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              <text>Boyd, Ian.</text>
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              <text>Studies in Medievalism 3:3 (1987-91): 243-55.</text>
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              <text>1987</text>
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              <text>Background and General Criticism.</text>
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              <text>Studies in Medievalism 03 (1987-91)</text>
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              <text>mea</text>
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                <text>Chesterton's Medievalism</text>
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                <text>Several references to Chesterton's "Chaucer" but no direct references to Chaucer or his poetry.</text>
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              <text>Bartel, Neva A.</text>
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              <text>Ball State Teachers College Forum 6.3 (1965): 45-50.</text>
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              <text>Ball State Teachers College Forum 06 (1965)&#13;
Ball State University Forum 06 (1965)</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; 8/7/2023</text>
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              <text>1965</text>
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                <text>Child  of Night.</text>
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                <text>Comments on amplification as a factor in the "powerful dramatic force" of TC and explores, book by book, the poem's themes of "sight and blindness, the words 'bind' and 'bridle'," references to "sea and ships as opposed to references to fishing," and "references to the bells," disclosing "how Criseyde represents . . . carnal appetites and Troilus, spiritual appetites."</text>
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              <text>Baron, F. Xavier.</text>
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              <text>Journal of Psychohistory 7.1 (1979): 77-103.</text>
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              <text>vxl sac 33:95</text>
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                <text>Children and Violence in Chaucer's 'Canterbury Tales'</text>
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                <text>Because Chaucer's "children's tales" deal with "extreme violence which the children suffer as innocent victims," these narratives "tend toward despair." Yet, they provoke compassion and thereby suggest that compassion is the proper response to innocent suffering. Baron discusses MLT, PrT, ClT, PhyT, Mel, and the Hugolino story in MkT.</text>
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              <text>Brewer, Derek</text>
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              <text>Review of English Literature 5.3 (1964): 52-60.</text>
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              <text>Review of English Literature 05 (1964)</text>
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              <text>Man of Law and His Tale&#13;
Monk and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale&#13;
Prioress and Her Tale.</text>
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                <text>Children in Chaucer.</text>
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                <text>Argues that children in Chaucer's works are generally depicted with "tender pity," discussing narratives in which children have relatively prominent roles:  MLT, MkT, ClT, PhyT, and PrT.</text>
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              <text>Kline, Daniel T.</text>
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              <text>In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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              <text>The Open Access Companion to the Canterbury Tales.</text>
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Canterbury Tales--General</text>
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                <text>Children, Violence, and Ethics in the "Physician's Tale."</text>
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                <text>Posits a "Children's Cluster" of tales in CT (including all of fragments 6 and 7) wherein a "child has a central place" in each tale. Then argues that Virginia's voice and the tensions and "digressions" in PhyT encourage an ethical interpretation of her death as a murder, not a sacrifice. Designed for pedagogical use, includes several questions for discussion.</text>
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              <text>Lerer,Seth.</text>
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              <text>Chicago: University of Chicago Press, 2008.</text>
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              <text>ix, 385 pp. 23 b&amp;w  illus.</text>
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              <text>Treatise on the Astrolabe</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>vxl SAC 32:284.</text>
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                <text>Children's Literature: A Reader's History, from Aesop to Harry Potter</text>
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                <text>Studies the currents and cross-currents of pedagogy, moral didacticism, and entertainment in children's literature, exploring how trends in reading and interpretation recur as the subject matter of the stories and help to define their historical legacy. Focuses on literature written in English but explores international influences and premodern legacies in the classics, medieval traditions, travelogues, religious writing,f airy stories, illustration and printing history, literary prizes, canon formation, style, and more. Comments on Astr, NPT, and ClT.</text>
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Book of the Duchess&#13;
Legend of Good Women&#13;
Wife of Bath and Her Tale</text>
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                <text>Chivalric Men and Good(?) Women: Chaucer, Gender, and John Bossewell's "Workes of Armorie."</text>
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              <text>Kobayashi, Yoshiko.</text>
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              <text>PoeticaT 55 : 83-104, 2001.</text>
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              <text>Monk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl saxc 26:257</text>
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                <text>Chivalry and History in the 'Monk's Tale'</text>
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                <text>Examines the depictions of Alexander, Caesar, and Peter of Cyprus in MkT in relation to their sources, arguing that the Monk attempts to impose inappropriate chivalric values on historical events; the Knight's interruption underscores the Monk's inadequate grasp of history.</text>
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              <text>Woods, William F.</text>
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              <text>Philological Quarterly 66 (1987): 287-301.</text>
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            <elementText elementTextId="2710158">
              <text>1987</text>
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              <text>Knight and His Tale.</text>
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              <text>jules SAC 11 (159)</text>
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                <text>Chivalry and Nature in 'The Knight's Tale'</text>
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                <text>The central tension in KnT involves the relationship between love and arms.  The dialectic pits Theseus against Saturn; on all levels, the story moves from division to harmony, strife to union, and war to marriage through a series of compromises between individuals and fate determined by gods and nature.  Theseus attempts to resolve difficulties and quarrels, without exemplary success; all characters are caught up in the cycle of nature, which chivalry can try to organize but ultimately cannot control.</text>
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  <item itemId="266976" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2750125">
              <text>Guthrie, Steven R.</text>
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        <element elementId="98">
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            <elementText elementTextId="2750126">
              <text>Chaucer Review 34: 150-73,   1999.</text>
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        <element elementId="114">
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            <elementText elementTextId="2750127">
              <text>1999</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2750131">
              <text>Chaucer Review 34 (1999)</text>
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        </element>
        <element elementId="109">
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              <text>jules SAC 23 (254)</text>
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                <text>Chivalry and Privacy in Troilus and Criseyde and La Chastelaine de Vergy</text>
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            <description>An account of the resource</description>
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                <text>The key to the character of Pandarus lies in French domestic romances, especially their concern with privacy. Both TC and "La Chastelaine" portray lovers as vulnerable human beings who have the right to freedom from invasive forces. Pandarus's intrusion into the lovers' circle propels the poem into the "unfamiliar ethical territory of individual rights."</text>
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              <text>Crane, Susan.</text>
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              <text>postmedieval 2 (2011): 69-87.</text>
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              <text>postmedieval 02 (2011)</text>
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              <text>Squire and His Tale</text>
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                <text>Chivalry and the Pre/Postmodern.</text>
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            <description>An account of the resource</description>
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                <text>Explores the medieval concept of "mounted knighthood" in "conception and practice," considering how it resonates with "postmodern models of the cyborg, distributed consciousness and the inherently prosthetic self." Assesses "chivalry's intersections with technologies and creatures," and includes discussion of the steed of brass in SqT as a "limit case for the relevance of living horses to knighthood," technologized but still glimmering with life.</text>
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              <description>A name given to the resource</description>
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              <text>Peck, Russell A.</text>
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          <name>Published</name>
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              <text>In Craig M. Nakashian and Daniel P. Franke, eds. Prowess, Piety, and Public Order in Medieval Society: Studies in Honor of Richard W. Kaeuper (Boston, Mass.: Brill, 2017), pp. 344-67.</text>
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              <text>Nakashian, Craig M., ed.&#13;
Frankem Daniel P., ed.</text>
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              <text>Prowess, Piety, and Public Order in Medieval Society: Studies in Honor of Richard W. Kaeuper.</text>
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              <text>Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Parson and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:116</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832726">
                <text>Chivalry and the Wise Watchman: A Study of Patience, Penance, and the Homeward Journey in Chaucer's "Canterbury Tales" and "Troilus and Criseyde." </text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832727">
                <text>Analyzes imagery of worthiness in TC and CT, compared with John Gower's "Mirour de l'omme," "Piers Plowman," and Geffroi de Charny's "Book of Chivalry." Focuses on patience, penance, pilgrimage, and the "timing for one's acts," exploring uses of Dante's "Paradiso" in TC, and analyzing Harry Bailly as time-keeper in CT (especially MLP), a role in which the Parson eventually replaces him (in ParsP), signaled by references to the biblically auspicious tenth hour. Rejects editorial emendation of "Ten" to "Foure" at ParsP 10.5.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2740229">
              <text>Wetherbee, Winthrop.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2740230">
              <text>Ivy A. Corfis and Michael Wolfe, eds.  The Medieval City under Siege (Woodbridge, Suffolk: Boydell Press, 1995), pp. 207-23.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2740231">
              <text>1995</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740232">
              <text>The Medieval City under Siege.</text>
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          <elementTextContainer>
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              <text>Corfis, Ivy A.,</text>
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              <text>Wolfe, Michael,ed.</text>
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            <elementText elementTextId="2740235">
              <text>ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2740238">
              <text>Troilus and Criseyde.</text>
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                <text>Chivalry under Siege in Ricardian Romance</text>
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                <text>Surveys how chivalry is promoted or assumed in various medieval romances and argues that it is critiqued in TC, KnT, and "Sir Gawain and the Green Knight."</text>
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                <text>  TC shows the "chivalric ideal suspended in a state of blind and seemingly helpless complicity in its own betrayal"; in KnT, the temple of Mars reveals the realities of late-medieval warfare to be in tension with courtly ideals.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>218 pp.</text>
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                <text>Chivalry, Knighthood, and War in the Middle Ages</text>
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                <text>Eleven papers by various authors on the literature and history of knighthood, with topics ranging from ascetic knighthood to knighthood as a trope. For two essays that pertain to Chaucer, search for Chivalry, Knighthood, and War in the Middle Ages under Alternative Title.</text>
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              <text>Kobayashi, Yoshiko.</text>
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        <element elementId="98">
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 24 (382)</text>
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                <text>Chivalry, Power, and Justice in Three Medieval Romances</text>
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                <text>Like Gower in "Confessio Amantis," Chaucer in TC adapts two strategies from Benot de Sainte-Maure's "Roman de Troie" to criticize chivalry: indicating how chivalry oppresses women and revealing the incompatibility of knightly conduct and good government.</text>
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              <text>Pickering, James D.</text>
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              <text>Fifteenth-Century Studies 14 (1988): 151-59.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Fifteenth-Century Studies 14 (1988)</text>
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              <text>jules SAC 12 (245)</text>
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                <text>Choice and Circumstance in Chaucer and Malory</text>
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                <text>Examines Malory's "Le Morte d'Arthur" and Chaucer's TC as "paradigms for the discovery of tragedy in the Middle Ages."</text>
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              <text>Nakao, Yoshiyuki, Akiyuki Jimura, and Noriyuki Kawano.</text>
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              <text>Hiroshima Studies in English Language and Literature 59 (2015): 1–34.</text>
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              <text>Jimura, Aliyuki&#13;
Kawano, Noriyuki.</text>
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              <text>Hiroshima Studies in English Language and Literature 59 (2015)</text>
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              <text>Language and Word Studies&#13;
Manuscripts and Textual Criticism&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 39:85&#13;
mea; 2/23/2018</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2817318">
                <text>Compares frequencies of different negative forms as well as syntactic, lexical, and semantic negative patterns in the Hengwrt and Ellesmere manuscripts and two critical editions by Blake and Benson, respectively. Tabulates the result as statistical data and discusses the tendency and factor in the choice of negative forms or patterns.</text>
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          <element elementId="50">
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                <text>Choice and Psychology of Negation in Chaucer's Language: Syntactic, Lexical, Semantic Negative Choice with Evidence from the Hengwrt and Ellesmere MSS and the Two Editions of the "Canterbury Tales."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Miller, Timothy S.</text>
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        <element elementId="98">
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 42--53.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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            <elementText elementTextId="2853162">
              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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            <elementText elementTextId="2853164">
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              <elementText elementTextId="2853157">
                <text>Choice of Chaucers: Teaching Kate Heartfield's Interactive Novel "The Road to Canterbury."</text>
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              <elementText elementTextId="2853158">
                <text>Explores the pedagogical possibilities of using Kate Heartfield's "The Road to Canterbury" (2018)--a "contemporary gamified adaptation" of Chaucer's life, world, and CT. Comments generally on using "interactive fiction" in the classroom, describes Heartfield's work, and offers suggestions for classroom use, based on personal experience.</text>
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  <item itemId="273043" public="1" featured="0">
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              <text>Cooper Helen.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Guillemette Bolens and Lukas Erne, eds. Medieval and Early Modern Authorship (Tübingen: Narr Verlag, 2011), pp. 29-50.</text>
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              <text>Medieval and Early Modern Authorship.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>mea; 2/17/2017 SAC 38:40</text>
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              <elementText elementTextId="2813264">
                <text>Choosing Poetic Fathers: The English Problem</text>
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              <elementText elementTextId="2813269">
                <text>Addresses the "literal paternity" of Chaucer as the "father of English poetry" for fifteenth- and sixteenth-century writers, including Shakespeare and Jonson. Discusses how Chaucer established himself as a "poet within the classical poetic line."  Also, emphasizes how James Joyce's "Ulysses" deftly combines classical and medieval traditions, thereby connecting with Chaucer's "literary genes."</text>
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                <text>Presents examples from the "classical genres of chorography and topography" in analysis of ClT. Argues that Chaucer's "untypical use of chorography . . . draws attention to Italy's international trade routes" and reinforces the economic transactional state of Walter and Griselda's marriage.</text>
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              <text>[Kumamoto Studies in English Language and Literature] 45 (2002)</text>
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                <text>Chōsā no futeishi tōgohō: Shoki 3 sakuhin o taishōni</text>
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                <text>Item not located; reported in MLA International Bibliography, which indicates that the essay pertains to syntactical uses of the infinitive in BD, PF, and HF; also indicates that the essay is in Japanese, with an English summary.</text>
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