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                  <text>Chaucer Bibliography Online</text>
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              <text>Penhallurick, Robert, ed.</text>
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              <text>Cardiff : University of Wales Press, 2000.</text>
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        <element elementId="114">
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              <text>2000</text>
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              <text>xii, 128 pp.</text>
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              <text>Language and Word Studies.</text>
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              <text>jules SAC 24 (113)</text>
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                <text>Debating Dialect: Essays on the Philosophy of Dialect Study</text>
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                <text>Seven essays by various authors who challenge "orthodox views about dialects and dialectology" while discussing topics of dialect and "standard" in English, especially British English. For two essays that pertain to Chaucer, search for Debating Dialect under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lock, Margaret.</text>
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              <text>[Kingston, Ontario]: Locks' Press, 1999.</text>
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              <text>1999</text>
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              <text>1 sheet; illus.</text>
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              <text>Franklin and His Tale</text>
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              <text>mea; 11/18/2013 No SAC</text>
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                <text>Item not seen; cited in WorldCat, which indicates that a woodcut by Margaret Lock accompanies an excerpt from part 5 of CT.</text>
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              <text>Mitchell, Susan.</text>
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              <text>Proceedings of the PMR Conference 1 (1976): 67-72.</text>
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              <text>Franklin and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Proceedings of the PMR Conference 01 (1976)</text>
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              <text>mea 11/30/2012 No SAC</text>
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                <text>Deception and Self-Deception in 'The Franklin's Tale'</text>
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                <text>Contrasts Dorigen of FranT with the biblical Eve: where Eve falls because of her desire for knowledge, Dorigen nearly falls for lack of knowledge, particularly her lack of self-knowledge as is evident in her complaint against the rocks and her playful promise to Aurelius. Both the complaint and the promise deviate from Augustinian notions of the place of humanity in divine order.</text>
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              <text>Nafde, Aditi.</text>
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              <text>D.Phil Dissertation. University of Oxford, 2012. Dissertation Abstracts International C73.08 and C81.07(E). Fully accessible at https://ora.ox.ac.uk/objects/uuid:b2c67783-b797-494a-b792-368c14d1fe49. Abstract available via ProQuest Dissertations &amp; Theses Global.</text>
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              <text> viii, 268 pp.; 11 illus. </text>
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              <text>Dissertation Abstracts International C73.08 &#13;
Dissertation Abstracts International C81.07(E).</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>mea; 4/6/2025</text>
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              <elementText elementTextId="2850181">
                <text>Deciphering the Manuscript Page: The "Mise-en-Page" of Chaucer, Gower, and Hoccleve Manuscripts.</text>
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            <description>An account of the resource</description>
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                <text>Includes analysis the "mise-en-page" of twenty-four Chaucer manuscripts, including assessment of "borders, initials, paraphs, rubrics, running titles, speaker markers, glosses and notes," and arguing that--like Gower and Hoccleve manuscripts--they evince scribal attention to poetic form.</text>
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            <elementText elementTextId="2711768">
              <text>Hanning, Robert W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2711769">
              <text>Modern Language Quarterly 45 (1984): 395-403.</text>
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              <text>1984</text>
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            <elementText elementTextId="2711772">
              <text>Background and General Criticism.</text>
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              <text>Modern Language Quarterly 45 (1984)</text>
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              <text>jules SAC 10 (62)</text>
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            <name>Title</name>
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                <text>Deciphering the Middle English Narrative Poem: Two Approaches</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2711771">
                <text>Review article comparing John M. Ganim's discussion of Middle English narrative in TC and other Middle English works with Lynn Staley Johnson's treatment of the subject in the "Pearl" poems.</text>
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            <elementText elementTextId="2760617">
              <text>Ruud, Jay.</text>
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          <name>Published</name>
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              <text>Barbara Olive and David Sprunger, eds. Proceedings of the Tenth Annual Northern Plains Conference on Earlier British Literature (Moorhead, Minn.: Concordia College, 2002), pp. 8-21.</text>
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              <text>Proceedings of the Tenth Annual Northern Plains Conference on Earlier British Literature.</text>
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        <element elementId="112">
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            <elementText elementTextId="2760621">
              <text>Olive, Barbara, ed.</text>
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              <text>Sprunger, David, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl SAC 26: 82</text>
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                <text>Declaiming Chaucer to a Field of Cows : Three Twentieth-Century Glimpses of the Poet</text>
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                <text>Explicates works by three twentieth-century poets who have made Chaucer the subject of their work: Benjamin Brawley's sonnet "Chaucer" (1922), e. e. cummings's untitled sonnet from his collection "Xaipé" (1950), and Ted Hughes's "Chaucer" (1998). These diverse poets present Chaucer as an emblem of "what poetry can and should be" (18).</text>
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              <text>Archibald, Elizabeth.</text>
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            <elementText elementTextId="2695129">
              <text>Chaucer Review 25 (1991): 190-213.</text>
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          <name>Date</name>
          <description/>
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              <text>1991</text>
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            <elementText elementTextId="2695132">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2695133">
              <text>Chaucer Review 25 (1991)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2695127">
                <text>Declarations of 'Entente' in Troilus and Criseyde</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695131">
                <text>TC is a drama of "entente," concerned more with why people do things than what they do.  Chaucer uses "entente" here much more heavily than in any of his earlier works and evokes its numerous meanings.  As the poem progresses, there is a "slippage of meaning," focusing the reader on the "unreliability of stated intentions and the difficulty of interpreting them."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842884">
              <text>White, Beatrice.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842885">
              <text>Neuphilologische Mitteilungen 64 (1963): 356-72.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842886">
              <text>Neuphilologische Mitteilungen 64 (1963)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2842887">
              <text>Language and Word Studies&#13;
Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842888">
              <text>mea; 7/19/2023</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842889">
              <text>1963</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842882">
                <text>Decline and Fall of Interjections.</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842883">
                <text>Surveys uses of primary and secondary interjections (i.e., exclamations and oaths) in Anglo-Saxon through modern English, exploring how the "inventive ability is more marked in some centuries than in others." Comments on oaths based in religion (God, Mary, saints, and demons) and colloquial phrasing in CT as well as in Middle English drama and legal records.</text>
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          </element>
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  <item itemId="262937" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709926">
              <text>Lawler, Traugott.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709927">
              <text>John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986 (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 83-91.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709928">
              <text>1987</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709929">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709932">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709933">
              <text>jules SAC 11 (133)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2709925">
                <text>Deconstructing 'The Canterbury Tales': Con</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2709930">
                <text>Though deconstruction is a useful tool for breaking down troublesome parts of CT, its "wholesale use" in the interpretation of Chaucer's poetry does great discredit to the author.  Deconstructive criticism tends to place any author in a position subordinate to the critic in its suggestion that the author is a slave to the subconscious implications of language.</text>
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              <elementText elementTextId="2709931">
                <text>Faith in the poet's ability to master the constructive and instructive uses of language should never be replaced by the inherent skepticism of deconstruction.</text>
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          </element>
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  <item itemId="262936" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709917">
              <text>Knapp, Peggy A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709918">
              <text>John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986 (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 73-81.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709919">
              <text>1987</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709920">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709922">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2709923">
              <text>jules SAC 11 (132)</text>
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          </elementTextContainer>
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      </elementContainer>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2709916">
                <text>Deconstructing 'The Canterbury Tales': Pro</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2709921">
                <text>Deconstructive readings of CT can reopen the study of historical "particulars," allowing readings from various interpretative communities.  Instead of generalized acceptance of "the medieval world view" or of direct historical references suggesting authorial intention, the new task will entail a "reimagining of the past."</text>
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  </item>
  <item itemId="261429" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694914">
              <text>Travis, Peter W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694915">
              <text>Peter L. Allen and Jeff Rider, ed.  Reflections in the Frame: New Perspectives on the Study of Medieval Literature.  Special issue of Exemplaria 3 (1991): 135-58.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694916">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694917">
              <text>Reflections in the Frame: New Perspectives on the Study of Medieval Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694918">
              <text>Allen, Peter L.</text>
            </elementText>
            <elementText elementTextId="2694919">
              <text>Rider, Jeff,</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694921">
              <text>Chaucer's Retraction.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694922">
              <text>Exemplaria 03 (Special Issue) (1991)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694923">
              <text>mea</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694913">
                <text>Deconstructing Chaucer's Retraction</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694920">
                <text>Ret is an example of a Derridean "parergon," simultaneously marginal to and an important element of CT.  It allows for both humanistic and exegetical readings, producing a "hermeneutic double-bind," separated by an aporetic gap that generates new meanings and interpretations while denying interpretive closure.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="269703" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778253">
              <text>D'Arcens, Louise.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778254">
              <text>Parergon 25.2 (2008): 80-98.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778255">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778257">
              <text>Recordings and Films</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778258">
              <text>Parergon 25 (2008).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833780">
              <text>vxl SAC 32:03.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2778252">
                <text>Deconstruction and the Medieval Indefinite Article: The Undecidable Medievalism of Brian Helgeland's A Knight's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2778256">
                <text>D'Arcens addresses Helgeland's film as an entry point for deconstructing medievalist studies. Such studies, she suggests, reflect a latent Platonism that regards the Middle Ages as a stable standard against which to measure texts and contemporary textual adaptations.</text>
              </elementText>
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          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="267223" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752770">
              <text>Edwards, A. S. G.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752771">
              <text>Martin Davies, ed. Incunabula: Studies in Fifteenth-Century Books Presented to Lotte Hellinga. (London: British Library, 1999), pp. 493-506</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752772">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752773">
              <text>Incunabula: Studies in Fifteenth-Century Books Presented to Lotte Hellinga.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752774">
              <text>Davies, Martin,ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752776">
              <text>Facsimiles, Editions, and Translations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2752777">
              <text>jules SAC 23 (17)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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                <text>Decorum and Expression of Intention in 'Beowulf,' Njals Saga,' and Chaucer</text>
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                <text>Body language, grouping, and voice level used by characters signify intent; in Chaucer's works, typically, appeasement manifests itself as the intent.</text>
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              <text>Patuleanu, Ioana.</text>
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              <text>Journal of Narrative Technique 44.02 (2014): 159-82.</text>
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              <text>2014</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Journal of Narrative Technique 44 (2014)</text>
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              <text>mea; 2/17/2017 sac 38:47</text>
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                <text>Deep Readings and Thin Screens: Narrative Kenosis in Jane Barker's 'A Patch-Work Screen for the Ladies'</text>
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                <text>Refers to Jane Barker's use in an early novel of Dryden's retelling of CT to provide context for her 1723 anti-novel, "A Patch-Work Screen for the Ladies."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Straker, Scott-Morgan.</text>
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            <elementText elementTextId="2757576">
              <text>Review of English Studies 52: 1-21,   2001.</text>
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              <text>jules SAC 25 (57)</text>
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                <text>Deference and Difference : Lydgate, Chaucer, and the Siege of Thebes</text>
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                <text>Lydgate appropriates Chaucer not so much to pay tribute as to distance himself from anticlericalism, to redeem the narrative and monastic voice, and to assert its freedom from authority, as represented by Harry Bailly. Lydgate's apparent compliance allows the monastic identity to address unwelcome truth to secular authority. While the prologue to the "Siege" is self-confidently naive, the body of the poem articulates the inability of rhetoric to affect history.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2793157">
              <text>Nisse, Ruth.</text>
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        <element elementId="98">
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 2005.</text>
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        <element elementId="114">
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            <elementText elementTextId="2793159">
              <text>2005</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2793160">
              <text>x, 226 pp.</text>
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              <text>Miller and His Tale</text>
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            <elementText elementTextId="2793163">
              <text>mea 8/2/2013 No SAC</text>
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                <text>Defining Acts: Drama and the Politics of Interpretation in Late Medieval England</text>
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              <elementText elementTextId="2793161">
                <text>Assesses the biblical and theatrical allusions in MilT for the ways that they engage the theme of interpretation, challenge gender categories, and dovetail with contemporary concerns about the dangers of drama and reading. Compares these with similar concerns in the "Treatise of Miracle Pleyinge" and accounts of the Peasants' Revolt, using these texts to initiate an analysis the politics and hermeneutics of late-medieval drama.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2722955">
              <text>Finlayson, John.</text>
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        <element elementId="98">
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              <text>Chaucer Review 15 (1980): 44-62.</text>
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        <element elementId="114">
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            <elementText elementTextId="2722957">
              <text>1980</text>
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              <text>Background and General Criticism.</text>
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              <text>Tale of Sir Thopas.</text>
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              <text>Chaucer Review 15 (1980)</text>
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              <text>jules SAC 05 (63)</text>
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                <text>Definitions of Middle English Romance: Part I</text>
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                <text>Confused in definition, "romance" designates both a value system and a method of treatment.  The presence of the marvelous, courtly love, and chivalric adventure is not enough to form a definition.  A parody like Th helps, since it indicates what is expected and can therefore be successfully ridiculed.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2722965">
              <text>Finlayson, John.</text>
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        <element elementId="98">
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              <text>Chaucer Review 15 (1980): 168-81.</text>
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        <element elementId="114">
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              <text>1980</text>
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              <text>Background and General Criticism.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2722971">
              <text>Chaucer Review 15 (1980)</text>
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              <text>jules SAC 05 (64)</text>
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                <text>Definitions of Middle English Romance: Part II</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2722968">
                <text>Romances are distinguished not by the presence of certain features--the erotic, the fabulous, etc.--but by attitudes toward those elements.  WBT is "deliberately" not a romance.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2732933">
              <text>Dickson, Lynne.</text>
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            <elementText elementTextId="2732934">
              <text>Studies in the Age of Chaucer 15 (1993): 61-90.</text>
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            <elementText elementTextId="2732935">
              <text>1993</text>
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            <elementText elementTextId="2732937">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Studies in the Age of Chaucer 15 (1993).</text>
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                <text>Deflection in the Mirror: Feminine Discourse in 'The Wife of Bath's Prologue' and 'Tale'</text>
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                <text>Although WBP does not succeed in fictionalizing a discourse community of women, it makes clear the possibility in its struggle with patriarchal authority.  WBT poses such a community in a transient, illusory form.  Chaucer capitalizes on the contemporary desire for women's access to literature and for feminine discourse, anticipating Christine de Pisan.</text>
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              <text>Gasse, Rosanne.</text>
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              <text>Chaucer Review 32 (1998): 422-39.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Deiphebus, Hector, and Troilus in Chaucer's 'Troilus and Criseyde'</text>
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                <text>In TC, Deiphebus serves as an important foil to Troilus.  He exposes Troilus not only as weak and inadequate but also as human, something Hector is not.</text>
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              <text>Sundwall, McKay.</text>
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              <text>1975</text>
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              <text>Modern Philology 73 (1975)</text>
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              <text>jules - 6/10/94 SAC 1 (213)</text>
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                <text>Deiphobus and Helen: A Tantalizing Hint</text>
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                <text>According to Virgil (Aeneid, VI) Deiphobus became the husband of Helen after Paris' death.  Perhaps Pandarus reveals a covert knowledge of this burgeoning romance when, in TC II, he confidently sends Helen and Deiphobus into the garden for an hour, thereby leaving Troilus and Criseyde alone for their first interview.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fleming, John V.</text>
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        <element elementId="98">
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              <text>Chaucer Review 21 (1986): 182-99.</text>
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              <text>Chaucer Review 21 (1986)</text>
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              <text>jules SAC 10 (245)</text>
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                <text>Deiphoebus Betrayed: Virgilian Decorum, Chaucerian Feminism</text>
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                <text>The rich Virgilian background of TC brings into focus Hector and Deiphoebus--bound to Troilus by brotherly love and manipulated by Pandarus--and the parallel perfidies of Helen and Criseyde.  In TC, the betrayal of Deiphoebus is "a feminist invention...that questions a clearly established male tradition" (p. 197).</text>
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              <text>Lawler, Traugott.</text>
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              <text>Robert G. Benson and Susan J. Ridyard, eds. New Readings of Chaucer's Poetry (Rochester, N.Y., and Cambridge: D. S. Brewer, 2003), pp. 75-90.</text>
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              <text>2003</text>
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              <text>New Readings of Chaucer's Poetry .</text>
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              <text>vxl SAC 27:215</text>
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                <text>Delicacy vs. Truth: Defining Moral Heroism in the Canterbury Tales</text>
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                <text>Lawler argues that Chaucer privileged simplicity and disapproved of decadence and over-refinement. Lexical examination demonstrates Chaucer's preference for "delicacy," evident most clearly in Griselda of ClT and supported by evidence from KnT and ParsT.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>Swiss Papers in English Language and Literature 30 (2014): 51-66. </text>
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            <elementText elementTextId="2838123">
              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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        <element elementId="114">
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            <elementText elementTextId="2838124">
              <text>2014</text>
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              <elementText elementTextId="2838118">
                <text>Delicious, Tender Chaucer: Coleridge, Emotion and Affect.</text>
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                <text>Explores relations between the reception of Chaucer and the "study of the history of emotion," focusing on the "symbolic capital" of Samuel Taylor Coleridge's brief comments on Chaucer in "Table Talk," the "social context" in which the comments were practiced, distinctions between "emotional" and "affective" responses that may be observed in the comments, and the " emotional work performed" by them. Includes comments on Chaucer's uses of "tender."</text>
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