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              <text>Beichner, Paul E., C.S.C.</text>
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              <text>Chaucer Review 8 (1974): 198-204</text>
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              <text>Second Nun and Her Tale</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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              <text>Chaucer Review 08 (1974)</text>
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              <text>mea 10/17/2014 No SAC</text>
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                <text>Confrontation, Contempt of Court, and Chaucer's Cecilia</text>
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                <text>Through line-by-line comparison shows that in the trial scene of SNT Chaucer improves upon the Latin original by compression and emphasis which increase dramatic impact, Cecilia's contentiousness, and Almachius's stupidity.</text>
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              <text>Cohen, Edward S.</text>
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              <text>Chaucer Review 9 (1974): 190-95.</text>
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              <text>Chaucer Review 09 (1974)</text>
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              <text>mea 10/15/2014 No SAC</text>
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                <text>The Sequence of the 'Canterbury Tales'</text>
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                <text>Proposes a new sequence for the parts of CT, one in which the tales of the Physician and Pardoner follow that of the Man of Law and in turn are followed by those of the Shipman, Prioress, etc. In light of this sequence and its arrangement of geographical references (and despite variations in the manuscripts), suggests that the pilgrims traveled for three days, with stops at Dartford and Ospring.</text>
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              <text>Ortego, Philip D.</text>
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              <text>Chaucer Review 9 (1974): 182-89.</text>
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              <text>mea 10/15/2014 No SAC</text>
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                <text>Chaucer's 'Phislyas': A Problem in Paleography and Linguistics</text>
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                <text>Surveys efforts to explain the meaning of "phislyas" (MLE 2.1189; here attributed to the Shipman), summarizing contextual concerns, manuscript variants, and several etymological hypotheses; agrees with those who treat it as a term related to medicine.</text>
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              <text>Fritz, Donald W.</text>
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              <text>Chaucer Review 9 (1974): 166-81.</text>
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              <text>Prioress and Her Tale</text>
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              <text>Chaucer Review 09 (1974)</text>
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              <text>mea 10/15/2014 No SAC</text>
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                <text>The Prioress's Avowal of Ineptitude</text>
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                <text>Examines the Prioress's claim that she is unequal to the task of praising Mary as an example of the inexpressibility topos, used recurrently in the Middle Ages to express the ineffable. Comments on several instances of the topos used by theologians and poets (including Dante and the "Pearl" poet), and explores how its underlying premises are consistent with the clergeon's language-bound recitation of the "Alma Redemptoris" and with the miracle of the grain that is central to the plot of PrT.</text>
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              <text>Hamlin, B. F.</text>
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              <text>Chaucer Review 9 (1974): 153-65.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Chaucer Review 09 (1974)</text>
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              <text>mea 10/15/2014 No SAC</text>
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                <text>Astrology and the Wife of Bath: A Reinterpretation</text>
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                <text>Studies the astrological references in WBP and casts her horoscope, interpreting it to show that Chaucer illumines "the entire character of the Wife with a configuration of planets unique in the fourteenth century," a configuration that occurred in 1342.</text>
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              <text>Friedman, Albert B.</text>
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              <text>Chaucer Review 9 (1974): 118-29.</text>
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              <text>1974</text>
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              <text>Prioress and Her Tale</text>
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              <text>Chaucer Review 09 (1974)</text>
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              <text>mea 10/15/2014 No SAC</text>
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                <text>The 'Prioress's Tale' and Chaucer's Anti-Semitism</text>
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                <text>Challenges critics who absolve Chaucer of anti-Semitism by blaming the Prioress instead. Anti-Semitism was rife in Chaucer's society, and he was likely complicit in the bias. Yet, the topic is a critical distraction in discussions of PrT, which emphasizes the Prioress's reverence for the Mary and her dramatizes her "indulgence in pathos and sentimentality."</text>
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              <text>Kirby, Thomas A.</text>
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              <text>Chaucer Review 9 (1974): 80-95.</text>
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              <text>Bibliographies, Reports, and Reference.</text>
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              <text>jules - 16/sept/94 SAC 1 (10)</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cook, Daniel.</text>
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        <element elementId="98">
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2799198">
              <text>Manuscripts and Textual Studies</text>
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          <elementTextContainer>
            <elementText elementTextId="2799199">
              <text>Chaucer Review 09 (1974)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2799200">
              <text>mea 10/14/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2799192">
                <text>The Revision of Chaucer's 'Troilus': The 'Beta' Text</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2799196">
                <text>Summarizes R. K. Root's theory of three classes of TC manuscripts, and analyzes several variants to argue for the superiority of those found in Root's "beta" class. Treats "beta" variants as authorial revisions.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2799184">
              <text>Delany, Sheila.</text>
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        <element elementId="98">
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              <text>Chaucer Review 9 (1974): 63-72.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2799186">
              <text>1974</text>
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            <elementText elementTextId="2799188">
              <text>Man of Law and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2799189">
              <text>Chaucer Review 09 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799190">
              <text>mea 10/14/2014 No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2799183">
                <text>Womanliness in the 'Man of Law's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2799187">
                <text>Reads Constance in MLT as an "Everywoman" who represents humanity in relationship to an "arbitrary and inscrutable God." Several abrupt descents into "crudity" in the tale remind us not to regard Constance as real, and contrasts with her mothers in law engage stereotypical oppositions between traditional Mary and Eve figures still evident in modern depictions of women.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2799174">
              <text>Hill, John M.</text>
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        <element elementId="98">
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              <text>Chaucer Review 9 (1974): 35-50.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799176">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2799178">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2799179">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2799180">
              <text>Chaucer Review 09 (1974)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2799181">
              <text>mea 10/14/2014 No SAC</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799173">
                <text>The 'Book of the Duchess,' Melancholy, and That Eight-Year Sickness</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2799177">
                <text>Differentiates the lover's malady in BD from the traditional love-sickness found in its analogues, identifying the malady as a form of head melancholy curable by a good night's sleep, the narrator's only physician. The comic version of the tale of Ceyx and Alcyone reflects serious concern with fear of dying. Includes an appendix that treats the eight-year duration of the narrator's illness as a means to date the poem as commemorative rather than occasional.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2799165">
              <text>Jordan, Robert M.</text>
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        <element elementId="98">
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              <text>Chaucer Review 9 (1974): 99-117</text>
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        <element elementId="114">
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            <elementText elementTextId="2799167">
              <text>1974</text>
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              <text>Book of the Duchess</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2799170">
              <text>Chaucer Review 09 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2799171">
              <text>mea 10/14/2014 No SAC</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2799164">
                <text>The Compositional Structure of 'The Book of the Duchess'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2799168">
                <text>Analyzes the gothic, inorganic structure of BD, commenting on the poem's status as a lament, an elegy, and a consolation; its clear articulation of various parts; and its consistency with the compositional advice given by rhetorician Geoffrey of Vinsauf. Characterizations of the narrator and of the Black Knight are less important to understanding the poem than are its powerful juxtapositions.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2799156">
              <text>Leicester, H. Marshall, Jr.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2799157">
              <text>Chaucer Review 9 (1974): 109-24.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799158">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Parliament of Fowls</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799161">
              <text>Chaucer Review 09 (1974)</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799162">
              <text>mea 10/14/2014 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799155">
                <text>The Harmony of Chaucer's 'Parlement' A Dissonant Voice</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2799159">
                <text>Argues that PF "exemplifies and confronts" late fourteenth-century concern with the role of subjective perspective in considering traditional authority. Through various stylized, "thought-marked" perspectives, the poem presents the "disruptive force" of individual experience and the need for "self-limitation"; as a proto-retraction, the roundel presages the endings of TC and CT by reauthorizing authority.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799147">
              <text>Sanborn, John N.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799148">
              <text>Colby Library Quarterly 0.8 (1974): 486-94.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799149">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799151">
              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2799152">
              <text>Colby Library Quarterly 0.8 (1974)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799153">
              <text>mea 10/10/2014 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799146">
                <text>Juxtaposition as Structure in 'The Man Against the Sky'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2799150">
                <text>Assesses the poetic structure of Edwin Arlington Robinson's "The Man Against the Sky," demonstrating that it "juxtaposes two dissimilar ideas forcing a new understanding of relationship" in an inorganic fashion similar to that found in Ovid, Chaucer, Milton, and Blake. Comments on how the envoi to TC provokes consideration of disparate views of love.</text>
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  <item itemId="271693" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
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            <elementText elementTextId="2799137">
              <text>Rogers, William Elford</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>mea 10/10/2014 No SAC</text>
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                <text>Close reading of the speech patterns of the Canterbury pilgrims in the links between the tales, focusing on level of diction (Romance vocabulary), syntax, and figurative language, and relating these features to characterization. Comments at length on the Man of Law, Prioress, Franklin, and Reeve, and examines in detail passages that typify the Host as boisterous, the Wife of Bath as enthusiastic, and the Pardoner as cold-blooded and egotistical. Appends a statistical table of Romance words used in each link, analyzed by speaker.</text>
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              <text>Brewer, D[erek]. S.</text>
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              <text>Poetica (Tokyo) 1 (1974): 1-20.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 01 (1974)</text>
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              <text>mea 10/10/2014 No SAC</text>
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                <text>Examines the word "sad" in ClT to show that meaning and nuance in Chaucer's poetry derive, not from patterns of similarity or metaphor, but from metonymic contiguity, which functions much as does the "creative contiguity" of Gothic juxtaposition. Borrows the term "metonymic" from linguist Roman Jacobson and shows that "sad" means "constant in adversity" and even "serious cheerfulness," a reflection of "heroic Christian stoicism" that gains dimension through its contiguity with motherly.  Also comments on "suffisaunce" in TC as "satisfaction" or completeness, without satiety.</text>
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              <text>Children's Literature 3 (1974): 177-22.</text>
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              <text>Treatise on the Astrolabe</text>
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              <text>Children's Literature 03 (1974)</text>
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              <text>mea 10/10/2014 No SAC</text>
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                <text>Chaucer's 'Treatise on the Astrolabe': A Handbook for the Medieval Child</text>
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                <text>Praises the stylistic appropriateness of Astr to its youthful audience, showing how Chaucer adapts the lexicon, syntax, and rhetoric of Massahalla to be more suitable to his ten-year-old son, Lewis. Chaucer relies on native rather than Latinate vocabulary, incorporates concrete details, streamlines syntax, and increases pedagogical effectiveness through various strategies of simplification, amplification, and repetition.</text>
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              <text>Masui, Michio.</text>
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              <text>Poetica (Tokyo) 1 (1974): 114-21.</text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2799111">
              <text>Poetica: An International Journal of Linguistic Literary Studies 01 (1974)</text>
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            <elementText elementTextId="2799112">
              <text>mea 10/10/2014 No SAC</text>
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                <text>Some Thoughts on the Continuity of Themes in Chaucer</text>
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                <text>Comments on several themes that recur in Chaucer's poetry and surmises that they may reflect something of his mindset. Discusses cosmic journey and pilgrimage, prayer, experience and authority, and love tidings.</text>
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              <text>Axelrod, Steven</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Annuale Mediaevale 15 (1974)</text>
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              <text>mea 10/10/2014 No SAC</text>
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                <text>The Wife of Bath and the Clerk</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2799099">
                <text>Critiques George Lyman Kittredge's notion of a feud between the Wife of Bath and the Clerk as "aesthetically displeasing," and argues instead that their tension is essentially jocular, a result of the Wife's hope that she can entice the Clerk. The Clerk's intellectual standoffishness attracts the Wife, and their interactions reflect the motif of sexual attraction recurrent in the CT while varying its pattern of professional antagonism.</text>
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              <text>Conlee, John W.</text>
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              <text>American Notes and Queries 12.9-10 (1974): 137-38.</text>
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              <text>Reeve and His Tale</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2799092">
              <text>American Notes and Queries 12 (1974)</text>
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            <elementText elementTextId="2799093">
              <text>mea 10/9/2014 No SAC</text>
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                <text>Tallies similarities between RvT and a section in John Barth's novel "Sot-Weed Factor" that indicate direct influence:  cast of characters, setting, straying-horse motif, etc.</text>
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              <text>Peed, Michael R.</text>
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              <text>Troilus and Criseyde</text>
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              <text>American Notes and Queries 12 (1974)</text>
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              <text>mea 10/9/2014 No SAC</text>
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                <text>Troilus and Criseide: The Narrator and the 'Olde Bokes'</text>
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                <text>Reads the narrator of TC as separate from the poet Chaucer and recognizable in two roles that exist in productive tension:  an inexperienced servant of love and a fallible recorder of Trojan history.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2799067">
              <text>Peed, Michael R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2799068">
              <text>American Notes and Queries 12.6 (1974): 94-96</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2799069">
              <text>1974</text>
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            <elementText elementTextId="2799071">
              <text>Man of Law and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>American Notes and Queries 12 (1974)</text>
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            <elementText elementTextId="2799074">
              <text>mea 10/9/2014 No SAC</text>
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          <element elementId="50">
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                <text>An Analogue of the 'Man of Law's Tale'</text>
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                <text>Tallies similarities between MLT and Adenes li Rois' "Berta aus Grans Pies," considering the latter to be a "remote ancestor" of Chaucer's tale.</text>
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  <item itemId="271685" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2799058">
              <text>Kloss, Robert J.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>American Imago 31 (1974): 65-79.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799060">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799062">
              <text>Merchant and His Tale.</text>
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              <text>American Imago: A Psychoanalytic Journal for Culture, Science and the Arts 31 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2799064">
              <text>mea 10/9/2014 No SAC</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
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                <text>Chaucer's 'The Merchant's Tale': Tender Youth and Stooping Age</text>
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              <elementText elementTextId="2799061">
                <text>Argues that MerT reflects delusive male infantile fantasy, reading January as ego, Placebo as id, Justinus as super-ego, and May as an idealized mother figure. The Merchant's encomnium of marriage and Damain's courtly behavior are extensions of January's infantilism and the garden is a fantasy of female genitalia, reinforced by January's regressive narcissistic blindness, oral imagery in the Tale, and instances of psychoanalytic "reversal."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
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            <elementText elementTextId="2799049">
              <text>Reisner, Thomas Andrew.</text>
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        <element elementId="98">
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              <text>Modern Philology 71 (1974): 301-02.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1974</text>
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        <element elementId="102">
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            <elementText elementTextId="2799053">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2799054">
              <text>Modern Philology 71 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2799055">
              <text>mea 10/9/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799048">
                <text>The Wife of Bath's Dower: A Legal Interpretation</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Clarifies that the phrase "at chirche dore," used twice of the Wife of Bath's marriages indicates that she negotiated the financial arrangements of her dower before her marriage ceremonies, indicating shrewdness.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2799040">
              <text>Fforde, Jasper.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>New York: Penguin, 2004.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799042">
              <text>2004</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2799043">
              <text>399 pp.</text>
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            <elementText elementTextId="2799045">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799046">
              <text>mea 7/12/2014 No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2799039">
                <text>Lost in a Good Book: A Novel</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2799044">
                <text>Comic novel featuring literary detective Thursday Next, set in a world where reality and literature are permeable. Includes references to Chaucer, to discrepancies in CT, and to many works of fiction.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2799029">
              <text>Fernández Rodríguez, Carmen María.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2799030">
              <text>Elizabeth Woodward Smith, ed. About Culture (Santiago de Compostela: Universidade de Coruña, 2004), pp. 139-46.</text>
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        <element elementId="114">
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              <text>2004</text>
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              <text>About Culture.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2799033">
              <text>Smith, Elizabeth Woodward, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799035">
              <text>Clerk and His Tale</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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            <elementText elementTextId="2799037">
              <text>mea; 7/10/2014 SAC 36: 162</text>
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                <text>'The Canterbury Tales' in the Nineteenth Century: Maria Edgeworth's The Modern Griselda</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2799034">
                <text>Describes Maria Edgeworth's view of the education of women through her adaptation of ClT in "The Modern Griselda" (1805), intended as a warning against sensibility and defense of rational women.</text>
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