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              <text>Reimer, Stephen R.</text>
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              <text>Ian Lancashire, ed.  Computer-Based Chaucer Studies (Toronto: Centre for Computing in the Humanities, University of Toronto, 1993), pp. 161-76.</text>
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              <text>1993</text>
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              <text>Computer-Based Chaucer Studies.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 17 (54)</text>
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                <text>Differentiating Chaucer and Lydgate: Some Preliminary Observations</text>
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            <description>An account of the resource</description>
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                <text>Summarizes questions of Lydgate's canon and its relation to Chaucerian apocrypha.  Describes a series of computer-assisted stylistic analyses used to clarify the canon, showing that Lydgate tends to use "large and complex syntactic structures" and "certain characteristic words and phrases."</text>
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              <text>Ensley, Mimi.</text>
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              <text>Manchester: Manchester University Press, 2023.</text>
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              <text>ix, 242 pp.; 5 b&amp;w illus.</text>
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              <text>Manchester Medieval Literature and Culture.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Influence and Later Allusion&#13;
Squire and His Tale&#13;
Chaucerian Apocrypha</text>
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                <text>Difficult Pasts: Post-Reformation Memory and the Medieval Romance.</text>
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                <text>Studies post-Reformation understandings and treatments of romance--a "fluid" genre--for the ways they disclose "subtle continuity" across the traditional divide between medieval and Renaissance. Focuses on resistance to erasure of the genre, analyzing the presence and roles of romance in catalogues, collections or collages, literary monumentalization, and metaphoric museums of memory. Comments on spurious attributions to Chaucer and investigates aspects of Edmund Spenser's and John Lane's monumentalization/laureation of their predecessor in continuations of SqT and elsewhere.</text>
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              <text>Jones, Chris.</text>
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              <text>Bettina Bildhauer and Chris Jones, eds. The Middle Ages in the Modern World: Twenty-First Century Perspectives (Oxford: Oxford University Press, 2017), pp. 168-85.</text>
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              <text>The Middle Ages in the Modern World: Twenty-First Century Perspectives</text>
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Facsimiles, Editions, and Translations</text>
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              <text>SAC 41:73</text>
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        <element elementId="114">
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              <elementText elementTextId="2827196">
                <text>Digital "Mouvance": Once and Future Medieval Poetry Remediated in the Modern World.</text>
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                <text>Attends to histories of reinterpretation and translation of medieval poetry of Chaucer and of "Sir Gawain and the Green Knight." Focuses on the return to medievalism&#13;
by British poets of the twenty-first century, including Seamus Heaney. Also notes "Sir Gawain and the Green Knight" on Twitter.</text>
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              <text>Sparks, Corey.</text>
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              <text>Exemplaria 31 (2019): 154–70.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Knight and His Tale</text>
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              <text>mea; SAC 44:155</text>
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        <element elementId="114">
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              <elementText elementTextId="2840949">
                <text>Digital Humanities as Anamorphosis.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2840950">
                <text>Situates the digital humanities (DH) within media history by arguing that DH depends upon collocation of visual, perspectivistic technology and artistic pursuit, as does anamorphosis. Exemplifies anamorphosis by means of Hans Holbein's "The Ambassadors" and comments on Palamon's and Arcite's "circuits of desire" in viewing Emelye in KnT and on the retrospective articulation and skewing of courtly love in BD.</text>
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              <text>Pidd, Michael, Peter Robinson, Estelle Stubbs, and Clare E. Thomson.</text>
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              <text>Robinson, Peter.</text>
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              <text>Thomson, Clare E.</text>
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              <text>Manuscripts and Textual Studies.</text>
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                <text>Digital Imaging and the Manuscripts of 'The Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>Argues that digital imaging of all available reproductions of CT manuscripts is necessary to make a pictorial history of the manuscripts.  Reproductions of Hengwrt show changes over time.</text>
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              <text>Evans, Ruth.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 3 (2022): 101-5.</text>
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              <text>Background and General Criticism&#13;
Bibliographies, Reports, and Reference</text>
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              <text>SAC 46:135</text>
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                <text>Digitizing "Studies in the Age of Chaucer."</text>
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              <elementText elementTextId="2848357">
                <text>Describes the history of digitizing the journal SAC, commenting on the future of print journals and "the overall impact of digitization on scholarly societies."</text>
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              <text>Kinney, Clare Regan.</text>
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              <text>1992</text>
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              <text>Strategies of Poetic Narrative.</text>
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                <text>Dilation, Design, and Didacticism in Troilus and Criseyde</text>
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                <text>Considers TC as a narrative poem in relation to Boccaccio's Filostrato, exploring three narrative "designs" highlighted by the comparison:  additive, goal-resistent dilation; patterned, goal-determining organization; and revisionary interpretation in the ending.</text>
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            <elementText elementTextId="2763661">
              <text>Borroff, Marie.</text>
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              <text>Traditions and Renewals: Chaucer, The Gawain-Poet, and Beyond (New Haven, Conn., and London: Yale University Press, 2003), pp. 3-49.</text>
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            <elementText elementTextId="2763663">
              <text>2003</text>
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              <text>Traditions and Renewals</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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              <text>vxl SAC 27: 140</text>
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                <text>Dimensions of Judgment in the Canterbury Tales: Friar, Summoner, Pardoner, Wife of Bath</text>
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                <text>Wycliffite elements of SumT and of the GP description of the Friar are submerged, but Chaucer sympathized with Wycliffite thought and believed that the Summoner's friar was damned. Borroff surveys anti-fraternal tradition, comments on Fals-Semblant of Roman de la Rose as a source of Chaucer's Friar Hubert and Friar John (and of Chaucer's Pardoner), and notes Wycliffite elements both in WBP (helping to unify Part 3 of CT) and in the GP description of the Parson.</text>
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              <text>Cohen, Jeffrey Jerome.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde  (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 143-55.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2749766">
              <text>1998</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2749767">
              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2749769">
              <text>Tale of Sir Thopas.</text>
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        <element elementId="109">
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            <elementText elementTextId="2749770">
              <text>jules SAC 22 - 262.</text>
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          <element elementId="50">
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              <elementText elementTextId="2749763">
                <text>Diminishing Masculinity in Chaucer's 'Tale of Sir Thopas'</text>
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            <name>Description</name>
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              <elementText elementTextId="2749768">
                <text>One of the dominant themes of fragment 7 of CT is the "gendering of male bodies." The theme plays out through the shrinking masculinity ofThopas and the absence of menacing sexuality in his encounter with Olifaunt. It parallels the diminution of masculine threat in Chaucer's fictional accounts of rape and in the accusation of rape against Chaucer himself.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2714844">
              <text>Sola Buil, Ricardo (J.)</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Zaragoza: Publicationes de la Universidad de Zaragoza, 1981.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714846">
              <text>1981</text>
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        <element elementId="102">
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            <elementText elementTextId="2714848">
              <text>Canterbury Tales--General.</text>
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        <element elementId="104">
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            <elementText elementTextId="2714849">
              <text>Serie/Critica, vol. 5.</text>
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        <element elementId="109">
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              <text>jules SAC 09 (126)</text>
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              <elementText elementTextId="2714843">
                <text>Dinamica social en "The Canterbury Tales"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2714847">
                <text>Point of view in the structure of CT and the use of direct speech and dialogue are a consequence of Chaucer's interest in showing the contradictions in his environment without the mediating influence of an omniscient narrator.  The open structure of CT invites questions about the aim of the work as a social and literary product.</text>
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  <item itemId="265578" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735509">
              <text>Pinti, Daniel J.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735510">
              <text>Translation Review 44-45 (1994): 16-23.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735511">
              <text>1994</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735513">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2735514">
              <text>Translation Review 44-45 (1994)</text>
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        <element elementId="109">
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          <description/>
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              <text>jules SAC 18 (1996) - 117</text>
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              <elementText elementTextId="2735508">
                <text>Diologism, Heteroglossia, and Late Medieval Translation</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735512">
                <text>Examines Gavin Douglas's "Eneados" as a work in which Mikhail Bakhtin's notions of diologism and heteroglossia help illuminate medieval translation practice.  Encourages application of such an approach to medieval translators, including Chaucer.</text>
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  <item itemId="262008" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2700595">
              <text>Peyton, Henry H.,III.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700596">
              <text>Interpretations 6 (1974): 1-6.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2700597">
              <text>1974</text>
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            <elementText elementTextId="2700599">
              <text>Troilus and Criseyde.</text>
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          <elementTextContainer>
            <elementText elementTextId="2700600">
              <text>Interpretations 06 (1974)</text>
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            <description>A name given to the resource</description>
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                <text>Diomed, the Large Tongued Greek</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2700598">
                <text>That Diomed was indeed "of tonge large" is to be evinced from his conversations with Criseyde in Book V.  His large tongue becomes a symbol of the eventuality of Criseyde's infidelity and of Troilus' tragic demise, as well as of the inevitability of a Greek victory at Troy.</text>
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  <item itemId="265464" public="1" featured="0">
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2734347">
              <text>Van Buuren, A. M. J.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Erik Kooper, ed. Medieval Dutch Literature in Its European Context. Cambridge Studies in Medieval LIterature, no. 21. (Cambridge: Cambridge University Press, 1994), pp. 151-67.</text>
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          <elementTextContainer>
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              <text>Medieval Dutch Literature in Its European Context.</text>
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              <text>Kooper, Erik,ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 18 (1996) - 38</text>
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            <description>A name given to the resource</description>
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                <text>Dirc Potter, a Medieval Ovid</text>
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            <description>An account of the resource</description>
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                <text>The Dutch writer Potter (d. 1428) followed a career similar to Chaucer's and also translated the Old French "Melibee."  Van Buuren discusses Gower's and Chaucer's uses of Ovid and analyzes Potter's "Der minnen loep" ("The Course of Love") for its use of Ovid's "Heroides" and medieval commentaries.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Eyler, Joshua R., ed.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2788977">
              <text>Burlington, Vt.: Ashgate, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788978">
              <text>2010</text>
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          <elementTextContainer>
            <elementText elementTextId="2788979">
              <text>x, 235 pp.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2788981">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788982">
              <text>vxl sac 34:124</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788975">
                <text>Disability in the Middle Ages: Reconsiderations and Reverberations</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788980">
                <text>Fourteen essays by various authors on topics ranging from Old English and Icelandic sagas to early modern Spanish literature and Shakespeare's "Richard III." The volume includes an introduction by the editor, an index, and a cumulative bibliography. For three essays that pertain to Chaucer, search for Disability in the Middle Ages under Alternative Title.</text>
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  <item itemId="276994" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2848272">
              <text>Bude, Tekla.</text>
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        <element elementId="98">
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            <elementText elementTextId="2848273">
              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England (Philadelphia: University of Pennsylvania Press, 2022), pp. 146-68.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2848274">
              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Franklin and His Tale&#13;
Book of the Duchess&#13;
Fortune&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>SAC 46:124</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848277">
              <text>2022</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Argues that Chaucer "experiments with the body-disabling power of music as a site of poetic potential," tallying how, in CT, "musical performance nearly always causes narrative tension" and music "prosthetizes disability"--"advental"  insofar as it is "promised but always in a state of deferral."  Examines how "sonic bodies inhabit crip asynchronies for purposes of poesis" in the "body of Echo" in FranT, the "lyric I" in For, BD as a poem, and Troilus's body in TC.</text>
              </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850704">
                <text>Disability, Music, and Chaucer's Advental Bodies.</text>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="274730" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828537">
              <text>Hsy, Jonathan.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature (Cambridge: Cambridge University Press, 2015), pp. 24-40.</text>
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        <element elementId="112">
          <name>Contributor</name>
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              <text>Hillman, David, ed.&#13;
Maude, Ulrika, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828540">
              <text>The Cambridge Companion to the Body in Literature</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828541">
              <text>Monk and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41;139</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828543">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2828535">
                <text>Disability.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830671">
                <text>Explores how disability studies have expanded to include consideration of relations between "embodiment and literary form," focusing on representations of deafness in the fifteenth-century Castilian "Arboleda de los enfermos" (Grove of the Infirm) of Teresa de Castagena, but including discussion of John Gower's autobiographical concern with blindness, Chaucer's depictions of bodily affliction in MkT (emphasizing stylistic concerns), Margery Kempe's "chronic illness or mental disability," and William Shakespeare's treatment of physical deformation in "Richard III."</text>
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  <item itemId="266893" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749320">
              <text>Salla, Sandra M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Mediaevalia 21 (1997): 281-93.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749322">
              <text>1997</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2749325">
              <text>Mediaevalia 21 (1997)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749326">
              <text>jules SAC 22 - 221.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749319">
                <text>Disappearing Fairies in the Wife of Bath's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749323">
                <text>In WBT, the first mention of fairies--the Wife's lament for their disappearance--is linked to and introduces the other fairy scenes. The knight's experience demonstrates that even in her first mention of fairies the Wife associates them with happiness, sexual satisfaction, and education--notions supported by numerous medieval ballads and romances.</text>
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  <item itemId="265898" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738875">
              <text>Gembera, Disa.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738876">
              <text>Dissertation Abstracts International 55 (1995): 3505A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738877">
              <text>1995</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738880">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2738881">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738882">
              <text>Dissertation Abstracts International 55 (1995)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738883">
              <text>jules SAC 19 (1997) - 169</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2738874">
                <text>Disarming Women: Gender and Poetic Authority from the 'Thebaid' to the 'Knight's Tale'</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2738878">
                <text>Women furnish the "crucial means" for authors to adapt the Theban tradition to their own poetic vision.</text>
              </elementText>
              <elementText elementTextId="2738879">
                <text>  Statius shows women as criticizing epic history; the "Roman de Thebes," Dante's "Purgatorio," and Boccaccio's "Teseida" impose differing emphases; and KnT, more nearly like the epic history of Statius, shows women as sustaining losses and sacrifices.</text>
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  <item itemId="276228" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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            <elementText elementTextId="2842037">
              <text>Duprey-Henry, Annalese.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842038">
              <text>Dissertation Abstract International A81.06 (2019): n.p.</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2842039">
              <text>Dissertation Abstract International 81 (2019)</text>
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          </elementTextContainer>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>mea; SAC 44:314</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842042">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2842035">
                <text>Disciplining the Heart: Lovesickness in Medieval Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842036">
                <text>Addresses lovesickness in TC, John Gower's "Confessio Amantis," and "The Book of Margery Kempe," considering it "as an embodied and thus imminent process that organizes relationships around culturally defined ideas of either negotiation and mutuality or hierarchy," a trope useful "to think through larger ideas about the relationships of the sexes, of one individual to another, of the individual to society, and of the individual to the divine."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Strub, Spencer.</text>
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              <text>Ph.D. Dissertation. University of California, Berkeley, 2018. Dissertation Abstracts International A82.09(E). Fully accessible via ProQuest Dissertations &amp; Theses and at https://escholarship.org/uc/item/3cr3q8b9; accessed August 18, 2025.</text>
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              <text>iii, 142 pp.</text>
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              <text>Dissertation Abstracts International 82</text>
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              <text>Canterbury Tales--General&#13;
Language and Word Studies</text>
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              <elementText elementTextId="2850502">
                <text>Disciplining the Tongue: Speech and Emotion in Later Middle English Poetry.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850503">
                <text>Explores speech in late medieval English "literature and prescriptive religious writing," focusing on how "inward feelings [are] realized only in intersubjective exchange." Includes discussion of, among others, "Piers Plowman," "Mum and the Sothsegger," and CT, In the latter, "Chaucer makes mirth, comfort, and pleasure––words that elsewhere describe the act of prayer––the emotional norm that governs the telling of the Canterbury Tales: sacred pleasure becomes the pleasure of idle fiction."</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800587">
              <text>Seaman, Myra.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800588">
              <text>Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 139-49.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800589">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800590">
              <text>Dark Chaucer: An Assortment.</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Book of the Duchess</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800593">
              <text>mea SAC 36:202</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
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              <elementText elementTextId="2800586">
                <text>Disconsolate Art</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800591">
                <text>Rejects conventional readings of BD as a demonstration that art can transcend suffering; instead shows how BD "enacts . . . a disconsolate poetics, in which pain and suffering perdure."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="266980" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750170">
              <text>León Sendra, Antonio R.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750171">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 7: 125-51,   1997.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750172">
              <text>1997</text>
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          <elementTextContainer>
            <elementText elementTextId="2750174">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2750175">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 07 (1997)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750176">
              <text>jules SAC 23 (258)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750169">
                <text>Discourse and Community in the Late Fourteenth Century</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750173">
                <text>Systemetic functional analysis of TC, exploring how Chaucer seeks to change or improve his community's views on love.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="265897" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738864">
              <text>Gellrich, Jesse M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738865">
              <text>Princeton, N.J.: Princeton University Press, 1995.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738866">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738867">
              <text>xiv, 304 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738871">
              <text>Knight and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738872">
              <text>jules SAC 19 (1996) 168</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738863">
                <text>Discourse and Dominion in the Fourteenth Century: Oral Contexts of Writing in Philosophy, Politics, and Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738868">
                <text>Examines the ways oral tradition continues to influence writing in late-medieval literature, considering works of Ockham and Wyclif, chronicles of the reigns of Edward III and Richard II, "Sir Gawain and the Green Knight," and KnT.</text>
              </elementText>
              <elementText elementTextId="2738869">
                <text> In KnT, Chaucer poses relations between political domination and metalinguistic discourse, issues important during the minority of Richard II.</text>
              </elementText>
              <elementText elementTextId="2738870">
                <text>The conflict between spoken and written modes in KnT is self-reflexive, and it critiques contemporary political dominion in which power resulted from the displacement of voice.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="262555" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706154">
              <text>Shafik-Ghaly, Salwa William.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706155">
              <text>Dissertation Abstracts International 49 (1989): 3716A-3717A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706156">
              <text>1989</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706158">
              <text>Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706159">
              <text>Dissertation Abstracts International 49 (1989)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706160">
              <text>jules SAC 13 (245)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706153">
                <text>Discourse and Narration in Chretien's 'Yvain' and Chaucer's 'Troilus'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2706157">
                <text>Shakif-Ghaly scrutinizes "Yvain" and TC for medieval "dispositio" through Genettian narratology and for "manifestatio" through Anglo-American theory.  Despite differences between the texts, such an analysis brings out tensions of medieval authors and suggests the development of a "medieval narratology."</text>
              </elementText>
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          </element>
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    </elementSetContainer>
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  <item itemId="265607" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735807">
              <text>Grudin, Michaela Paasche</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735808">
              <text>PMLA 107 (1992): 1157-67.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735809">
              <text>1992</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735811">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735812">
              <text>PMLA 107 (1992)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735813">
              <text>jules SAC 19 (1997) - ??</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735806">
                <text>Discourse and the Problem of Closure in the 'Canterbury Tales'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735810">
                <text>CT "shows a surprising array" of ways in which Chaucer "ignores, skirts, transcends, or even anticipates structural closure," engaging his readers in the "dialogic processes of discourse itself."  Surveys techniques of openendedness in CT, arguing that they result fom Chaucer's imitations of oral tradition and that they suggest we read the work as a "drama of the reception of discourse" and an assertion of an open epistemology.</text>
              </elementText>
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          </element>
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