame of humanity.</text>
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              <text>Reverand, Cedric D.</text>
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                <text>In the opening poem of "Fables Ancient and Modern," Dryden draws a parallel between himself and Chaucer. The "fairest Nymph" in that parallel should be identified as the Duchess of Lancaster, as proposed by Walter Scott in 1808, rather than Joan of Kent, "the standard gloss" that George C. Craik put forward in 1897.</text>
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