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                  <text>Chaucer Bibliography Online</text>
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              <text>Evans, Ruth.</text>
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              <text>Helen M. Hickey, Anne McKendry, and Melissa Raine, eds. Contemporary Chaucer across the Centuries (Manchester: Manchester University Press, 2018), pp. 56-73.</text>
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              <text>Contemporary Chaucer across the Centuries.</text>
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              <text>Style and Versification</text>
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              <text>SAC 43:77</text>
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              <text>2018</text>
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                <text>Chaucerian Rhyme-Breaking.</text>
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                <text>Laments critical inattention to the prevalence of rhyme-breaking in Chaucer's poetry, and explores precedents in continental medieval verse and its critical traditions. Clarifies the term, and gauges the effects and functions of the device in a variety of examples from Chaucer's works where it most often emphasizes ironies, affects pace, and increases "dynamism."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ganim, John M.</text>
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              <text>Chaucer Yearbook 1 (1992): 65-86.</text>
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          <name>Date</name>
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              <text>1992</text>
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              <text>Knight and His Tale.</text>
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              <text>Legend of Good Women.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2697339">
              <text>Chaucer Yearbook 01 (1992).</text>
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        <element elementId="109">
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              <text>mea</text>
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                <text>Chaucerian Ritual and Patriarchal Romance</text>
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            <description>An account of the resource</description>
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                <text>Challenges the claim that Chaucer is sympathetic to women, demonstrating that he silences Emelye's literary past in KnT and seeks to contain feminine gender through adjustments of Boccaccio's Teseida; the tension between order and chaos in KnT reflects the problems of such an attempt.  Ganim also assesses the God of Love in LGW as an unsympathetic feminized male.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fyler, John M.</text>
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              <text>Donald Maddox and Sara Sturm-Maddox, eds. Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society (Cambridge: D. S. Brewer, 1994), pp. 257-63.</text>
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              <text>1994</text>
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              <text>Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society.</text>
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              <text>Squire and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>jules SAC 18 (1996) 210</text>
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                <text>Chaucerian Romance and the World Beyond Europe</text>
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            <description>An account of the resource</description>
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                <text>MLT and PrT "recoil from the otherness of Islam and of medieval Jewry," but SqT treats the Mongols with "toleration and an engaged sympathy."  The xenophobia of the first two "Tales" indicates that they should be read ironically; SqT is Chaucer's metaphor for the "difficulty of bridging gaps."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2799701">
              <text>Jordan, Robert M.</text>
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              <text>Yale French Studies 51 (1974): 223-34.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1974</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Knight and His Tale</text>
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              <text>Tale of Sir Thopas</text>
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              <text>Style and Versification</text>
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              <text>Yale French Studies 51 (1974)</text>
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        <element elementId="109">
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              <text>mea; 11/19/2014 No SAC</text>
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            <name>Title</name>
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                <text>Chaucerian Romance?</text>
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                <text>Assesses structural and stylistic features (rather than the subject matter) of medieval narratives classed as romance, analyzing the "compositional structure" of WBT, particularly its "inorganic" and "additive" incorporation of digressive materials. Also comments on TC, KnT, SqT, FranT, Thop, and works by Chretién de Troyes.</text>
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  <item itemId="272790" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Watts, Ann Chalmers.</text>
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        <element elementId="98">
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            <elementText elementTextId="2810581">
              <text>Chaucer Review 4.4 (1970): 229-41.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1970</text>
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              <text>House of Fame</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2810586">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2810587">
              <text>Parliament of Fowls</text>
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              <text>Legend of Good Women</text>
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              <text>Canterbury Tales--General</text>
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              <text>Chaucer Review 04 (1970)</text>
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        <element elementId="109">
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              <text>mea; 08/05/2016 No SAC</text>
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            <name>Title</name>
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                <text>Chaucerian Selves---Especially Two Serious Ones</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810583">
                <text>Posits that the "distance" between Chaucer and his various speaking personae is difficult to define because it "fluctuates" within individual poems and because a reader's sense of a given narrator is modified by the "fantastic" setting of the poem and its believability. Assesses this dynamic in BD, PF, LGWP, CT, and, especially, HF, TC, and their endings.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gaylord, Alan T.</text>
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            <elementText elementTextId="2771077">
              <text>T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 167-80.</text>
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        <element elementId="114">
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            <elementText elementTextId="2771078">
              <text>2005</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2771079">
              <text>Seyd in Forme and Reverence: Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Style and Versification.</text>
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        <element elementId="109">
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              <text>vxl sac 29:259</text>
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              <elementText elementTextId="2771075">
                <text>Chaucerian Sentences: Revisiting a Crucial Passage from the Nun's Priest's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2771080">
                <text>A close reading of NPT 7.4347-61 (Chauntecleer on women as men's confusion), seeking to clarify subtleties via "prosodic criticism," i.e., reading the lines as a spoken performance.</text>
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              <text>Donaldson, E. Talbot, and Judith J. Kollmann,eds.</text>
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              <text>Ann Arbor: Michigan Consortium for Medieval and Early Modern Studies, 1983.</text>
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              <text>Kollmann, Judith J.,ed.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Medieval and Renaissance Monograph Series, vol. 02.</text>
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              <text>jules SAC 07 (36)</text>
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                <text>An introduction by Donaldson and essays by eight authors explore Shakespeare's use of Chaucer and the ways both treat similar themes.  Contains a bibliography. For the eight essays that pertain to Chaucer, search for Chaucerian Shakespeare under Alternative Title.</text>
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          <elementTextContainer>
            <elementText elementTextId="2761821">
              <text>Moisan, Thomas E.</text>
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          <elementTextContainer>
            <elementText elementTextId="2761822">
              <text>Upstart Crow 7 : 36-49, 1987.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761823">
              <text>1987</text>
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            <elementText elementTextId="2761825">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2761826">
              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Upstart Crow 07 (1987)</text>
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              <text>vxl sac 26:189</text>
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                <text>Chaucerian Solempnytee and the Illusion of Order in Shakespeare's Athena and Verona</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2761824">
                <text>Rhetorically and thematically, the association of Theseus with solempnytee in KnT strains against the chaotic forces at work in the world of the Tale. Shakespeare opens the gap between Theseus's solemnity and comedy in A Midsummer Night's Dream for subversive effect; in Romeo and Juliet, solemnity becomes ironic.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2779888">
              <text>Woods, William F.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2779889">
              <text>Albany: State University of New York Press, 2008.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779890">
              <text>2008</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779891">
              <text>xi, 203 pp.</text>
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            <elementText elementTextId="2779893">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2779894">
              <text>Miller and His Tale</text>
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            <elementText elementTextId="2779895">
              <text>Reeve and His Tale</text>
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            <elementText elementTextId="2779896">
              <text>Cook and His Tale</text>
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            <elementText elementTextId="2779897">
              <text>Man of Law and His Tale</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Shipman and His Tale</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2779900">
              <text>SUNY Series in Medieval Studies.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833647">
              <text>vxl SAC 32:160.</text>
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            <elementTextContainer>
              <elementText elementTextId="2779887">
                <text>Chaucerian Spaces: Spatial Poetics in Chaucer's Opening Tales</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2779892">
                <text>Woods discusses the effect and significance of space and place in seven tales of CT, exploring place as an index of character and space as a site of characteristic potential. In KnT, Theseus and the narrator consider chivalry analogous to nature; in MilT, Alysoun's household is a world for men. Symkyn's house in RvT is a place of advancement, in contrast to the countryside; in CkT, London is part of the interior world of the characters. Custance's return to Rome in MLT coincides with a collapse of narrative space. The Wife Bath projects her desires onto the landscape, but she also internalizes the world to accommodate her needs. In ShT, the wife makes her bedroom her own mercantile space, a parallel to the merchant's counting room.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738508">
              <text>Ridley, Florence H.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738509">
              <text>Bernardo Santano Moreno, Adrian R. Birtwhistle, and Luis G. Girón Echevarria, eds.  Papers from the VIIth International Conferenceo of SELIM (Caceres: Universidad de Extremadura, 1995), pp. 239-56.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738510">
              <text>1995</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738511">
              <text>Papers from the VIIth International Conference of SELIM.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738514">
              <text>Canterbury Tales--General.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738515">
              <text>jules SAC 19 (1997) - 152</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2738507">
                <text>Chaucerian Strategies: Effects and Causes</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738512">
                <text>Assesses Chaucer's methods of drawing audiences into a mutually creative process by confronting them with questions.</text>
              </elementText>
              <elementText elementTextId="2738513">
                <text>By repetition, Chaucer ensures that responses to such questions lead ultimately to comprehension of the overall moral message of CT.</text>
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  <item itemId="270276" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784199">
              <text>Kratzmann, G. C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784200">
              <text>Scottish Literary Journal 5.1 (1978): 17-22.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784201">
              <text>1978</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784203">
              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2784204">
              <text>Scottish Literary Journal 05 (1978)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784205">
              <text>mea 12/11/2012 No SAC</text>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2784198">
                <text>Chaucerian Style in 'The Unicorn's Tale'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784202">
                <text>Assesses  Chaucer's influence on "The Unicorn's Tale," found in the early-sixteenth-century Asloan MS and adapted from Nigel of Longchamp's "Speculum Stultorum" which Chaucer alludes to in NPT 7.3312-16. Focuses on verbal echoes from Chaucer's NPT and GP, on Chaucerian meter and setting, and a "distinctly Chaucerian style of irony" found in "The Unicorn's Tale."</text>
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  <item itemId="265613" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735869">
              <text>Shynne, Gwanghyun.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735870">
              <text>Dissertation Abstracts International 54 (1994): 3046A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735871">
              <text>1994</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735873">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735874">
              <text>Dissertation Abstracts International 54 (1994)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735875">
              <text>jules SAC 18 (1996) - 144</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735868">
                <text>Chaucerian Textuality: The Politics of Allegory in' The Canterbury Tales'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2735872">
                <text>Examines CT in light of medieval discourses on allegory and of modern theories (exegetical, deconstructive, Bakhtinian), considering framework, prologues, and tales, especially WBT,PardT, and CYT.  Also discussed are ParsT, Ret, Th, MkT, FrT, SumT, ManT, and ShT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2702705">
              <text>Ganim, John M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702706">
              <text>Princeton, N.J.: Princeton University Press, 1990.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702707">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702708">
              <text>x, 163 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702712">
              <text>Canterbury Tales--General.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702713">
              <text>jules SAC 14 (138)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702704">
                <text>Chaucerian Theatricality</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702709">
                <text>Beginning with Kittredge's argument that the thematic and structural unity of CT lies in the pilgrims and their dramatic interchange, and moving to the counterarguments of Muscatine (1957), Robertson (1962), Jordan (1967), Pearsall (1985), and Benson (1986)--which attempt "to drive a stake into the heart of the "dramatic" reading of the "Canterbury Tales"--Ganim proposes replacing the metaphor of "drama" with that of "theatricality."</text>
              </elementText>
              <elementText elementTextId="2702710">
                <text>His intention is to orient contemporary critical positions "toward some long-neglected materials such as urban and court spectacle and certain forms of late medieval performance."  The "theatricality" metaphor locates a governing sense of performance in CT, and an interplay among Chaucer's voice, his fictional characters, and his immediate audience.</text>
              </elementText>
              <elementText elementTextId="2702711">
                <text>It becomes a paradigm for the Chaucerian poetic and defines "Chaucer's own manipulations of the forms of popular culture and the varying discourses of inherited high literary forms."  The "theatricality is then primarily stylistic rather than sociological, but that style is immersed in social and political contexts ranging from popular theatrics to court ceremony."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785494">
              <text>Mann, Jill.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785495">
              <text>Boris Ford, ed. The New Pelican Guide to English Literature, Volume 1, Part 1: Medieval Literature: Chaucer and the Alliterative Tradition (New York and Harmondsworth, Middlesex: Penguin, 1982), pp. 133-53.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785496">
              <text>1982</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785497">
              <text>Medieval Literature: Chaucer and the Alliterative Tradition.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2785499">
              <text>Franklin and His Tale</text>
            </elementText>
            <elementText elementTextId="2785500">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2785501">
              <text>Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2785502">
              <text>mea 1/31/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2785493">
                <text>Chaucerian Themes and Style in the 'Franklin's Tale'</text>
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          </element>
          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2785498">
                <text>Reads FranT as an epitome of the CT to the extent that both are concerned with the "ideal of patience and the problems of time and change," emphasizing the universality of these concerns and their appearances throughout the CT.  As in Marie de France's "Guigemar," it is "surrender" that "leads to the release of power" in FranT, a particular manifestation of Chaucer's general concern with fate and "aventure" of life.</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2847935">
              <text>Li, Chi-fang Sophia.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2847936">
              <text>Comparative Drama 55 (2021): 355-79.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2847937">
              <text>Comparative Drama 55 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847938">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2847939">
              <text>SAC 46:82</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847940">
              <text>2021</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2847933">
                <text>Chaucerian Topoi and Topography in Thomas Dekker's (and John Webster's) "Westward Ho" (1605) and "Northward Ho" (1607).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851967">
                <text>Demonstrates that Chaucerian estates satire in CT influenced the development of dramatic "city comedy" at the turn of the seventeenth century. Shows that in his "Ho" plays Dekker adapts Chaucer's London topographies, characterizations, themes, and motifs of game and play to develop "neo-Chaucerian topoi and topography . . . in which everyone is a 'homo viator' and 'homo ludens'." Links these concerns with John Norden's 1593 map of London.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746201">
              <text>Kelly, Henry Ansgar.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746202">
              <text>Cambridge: D. S. Brewer, 1997.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746203">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746204">
              <text>xi, 297 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746207">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2746208">
              <text>Monk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746209">
              <text>jules SAC 21 - 297</text>
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          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746200">
                <text>Chaucerian Tragedy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746205">
                <text>Chaucer was the first to consider Boccaccio's stories tragedies.  But unlike Boccaccio, who served a cautionary moralism and wished to stress retributive justice, Chaucer aimed primarily at sympathy and empathy, developing a generic theory that included all kinds of falls and misfortunes and that set him apart from writers who simply wrote ably on the theme of mutability or who had a keen sense of "lacrimae rerum."</text>
              </elementText>
              <elementText elementTextId="2746206">
                <text>With TC, Chaucer introduced the word "tragedy" into English, established its meaning for later generations, and wrote the first tragedy with any claims to greatness since the Greek tragedies.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="275336" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834723">
              <text>Mahoney, John F.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834724">
              <text>Annuale Mediaevale 3 (1962): 81-99. </text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2834725">
              <text>Annuale Mediaevale 03 (1962)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834726">
              <text>Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Monk and His Tale&#13;
Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2834727">
              <text>mea; 5/10/2021</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2834728">
              <text>1962</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834721">
                <text>Chaucerian Tragedy and the Christian Tradition.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2834722">
                <text>Revisits the concept of "Chaucerian tragedy," considering KnT, MLT, and NPPT, as well as TC and MkT, and explores the faults or faultlessness of Fortune's victims in these works, the moral sophistication of the narrators of the tales, classical notions of Fate and error, and Christian notions of Providence and Original Sin. Argues that Chaucer's views are fundamentally consistent with Boethian, Augustinian notions of "Christian tragedy" which involves the "fortunate fall" and Providential joy after sorrow, linking both with the liturgical "Exultet," i.e., "the deacon's chant in the Easter Vigil."</text>
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  <item itemId="270073" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2782058">
              <text>Butterfield, Ardis.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2782059">
              <text>Studies in the Age of Chaucer 31 (2009): 25-51.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782060">
              <text>2009</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782061">
              <text>Biennial Chaucer Lecture, The New Chaucer Society, Sixteenth International Congress, 17-22 July 2008, Swansea University.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782063">
              <text>Language and Word Studies</text>
            </elementText>
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              <text>Boece</text>
            </elementText>
            <elementText elementTextId="2782065">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2782066">
              <text>Manciple and His Tale</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2782067">
              <text>Studies in the Age of Chaucer 31 (2009).</text>
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            <elementText elementTextId="2782068">
              <text>vxl sac 33:50</text>
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            <name>Title</name>
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                <text>Chaucerian Vernaculars</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2782062">
                <text>Considers the relations among French, Anglo-French, and English in the linguistic and cultural conditions of Chaucer's time. Calls for a new sensitivity to translation as process, proposes more subtle awareness of interdependent etymologies (e.g., "frank" and "fraunchise"), and encourages a more sensitive array of source studies. Butterfield explores uses of "forein" in Bo; the diplomatic and poetic functions of envoy in Chaucer's five Boethian ballades; Criseyde's second letter in TC as diplomatic exchange; and ManT as a "quasi-envoy."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Haskell, Ann (S.)</text>
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              <text>Juliette Dor, ed.  A Wyf Ther Was: Essays in Honour of Paule Mertens-Fonck (Liege: University of Liege, 1992), pp. 193-98.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696764">
              <text>1992</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
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              <text>Wyf Ther Was.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696767">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2696768">
              <text>Book of the Duchess.</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chaucerian Women, Ideal Gardens, and the Wild Woods</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2696766">
                <text>The walled-garden images in KnT, MerT, the GP sketch of the Prioress, WBT, FrT, and BD illustrate that walls not only provide safety but also exclude women from the knowledge needed to progress from virginity to motherhood and to "wise womanhood."  The Wife of Bath provides experiential knowledge to pilgrims venturing beyond the walled-in "garden" of London.</text>
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            </elementTextContainer>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730603">
              <text>Besserman, Lawrence L.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Chaucer Review 12 (1977): 68-73.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730605">
              <text>1977</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Prioress and her Tale.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730609">
              <text>Chaucer Review 12 (1977)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 02 (200)</text>
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                <text>Chaucerian Wordplay: The Nun's Priest and His 'Womman Divyne'</text>
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                <text>Chaucer uses wordplay as a device for establishing the Nun's Priest's resentment of his subordination to the Prioress.  The Priest disassociates himself from the anti-feminist sentiment of the tale with his final claim "I kan noon harm of no womman divyne."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797303">
              <text>Lewis, Sean Gordon.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797304">
              <text>DAI A72.08 (2012): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797305">
              <text>2012</text>
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          </elementTextContainer>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797307">
              <text>Facsimiles, Editions, and Translations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797308">
              <text>Dissertation Abstracts International 72 (2012).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797309">
              <text>mea sac 35:81.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797302">
                <text>Chaucerian Works in the English Renaissance: Editions and Imitations</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797306">
                <text>Examines the early editions of Chaucer (Caxton-Speght), and argues that editorial direction may have led to an emphasis on Chaucer's moral "gravitas," at the expense of attention to his comedic aspects. The reception of those texts, in turn, may have led to his imitators (e.g., Spenser) overbalancing on the side of sententiousness.</text>
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  <item itemId="274555" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827090">
              <text>Sargeson, Frank.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827091">
              <text>In Collected Stories (Auckland, N.Z.: Blackwood and Janet Paul, 1964; London: MacGibbon and Kee, 1965), pp. 12-13.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827092">
              <text>Collected Stories.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827093">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827094">
              <text>mea; 12/13/2019</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827095">
              <text>1964</text>
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          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827088">
                <text>Chaucerian.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2827089">
                <text>Brief short story in which the narrator's desire to hear an authentic story--"to get to the Canterbury Tales outside the covers of a book"--leads to a change in his life.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="275592" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <elementTextContainer>
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              <text>Gust, Geoffrey W.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Cham: Palgrave Macmillan, 2018.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836831">
              <text>xii, 232 pp.</text>
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          </elementTextContainer>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2836832">
              <text>The New Middle Ages</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Background and General Criticism&#13;
Language and Word Studies&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Merchant and His Tale&#13;
Shipman and Hus Tale&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836835">
              <text>2018</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851836">
                <text>Assesses Chaucer's "enticing eroticism and provocative perversity" as "clear and vital signs of premodern pornography." Historicizes terms such as "obscene," "pornographic," and "erotic," and proposes "Chauceroticism" to describe the various ways the poet uses innuendo and detail to provoke, reveal, and conceal erotic action and pleasure in those of his works "where the act of coitus is presented in some detail." MilT combines pornography with humor; RvT with brutality; MerT with anti-chivalric sentiment; ShT with prostitution; and TC with "amorous 'jouissance'."</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851837">
                <text>Chaucerotics: Uncloaking the Language of Sex in "The Canterbury Tales" and "Troilus and Criseyde."</text>
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              <name>Title</name>
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              <text>Štrmelj, Lidija.</text>
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        <element elementId="98">
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              <text>Časopis za Književnost, Kulturu i Književno Prevođenje 12 (2021)&#13;
A Journal of Literature, Culture and Literary Translation 12 (2021)</text>
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Miller and His Tale&#13;
Language and Word Studies</text>
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                <text>Compares conceptual metaphors in MilT and in its Croatian translation by Luko Paljetak (1986) in order to determine which metaphors are "conventional in both languages and cultures." In Croatian, with an English abstract.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chaucerove metafore u prijevodu Luke Paljetka: Kognitivna studija.&#13;
[Chaucer's Metaphors in Luko Paljetak's Translation: A Cognitive Study].</text>
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              <text>Thomas, Alfred.</text>
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          <name>Published</name>
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              <text>Bohemica Litteraria 19.1 (2016): 7-8.</text>
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              <text>Bohemica Ltteraria 19 (2016)</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:155</text>
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        <element elementId="114">
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            <elementText elementTextId="2828670">
              <text>2016</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2829968">
                <text>Chaucerovy Cechy. [Chaucer's Bohemia.].</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2830660">
                <text>Describes the erudition of Anne of Bohemia, reads CT "alongside contemporaneous works in Czech, German, and Latin" (languages familiar to Anne), and maintains that Anne was Chaucer's "imagined reader" who "shaped the way he wrote and what he chose to write." In Czech, with an abstract in English.</text>
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