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                  <text>Chaucer Bibliography Online</text>
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              <text>Chance, Jane.</text>
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              <text>Papers on Language and Literature 21 (1985): 115-28.</text>
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              <text>1985</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>Adam Scriveyn</text>
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              <text>Envoy to Scogan</text>
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              <text>Envoy to Bukton</text>
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              <text>Papers on Language and Literature 21 (1985)</text>
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              <text>jules SAC 09 (266)</text>
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                <text>Chaucerian Irony in the Verse Epistles 'Words unto Adam,' 'Lenvoy a Scogan,' and 'Lenvoy a Bukton'</text>
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                <text>These highly unconventional epistolary poems lack well-defined literary antecedents and clearcut sources, instead reflecting the poet's own experiences and opinions on his craft and love and marriage.  As universal ironic statements by a naive narrator, Adam is a humorous account of Original Sin and Redemption; Scog is an allegory of ways to conquer mutabliity and spiritual death; Buk, though seeming to condemn marriage, approves that bondage in "obedience to the New Law" of Christ's love.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schoeck, R[ichard] J.</text>
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              <text>Florilegium 11(1992): 124-40.</text>
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              <text>1992</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Florilegium 11 (1992)</text>
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              <text>jules SAC 18 (1996) - 283</text>
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                <text>Chaucerian Irony Revisited: A Rhetorical Perspective</text>
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                <text>In TC, ironic effects are achieved through a rich exploration of a variety of rhetorical devices that create a complicated interplay between speaker, subject, and audience.</text>
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              <text>Yildiz, Nazan.</text>
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              <text>Seyda Sivrioglu, and others, eds. Bati Edebiyatinda Mizah / Humor in Western Literature / L'humour Dans la Literature Occidentale / Humor in Der Westlichen Literatur (Istanbul: Kriter, 2016), pp. 345-56.</text>
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              <text>Sivrioglu, Seyda, ed.</text>
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              <text>Bati Edebiyatinda Mizah / Humor in Western Literature / L'humour Dans la Literature Occidentale / Humor in Der Westlichen </text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 6/13/2025</text>
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              <text>2016</text>
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                <text>Chaucerian Laughter in a "Litel" Tragedy: Humour in "Troilus and Criseyde."</text>
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                <text>Argues that through "exaggeration of romance and courtly love elements" in TC and the "heavenly laughter" of Troilus at the poem's end, Chaucer "turns the tragic story of Troilus and Criseyde first into a comedy then into a divine comedy."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Workman, Jameson S.</text>
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        <element elementId="98">
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              <text>D.Phil. Dissertation. Oxford University, 2011. Fully accessible via http://ora.ox.ac.uk/objects/uuid:8cf424fd-124c-4cb0-9143-e436c5e3c2da (accessed April 4, 2026).</text>
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              <text>Background and General Criticism&#13;
Pardoner and His Tale&#13;
Miller and His Tale&#13;
Manciple and His Tale&#13;
Nun's Priest and His Tale&#13;
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              <text>mea; 4/4/2026</text>
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              <text>2011</text>
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                <text>Chaucerian Metapoetics and the Philosophy of Poetry.</text>
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                <text>Chaucer in the Platonic tradition of "philosophical poetry" where "poetry is a self-reflexive epistemological practice that interrogates the conditions of art in general." Includes chapters on the Pardoner's Old Man as a neo-Platonic Tithonus figure; "the machinery of atheism" in MilT as "sufficient grounds for the transformation of a fallen and contingent world into the only world whatsoever"; the humanization of Phoebus in ManT and its unification of "art and history into a single monistic experience"; and NPT as "ars poetica for the entire Chaucerian Performance" that "undercuts the naturalistic strategies of the first three poems by a long experiment in the philosophical conflict between art and history."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stevens, John.</text>
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              <text>Ruth Morse and Barry Windeatt, eds.  Chaucer Traditions: Studies in Honour of Derek Brewer (Cambridge:  Cambridge University Press, 1990), pp. 139-54.</text>
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              <text>1990</text>
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              <text>Chaucer Traditions: Studies in Honour of Derek Brewer.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Style and Versification.</text>
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              <text>jules SAC 14 (42)</text>
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                <text>Chaucerian Metre and Early Tudor Songs</text>
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                <text>The "Fayrfax Manuscript" (ca. 1505) is one of the three major song books containing virtually all that survives of English secular songs from the late fifteenth and early sixteenth centuries.  A study of this manuscript's technique of setting English words to music can throw some light on the rhythm of late-fifteenth-century "Chaucerian" verse.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bradbury, Nancy Mason.</text>
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              <text>Rosalind Field, ed. Tradition and Transformation in Medieval Romance (Cambridge: D. S. Brewer, 1999), pp. 115-24.</text>
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              <text>1999</text>
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              <text>Tradition and Transformation in Medieval Romance.</text>
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              <text>Field, Rosalind, ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Tale of Sir Thopas.</text>
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              <text>jules SAC 23 (244)</text>
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                <text>Chaucerian Minstrelsy : Sir Thopas, Troilus and Criseyde and English Metrical Romance</text>
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                <text>Argues that Chaucer's reception of native romance in TC is more positive and artistically significant than has been previously recognized. After examining the elements of metrical romance in Th and arguing that it parodies one extreme of Chaucer's own poetic practice, the essay concludes that TC and Th show Chaucer's ambivalent use of the romance tradition.</text>
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              <text>Jordan, Robert M.</text>
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 95-116.</text>
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              <text>Companion to Chaucer Studies.</text>
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              <text>Style and Versification.</text>
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                <text>Chaucerian Narrative</text>
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                <text>Emphasis has shifted from the study of Chaucer as a realist and proto-novelist to the examination of his mode of presentation and his esthetics:  principles of rhetoric, uses of style, and poetic theory.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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              <text>Empringham, Antoinette Fleur.</text>
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                <text>Chaucerian Narrative and Gothic Style: A Study of the 'Legend of Good Women,' the 'Monk's Tale,' and the 'House of Fame'</text>
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                <text>Reads LGW, MkT, and HF as structurally successful works when viewed in light of medieval "Gothic" aesthetics of "inorganic" structure, derived from visual tradition.</text>
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              <text>Shuffelton, George G.</text>
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              <text>ChauR 47.1 (2012): 1-24.</text>
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            <elementText elementTextId="2801195">
              <text>Chaucer Review 47 (2012)</text>
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            <elementText elementTextId="2801196">
              <text>mea sac 36:111</text>
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              <elementText elementTextId="2801189">
                <text>Chaucerian Obscenity in the Court of Public Opinion</text>
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              <elementText elementTextId="2801193">
                <text>Addresses how Chaucer's bawdiness is perceived in the United States. Includes issues of censorship related to CT, with focus on curricula changes over the past few decades.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2725858">
              <text>DeWeever, Jacqueline.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Names 28 (1980): 1-31.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2725860">
              <text>1980</text>
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            <elementText elementTextId="2725862">
              <text>Language and Word Studies</text>
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            <elementText elementTextId="2725864">
              <text>mea SAC 04 (26)</text>
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              <elementText elementTextId="2725857">
                <text>Chaucerian Onomastics: The Formation of Personal Names in Chaucer's Works</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2725861">
                <text>Chaucer uses 636 proper names (excluding about 300 additional topographical and geographical names).  They fall into four categories: astrological, Biblical, classical, and mythological.  Names from Latin and Greek appear in the oblique case (e.g., "Isidis," gen. sing. of "Isis").  Names may show metathesis.  There is inconsistency of spelling, e.g., i/y, e/i.  Names may be contracted for metrical reasons.  The spelling may be determined by pronunciation.</text>
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              <text>Megna, Paul.</text>
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              <text>Postmedieval 9 (2018): 30-43.</text>
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            <elementText elementTextId="2837121">
              <text>Postmedieval 09 (2018)</text>
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              <text>Tale of Melibee&#13;
Second Nun and Her Tale&#13;
Manciple and His Tale&#13;
Lak of Stedfastnesse</text>
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              <text>SAC 43:134</text>
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        <element elementId="114">
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            <elementText elementTextId="2837124">
              <text>2018</text>
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              <elementText elementTextId="2837117">
                <text>Chaucerian Parrhesia: World-Building and Truth-Telling in "The Canterbury Tales" and "Lak of Stedfastnesse."</text>
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              <elementText elementTextId="2850959">
                <text>Considers CT--primarily SNT, Mel, ManT, and Sted--to argue that Chaucer's frequent depictions of characters employing "parrhesia," which Michel Foucault associates with speaking truth to power, suggest that Chaucer admired those who spoke truth to power and may even have practiced "parrhesia" in his poetry.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dorrance, Nina Helen.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 53 (1993): 2807A.</text>
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              <text>1993</text>
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            <elementText elementTextId="2731874">
              <text>Background and General Criticism.</text>
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          <elementTextContainer>
            <elementText elementTextId="2731875">
              <text>Dissertation Abstracts International 53 (1993)</text>
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              <text>jules SAC 17 (85)</text>
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                <text>Chaucerian Pathos</text>
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                <text>Though some of Chaucer's works are now considered ironic, satirical of the narrator's persona, Chaucer experimented with genuine pathos in SNT, MLT, PrT, SqT, and LGW.</text>
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              <text>Minkova, Donka, and Robert P. Stockwell.</text>
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          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2755641">
              <text>Raymond Hickey and Stanislaw Puppel, eds. Language History and Linguistic Modelling: A Festschrift for Jacek Fisiak on His 60th Birthday. 2 vols. (Berlin and New York: Mouton, 1997), 1: 29-57.</text>
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          <name>Date</name>
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            <elementText elementTextId="2755642">
              <text>1997</text>
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            <elementText elementTextId="2755643">
              <text>Language History and Linguistic Modelling: A Festschrift for Jacek Fisiak on His 60th Birthday.</text>
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          <description/>
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              <text>Stockwell, Robert P.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2755646">
              <text>Language and Word Studies.</text>
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              <text>jules SAC 24 (109)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2755639">
                <text>Chaucerian Phonemics : Evidence and Interpretation</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2755645">
                <text>Identifies inconsistencies in scholarly descriptions of how to pronounce Chaucerian English, and demonstrates that historical data are inconclusive in many phonemic situations, including long vowels, consonant clusters, final -e, and others. Suggests that Chaucer's English be reconstructed in a form closer to Shakespeare's than to Alfred's.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707417">
              <text>Kendrick, Laura.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707418">
              <text>Berkeley: University of California Press, 1988.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707419">
              <text>1988</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707420">
              <text>xi, 215 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707423">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707424">
              <text>jules SAC 12 (129)</text>
            </elementText>
          </elementTextContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2707416">
                <text>Chaucerian Play: Comedy and Control in the "Canterbury Tales"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2707421">
                <text>Using "paradigms" of human behavior drawn from psychology, psychoanalysis, and anthropology, Kendrick studies play in CT.  Chaucer's tales involve either "pathetic fictions that foreground individual accommodation to exterior reality or public morality at the expense of the satisfaction of individual desires" or "the individual's assimilation of reality to himself in an inversion of the status quo."</text>
              </elementText>
              <elementText elementTextId="2707422">
                <text>Topics include laughter, play, and fiction, "sentence" versus "solas," the spirit versus the flesh, desire and play, verbal taboos, symbolic rebellion in CT, deauthorizing the text, structure of CT, and the carnivalesque.  An appendix concerns "The 'Troilus' Frontispiece and the Dramatic Presentation of Chaucer's Verse."  Some attention is given to ClT, GP, GP Prioress, Chaucer the Pilgrim, KnT, MLP, MLT,MerT, MilT, MilP, MkT, NPT, PardT, RvT, ShT, Th, SumT, SqT,and WBP.</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763854">
              <text>Cooper, Helen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763855">
              <text>Robert G. Benson and Susan J. Ridyard, eds. New Readings of Chaucer's Poetry (Rochester, N.Y., and Cambridge: D. S. Brewer, 2003), pp. 31-50.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763856">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763857">
              <text>New Readings of Chaucer's Poetry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763859">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2763860">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763861">
              <text>vxl SAC 27:48</text>
            </elementText>
          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763853">
                <text>Chaucerian Poetics</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763858">
                <text>The Anglo-French duality of Chaucer's literary roots underlies the complexity of his representations of the self and others. In this light, HF should likely be dated later than it traditionally is.</text>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="263298" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713366">
              <text>Peck, Russell A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713367">
              <text>Julian  N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 39-55.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713368">
              <text>1986</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713369">
              <text>Chaucer in the Eighties.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713371">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713372">
              <text>jules SAC 10 (231)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713365">
                <text>Chaucerian Poetics and the Prologue to the 'Legend of Good Women'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713370">
                <text>As an ars poetica, LGWP shows that the poet is not a creator but a mediator, balancing vision with experience.  This action serves to mediate between the extremes of "cupiditas" and "caritas," tempering the former with the latter.</text>
              </elementText>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="266467" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744794">
              <text>Wallace, David.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744795">
              <text>Stanford, Calif.: Stanford University Press, 1997.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744796">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744797">
              <text>xxii, 555 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744802">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2744803">
              <text>Canterbury Tales--General.</text>
            </elementText>
            <elementText elementTextId="2744804">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744805">
              <text>"Figurae": Reading Medieval Culture.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2744806">
              <text>jules SAC 21 - 155</text>
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          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2744793">
                <text>Chaucerian Polity: Absolutist Lineages and Associational Forms in England and Italy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2744798">
                <text>Reads Chaucer's works (especially CT) as his responses to and imaginings of the politics of his age, politics he experienced at home, in his journeys to Italy, and in his readings of Italian literature--especially that of Petrarch and Boccaccio but also that of Dante and Albertano of Brescia.</text>
              </elementText>
              <elementText elementTextId="2744799">
                <text>The "compagnye" of GP represents the "associational ideology" of early Florentine humanism, while the despotism of KnT reflects the absolutist tyranny of Visconti Lombardy, the seedbed of later patronizing humanism.</text>
              </elementText>
              <elementText elementTextId="2744800">
                <text>Aligning Boccaccio with associational forms and Petrarch with despotic ones, Wallace shows how Chaucer responds to his predecessors as he depicts feminine or wifely eloquence as desirable in politics, especially in Mel and LGWP (F version) and, obversely, in ManT.  Chaucer's fabliaux present tensions between the city and the country, while MLT explores mercantilism.  ClT and MerT examine humanism vs. tyranny; MkT depicts the fate of despotism.</text>
              </elementText>
              <elementText elementTextId="2744801">
                <text>Wallace provides much new historical context for the works of Petrarch, Boccaccio, and Chaucer and argues that Chaucer adumbrates Shakespeare's humanism, although in a form more feminist and communal and less despotic.</text>
              </elementText>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="273283" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815689">
              <text>Grennen, Joseph E.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815690">
              <text>Neuphilologische Mitteilungen 69 (1968): 569-74.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815691">
              <text>Neuphilologische Mitteilungen 69 (1968).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815692">
              <text>Monk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815693">
              <text>mea; 09/15/2017</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815694">
              <text>1968</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815687">
                <text>Chaucerian Portraiture: Medicine and the Monk.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815688">
                <text>Comments on details of the Monk's description in GP, explaining how they characterize him as "both an epicure and a sexual connoisseur."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="261236" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692984">
              <text>Boffey, Julia.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692985">
              <text>Julia Boffey and Janet Cowen, eds.  Chaucer and Fifteenth-Century Poetry.  King's College London Medieval Studies, no. 5 (London: King's College Centre for Late Antique and Medieval Studies, 1991), pp. 84-102.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692986">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692987">
              <text>Chaucer and Fifteenth-Century Poetry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692989">
              <text>Chaucer's Influence and Later Allusion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2692990">
              <text>mea</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2692983">
                <text>Chaucerian Prisoners: The Context of The King's Quair</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2692988">
                <text>Chaucer's various uses of the "structural, rhetorical, and metaphorical possibilities" of prison imagery reflect Boethian thought and influence later medieval English tradition, in particular The King's Quair of James I of Scotland.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Vasta, Edward, and Zacharias P. Thundy, eds.</text>
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 1979.</text>
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              <text>Thundy, Zacharias P., ed.</text>
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              <text>Background and General Criticism.</text>
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                <text>Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C.S.C</text>
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            <description>An account of the resource</description>
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                <text>Sixteen essays by various authors. For individual essays that pertain to Chaucer, search for Chaucerian Problems and Perspectives under Alternative title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Huseboe, Arthur R.</text>
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              <text>North Dakota Quarterly 31 (1963): 35-37.</text>
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              <text>North Dakota Quarterly 31 (1963)</text>
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              <text>Language ad Word Studies&#13;
Merchant and His Tale&#13;
Style and Versification&#13;
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        <element elementId="109">
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        <element elementId="114">
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          <element elementId="50">
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                <text>Chaucerian Puns on "Brotel."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2831089">
                <text>Argues that in Chaucer's three uses of "brotel" and its derivatives in MerT (4. 1279, 2061, and 2241), the poet plays punningly on sexual implications of the term in addition to the primary meaning, "brittle" or "fragile."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Bloomfield, Morton W.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 179-93.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1986</text>
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          <elementTextContainer>
            <elementText elementTextId="2711619">
              <text>The Cambridge Chaucer Companion.</text>
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          <elementTextContainer>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 10 (45)</text>
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                <text>Chaucerian Realism</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2711620">
                <text>This updated version of Bloomfield's 1964 essay "Authenticating Realism and the Realism of Chaucer" discusses "authenticating frames" in Chaucer:  the dream frame of BD, the historical frame of TC, and the social frame of CT, which "gives us a strong sense and feel of contemporary English life."  The tension between the real and the unreal is central in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Myles, Robert.</text>
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        <element elementId="98">
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              <text>Cambridge: D. S. Brewer, 1994.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735441">
              <text>1994</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2735442">
              <text>xiii, 153 pp.</text>
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          <elementTextContainer>
            <elementText elementTextId="2735445">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2735446">
              <text>Friar and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735447">
              <text>Chaucer Studies, no. 20.</text>
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              <text>jules SAC 18 (1996) - 111</text>
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                <text>Chaucerian Realism</text>
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                <text>Countering the modern critical view of Chaucer as a nominalist or antirealist, Myles finds Chaucer a realist in many senses of the term:  "a foundational realist, an epistemological realist, an ethical realist, a semiotic and linguistic realist, and an author capable of creating psychologically real characters." </text>
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                <text>Topics include medieval understandings of realism, intentionality, and semiological metaphysics, as well as medieval and modern understandings of modes of presentation. Myles demonstrates his argument primarily in terms of Chaucer's deliberate play with three-level semantics in FrT,the very subject of which is intentionality.  Gives some attention to Bo, ClT, GP, ManT, MerT, NPT, PardT, ParsT, Ret, Rom, Sted, SumT, TC, and WBT.</text>
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            <elementText elementTextId="2763828">
              <text>Cooper, Helen.</text>
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              <text>Robert G. Benson and Susan J. Ridyard, eds. New Readings of Chaucer's Poetry (Rochester, N.Y., and Cambridge: D. S. Brewer, 2003), pp. 7-30.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2763830">
              <text>2003</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2763831">
              <text>New Readings of Chaucer's Poetry.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2763833">
              <text>Background and General Criticism.</text>
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              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2763835">
              <text>Tale of Sir Thopas.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="109">
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              <text>vxl SAC 27:99</text>
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                <text>Chaucerian Representation</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2763832">
                <text>Surveys the evolution of critical appropriations and pictorial representations of Chaucer from the fifteenth to the twenty-first centuries, suggesting that oversimplifications of Chaucer recur because he is so deeply concerned with the generative processes of literature. Cooper confronts the question, "What is it that Chaucer imitates or represents?" Recurrent attention to PF, Th, and imitations of Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797419">
              <text>Burke, Kevin J.</text>
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        <element elementId="98">
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797421">
              <text>2012</text>
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              <text>Knight and His Tale</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Second Nun and Her Tale</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2797427">
              <text>Dissertation Abstracts International 72 (2012).</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2797428">
              <text>mea sac 35:97.</text>
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                <text>Chaucerian Representations of Human Behavior: Determined and Free Action in the 'Knight's Tale' and the 'Wife of Bath's Prologue and Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2797422">
                <text>Contemplates issues of determinism and free will in KnT and WBPT. KnT is viewed as "deterministic," which in turn is countered by the Wife, as well as ClT and SNT.</text>
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