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              <text>Cibula, Peter R., III.</text>
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              <text>Ph.D.  Dissertation. University of California, Irvine, 2022.&#13;
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                <text>Intervals of Grace: Shakespeare and Chaucer's Existential Romances and the Repair of the Past.</text>
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                <text>Argues that 'Augustine's theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world," addressing KnT, ClT, and Shakespeare's "Cymbeline" and "The Winter's Tale."</text>
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                <text>The Medieval Borderline Identities: The Guildsmen in History and in Geoffrey Chaucer's "The Canterbury Tales."</text>
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                <text>Uses Homi Bhabha's concepts of borderline community and mimicry ("The Location of Culture" [1994]) to investigate the descriptions of the guildsmen in GP, 361-78, as they relate to shifts and tensions in Chaucer's contemporary society, focusing on "othering" within traditional hierarchy and on sartorial mimicry. Includes historical and literary information about guildsmen.</text>
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                <text>Canterbury Masalları: Prolog / The Canterbury Tales: The Prologue.</text>
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              <text>Joel E. McIntosh, ed. 20 More Ideas for Teaching Gifted Kids in the Middle School and High School (New York: Routledge, 2021), pp. 85-88.</text>
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                <text>Lesson plan for teaching GP in high school classes (senior level), introducing the four humors and using a personality test for students.</text>
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              <text>Simola, Robert, trans. and illus.</text>
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Accessible at http://www.sd-editions.com/CantApp/GP/ (accessed October 16, 2023)</text>
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Robinson, Peter, ed.&#13;
Pascolini-Campbell, Claire&#13;
Robinson, James &#13;
Symons, Vicky&#13;
Volkosh, Mari</text>
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                <text>Electronic edition of GP, designed for download and web access on mobile devices, based on the Hengwrt manuscript (fully reproduced in color), with hyperlinked transcription, translation, glosses and notes, and an audio performance by Lina Gibbings in Middle English. Sidebar apparatus includes a life of Chaucer; a description of GP in relation to CT; and discussions of the date of GP, the Hengwrt MS, the text of this edition, and background to the performance of GP. Contributors include Claire Pascolini-Campbell, James Robinson, Vicky Symons, and Mari Volkosh.</text>
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              <text>Toronto: University of Toronto Press, 2022.</text>
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              <text>ix, 395 pp.</text>
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              <text>SAC 46:203</text>
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          <description/>
          <elementTextContainer>
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                <text>The Logic of Love in "The Canterbury Tales."</text>
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            <description>An account of the resource</description>
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                <text>Presents a "new way to conjoin Chaucer's sophisticated engagement with philosophical thought and his obvious focus on amatory concerns" in CT, arguing that the narrative "authoritatively abandons authority"--a paradox that recalls logical "insolubilia," connects with the "philosophical antinomy of realism and nominalism," and engages the Christian incarnational fusion of creator and created. Neither ironic nor inconsistent, the rigorously logical CT--insoluble rather than enigmatic or analogical--asserts the paradox of love, depicts efforts to accept or resolve paradox in each of the tales, and enjoins readers to accept paradox without judgment or resolution, leaving Chaucer's "ultimate intention undecidable."</text>
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              <text>Rohls, Jan.</text>
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              <text>Boston, Mass.: De Gruyter, 2021.</text>
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              <text>xi, 619 pp.</text>
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        <element elementId="114">
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            <elementText elementTextId="2848909">
              <text>2021</text>
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              <text>Chaucer: Die "Canterbury Tales"</text>
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                <text>Kunst und Religion zwischen Mittelalter und Barock: Von Dante bis Bach. Vol. 1, Spätmittelalter und Renaissance.</text>
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                <text>Chapter 7, "Chaucer: Die 'Canterbury Tales,' " summarizes the individual tales of CT, following the Chaucer Society order, and provides brief explanations of religious backgrounds and details.</text>
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              <text>Rabat, Justine.</text>
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              <text>Ph.D. Dissertation. Université Sorbonne Nouvelle, 2020. Open access at https://theses.hal.science/tel-04416408 (accessed May 11, 2024).</text>
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        </element>
        <element elementId="109">
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              <text>SAC 46:201</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2848901">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848895">
                <text>Cadre et encadrement. Pour une approche politique du récit enchâssé: Des recueils de contes médiévaux au cinéma contemporain (le "Pañcatantra," Somadeva, Boccaccio, Chaucer, Pasolini, Gomes).</text>
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                <text>Theorizes "the consequences of political discourse on bodies" in literary and cinematic frame-narratives, including discussion of CT, along with the "Pañcatantra," the "Vetala" of Somadeva, Boccaccio's "Decameron," Pier Paolo Pasolini's "Trilogy of Life,: and Miguel Gomes''s "Arabian Nights." Includes an abstract in English and in French</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Morris, Aubrey.</text>
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        <element elementId="98">
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              <text>Ph.D. Dissertation. Baylor University, 2022.&#13;
Dissertation Abstracts International A83.11(E).</text>
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              <text>Dissertation Abstracts International A83.11(E)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2848892">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2848894">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848887">
                <text>"Lat Us Laughe and Pleye": Humor Structures in "The Canterbury Tale."</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851982">
                <text>"[A]pproaches the Canterbury Tales through the lens of humor theory, responding to a much-noted gap in existing scholarship by focusing primarily on the structures and mechanisms of humor in the text."</text>
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            </elementTextContainer>
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              <name>Title</name>
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          <elementTextContainer>
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              <text>Mahdipour, Alireza, Hossein Pirnajmuddin, and Pyeaam Abbasi.</text>
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              <text>Critical Survey 34 (2022): 45-55.</text>
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        <element elementId="112">
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          <description/>
          <elementTextContainer>
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              <text>Pirnajmuddin, Hossein.&#13;
Abbasi, Pyeaam.</text>
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            <elementText elementTextId="2848883">
              <text>Critical Survey 34 (2022)</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848886">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848878">
                <text>Liturgical Time in Chaucer's "Canterbury Tales": Meditated, Measured and&#13;
Manipulated.</text>
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            <description>An account of the resource</description>
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                <text>Tabulates liturgical references within CT and argues that the poem depicts the secularization of liturgy and its appropriation for social control, while also presenting a carnivalesque celebration of the reversal of social hierarchy.</text>
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          <description/>
          <elementTextContainer>
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              <text>Johnson, Matthew.</text>
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          <description/>
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              <text>Medieval Archeology 64 (2020): 302-29.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848874">
              <text>Medieval Archeology 64 (2020)</text>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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          <description/>
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          <description/>
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            <elementText elementTextId="2848877">
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                <text>Bodiam Castle and "The Canterbury Tales": Some Intersections.</text>
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              <elementText elementTextId="2848871">
                <text>Argues that CT (specifically GP, KnT, MilT, and RvT) and Bodiam Castle "converge as ideological constructions," comparing the lives of Chaucer and Sir Edward Dallingridge (builder of Bodiam)--both witnessed at the Scrope vs. Grosvenor trial--and connecting "the anxieties, tensions, gaps, silences and contradictions that lie below the surface of the formal, normative values" of their works. Posits that Dallingridge may underlie aspects of the characterization of Chaucer's Knight.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848863">
              <text>Hostetter, Aaron K.</text>
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              <text>J. Michelle Coghlin, ed. The Cambridge Companion to Literature and Food (Cambridge: Cambridge University Press, 2020), pp. 15-28</text>
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              <text>The Cambridge Companion to Literature and Food</text>
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              <text>Canterbury Tales--General&#13;
Cook and His Tale&#13;
Squire and His Tale&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
Prioress and Her Tale&#13;
To Rosemounde</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848868">
              <text>SAC 46:194</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848869">
              <text>2020</text>
            </elementText>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval Feasts.</text>
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                <text>Describes the social implications of food and dining practices in late medieval cookbooks, social records, and aesthetic literature, commenting on the culinary concerns associated with the Franklin, Prioress, Squire, and Cook in GP and similar material in CkP, PardT, and Ros, along with other works in Middle English.</text>
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              <text>Hooke, Della.</text>
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              <text>Landscape History 41 (2020): 29-49.</text>
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              <text>Landscape History 41 (2020)</text>
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            <elementText elementTextId="2848858">
              <text>Canterbury Tales--General&#13;
Knight and His Tale</text>
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              <text>SAC 46:193</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848860">
              <text>2020</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Surveys literary representations of sounds in various landscapes found in late medieval literature, including mention of the tournament in KnT and description of the tale-telling, singing, and music-making among the Canterbury pilgrims.</text>
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              <elementText elementTextId="2852103">
                <text>Sound in the Landscape, a Study of the Historical Literature. Part 2: The Medieval Period--the Eleventh to Fifteenth Century (and Beyond).</text>
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              <text>Hindrichsen, Lorenz A.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Sathyaraj Venkatesan, Antara Chatterjee, A. David Lewis, and Brian Callender, eds. Pandemic and Epidemics in Cultural Representation (Singapore: Springer, 2022), pp. 31-48.</text>
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              <text>Ventakesan, Sathyaraj, ed.&#13;
Chatterjee, Anatra, ed.&#13;
Lewis, A. David, ed.&#13;
Callender, Brian, ed. </text>
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          <elementTextContainer>
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              <text>Pandemic and Epidemics in Cultural Representation</text>
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            <elementText elementTextId="2848850">
              <text>Canterbury Tales--General&#13;
Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2848851">
              <text>SAC 46:192</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848852">
              <text>2022</text>
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            <name>Title</name>
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              <elementText elementTextId="2848844">
                <text>Chaucer's "Canterbury Tales" as a Postpandemic Text.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2848845">
                <text>Interprets CT as a "compelling psychogram of a diverse community processing massive demographic shifts in the wake of recurrent epidemic waves." Explores disruptions of social and linguistic categories, PardT as an allegory of plague death, various "satirical plague archetypes" among the pilgrims, and tensions between "egocentric coping mechanisms" and "visions of collaborative inclusivity."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2848838">
              <text>Henley, Georgia.</text>
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          <elementTextContainer>
            <elementText elementTextId="2848839">
              <text>Neophilologus 106 (2022)</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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              <text>SAC 46:191</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848842">
              <text>2022</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2848843">
              <text>Neophilologus 106 (2022): 331-47.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848836">
                <text>Chaucer's Vision of the British Past: Literary Inheritance and Historical Memory in "The Canterbury Tales."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that Chaucer favors the popular idea that Brittonic literature and history are primarily oral. By doing so, Chaucer distances his contemporary England, with its reliance on Latin textual and cultural authority, from the political reality of Welsh colonization and resistance, thus imposing a distance between English national history and the past of the Britons.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2848829">
              <text>Hanning, Robert W.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2848830">
              <text>Oxford: Oxford University Press, 2021.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848831">
              <text>xi, 359 pp.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848832">
              <text>Oxford Studies in Medieval Literature and Culture.</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary &#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale&#13;
Tale of Melibee&#13;
Manciple and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2848834">
              <text>SAC 46:190</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848835">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848827">
                <text>Boccaccio, Chaucer, and Stories for an Uncertain World: Agency in the "Decameron" and the "Canterbury Tales."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848828">
                <text>Close comparative analysis of CT and Boccaccio's "Decameron," arguing that they present "pragmatic prudence" or "expediential calculation" as essential forms of human agency in negotiating limited knowledge, faulty perception, and cultural turmoil. Assesses storytelling as a "constitutive" cultural force in the "Decameron" and as "competitive" social exchange in CT, concentrating on how characters in both collections " 'deal with a chronically uncertain world, and with the formidable forces that create or perpetuate its uncertainty . . . to gain, maintain, or reclaim personal agency'." (original emphasis). Particular attention to KnT, MilPT, RvPT, MLPT, WBPT, ClPT, MerPT, ShT, Mel, and ManT.</text>
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          </element>
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  <item itemId="277059" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848820">
              <text>Federico, Sylvia.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848821">
              <text>Gwilym Dodd, Helen Lacey, and Anthony Musson, eds. People, Power and Identity in the Late Middle Ages: Essays in Memory of W. Mark Ormrod (London: Routledge, 2021), pp. 56-72.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2848822">
              <text>Dodd, Gwilym, ed.&#13;
Lacey, Helen, ed.&#13;
Musson, Anthony, ed.</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2848823">
              <text>People, Power and Identity in the Late Middle Ages: Essays in Memory of W. Mark Ormrod.</text>
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            <elementText elementTextId="2848824">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2848825">
              <text>SAC 46:189</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848826">
              <text>2021</text>
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            <name>Title</name>
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              <elementText elementTextId="2848818">
                <text>On the Road and in the Market: Chaucer's Mapping of 1381.</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851981">
                <text>Offers documentary evidence that roads, markets, and taverns were "conduits for and symbols of" class mobility/motility and rebellious tidings in post-Uprising medieval England, especially in Kent and on the Canterbury road. Against this background, Chaucer's CT "are expressions of individual agency . . . that cumulatively constitute a discourse of insurgency" and engage the "ideological space" of the Uprising of 1381.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848812">
              <text>Di Profio, Luana.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848813">
              <text>Encyclopaideia: Journal of Phenomenology and Education 26 (2022): 1-13.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2848814">
              <text>Encyclopaideia: Journal of Phenomenology and Education 26 (2022)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848815">
              <text>Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848816">
              <text>SAC 46:188</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848817">
              <text>2022</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848810">
                <text>In viaggio, "Drive My Soul": Narrazioni condivise e restituzioni di senso.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851980">
                <text>Explores "the special connection that exists between travel and narration," especially when traveling in a group, assessing international narratives of travel from CT to Haruki Murakami's "Drive My Car." Includes an abstract in English and in Italian.</text>
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            </elementTextContainer>
          </element>
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Facsimiles, Editions, and Translations</text>
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                <text>The Canterbury Tales: Geoffrey Chaucer.</text>
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Squire and His Tale&#13;
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Cory, Clare.&#13;
Harris, Jim.&#13;
Perkins, Nicholas Perkins&#13;
Richer, Charlotte.</text>
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Bibliographies, Reports, and Reference</text>
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                <text>"Chaucer's World" Study Days in Oxford for Post-16 Students: Enhancing Learning and Encouraging Wonder.</text>
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                <text>Collaborative reflection on the presentation and value of a study-days enhancement program called "Chaucer's World," designed both to help UK secondary education students prepare for the A-level English Literature exam and to increase appreciation of Chaucer.</text>
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Prioress and Her Tale&#13;
Pardoner and His Tale</text>
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                <text>Explores the "psychological continuities between the Black Death and COVID-19" in a series of four essays, arranged chronologically, with an introduction, conclusion, and comprehensive index. Chapter 2, titled "The Pardoner, the Prioress, and the Pandemic: Jews and Other Scapegoats in Fourteenth-Century European Culture," identifies "anti-Semitism as a generic feature of plague writing in the late fourteenth century," including but not limited to PardT and PrT, with consistent associations between Jews and heretics, pollution, and filth. Connects Chaucer's works with a range of visual and verbal texts; includes 17 color illustrations.</text>
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              <text>Taggart, Caroline.</text>
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Chaucer's Life</text>
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                <text>The Book Lover's Bucket List: A Tour of Great British Literature.</text>
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                <text>Illustrated tourist information pertaining to British writers and their works, arranged by geographical area, including introductions to sites associated with Chaucer: his tomb in Poets' Corner, his window in Southwark Cathedral, the Tabard Inn, and Canterbury Cathedral.</text>
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