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              <text>Henningfeld, Diane Andrews.</text>
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              <text>Dissertation Abstracts International 55 (1995): 1945A.</text>
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              <text>Background and General Criticism.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Dissertation Abstracts International 55 (1995)</text>
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              <text>jules SAC 19 (1997) - 99</text>
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                <text>Contextualizing Rape: Sexual Violence in Middle English Literature</text>
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                <text>Medieval anatomical, religious, and legal ideas about rape appear in medical texts, religious rules, saints' legends, romances, and WBT.  These works reveal cultural attitudes toward rape and women in general.</text>
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              <text>Strakhov, Elizaveta.</text>
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              <text>Columbus: The Ohio State University Press, 2022.</text>
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              <text>xi, 256 pp.</text>
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              <text>Interventions: New Studies in Medieval Culture.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Continental England: Form, Translation, and Chaucer in the Hundred Years' War.</text>
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                <text>Studies uses in late medieval England of French lyric models (formes fixes) as "reparative" translation of francophone culture, and response to linguistic and political trends and tensions of the Hundred Years War. Includes discussion of Chaucer's decision to write in English (as reflected in LGWP and in Eustace Deschamps's ballade in praise of Chaucer as a "translateur"), John Shirley's and John Lydgate's views of Chaucer as a cultural translator, and the importance of formes fixes in understanding canon formation and Chaucer as a "laurel" poet. Also discusses formes fixes in Gower's Trentham manuscript and Hoccleve's Huntington holographs.</text>
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              <text>Buchanan, Peter.</text>
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              <text>Ph.D. Dissertation. University of Oxford, 2021.&#13;
Dissertation Abstracts International C83.10(E) (2021).</text>
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              <text>Dissertation Abstracts International C83.10(E) (2021)</text>
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              <text>Background and General &#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Clerk and His Tale&#13;
Canon's Yeoman and His Tale</text>
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              <elementText elementTextId="2848237">
                <text>Contingent Chaucer: Experience, Time, and Modality in Chaucerian Poetics.</text>
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                <text>Argues that Chaucer is a "philosophical poet" who "innovated a radical, anti-teleological poetics of contingency," showing how in CYT, ClT, TC, and HF he "reworks his sources to articulate his vision of contingency, and contest humanist narratives of utopian perfectibility and idealistic, teleological poetics."</text>
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              <text>Lee, Brian S.</text>
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              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 199-210.</text>
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              <text>Interpretation and Performance: Essays for Alan Gaylord.</text>
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            <elementText elementTextId="2806579">
              <text>Cook and His Tale</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>mea SAC 37:95</text>
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                <text>Continuation of the Cokes Tale</text>
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            <description>An account of the resource</description>
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                <text>A comic completion, in mock Middle English, of CkT as a version of both Little Red Riding Hood and the parable of the Prodigal Son, with allusions to TC, GP and several stories from CT.</text>
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              <text>Botelho, José Francisco, trans.</text>
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              <text>São Paulo: Penguin, 2013.</text>
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              <text>680 pp.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
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              <text>mea; 10/27/20</text>
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              <text>Companhia Das Letras.</text>
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                <text>Contos da Cantuária.</text>
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                <text>Translation of CT into Portuguese verse. Item not seen; not listed in WorldCat.</text>
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              <text>Heffernan, Carol Falvo.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 94 (1995): 31-41.</text>
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              <text>jules SAC 19 (1997) - 227</text>
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                <text>Contraception and the Pear Tree Episode of Chaucer's 'Merchant's Tale'</text>
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                <text>Medieval contraceptive information includes mention of pears in discussion of techniques for preventing conception, so May's desire for a pear in MerT may indicate that she wants to deny January's foolish desire for offspring.</text>
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              <text>Chaucer Review 54.3 (2019): 335-51.</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale</text>
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          <name>Source</name>
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          <name>Date</name>
          <description/>
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              <elementText elementTextId="2836989">
                <text>Contracts, Activist Feminism, and the "Wife of Bath's Tale."</text>
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          <element elementId="41">
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              <elementText elementTextId="2836990">
                <text>Argues that WBT presents a different vision of law, informed by female agency, where the focus is on reeducation. The rapist-knight is rewarded rather than punished, but this failure of justice functions as a call to activism, as the law so depicted presents new possibilities for justice.</text>
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          <elementTextContainer>
            <elementText elementTextId="2771331">
              <text>Harding, Wendy.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2771332">
              <text>Colette Stévanovitch, ed. L'Articulation langue-littérature dans les textes médiévaux anglais (Nancy: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2005), pp. 177-89.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2771333">
              <text>2005</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771334">
              <text>Articulation langue-littérature dans les textes médiévaux anglais. Collection GRENDEL, no. 5.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2771336">
              <text>Tale of Melibee.</text>
            </elementText>
            <elementText elementTextId="2771337">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771338">
              <text>Collection GRENDEL, no. 5.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2771339">
              <text>vxl sac 29:247</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2771330">
                <text>Contradiction and Conciliation in Chaucer's Tale of Melibee</text>
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                <text>Contradictions inherent in medieval social order are evident in the sources of Mel, but Chaucer reconciles these contradictions through his treatment of pity.</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697700">
              <text>Pelen, Marc M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697701">
              <text>Florilegium 10 (1991, for 1988): 107-25.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697702">
              <text>1991</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2697704">
              <text>Merchant and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2697705">
              <text>Florilegium 10 (1991, for 1988).</text>
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        <element elementId="109">
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          <description/>
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              <text>mea</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697699">
                <text>Contradictions and Self-Contradictions in Chaucer's Poetic Strategy</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697703">
                <text>Can one reconcile in a "single poetic focus" the contradictory voices of MerT?  Plato, Claudian, Boethius, and especially Ovid distinguish between true and false fictions on the basis of whether legend is used to recognize cosmological order or to promote experiential desires.  This perspective,evoked by allusion in MerT, indicates that all the voices of MerT are insufficient, trivializing the spiritual function of marriage.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737728">
              <text>Benson, Larry D.</text>
            </elementText>
            <elementText elementTextId="2737729">
              <text>Theodore M. Andersson and Stephen A. Barney, eds.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737730">
              <text>Aldershot, Hants :</text>
            </elementText>
            <elementText elementTextId="2737731">
              <text>Brookfield, Vt. : Scolar ;</text>
            </elementText>
            <elementText elementTextId="2737732">
              <text>Ashgate, 1995.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737733">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737734">
              <text>xxiii, 322 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737735">
              <text>Andersson, Theodore M., ed.</text>
            </elementText>
            <elementText elementTextId="2737736">
              <text>Barney, Stephen A., ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737739">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737740">
              <text>jules SAC 19 (1997) - 77</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737727">
                <text>Contradictions: From "Beowulf" to Chaucer: Selected Studies of Larry D. Benson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737737">
                <text>Includes thirteen essays by Benson, all but one reprinted from earlier publications. For three essays that pertain to Chaucer, search for Contradictions: From "Beowulf" to Chaucer under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745305">
              <text>Kennedy, Beverly.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745306">
              <text>Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 23-39.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745307">
              <text>1997</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745308">
              <text>The Canterbury Tales Project Occasional Papers, Volume II.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745310">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2745311">
              <text>Manuscripts and Textual Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2745312">
              <text>jules SAC 21 - 205</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745304">
                <text>Contradictory Responses to the Wife of Bath as Evidenced by Fifteenth-Century Manuscript Variants</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2745309">
                <text>Argues that two distinct scribal attitudes toward the Wife of Bath can be perceived:  a misogynous scholarly response typical of one manuscript family, and a more sympathetic popular response typical of another.  Considers evidence from WBP, including spurious links, glosses, minor variants, and the "two major variants"--the renumbering of the Wife's husbands and the so-called added passages.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770838">
              <text>Ingham, Patricia Clare.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770839">
              <text>Patricia Clare Ingham and Michelle R. Warren, eds. Postcolonial Moves: Medieval Through Modern. New York: Palgrave Macmillan, 2003, pp. 47-ı70.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770840">
              <text>2003</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770841">
              <text>Postcolonial Moves: Medieval Through Modern.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770842">
              <text>Ingham, Patricia Clare, ed.</text>
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            <elementText elementTextId="2770843">
              <text>Warren, Michelle R., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770845">
              <text>Man of Law and His Tale.</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl sac 29:190</text>
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              <elementText elementTextId="2770837">
                <text>Contrapuntal Histories</text>
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          <element elementId="41">
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              <elementText elementTextId="2770844">
                <text>Ingham urges a "contrapuntal" postcolonial approach to premodern texts - i.e., an approach that observes differences and distinctions that are oppositional without overdetermining them. She explores how Chaucer's MLT and Conrad's "Heart of Darkness" invite and resist colonialist attitudes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749840">
              <text>Beidler, Peter G.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749841">
              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 131-42.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749842">
              <text>1998</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749843">
              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749845">
              <text>Shipman and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>A word list from TC 4 shows that Chaucer invented new meanings by combining previously unconnected root words; however, someone else may have introduced those roots into the language.</text>
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                <text>Controlled Partial Confusion: Concentrated Imagery in 'Troilus and Criseyde'</text>
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                <text>William Empson writes of the concentrated imagery and controlled partial confusion in TC.  In book 5, Chaucer manipulates the imagery of the voyage, star-steer, sun-son, etc., to bring the poem to its climax, wherein the narrator cannot indict Criseyde because she is the poetic means by which Chaucer has steered the way.</text>
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              <text>Jasper, Margaret Rose.</text>
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        <element elementId="98">
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              <text>ShakS 29  : 93-108, 2001.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2760739">
              <text>2001</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl SAC 26: 70</text>
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                <text>Controlling Clothes, Manipulating Mates: Petruchio's Griselda</text>
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              <elementText elementTextId="2760740">
                <text>Jasper examines Petruchio's use of clothing as a form of gender control in Shakespeare's The Taming of the Shrew, comparing it with similar uses of clothing in versions of the Griselda story-Boccaccio's, Petrarch's, ClT, and John Phillips's "The Commody of Pacient and Meeke Grissill" (1565).</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>English Loathly Lady Tales: Boundaries, Traditions, Motifs.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="98">
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              <text>S. Elizabeth Passmore and Susan Carter, eds. The English "Loathly Lady" Tales: Boundaries, Traditions, Motifs (Kalamazoo, Mich.: Medieval Institute Publications, 2007), pp. 146-62.</text>
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              <elementText elementTextId="2825856">
                <text>As an example of popular folk narrative, "The Wedding of Sir Gawain and Dame Ragnelle" is flexibly open to multiple interpretations. Addressed to an elite audience, Gower's "Tale of Florent" and WBT lay claim to authority and function as exempla.</text>
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          <elementTextContainer>
            <elementText elementTextId="2747249">
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                <text>Treats "Thebes" and the Prologue to "Beryn" (here called "The Canterbury Interlude") as "efforts to write what Chaucer had left unwritten" and to confront contemporary controversies.  Lydgate's work rebukes those who would critique monasticism and diminish the status of Saint Thomas a Becket.  The "Beryn" Prologue (and the two-way journey of the Northumberland manuscript in which it appears) asserts orthodox acceptance of pilgrimage in the face of contemporary Lollard challenges.</text>
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Davis, Paul B. ed.</text>
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        <element elementId="98">
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Facsimiles, Editions, and Translations</text>
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              <elementText elementTextId="2842832">
                <text>An introduction to the study of literature for classroom use, arranged by literary mode and focused thematically on social, religious, and literary controversies. Includes a section titled "Medieval and Modern Chaucer" (pp. 457-81) that raises questions about reading Chaucer in Middle English or in modern translation, reprints a selection from Nevill Coghill's 1958 comments about translating Chaucer, and presents facing-page versions of WBT: F. N. Robinson's 1957 edition and Coghill's modern verse translation.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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            <elementText elementTextId="2723449">
              <text>Wetherbee, Winthrop.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 71-81.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723451">
              <text>1981</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723452">
              <text>New Perspectives in Chaucer Criticism.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723454">
              <text>Background and General Criticism.</text>
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              <text>Troilus and Criseyde.</text>
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          <elementTextContainer>
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              <text>jules SAC 05 (114)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2723448">
                <text>Convention and Authority: A Comment on Some Recent Critical Approaches to Chaucer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2723453">
                <text>Modern critical theory demonstrates the radically traditional closed systems of medieval poetry.  In his negative examples and examples of abuse and falsification, especially in TC, Chaucer is also aware of what the classical tradition "is not."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stillwell, Gardiner.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Philological Quarterly 35 (1956): 69-89.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2846885">
              <text>Philological Quarterly 35 (1956)</text>
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              <text>Complaint of Mars&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 12/10/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846888">
              <text>1956</text>
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          <element elementId="50">
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              <elementText elementTextId="2846881">
                <text>Convention and Individuality in Chaucer's "Complaint of Mars."</text>
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          <element elementId="41">
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              <elementText elementTextId="2846882">
                <text>Compares Mars with the "Ovide moralisé" and examines its adaptations of the "aubade, the complaint, the Valentine-tradition (Gower and Graunson), and the conventions of courtly love"--as inflected by Chaucer's own concerns and "personality," and "expressing an attitude toward young lovers": "now joy, now sorrow, always fascination to see their 'busynesse' . . . amusing or pathetic or both together in basing their lives on so unstable a foundation."</text>
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            <elementText elementTextId="2815227">
              <text>Grossman, Judith S.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2815228">
              <text>DAI 29.08 (1969): 2709A.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2815229">
              <text>1969</text>
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            <elementText elementTextId="2815231">
              <text>Style and Versification</text>
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            <elementText elementTextId="2815232">
              <text>Knight and His Tale</text>
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              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2815234">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2815235">
              <text>Dissertation Abstracts International 29 (1969)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815236">
              <text>mea; 04/17/2017 No SAC</text>
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            <elementTextContainer>
              <elementText elementTextId="2815226">
                <text>Convention and Innovation: Two Essays on Style in the 'Canterbury Tales'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2815230">
                <text>Treats KnT as a traditional, conservative work, elevated in tone and style and dependent on "French and Italian traditions of eloquence." Conversely GP is the "most original of Chaucer's poems," innovative in its "mingling" of "praise and blame" within individual portraits and enriched by the "ironic alternation of opposed traditions of representation."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2696863">
              <text>Holloway, Julia Bolton.</text>
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          <name>Published</name>
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              <text>Julia Bolton Holloway, Constance S. Wright, and Joan Bechtold, eds.  Equally in God's Image: Women in the Middle Ages (New York: Peter Lang, 1990), pp. 198-215.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2696865">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2696866">
              <text>Equally in God's Image: Women in the Middle Ages.</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale.                                        </text>
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              <text>Prioress and Her Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>mea</text>
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              <elementText elementTextId="2696862">
                <text>Convents, Courts and Colleges: The Prioress and the Second Nun</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2696867">
                <text>Discusses Chaucer's women and their relations with pilgrimage and learning.  The Wife of Bath rebels against her husband's book of wicked wives.  The Prioress tells of a boy's eschewing his primer in order to sing a hymn he does not understand from the Antiphoner.  The Second Nun is well read in the Golden Legend and in Dante's use of St. Bernard.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2800929">
              <text>Arista, J. Martin, et al., eds.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2012.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800931">
              <text>2012</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800932">
              <text>xiv, 356 pp.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2800934">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800935">
              <text>mea SAC 36:81</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2800928">
                <text>Convergent Approaches to Medieval English Language and Literature</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800933">
                <text>Collection of essays presented at the 22nd International Conference of the Spanish Society for Mediaeval English Language and Literature (SELIM), seeking new perspectives on medieval language study. For two essays pertaining to Chaucer, search for Convergent Approaches to Medieval English Language and Literature under Alternative Title.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789329">
              <text>Alias, Simona.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789330">
              <text>Studies in the History of the English Language, 2006-2009 (Osaka: Osaka Books, 2010), pp. 107-19.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789331">
              <text>2010</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789332">
              <text>Studies in the History of the English Language, 2006-2009.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2789334">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789335">
              <text>Bulletin of the Japanese Association of the History of the English Language n.v. (2009).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2789336">
              <text>vxl sac 34:170</text>
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              <elementText elementTextId="2789328">
                <text>Converging of Traditions and Usability of the Short Story: Orality and Frame in the Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2789333">
                <text>Examines the influence of the frame narrative tradition on CT, particularly on Chaucer's use of the "narratio brevis" genre. Also published in Bulletin of the Japanese Association of the History of the English Language n.v. (2009): 31-43.</text>
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