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                  <text>Chaucer Bibliography Online</text>
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              <text>Ellison, Daryl.</text>
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              <text>ChauR 49.01 (2014): 77-101.</text>
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              <text>2014</text>
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              <text>Chaucerian Apocrypha</text>
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              <text>Chaucer Review 49 (2014)</text>
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              <text>mea; 3/04/2017 sac 38:233</text>
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                <text>'Take it as a tale': Reading the 'Plowman's Tale' as if It Were</text>
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                <text>By paying attention to apocryphal texts such as "The Plowman's Tale," readers can understand the appeal of continuations of CT. As CT is an amorphous text, reconsidering medieval writers and readers of apocrypha helps scholars rethink the potential of these tales.</text>
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              <text>Lynch, Andrew.</text>
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              <text>Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature (Cambridge: D. S. Brewer, 1986), pp. 167-78.</text>
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              <text>1986</text>
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              <text>Medieval English Religious and Ethical Literature.</text>
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              <text>Book of the Duchess.</text>
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              <text>jules SAC 10 (213)</text>
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                <text>'Taking Keep' of the 'Book of the Duchess'</text>
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                <text>Muscatine's "Gothic form" applies to BD with its "linear series of discrete episodes" and foci, as well as its shifts in viewpoint, style, and voice.  Interpretations move in a hermeneutical circle without resolution:  from parts to whole, from whole to parts.</text>
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                <text>Lynch reviews various readings and argues that (1) the BD text encourages syntheses between waking/reading and dreaming/reawakening and (2) through ironic perspective the reader unifies BD by opposing correct models to states of misunderstanding and spiritual imbalance.</text>
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              <text>Harrison, Joseph.</text>
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              <text>Philological Quarterly 63 (1984): 108-16.</text>
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              <text>1984</text>
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              <text>Knight and His Tale.</text>
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              <text>Philological Quarterly 63 (1984)</text>
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              <text>jules SAC 08 (134)</text>
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                <text>'Tears for Passing Things': The Temple of Diana in the 'Knight's Tale'</text>
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                <text>In contrast to the painful stasis of the temples of Mars and Venus, which Chaucer found in Boccaccio's "Teseida," the invented Temple of Diana emphasizes mutability and transformation, revealing the "hidden, more original concern" of KnT with the "widening gulf between heaven and earth."</text>
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              <text>Feinstein, Sandy.</text>
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              <text>SMART 7.1: 31-42,   1999.</text>
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              <text>1999</text>
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              <text>Background and General Criticism.</text>
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              <text>Language and Word Studies.</text>
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              <text>Studies in Medieval and Renaissance Teaching 07 (1999)</text>
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              <text>jules SAC 23 (87)</text>
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                <text>'Teehee' and Teaching Chaucer Cross Culturally in Kansas, Denmark, and Bulgaria</text>
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                <text>Summarizes experiences and experiments in teaching Chaucer in several venues, noting how Chaucer's language and humor seem to transcend cross-cultural boundaries.</text>
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              <text>Davis Todd F., and Kenneth Womack.</text>
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              <text>Todd F. Davis and Kenneth Womack. Formalist Criticism and Reader-Response Theory (New York: Palgrave, 2002), pp. 123-35.</text>
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              <text>2002</text>
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              <text>Formalist Criticism and Reader-Response Theory.</text>
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              <text>Womack, Kenneth</text>
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              <text>Davis Todd F., and Kenneth Womack, ed.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Clerk and His Tale</text>
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              <text>mea 5/15/2013 No SAC</text>
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                <text>'Telle us som myrie tale, by youre fey!': Exploring the Reading Transaction and Narrative Structure in Chaucer's 'Clerk's Tale' and 'Troilus and Criseyde'</text>
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                <text>In in order to demonstrate the utility of reader-response criticism, Davis and Womack analyze ClT in light of Gérard Genette's theory of narratology and TC, Linda Hutcheon's theory of parody. In ClT, Chaucer controls tempo and reaction through structure; TC parodies Boccaccio's "Il Filostrato," particularly through the depictions of the main characters.</text>
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              <text>Walsh, Morrissey Jake.</text>
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              <text>DAI A73.02 (2012): n.p.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Knight and His Tale</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Dissertation Abstracts International 73 (2012).</text>
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              <text>mea sac 35:91.</text>
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                <text>'Termes of Phisik': Reading between Literary and Medical Discourses in Geoffrey Chaucer's 'Canterbury Tales' and John Lydgate's 'Dietary'</text>
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                <text>Considers Chaucer and Lydgate's appropriations of medical discourse (as in GP and KnT) and their introduction of such discourse into the larger English literary culture, including the ramifications for the history of medicine in England.</text>
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              <text>Phillips, Noelle.</text>
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              <text>RES 61 (2010): 331-59.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Review of English Studies 61 (2010).</text>
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                <text>'Texts with Trowsers': Editing and the Elite Chaucer</text>
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                <text>Paradoxically, readers of Chaucer are assumed to respond "intuitively" and yet also to need the aid of specialized academic assistance. The Early English Text Society (EETS) and the Chaucer Society played crucial roles in creating this paradox and, despite their egalitarian goals, led readers to rely on professional assistance when approaching the poet's work.</text>
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            <elementText elementTextId="2796704">
              <text>Phelpstead, Carl.</text>
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              <text>Helen Phillips, ed. Chaucer and Religion (Cambridge: Brewer, 2010), pp. 97-110.</text>
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              <text>Chaucer and Religion.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Man of Law and His Tale</text>
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              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2796712">
              <text>mea sac 35:32.</text>
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                <text>'Th'ende is every tales strengthe': Contextualizing Chaucerian Perspectives on Death and Judgment</text>
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                <text>Focuses on the "ars moriendi" (art of dying) manuals, that might have influenced Chaucer's writings on death, dying, and Purgatory in the MLT and PardT, among others. Includes background on treatises on the art of dying as well as changing attitudes about death in the late Middle Ages.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2794445">
              <text>Corn, Alfred.</text>
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          <name>Published</name>
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              <text>Contemporary Poetry Review n.v. (Feb. 2004): n.p. [Available electronically.]</text>
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          <name>Date</name>
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              <text>2004</text>
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              <text>"Than Longen Folk to Goon on Pilgrimages: Poetry and Travel."</text>
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              <text>Atlas: Selected Essays, 1989-2007.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Manuscripts and Textual Studies</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2794454">
              <text>Contemporary Poetry Review n.v. (Feb. 2004).</text>
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        <element elementId="109">
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2794444">
                <text>'Than Longen Folkes to Goon on Pilgrimages': A Meditation on Pilgrimage and Poetry</text>
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                <text>Personal account that assesses several influential pilgrimage/travel narratives, including Homer's "Odyssey," Dante's "Divine Comedy," and CT, with comments on Chaucer's narrator, his debt to Dante, intertextuality, and the experience of reading GP in Bodleian MS 686. Revised as "Than Longen Folk to Goon on Pilgrimages: Poetry and Travel," in Atlas: Selected Essays, 1989-2007 (Ann Arbor: University of Michigan Press, 2008), pp. 146-73.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2771528">
              <text>Alexander, Laura.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2771529">
              <text>Hortulus 1 (2005): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2771530">
              <text>2005</text>
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              <text>Wife of Bath and Her Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2771533">
              <text>Hortulus: The Online Graduate Journal of Medieval Studies 01 (2005)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2771534">
              <text>vxl sac 29:195</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2771527">
                <text>'Thanne Have I Gete of Yow Maistrie': Power and the Subversive Body in Chaucer's Wife of Bath</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2771531">
                <text>Traditonal mind (male)/body (female) distinctions are insufficient for discussing WBPT because the Wife celebrates "reason, learning, and open sexuality as rights given to women." In the Wife's relations with Jankin and in the Loathly Lady of WBT, Chaucer anticipates feminist efforts to redefine marriage as a free relationship between the sexes.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753104">
              <text>Kimmelman, Burt.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753105">
              <text>Journal of the Early Book Society 3: 1-35,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753106">
              <text>2000</text>
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              <text>Legend of Good Women.</text>
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          <elementTextContainer>
            <elementText elementTextId="2753109">
              <text>Journal of the Early Book Society 03 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (366)</text>
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          <element elementId="50">
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              <elementText elementTextId="2753103">
                <text>'Thanne Motyn We to Bokys' : Writing's Harvest in the Prologue to the Legend of Good Women</text>
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                <text>Differences between the F and G versions of LGWP include increased concern in the latter with aurality, with the metaphor of harvest as an epistemological figure and an "ars poetica," and with the boundaries between orality and literacy, Latin and vernacular, text and meaning, and related concerns reflected in Lollard and Ockhamist writing. Kimmelman corroborates traditional arguments that the G version is Chaucer's revision.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Taylor, William Joseph.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2789421">
              <text>Dissertation Abstracts International A71.06 (2010): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789422">
              <text>2010</text>
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              <text>Canterbury Tales--General</text>
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          <elementTextContainer>
            <elementText elementTextId="2789425">
              <text>Dissertation Abstracts International 71 (2010).</text>
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        <element elementId="109">
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            <elementText elementTextId="2789426">
              <text>vxl sac 34:161</text>
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              <elementText elementTextId="2789419">
                <text>'That Country Beyond the Humber': The English North, Regionalism, and the Negotiation of Nation in Medieval English Literature</text>
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                <text>Taylor examines the role of the North as an "uncanny figure" in the development of English nationalism, as evidenced in the works of Bede, William of Malmesbury, the Robin Hood ballads, and CT.</text>
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  <item itemId="268710" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Beidler, Peter G.</text>
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          <elementTextContainer>
            <elementText elementTextId="2768026">
              <text>Cindy L. Vitto and Marcia Smith Marzec, eds. New Perspectives on Criseyde (Fairview, N.C.: Pegasus Press, 2004), pp. 255-76.</text>
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          <elementTextContainer>
            <elementText elementTextId="2768027">
              <text>2004</text>
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              <text>New Perspectives on Criseyde.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 28:184</text>
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                <text>'That I was born, alas': Criseyde's Weary Dawn Song in Chaucer's Troilus and Criseyde</text>
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                <text>Challenges R. E. Kaske's argument that Criseyde's aube is appropriate for a male speaker and suggests that her words indicate anxious weariness, perhaps even a death wish.</text>
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  <item itemId="265033" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2730026">
              <text>Cook, James W.</text>
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        <element elementId="98">
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              <text>Chaucer Review 13 (1978): 51-65.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Chaucer Review 13 (1978)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 02 (136)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2730025">
                <text>'That She Was Out of Alle Charitee': Point-Counterpoint in the 'Wife of Bath's Prologue' and 'Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2730029">
                <text>Alice misunderstands the sacramental nature of Christian marriage--which requires perennial mutual affection and joining of wills, not self-centered egoism--creating a serious obstacle to the sacrament's efficacy in producing grace.  Alice does not achieve grace in any marriage in contrast to the loathly lady and rapist/knight, who do.</text>
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        <element elementId="110">
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              <text>Holloway, Julia Bolton.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Michael Masi, ed. Boethius and the Liberal Arts: A Collection of Essays. Utah Studies in Literature and Linguistics, no. 18. (Berne: Peter Lang, 1981), pp. 175-86.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734775">
              <text>1981</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734776">
              <text>Boethius and the Liberal Arts: A Collection of Essays.</text>
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        <element elementId="112">
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              <text>Masi, Michael,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2734779">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2734780">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 277</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2734772">
                <text>'The Asse to the Harpe': Boethian Music in Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2734778">
                <text>Surveys the history and iconography of the "asinus ad liram" topos and examines its use in Boethius's "Consolation of Philosophy," Juan Ruiz's "Libro de buen amor," and TC.  Pandarus inverts Philosophy's use of the topos.</text>
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  <item itemId="266610" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2746222">
              <text>Quinn-Lang, Caitlin.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746223">
              <text>Will Wright and Steven Kaplan, eds. The Image of Nature in Literature, the Media, and Society (Pueblo, Colo.: Society for the Interdisciplinary Study of Social Imagery, 1993), pp. 38-47.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2746224">
              <text>1993</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746225">
              <text>The Image of Nature in Literature, the Media, and Society: Selected Papers, 1993 Conference, Society for the Interdisciplinary Study of Social Imagery, March 11-13, 1993, Colorado Springs, Colorado.</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746228">
              <text>jules SAC 21 - 299</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2746221">
                <text>'The Augurye of Thise Fowles': Treacherous Birds in Chaucer's 'Troilus and Criseyde'</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746226">
                <text>Examines the literary backgrounds of the birds in TC to argue that the birds "carry with them themes of treachery and unnatural and sorrowful love"; they help depict the "dubious nature of temporal love."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2716135">
              <text>McColly, William (B.)</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2716136">
              <text>Chaucer Review 18 (1984): 239-49.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716137">
              <text>1984</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2716139">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2716140">
              <text>Chaucerian Apocrypha.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2716141">
              <text>Chaucer Review 18 (1984)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2716142">
              <text>jules SAC 08 (23</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2716134">
                <text>'The Book of Cupid' as an Imitation of Chaucer: A Stylo-Statistical View</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716138">
                <text>Computerized statistical and stylistic analysis indicates that this work is a pale imitation of Chaucer.  The imitator, perhaps Clanvowe, used Chaucer's tricks with context-independent function words.</text>
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  <item itemId="272247" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2804924">
              <text>Dickerson, A Inskip Jr.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804925">
              <text>Papers of the Bibliographical Society of America 66 (1971): 51-54.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804926">
              <text>1972</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2804928">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2804929">
              <text>Manuscripts and Textual Studies</text>
            </elementText>
            <elementText elementTextId="2804930">
              <text>Facsimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804931">
              <text>Papers of the Bibliographical Society of America 66 (1971)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804932">
              <text>mea; 11/17/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2804923">
                <text>'The Book of the Duchess,' Line 480</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804927">
                <text>Argues that there is no valid reason for treating line 480 of BD as inauthentic; it derives from Thynne's edition which has as much authority as manuscripts.</text>
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  <item itemId="263031" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710814">
              <text>Cherniss, Michael D.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710815">
              <text>Chap. 9 in Michael D. Cherniss, ed.  Boethian Apocalypse: Studies in Middle English Vision Poetry (Norman, Okla.: Pilgrim Books, 1987), pp. 169-91.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710816">
              <text>1987</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710817">
              <text>Boethian Apocalypse: Studies in Middle English Vision Poetry.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710820">
              <text>Book of the Duchess.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710821">
              <text>jules SAC 11 (227)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710813">
                <text>'The Book of the Duchess'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710818">
                <text>Two factors have prevented BD from being recognized as a Boethian Apocalypse:  its elegiac nature and its debt to French love vision.  Chaucer reshapes the "Boethian structure" in various features:  the troubled first-person narrator, the dialogue, the device of the misread interpolated exemplum from "reading a book," the narrator's assumption of a role of authority, the Knight's complaint, humanization of the narrator, and the motif of Fortune.</text>
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                <text>In combining the philosophical, educational Boethian genre with the topical eulogy, Chaucer has "exploited both the emotional tendencies of the genre and its ironic tendencies."  BD is not an allegory.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722575">
              <text>Palmer, R. Barton.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2722576">
              <text>Canadian Review of Comparative Literature 7 (1981): 380-93.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722577">
              <text>1981</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2722579">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2722580">
              <text>Canadian Review of Comparative Literature 07 (1981)</text>
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              <text>jules SAC 06 (157)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2722574">
                <text>'The Book of the Duchess' and 'Fonteinne Amoureuse': Chaucer and Machaut Reconsidered</text>
              </elementText>
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          <element elementId="41">
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              <elementText elementTextId="2722578">
                <text>Although the outlook of BD is fundamentally different from Machaut's "Dit de la fonteinne amoureuse," the later influenced far more profoundly than has been noted the structure and motifs of BD.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2803402">
              <text>Fichte, Joerg O.</text>
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        <element elementId="98">
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            <elementText elementTextId="2803403">
              <text>Studia Neophilologica 45 (1973): 53-67.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2803404">
              <text>1973</text>
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        <element elementId="102">
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            <elementText elementTextId="2803406">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2803407">
              <text>Studia Neophilologica 45 (1973)</text>
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        <element elementId="109">
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            <elementText elementTextId="2803408">
              <text>mea; 4/6/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2803401">
                <text>'The Book of the Duchess'--A Consolation?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2803405">
                <text>Argues that BD is not a traditional consolation but rather a "poetic monument in honor of Blanche." The poem's narrator is "singularly unfitted for the role of comforter" and inconsistent with the poet's own self-consciousness as an artist.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713210">
              <text>Phillips, Helen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713211">
              <text>English Studies 67 (1986): 113-21.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713212">
              <text>1986</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713214">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2713215">
              <text>Manuscripts and Textual Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2713216">
              <text>English Studies 67 (1986)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2713217">
              <text>jules SAC 10 (214)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713209">
                <text>'The Book of the Duchess', Lines 31-96: Are They a Forgery?</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713213">
                <text>Contrary to N. F. Blake, textual evidence does not support a rejection of Thynne's edition and his unique lines 31-96 for BD; nor do textual and linguistic matters prove their authenticity.  The passage fits into the poem and its thematic patterns very well, and many details look back to Chaucer's French sources.  Since Thynne made no identified forgeries himself, no likely forger is known.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2705733">
              <text>Pizzorno, Patrizia Grimaldi.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705734">
              <text>Dissertation Abstracts International 49 (1989): 2212A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705735">
              <text>1989</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705737">
              <text>Book of the Duchess.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705738">
              <text>Dissertation Abstracts International 49 (1989)</text>
            </elementText>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705739">
              <text>jules SAC 13 (201)</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2705732">
                <text>'The Book of the Duchess': A Re-Vision in a Dream</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705736">
                <text>Aware of both classical and medieval rhetoric, Chaucer in BD undermines traditions of courtly love by juxtaposing the uncomprehending narrator with the knight, an effete psychic double of the narrator who is unable to accept the fact of death.</text>
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  <item itemId="264458" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724472">
              <text>Wimsatt, James I.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724473">
              <text>John P. Hermann and John J. Burke, eds.  Signs and Symbols in Chaucer's Poetry (University: University of Alabama Press, 1981), pp. 113-29.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724474">
              <text>1981</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724475">
              <text>Signs and Symbols in Chaucer's Poetry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724477">
              <text>Book of the Duchess.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2724478">
              <text>jules SAC 05 (216)</text>
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          <element elementId="50">
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              <elementText elementTextId="2724471">
                <text>'The Book of the Duchess': Secular Elegy of Religious Vision?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724476">
                <text>Reconciles Wimsatt's other writings on BD--one emphasizing the closeness of BD to fourteenth-century French love poetry, the other studying the religious significance of the poem in the context of Christian tradition--which produce quite different readings.</text>
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  <item itemId="266285" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742847">
              <text>Vickery, Gwen M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742848">
              <text>Essays in Literature (Malcomb, IL) 22 (1995): 161-69.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742849">
              <text>1995</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742851">
              <text>Book of the Duchess.</text>
            </elementText>
            <elementText elementTextId="2742852">
              <text>Chaucer's Life.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2742853">
              <text>Essays in Literature (Malcomb, IL) 22 (1995)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2742854">
              <text>jules SAC 20 (1998), 251</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2742846">
                <text>'The Book of the Duchess': The Date of Composition Related to the Theme of Impracticality</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742850">
                <text>Argues that BD was composed after John of Gaunt made plans to remarry--or even after his second marriage--and that the poem constitutes both  an elegy on the death of Blanche and a "carefully argued justification of Gaunt's second marriage."  Further, this justification is covertly undercut, indicating Chaucer's disapproval of the marriage to Constance.</text>
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