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                  <text>Chaucer Bibliography Online</text>
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              <text>Kolve, V. A.</text>
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              <text>Robert Taylor, James F. Burke, Patricia J. Eberle, Ian Lancashire, and Brian S. Merrilees, eds. The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle (Kalamazoo: Medieval Institute Publications, Western Michigan University, 1993), pp. 265-96.</text>
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              <text>1993</text>
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              <text>The Centre and Its Compass: Studies in Medieval Literature in Honor of Professor John Leyerle.</text>
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              <text>Summoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 17 (181)</text>
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                <text>Chaucer's Wheel of False Religion: Theology and Obscenity in the 'Summoner's Tale'</text>
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                <text>Wheel iconography associated with Hugh of Foilloy's treatise, "The Wheel of True and False Religion," may have influenced the plotting of the divided fart in SumT.</text>
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            <elementText elementTextId="2710317">
              <text>Wurtele, Douglas J.</text>
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              <text>Arthurian Interpretations 2 (1987): 47-61.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1987</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Arthurian Interpretations 2 (1987)</text>
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              <text>jules SAC 11 (176)</text>
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                <text>Chaucer's Wife of Bath and Her Distorted Arthurian Motifs</text>
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                <text>An examination of three analogues--"The Marriage of Sir Gawaine," "The Wedding of Sir Gawain and Dame Ragnell," and Gower's "Tale of Florent"--illuminates Chaucer's handling of Arthurian motifs such as the lady's transformation and the issue of sovereignty in WBT.  Whereas Arthurian romance portrays both sexes favorably, Alison aims at a more "realistic" view by placing the knight in the most demeaning position she can imagine.</text>
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          <elementTextContainer>
            <elementText elementTextId="2705102">
              <text>Whitaker, Elaine E.</text>
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        <element elementId="98">
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              <text>Publications of the Arkansas Philological Association 15:2 (1989): 26-36.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1989</text>
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              <text>Publications of the Arkansas Philological Association 15 (1989).</text>
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              <text>jules SAC 13 (132)</text>
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                <text>Chaucer's Wife of Bath and Her Ten Pound Coverchief</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2705105">
                <text>Coverchiefs, while sometimes a sign of mourning, are more often read as a devilish device to "blind men's sight," as Robert Mannyng suggests.  The Wife's coverchiefs serve as one of numerous signs that "her life...remains in theological disarray."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2775344">
              <text>Arnell, Carla.</text>
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        <element elementId="98">
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            <elementText elementTextId="2775345">
              <text>Modern Language Review 102 (2007): 933-46.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2775346">
              <text>2007</text>
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            <elementText elementTextId="2775348">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2775349">
              <text>Modern Language Review 102 (2007)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>vxl SAC 31:49</text>
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              <elementText elementTextId="2775343">
                <text>Chaucer's Wife of Bath and John Fowles's Quaker Maid: Tale-Telling and the Trial of Personal Experience and Written Authority</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>John Fowles's novel"A Maggot," set in eighteenth-century England, is similar to CT in several ways, from its opening premise to its general structure as a series of "tales" (reconstructions of mysterious events surrounding a death) told by various characters first introduced through detailed portrait-like descriptions. The female protagonist, the "Quaker Maid" Rebecca Lee, revisits the debate that appears in WBT about personal experience versus written authority as a legitimate source of knowledge.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2717515">
              <text>Adams, Roberta E.</text>
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        <element elementId="98">
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            <elementText elementTextId="2717516">
              <text>Dissertation Abstracts International 44 (1984): 3069A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1984</text>
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              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2717520">
              <text>Dissertation Abstracts International 44 (1984)</text>
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              <text>jules SAC 08 (149)</text>
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                <text>Chaucer's Wife of Bath and Marriage in Fourteenth-Century England</text>
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              <elementText elementTextId="2717518">
                <text>Common law, canon law, and contemporary conduct books indicate certain concepts of marriage and the role of the good wife. The Wife of Bath's "good" (arranged) and "bad" (chosen) marriages contrast the ideal with socioeconomic reality.  WBT is a conduct book for good husbands.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2707755">
              <text>Wurtele, Douglas J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2707756">
              <text>Chaucer Review 23 (1988): 117-28.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2707757">
              <text>1988</text>
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              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2707760">
              <text>Chaucer Review 23 (1988)</text>
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            <elementText elementTextId="2707761">
              <text>jules SAC 12 (161)</text>
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                <text>Chaucer's Wife of Bath and the Problem of the Fifth Husband</text>
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                <text>If Jankyn and Alison conspired at the death of the Wife's fourth husband, the books from which Jankyn reads possibly contain lessons to murderesses.  Her anger and threat of revelation result in his capitulation and flight, leaving her to purvey her fantasies to any who will listen.</text>
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            <elementText elementTextId="2777075">
              <text>Hill-Vásquez, Heather.</text>
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            <elementText elementTextId="2777076">
              <text>Florilegium 23.2 (2006): 169-95.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2777077">
              <text>2006</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Florilegium 23 (2006)</text>
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              <text>vxl SAC 31:212</text>
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              <elementText elementTextId="2777074">
                <text>Chaucer's Wife of Bath, Hoccleve's Arguing Women, and Lydgate's Hertford Wives: Lay Interpretation and the Figure of the Spinning Woman in Late Medieval England</text>
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              <elementText elementTextId="2777078">
                <text>In later medieval thought, spinning women represent two often contradictory ideas: rebellion against hierarchical order and, paradoxically, Marian obedience. Citing scripture, Chaucer's Wife fuses both viewpoints in WBP. When Lancastrian mores prevailed, the spinning woman came to epitomize Lollard threats to the status quo. Lydgate's and Hoccleve's spinners lack Chaucer's toleration.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Levy, Bernard S.</text>
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              <text>Symposium 19 (1965): 359-73.</text>
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              <text>Symposium 19 (1965)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2842448">
              <text>1965</text>
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                <text>Chaucer's Wife of Bath, the Loathly Lady, and Dante's Siren.</text>
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                <text>Argues that Dante's siren of "Purgatorio" XIX is analogous to the Wife of Bath and the transformation of the loathly lady of WBT, helping to undercut the Wife's views on female sovereignty and ironically "reasserting the medieval Christian idea of the proper man-wife relationship."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2715103">
              <text>Lindskoog, Verna De Jong.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715104">
              <text>Dissertation Abstracts International 45 (1985): 2520A.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2715105">
              <text>1985</text>
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            <elementText elementTextId="2715107">
              <text>Wife of Bath and Her Tale.</text>
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              <text>Dissertation Abstracts International 45 (1985)</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>jules SAC 09 (155)</text>
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                <text>Chaucer's Wife of Bath: Critical Approaches in the Twentieth Century</text>
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            <description>An account of the resource</description>
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                <text>Critical views of the Wife, though based on the same Chaucerian texts, vary widely--roughly between realistic approaches and those that ignore or deny realism.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2754053">
              <text>Beidler, Peter G.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2754054">
              <text>Chaucer Review 34: 388-97,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2754055">
              <text>2000</text>
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            <elementText elementTextId="2754057">
              <text>Wife of Bath and Her Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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          <elementTextContainer>
            <elementText elementTextId="2754059">
              <text>Chaucer Review 34 (2000)</text>
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              <text>jules SAC 24 (256)</text>
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              <elementText elementTextId="2754052">
                <text>Chaucer's Wife of Bath's 'Foot-Mantel' and her 'Hipes Large'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2754056">
                <text>In GP, the Wife's "foot-mantel" is not a "skirt," but a set of leggings or riding chaps, pulled up over the feet and legs from the bottom. "Large" refers not to the size of the Wife's hips, but to the loose drapery of the garment. The Wife may be smaller and more vulnerable than previously thought.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Beidler, Peter G., and Elizabeth M. Biebel, ed.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2756621">
              <text>1998</text>
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              <text>lxiv, 358 pp.</text>
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              <text>Biebel, Elizabeth M., ed.</text>
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              <text>Bibliographies, Reports, and Reference.</text>
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              <text>Wife of Bath and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2756627">
              <text>The Chaucer Bibliographies, no. 06.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (3)</text>
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                <text>Chaucer's Wife of Bath's Prologue and Tale : An Annotated Bibliography, 1900 to 1995</text>
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          <element elementId="41">
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              <elementText elementTextId="2756624">
                <text>A comprehensive annotated bibliography of scholarly and critical discussion of WBPT, subdivided into the following categories: editions and translations (items 1-82), sources and analogues (items 83-206), the "Marriage Group" (items 207-56), Gentillesse (items 257-79), the Wife of Bath in General Prologue (items 280-416), The Wife of Bath's Prologue (items 417-1066), and The Wife of Bath's Tale (items 1067-1458). The items in each category are arranged by date of publication and cross-listed. Includes an index and a summary of critical trends.</text>
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            <elementText elementTextId="2799473">
              <text>Biggins, Dennis.</text>
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        <element elementId="98">
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              <text>Explicator 32.6 (1974): Item 44.</text>
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          <elementTextContainer>
            <elementText elementTextId="2799475">
              <text>1974</text>
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            <elementText elementTextId="2799477">
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              <text>Reeve and His Tale</text>
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              <text>Style and Versification</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799480">
              <text>Explicator 32 (1974)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2799481">
              <text>mea 10/24/2014 No SAC</text>
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                <text>Chaucer's Wife of Bath's Prologue D.608</text>
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            <description>An account of the resource</description>
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                <text>Comments on the punning and aural effects of Chaucer's use of "quoniam" in WBP 3.608 and cites similar verbal play in RvT 1.3973-76.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2762966">
              <text>Lee, Dongchoon.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762967">
              <text>Journal of English Language and Literature (Korea) 48 (2002): 263-87.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762968">
              <text>2002</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2762971">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2762972">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2762973">
              <text>Journal of English Language and Literature (Korea) 48 (2002)</text>
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        <element elementId="109">
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              <text>mea SAC 26: 216</text>
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              <elementText elementTextId="2762965">
                <text>Chaucer's Wife of Bath's Tale: Female Sexuality Confined in a Prison of Language</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762969">
                <text>Contrasts WBT with its English analogues and assesses the role of rhetorical dilation, which Chaucer derived from Roman and French traditions. The digressions compel readers to engage WBT dialogically.</text>
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              <elementText elementTextId="2762970">
                <text>In Korean, with English abstract.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pelen, Marc M.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>Chaucer's Wife of Midas Reconsidered: Oppositions and Poetic Judgment in the 'Wife of Bath's Tale'</text>
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                <text>The interpolated story of Midas's wife evokes Ovidian concern with poetic judgment and suggests Chaucer's perspective on the differing attitudes of the hag and the knight toward love and marriage.  Complex Ovidian  echoes imply the failure of Midas's wife to understand the significance of his preference for Pan's music over Apollo's, and, by extension, the Wife's failure to acknowledge a more cosmic view of love and poetry than the purely experiential one she espouses.</text>
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              <text>Leyerle, John.</text>
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              <text>University of Toronto Quarterly 40 (1971): 247-65</text>
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              <text>House of Fame</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>University of Toronto Quarterly 40 (1971)</text>
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              <text>mea; 04/07/2016 No SAC</text>
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            <name>Title</name>
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                <text>Chaucer's Windy Eagle</text>
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                <text>Considers the date and thematic unity of HF, suggesting that the eagle is crucial to perceiving both of them, with the astrological sign of the eagle ("Aquila") indicating the date and the Eagle's discourse on sound central to the poem's concern with the arbitrariness and equivalence of fame and farts. Comments on the Eagle as a figure of Jupiter's messager, its associations with gospel lecterns, and its origins in Dante and Boethius. Includes four b&amp;w illustrations.</text>
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              <text>Maclaine, A. H.</text>
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              <text>Medium Aevum 31 (1962): 129-31.</text>
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              <text>Medium Aevum 31 (1962)</text>
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              <text>Reeve and His Tale&#13;
Style and Versification&#13;
Chaucer's Life</text>
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              <text>mea; 4/22/21</text>
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        <element elementId="114">
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            <elementText elementTextId="2834486">
              <text>1962</text>
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              <elementText elementTextId="2834479">
                <text>Chaucer's Wine-Cask Image: Word Play in "The Reeve's Prologue."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2834480">
                <text>Commends the force and clarity of the passage on old age in RvP (1.3887-98), particularly the images of the wine cask and the tongue, the first familiar to Chaucer as a member of a family in the wine business</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2735937">
              <text>Owen, Charles A., Jr.</text>
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        <element elementId="98">
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              <text>Jean E. Jost, ed. Chaucer's Humor: Critical Essays (New York and London: Garland, 1994), pp. 261-70.</text>
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        <element elementId="114">
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            <elementText elementTextId="2735939">
              <text>1994</text>
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              <text>Chaucer's Humor: Critical Essays.</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Style and Versification.</text>
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              <text>jules SAC 18 (1996) - 150</text>
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                <text>Chaucer's Witty Prosody in 'General Prologue', Lines 1-42</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2735941">
                <text>Close reading of rhythm, rhyme, and syntax discloses the wry control of the opening of GP.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2766015">
              <text>Pitcher, John A.</text>
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        <element elementId="98">
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              <text>Genre 36: 1-27,   2003.</text>
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            <elementText elementTextId="2766019">
              <text>Physician and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Wolf: Exemplary Violence in The Physician's Tale</text>
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                <text>Examines allegorical, typological, eschatological, and pathetic registers and word play in PhyT, showing how Chaucer thematizes violence and cultural forms that would valorize it. Pitcher compares Chaucer-s rendering with that in the "Roman de la Rose" and argues that the image of the wolf (ll. 101-2) applies to Virginius. Within the framework of CT, the Tale indicts the family as an institution of violence.</text>
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            <elementText elementTextId="2715565">
              <text>Saito, Tomoko.</text>
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        <element elementId="98">
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              <text>Konan Daigaku Kiyo 53 (1985): 61-77.</text>
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        <element elementId="114">
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              <text>Prioress and Her Tale.</text>
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              <text>Konan Daigaku Kiyo 53 (1985).</text>
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              <text>jules SAC 09 (203)</text>
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                <text>Chaucer's Women 2--The Prioress</text>
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                <text>Shows that the Prioress's portrait is closely related to PrT. She enjoys her own human freedom and is respected in her religious role.</text>
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                <text>In Japanese.</text>
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  <item itemId="265010" public="1" featured="0">
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2729795">
              <text>Diamond, Arlyn.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2729796">
              <text>Arlyn Diamond and Lee R. Edwards, eds.  The Authority of Experience: Essays in Feminist Criticism (Amherst: University of Massachusetts Press, 1977), pp. 60-83.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2729797">
              <text>1977</text>
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              <text>The Authority of Experience: Essays in Feminist Criticism.</text>
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              <text>Diamond, Arlyn,</text>
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            <elementText elementTextId="2729800">
              <text>Edwards, Lee R.,ed.</text>
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            <elementText elementTextId="2729801">
              <text>ed.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2729803">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2729804">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2729805">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729806">
              <text>jules SAC 02 (113)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2729794">
                <text>Chaucer's Women and Women's Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2729802">
                <text>A feminist analysis of the "Marriage Group" reveals that Chaucer draws his characterization of women largely from medieval stereotypes.  He is unable to go beyond a Griselda (Virgin Mary) or a Dame Alisoun (Eve) to create a female "both virtuous and three-dimensional."</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702029">
              <text>Saito, Tomoko.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702030">
              <text>Konan Daigaku Kiyo 73 (1990): 125-38.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702031">
              <text>1990</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2702034">
              <text>Merchant and His Tale.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702035">
              <text>Konan Daigaku Kiyo 73 (1990).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702036">
              <text>jules SAC 14 (206)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702028">
                <text>Chaucer's Women--May</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702032">
                <text>Relates the marriage theme in MerT to feminism and suggests that January's view of marriage is not defensible in light of medieval Christianity.</text>
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              <elementText elementTextId="2702033">
                <text>(In Japanese.)</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801928">
              <text>Reed, Gail H.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801929">
              <text>DAI 35.07 (1974): 4215A.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801930">
              <text>1974</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801932">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801933">
              <text>Dissertation Abstracts International 35 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801934">
              <text>mea; 12/23/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801927">
                <text>Chaucer's Women: Commitment and Submission</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801931">
                <text>Argues that "in Chaucer's poetry women are consistently portrayed as seeking out a niche in the social (or religious) hierarchy which will permit them to serve in the subordinate position St. Paul insists they were intended to fill." Discusses all of Chaucer's major poems.</text>
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  <item itemId="262257" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703120">
              <text>Martin, Priscilla.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703121">
              <text>Iowa City: University of Iowa Press, 1990.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703122">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703123">
              <text>xv, 254 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703127">
              <text>Canterbury Tales--General.</text>
            </elementText>
            <elementText elementTextId="2703128">
              <text>Anelida and Arcite.</text>
            </elementText>
            <elementText elementTextId="2703129">
              <text>Book of the Duchess.</text>
            </elementText>
            <elementText elementTextId="2703130">
              <text>House of Fame.</text>
            </elementText>
            <elementText elementTextId="2703131">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2703132">
              <text>Parliament of Fowls.</text>
            </elementText>
            <elementText elementTextId="2703133">
              <text>Romaunt of the Rose.</text>
            </elementText>
            <elementText elementTextId="2703134">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2703135">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2703136">
              <text>Prioress and Her Tale.</text>
            </elementText>
            <elementText elementTextId="2703137">
              <text>Second Nun and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703138">
              <text>jules SAC 14 (97)</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703119">
                <text>Chaucer's Women: Nuns, Wives, and Amazons</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703124">
                <text>Full-length studies of the women in Chaucer's poetry had to wait for the intense activity in feminist scholarship of the last two decades.</text>
              </elementText>
              <elementText elementTextId="2703125">
                <text>Studying Chaucer's representations of women--the Wife of Bath,the White Lady, Criseyde, Alceste, the heroines of the Legends, the Prioress and the Second Nun, Emily, Dorigen, Constance, Griselda, Prudence, and the almost indestructible Cecilia--results in "two simple things one can say with confidence.  The first is that women and the relationships between the sexes are Chaucer's favorite subject," and "the second is that he treats their relationships as a problem area."</text>
              </elementText>
              <elementText elementTextId="2703126">
                <text>He writes of the "suffering caused to both sexes in their involvement with each other, of unrequited love, of unhappy marriages, of power struggles for 'maistry'."  Martin examines Anel, BD, CT, HF, LGW, PF, Rom, and TC.</text>
              </elementText>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843927">
              <text>Seal, Samantha Katz.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843928">
              <text>Chaucer Review 56. 4 (2021): 322–40</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843929">
              <text>Chaucer Review 56 (2021)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843930">
              <text>Chaucer's Life&#13;
Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843931">
              <text>SAC 45:8</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843932">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843925">
                <text>Chaucer's Women: Sex and the Scholarly Imagination.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850759">
                <text>Argues that Chaucerian biographers and critics have both been horrified by the rape of Cecily Chaumpaigne and depicted it to reenforce Chaucer's masculinity. Traces how these critics and authors have fashioned Chaumpaigne into a courtly lady, whose presence makes Chaucer a better man. Contends that "there is a literary touch beyond titillation, a temporal bond stronger than mere male collegiality and recognition."</text>
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  <item itemId="268765" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768580">
              <text>Fichte, Joerg O.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768581">
              <text>Poetica (Tokyo) 29-30 (1988): 93-101</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768582">
              <text>1988</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768584">
              <text>Background and General Criticism.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768585">
              <text>Poetica: An International Journal of Linguistic Literary Studies 29-30 (1988)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2768586">
              <text>vxl sac 29:109</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2768579">
                <text>Chaucer's Work in German Literary Scholarship</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2768583">
                <text>Surveys studies of Chaucer written in German from the middle of the nineteenth century until World War I.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
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