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                  <text>Chaucer Bibliography Online</text>
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              <text>Forni, Kathleen.</text>
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        <element elementId="98">
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              <text>Chaucer Yearbook 05 (1998): 79-90.</text>
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              <text>1998</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Chaucer Yearbook 05 (1998)</text>
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              <text>jules SAC 22 - 178.</text>
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                <text>'Queynte' Arguments: The Ellesmere Order May Be the Most 'Satisfactory' but Is It Chaucer's?</text>
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                <text>Claiming "there is no clear textual evidence for the assertion that [the Ellesmere order] reflects Chaucer's intention," Forni questions the authority of the Ellesmere order and examines how that order was canonized as Chaucerian. She contends that it is impossible to determine the order in which Chaucer intended the fragments to be read.</text>
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              <text>Dane, Joseph A.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 95 (1996): 497-514.</text>
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          <name>Date</name>
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              <text>1996</text>
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              <text>Language and Word Studies.</text>
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              <text>Journal of English and Germanic Philology 95 (1996)</text>
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        <element elementId="109">
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              <text>jules SAC 20 (1998), 54</text>
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                <text>'Queynte': Some Rime and Some Reason on a Chaucer[ian] Pun</text>
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                <text>Larry Benson's understanding of "queynte" as an adjective (SAC 9 [1987], no. 54) is untenable since it depends on a rhyme pattern inadmissible in Chaucer.  The true meaning is the traditional one of "pudendum."</text>
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              <text>Fichte, Joerg O.</text>
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            <elementText elementTextId="2693057">
              <text>Walter Haug and Burghart Wachinger, eds.  Traditionswandel und Traditionsverhalten (Tubingen: Niemeyer, 1991), pp. 61-76.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1991</text>
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              <text>Traditionswandel und Traditionsverhalten.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>mea.</text>
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                <text>'Quha wait gif all that Chauceir wrait was trewe'--Auctor and Auctoritas in 15th Century English Literature</text>
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                <text>Chaucer's playful attitude toward authority contrasts Gower's serious one; analogously, Henryson's questioning of Chaucer's authority (Testament of Cresseid) contrasts Lydgate's endorsement of it (Seige of Thebes).</text>
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        <element elementId="110">
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            <elementText elementTextId="2781532">
              <text>Vial, Claire.</text>
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        <element elementId="98">
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            <elementText elementTextId="2781533">
              <text>Danielle Buschinger and Arlette Sancery, eds. Mélanges de langue, littérature et civilisation offerts à André Crépin à l'occasion de son quatre-vingtième anniversaire (Amiens: Presses du Centre d'Études Médiévales, Université de Picardie-Jules Verne, 2008), pp. 312-16.</text>
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        <element elementId="114">
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            <elementText elementTextId="2781534">
              <text>2008</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2781535">
              <text>Mélanges de langue, littérature et civilisation offerts à André  Crépin à l'occasion de son quatre-vingtième anniversaire.</text>
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        <element elementId="102">
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            <elementText elementTextId="2781537">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2833485">
              <text>vxl SAC 32:323.</text>
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              <elementText elementTextId="2781531">
                <text>'Quick-eyed love, observing'--Le rire de Troilus, entre mépris du monde et amour des hommes</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781536">
                <text>Examines the laughter of Troilus in light of the  tradition of contemptus mundi and stresses links between TC and pilgrimage literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2748992">
              <text>Weisl, Angela Jane.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2748993">
              <text>Anna Roberts, ed. Violence Against Women in Medieval Texts (Gainesville: University Press of Florida, 1998), pp. 115-36.</text>
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        <element elementId="114">
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            <elementText elementTextId="2748994">
              <text>1998</text>
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            <elementText elementTextId="2748995">
              <text>Violence Against Women in Medieval Texts.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>jules SAC 22 - 186.</text>
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                <text>'Quiting Eve': Violence Against Women in the Canterbury Tales</text>
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                <text>Though Chaucer grants women agency in CT, they act against a background of violence that is often ignored or mitigated. The fabliaux, the romances, and the religious narratives all present violence against women as a normal part of society. WBT comes closest to challenging such violence, and ClT is the most antipathetic to women.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Marchand, James W.</text>
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        <element elementId="98">
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              <text>Neuphilologische Mitteilungen 100: 43-49,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2752110">
              <text>1999</text>
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              <text>Language and Word Studies.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2752115">
              <text>Neuphilologische Mitteilungen 100 (1999)</text>
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        <element elementId="109">
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              <text>jules SAC 23 (68)</text>
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                <text>'Quoniam,' 'Wife of Bath's Prologue' D.608</text>
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                <text>Chaucer's punning use of "quoniam" in WBP was not the first time this word was used as a sexual euphemism. Giraldus Cambriensis, Matheolus, Juan Ruiz, and the author of the "Roman de Flamenca" used this euphemism in their writings.</text>
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              <text>Delasanta, Rodney.</text>
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              <text>Papers on Language and Literature 8 (1972): 202-06.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea; 11/17/2015 No SAC</text>
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                <text>'Quoniam' and the Wife of Bath</text>
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                <text>Characterizes the Wife of Bath as "an ecclesiastical camp follower" who tellingly misuses her familiarity with Scripture and liturgy, exemplifying this tendency through her blasphemous use of the term "quoniam," which is the "opening word of the final doxology of the Gloria."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2771490">
              <text>Robertson, Elizabeth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2771491">
              <text>Robert M. Stein and Sandra Pierson Prior, eds. Reading Medieval Culture: Essays in Honor of Robert W. Hanning (Notre Dame: University of Notre Dame Press, 2005), pp. 302-23.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2771492">
              <text>2005</text>
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            <elementText elementTextId="2771493">
              <text>Reading Medieval Culture: Essays in Honor of Robert W. Hanning.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2771495">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2771497">
              <text>vxl sac 29:209</text>
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              <elementText elementTextId="2771489">
                <text>'Raptus' and the Poetics of Married Love in Chaucer's Wife of Bath's Tale and James I's 'Kingis Quair'</text>
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                <text>The representations of rape (sexual assault and abduction) in WBT and "Kingis Quair" invite consideration of free will and agency as part of a critique of late medieval social formulations of male/female relationships. In WBT, Chaucer indicts contemporary social structures; James I locates the problem in poetics.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2726864">
              <text>Cannon, Christopher.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2726865">
              <text>Speculum 68 (1993): 74-94.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2726866">
              <text>1993</text>
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            <elementText elementTextId="2726868">
              <text>Chaucer's Life.</text>
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            <elementText elementTextId="2726869">
              <text>Speculum 68 (1993)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2726870">
              <text>jules SAC 17 (8)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2726863">
                <text>'Raptus' in the Chaumpaigne Release and a Newly Discovered Document Concerning the Life of Geoffrey Chaucer</text>
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          <element elementId="41">
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              <elementText elementTextId="2726867">
                <text>Examines the word "raptus" in late-fourteenth-century English law and concludes that it meant "forced coitus."  Also prints a newly discovered document relating to Cecily Chaumpaigne's case against Chaucer and suggests that the phrase "de raptu meo," recorded in the deed of release in the "Close Rolls," has been suppressed in the new document.</text>
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  <item itemId="271942" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2801730">
              <text>Rudd, Gillian.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801731">
              <text>SAC 34 (2012): 325-30.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2801732">
              <text>2012</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2801734">
              <text>Nun's Priest and His Tale</text>
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            <elementText elementTextId="2801735">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2801736">
              <text>Studies in the Age of Chaucer 34 (2012)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801737">
              <text>mea sac 36:190</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801729">
                <text>'rather be used / than be eaten'? Harry Bailly's Animals and The Nun's Priest's Tale</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801733">
                <text>Comments on Umberto Eco's, Jacques Derrida's, and Marianne Dekoven's contributions to animal studies, and assesses the Host's references to "jade" and "trede-fowl" in NPP and NPE as "prime examples" of the "human habit of appropriating the animal world." Also assesses the chase scene in NPT.</text>
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  </item>
  <item itemId="268641" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767330">
              <text>Thompson, Jefferson M.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767331">
              <text>Piotr Fast and Wacław Osadnok, eds. From Kievan Prayers to Avantgarde: Papers in Comparative Literature (Warsaw: Wydawnictwo Energeia, 1999), pp. 83-98.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767332">
              <text>1999</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767333">
              <text>From Kievan Prayers to Avantgarde: Papers in Comparative Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767334">
              <text>Fast, Piotr, ed.</text>
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            <elementText elementTextId="2767335">
              <text>Odsadnod, Wacław, ed</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2767337">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2767338">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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            <elementText elementTextId="2767339">
              <text>vxl sac 28:115</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2767329">
                <text>'Ratio Amoris' and 'Amor Rationis': The Struggle for Supremacy Between Love and Reason in 'The Romance of the Rose' and 'The Knight's Tale'</text>
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          <element elementId="41">
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              <elementText elementTextId="2767336">
                <text>Thompson traces parallels among several dichotomies--eros and agape, cupiditas and caritas, love and reason--arguing that Chaucer was unsatisfied with the simple dichotomies he found in the "Roman de la Rose." In KnT, love is "reprimanded" as folly, but the supremacy of reason is challenged as well.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738670">
              <text>Wauhkonen, Rhonda L.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738671">
              <text>Dissertation Abstracts International 56 (1995): 1349A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738672">
              <text>1995</text>
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        <element elementId="102">
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            <elementText elementTextId="2738674">
              <text>Canterbury Tales--General.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2738675">
              <text>Dissertation Abstracts International 56 (1995)</text>
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        </element>
        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2738676">
              <text>jules SAC 19 (1997) - 159</text>
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          <element elementId="50">
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              <elementText elementTextId="2738669">
                <text>'Reading from Within': Nicholas of Lyra, the 'Sensus iteralis' and the Structural Logic of 'The Canterbury Tales'</text>
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          <element elementId="41">
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              <elementText elementTextId="2738673">
                <text>Considers the Hebraic and patristic in the philosophical and English background of Chaucer's poem.</text>
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  <item itemId="266713" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747386">
              <text>DiMarco, Vincent.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747387">
              <text>Chaucer Yearbook 5 (1998): 61-78.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747388">
              <text>1998</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2747390">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2747391">
              <text>Manuscripts and Textual Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2747392">
              <text>Chaucer Yearbook 05 (1998)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2747393">
              <text>jules SAC 22 - 312.</text>
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              <text>Maclean, Hugh.</text>
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              <text>ed.</text>
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                <text>'Restlesse anguish and unquiet paine': Spenser and the Complaint, 1579-1590</text>
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              <text>York, Lorraine M.</text>
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              <text>Studies in Canadian Literature 9 (1984): 206-13.</text>
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                <text>'River Two Blind Jacks': Dave Godfrey's Chaucerian Allegory</text>
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                <text>Godfrey echoes PardT.</text>
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            <elementText elementTextId="2713220">
              <text>Prior, Sandra Pierson.</text>
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        <element elementId="98">
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        <element elementId="114">
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        <element elementId="109">
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              <text>jules SAC 10 (215)</text>
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              <elementText elementTextId="2713219">
                <text>'Routhe' and 'Hert-Hunting' in the 'Book of the Duchess'</text>
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                <text>The hunt passages in BD involve technical terms that have not been fully understood, e.g., "embosed," "forloyn," and "strake."  The literal hunt dissolves to a metaphorical one in which the dreamer seeks the hurt heart.  In terms of the narrator's, Alcyon's and the Black Knight's experiences, repetition of "herte," "routhe," and "pitee," and plays on these words are important in developing the theme of the heart hunt.  The metaphorical quest concludes with "routhe."</text>
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              <text>Johnston, Andrew James.</text>
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              <text>Claudia Lange, Ursula Schaefer, and Göran Wolf, eds. Linguistics, Ideology, and the Discourse of Linguistic Nationalism (Frankfurt am Main: Peter Lang, 2010), pp. 37-51.</text>
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              <text>Linguistics, Ideology, and the Discourse of Linguistic Nationalism.</text>
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              <text>Schaefer, Ursula, ed.</text>
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              <text>Wolf, Göran, ed.</text>
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              <text>vxl sac 34:88</text>
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                <text>'Rum, Ram, Ruf': Chaucer and Linguistic Whig History</text>
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                <text>Johnston scrutinizes Chaucer's comments on alliterative poetry in ParsP, interpreting them as evidence of a power struggle in England's evolving literary field. By presenting aesthetic difference as linguistic difference, Chaucer consciously presents alliterative poetry as provincial and old-fashioned and seeks to banish it from the literary scene.</text>
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              <text>Williamson, Anne.</text>
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              <text>Henry Williamson Society Journal 39 (2003): 30-60.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Legend of Good Women.</text>
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                <text>'Save his own soul he hath no star': Thoughts Arising from 'The Dream of Fair Women' (A Talk Given at the HWS Study Day, 16 February 2002)</text>
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                <text>Explores the possibility that Henry Williamson's novel "The Dream of Fair Women" was influenced by Tennyson's poem "A Dream of Fair Women" and, in turn, by Chaucer's LGW.</text>
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              <text>Gaston, Kara.</text>
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              <text>ChauR 48.03 (2014): 258-83.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Chaucer Review 48 (2014)</text>
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              <text>mea; 3/04/2017 sac 38:216</text>
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                <text>'Save oure tonges difference': Translation, Literary Histories, and 'Troilus and Criseyde'</text>
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                <text>Discusses the relationship between "translation and historical alterity" in TC, examining how Dante's vernacular language in his "Convivio" connects with how Chaucer "exploits the transformative potential of translation" within his own vernacular writing.</text>
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              <text>Yeager, R. F.</text>
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              <text>T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 151-64.</text>
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          <name>Date</name>
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            <elementText elementTextId="2770515">
              <text>2005</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2770516">
              <text>Seyd in Forme and Reverence: Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr.</text>
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          <name>Chaucer Subject</name>
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              <text>Complaint of Chaucer to His Purse.</text>
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              <text>vxl SAC 29:322</text>
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                <text>'Saving the Appearances' II : Another Look at Chaucer's 'Complaint to His Empty Purse'</text>
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                <text>Yeager finds a partisan second level of meaning underneath the sycophantic surface of the envoy of Purse - one that challenges Henry's right to rule.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2736380">
              <text>Hanks, D. Thomas, Jr.</text>
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              <text>English Language Notes 31:3 (1994): 25-29.</text>
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              <text>1994</text>
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            <elementText elementTextId="2736384">
              <text>Summoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>English Language Notes 31 (1994)</text>
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              <text>jules SAC 18 (1996) - 196</text>
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          <element elementId="50">
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                <text>'Savour,' Chaucer's 'Summoner's Tale,' and Matthew 5:13</text>
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                <text>The lord in SumT speaks of "the salt of the erthe and the savor," usually taken as a reference to Matthew 5.13.  Yet no Bible known to Chaucer uses the word "savor" (Latin "vapor") in this passage.  Instead, Chaucer may have drawn the phrase from Gower's "Vox clamantis" 3.1997-98.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2807939">
              <text>Baird, Joseph L.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2807940">
              <text>Chaucer Review 6.2 (1971): 117-19.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2807941">
              <text>1971</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2807943">
              <text>Clerk and His Tale</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Language and Word Studies</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2807946">
              <text>Chaucer Review 06 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2807947">
              <text>mea; 2/23/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2807938">
                <text>'Secte' and 'Suit' Again: Chaucer and Langland</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2807942">
                <text>Cites examples from Middle English literary texts to support reading "secte" as meaning "petition" or legal suit in ClT 4.1171, referring to the Wife of Bath's argument.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2710111">
              <text>Olsson, Kurt.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2710112">
              <text>Studies in the Age of Chaucer 9 (1987): 123-53.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2710113">
              <text>1987</text>
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              <text>Knight and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2710116">
              <text>Studies in the Age of Chaucer 09 (1987)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2710117">
              <text>jules SAC 11 (154)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2710110">
                <text>'Securitas' and Chaucer's Knight</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2710114">
                <text>"Securitas" as defined by William of Conches, Phillip of Bergamo, William Peraldus, and others explains both the Knight's response to other pilgrims in the narrative frame of CT and his relation to Theseus in KnT.  Both the Knight and Theseus attempt to provide order through a rhetoric leading to community ritual; both have a limited moral perspective later subsumed into the observance of pilgrimage as penitence (ParsT).</text>
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  <item itemId="261447" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695089">
              <text>Ruff, Nancy K.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695090">
              <text>Classical and Modern Literature 12 (1991): 59-68.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2695091">
              <text>1991</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2695093">
              <text>Legend of Good Women.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695094">
              <text>Classical and Modern Literature: A Quarterly 12 (1991)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695095">
              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2695088">
                <text>'Sely Dido': A Good Woman's Fame</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2695092">
                <text>Chaucer's ironic treatment of the Dido legend in LGW and HF involves a naive narrator who erroneously sympathizes with Dido; a medieval audience would have recognized differences from the treatment of Dido in Virgil's Aeneid and Ovid's Heroides.  Chaucer signals the reader to question the written word and reveals a mistrust of poetic fiction.</text>
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  <item itemId="264561" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2725458">
              <text>Cooper, Geoffrey.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725459">
              <text>Journal of English and Germanic Philology 79 (1980): 1-12.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1980</text>
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          <name>Chaucer Subject</name>
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              <text>Miller and His Tale.</text>
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              <text>Language and Word Studies.</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2725464">
              <text>Journal of English and Germanic Philology 79 (1980)</text>
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        <element elementId="109">
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              <text>jules SAC 04 (65)</text>
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                <text>'Sely John' in the Legende' of of the 'Miller's Tale'</text>
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                <text>"Sely" (from OE "gesaelig") originally meant "happy, fortunate," and hence "blessed by God, pious, holy."  Later,however, the word took on connotations of "pitiful" and "silly, rustic," while still retaining its earlier meaning in different contexts.  Chaucer uses "sely" in all these various senses in his poems, and its ambiguous use in MilT as an epithet for John the carpenter is rich in irony and multivalence of meaning (recalling the similar device of the tag "hende" Nicholas).</text>
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